NEWS

Where was that Big Mike? He’s Got a Nerve…Ending.

Yeah so, I’ve blown my own horn, reviewed my own night, but it doesn’t happen every day! And what of the big man, Mike Barham, I hear you cry; could’ve asked him to play. I did, alright, and he’d loved to have come down and blasted his splendid noise, but that Deborah of the Southgate nabbed him first; typical.

As if the Southgate ain’t putting on some blinding music every Saturday night, often Fridays too, and even on a Wednesday night when they all sit around “acoustic jamming,” they call it, getting bladdered I calls it, on a Wednesday, do they have no shame? Honestly, they’ve a gig list booked into next year which reads like a local musician hall of fame, and Mike would’ve struggled to get his gert big size twenty in the door again for a while.

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So, no hard feelings I say, I don’t do hard feelings, especially when the secret headliner announced was to be Nerve Endings. Yeah, I know right, who them then? I’ll tell you who shall I, only Mike Barham and buddies, that’s who; Mike Barham supports Mike Barham, what a nerve. I popped over a question to him; “oi Barham, what’s what then, with them then?”

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“Hey buddy,” he gives it, “Mike here! Yeah totally new venture, new tracks, so would love to have a chat about it.” They’ve got Melksham’s Rob McKelvey on bass and vocal, and the awesome drummer Luke Bartels who, if you recall, we’ve mentioned on the exceptionally loud and proud Cellar Bar gig by his Welsh band Holoson in June. Now in my book that sounds like a dream team, and feedback has been very positive; here’s a Facebook video link to show off, and it sounds as we’d expect, flipping awesome.

 
Are they to gig again before Santa does his rounds, they’ve surely made his good list? I’m officially sworn to secrecy at the moment, a few days should tell but word on the grapevine is that their debut gig at the Southgate might not be the first and only show of 2018. Thank cripes for that, thought I’d missed out just because I was at some fancy-pansy online magazine’s birthday bash.

Yep, funny cos it’s true; Devizine wishes Mike, Luke and Rob all the best with this new project.

https://www.facebook.com/Nerve-Endings-295159981332912/

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Lions in Clown’s Clothing….

Devizes Lions: BBC CHILDREN IN NEED STREET COLLECTION

The Devizes Lions, no, not the lions who escaped the circus to invade the School canteen in 1980 or whenever, (showing your age now,) but the Lions Club, who organise and participate in many brilliant community activities, and with the support of the local community have raised many thousands of pounds to help support local people and various charities, yes, those Lions!

Now, where was I? Oh yes, The Devizes Lions will be out in the Brittox with their buckets and dressed as clowns on Thursday 15th November to encourage people to donate to the BBC Children in Need appeal. Please show them your support!

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Birthday Bash Bashed; how our night went down on the, ermm, night….

Photos by Matthew Hennessy @ Hennessyimages

And Nick Padmore  @ NickPadmore Photography

 

Mark Hamill couldn’t identify with the change in Luke Skywalker that the writers of The Last Jedi made. I diverge; alone in isolation Luke’s character would’ve altered. Although I’m no Jedi Master, and don’t habitually drink green alien milk, not directly from the teat anyways, visions of me scrambling in dirt, spitting, “this is not going to go the way you planned,” did come to my paranoid mind Saturday afternoon.

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Nevertheless, I stepped up to the stage at the Cons Club in Devizes to kick proceedings off. Tad nervous, behind a mic not my comfort zone, but from the first note of Lottie J’s keys, and as her sublime voice rang through the hall, I was more like Hannibal of the A-Team, rubbing his hands; I love it when a plan comes together. At just 15 Lottie J has the matured soulful voice of a professional singer twice her age, with a talent for song writing to boot. It was around about a year ago I saw her play at Times Square in Devizes, and it made one of our early articles on Devizine. She wowed then, she’s improved tenfold.

 

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That’s the key to all which went down at the Cons Club last night, our humble birthday bash, for all the acts which played have been featured, least mentioned fondly here, at the very beginnings. It was this which I think made the night special, personally, but for others, and to my surprise, it was the collaborations and team work which banded this event in glory. Not that I should write a review for my own event really, bit cheeky, just consider this a method of letting you know how it went, my thoughts on the night, and an opportunity for highlighting the amazing line-up for those who couldn’t attend, and of course, thanking them.

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Because I’m truly grateful and totally overwhelmed by everyone who played Saturday night, I’m honoured that they gathered, performed amazingly, and stayed to support the cause, join in other’s sets, and generally get pissed with me! Take drunkenness as red, the surprise collaborations took my breath away, Lottie arranging to sing “Day Dream Believer,” with the following act, Sam Bishop and Finely Trusler, aka; Larkin. Despite the duo never meeting Lottie before, it was touching and functioned. But it was the method which would continue, as Jamie R Hawkins took to the stage early to add some Cajon drum to their set, which would’ve been amazing without it. Such then was the ethos of the evening, musicians, yeah, I know, you can see free on the local pub circuit, but amalgamated to complement each other’s acts is a rarity they enjoy as much as we enjoy to see, thus creating a real “scene.”

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Our brilliant poet, Gail Foster, read a couple of sonnets while Phil Cooper and Jamie set up. I’d imagined Gail having more time in the spotlight, her verses worked through chatter and gave us the desired belly-laughs, but with McLaren F1 styled changeover times, Jamie was blasting with passion my favourite original, “As Big a Man as Me,” with Phil now on Cajon. Sharing the set with Phil, solo, then duetting, and then jumping on the Cajon while Phil shook it up, with stylishness, and shakers.

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There was a feeling in the air it couldn’t get any better, but surprise number two arrived when Cath and Gouldy requested to play a few numbers as their original songs’ duo, Sound Affects. We were treated to an unscheduled set; how could I refuse? They hooked up here at while I was home selecting my least smeggy shirt, at five, to supply the PA, despite not planned to play as the Day Breakers until the finale, but also worked tirelessly with the other acts, their respective mountain of equipment, and my complete idiocy when it came to anything technical; I’m glad I didn’t refuse. I owe them so many thanks it’s hard to calculate, Gouldy even dropping my drunken ass off home on his way out of the Vizes.

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If we were as tight as Roy Chubby Brown in skinny jeans for time, sliding in an additional act was a done deal, Tamsin not feeling so good agreed to cut her stint short. But our Tammy was up next, showing no signs of ailment when it came to performing, she did what she always does; it was absolutely terrific, as ever, and I wish her well.

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Before I knew what was what, I insisted Gail read another couple of verses, the latter poignant remembrance themed which stunned the audience to silence. If you could momentarily hear a pin drop, imagine what happened when the incredible George Wilding did his thing? “It’s on the setlist,” he pointed his finger at his scraggily scrap of paper when I recounted his cover of “Be my Baby” at Bromfest in the summer. I insisted they play what they will, unlike some pub gigs, their original songs were encouraged at my show, but when George does a cover, he makes it his own with a natural flare he keeps on his hip.

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The night went from strength to strength, George’s set closing with a gorgeous slow number duet with Bryony Cox, one surprise I was aware of. I’m so sorry to the pair, pressed for time and shown so much dedication and patience, the Day Breakers edged on their chairs.

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I leaned into violinist Catherine York, whispered “I want you to blow the roof off,” and like greyhounds out the starting trap, they sprung on stage to do just that; dancers flooded the floor amidst a bombardment of hugs and celebrations from all.

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I’m still at ten thousand feet at just how great our acts were, but also the contributions behind the scenes from so many, I hereby attempt to mention now. For if Devizine is rather like Luke Skywalker, lonely, just me sat at a computer typing this crap, this night was Rey arriving on the island, ding-dong, lightsabre in hand, it made everything I do, and my contributors do too, a solid, a reality, and I thank you all from the bottom of my heart.

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I’d like to thank Dean Czerwionka of Dead Kool Country Promotions for organising this shebang, Cath and Gouldy for not only the use of the PA and sound arrangements throughout the night, but for playing as Sound Affects and to the remaining Day Breakers.

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I’d like to thank Tamsin Quin, her family, but in particular, Erin for collecting extra money in a bucket; you were brill! To Lottie J, and Dad Russell, I’d like to thank for kicking off our show, Sam and Finely of Larkin, Phil Cooper, Jamie R Hawkins, George Wilding and Bryony Cox, for making the night with awesome sets. To Gail Foster for her poetry interludes, thank you. To Matthew Hennessy and Nick Padmore for photography seen here. To Joy Padmore, truly a joy to have on the door. To Carol and all the staff of The Conservative Club; thanks for having us!

 

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To Beverley and The Harcourt Hammies for the cake, my patient and understanding wife Sharon for taking the entire day making a great buffet. To Sue Davis of BBC Wiltshire, the Devizes CUDS, to everyone who came along, and to Resul of the Turkish Barbers in Snuff Street who gave me an emergency trim!

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Feedback has been awesome, seems everyone enjoyed the show. I’ve seen some comments proclaiming how much talent we have here in Devizes on account of the great acts who came to play. I’d like to point out, they were hand-selected for their excellence and surely are a shining representation of the musical talent we have in this area, but are by no means the be-all-and-end-all of the scene I’ve discovered through Devizine, this ongoing exploration of all things local and lively.

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I raised a glass to the ones we let down, couldn’t squeeze in, ones pre-booked elsewhere, to the upcoming names, and the greats, to all the brilliant venues and event organisations we have here from the Scooter Club, Long St Blues, to the Owl, from the Southgate and Crown to the Cellar Bar, from the Saddleback to the Wharf, and from the Arts Festival to DOCA, and more, Devizes really is a little haven for quality entertainment, and while I appreciate Ian Diddam’s hashtag #nothingeverhappensindevizes is nothing more than unsubtle irony, Devizine continues to highlight the nonsense in anyone who dare take it seriously.

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So, we strive on, with no real desire to coordinate events, still Saturday was a lesson learned, and I now feel the pain of the event organisers I chat with, but still feeling I’d like to do it all again nonetheless. Still at ten thousand feet and a tad scraggly around the edges from this amazing birthday bash, I can tell you we raised on the door, approximately £366 for Cancer Research, but we still have to add online ticket sales so a grand total will be with us shortly.

 

Thank you all, I blinking love you x

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Elles Bailey: Girl Who Owned the Blues

Mirko posted about his forthcoming gig at the Sport Club on Facebook, other dates at Coulsdon and Conford have sold out, and commented “I’d really like to get a sold out in Devizes too!” Thing is, if you’d all been listening to the album I’ve been listening to for the past fortnight, it would sell out in five minutes. If local hero Jon Amor’s infectious influence on a vibrant blues scene for our market town is anything to go by, Elles Bailey will astound.

 
Remember when “soft metal” was all the rage, and you heard the intro to Bon Jovi’s Wanted Dead or Alive? There was something ye olde Americana about it, something authentic; you could hear the wind whistling through a tumbleweed, but as the song progressed it tended to lose its way. Something about the intro to Wildfire reminded me of it, yet that authenticity never, for a second, wanes here, and Elles Bailey is actually, from Bristol.

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In the nineties Bristol contributed to the electronic scene with a particularly unique blues element, I mention Massive Attack and Portishead to Elles, but she doesn’t cite an influence from them. “I didn’t listen at all as I was growing up,” she informs, but I suspected as much, “I love Bonnie Raitt, Joe Cocker and The Band though!”

 
“Ha-ha,” I jest, “not about to do a “Cher” corny dance number then? To which I rightfully receive no reply! For “Wildfire” is gorgeously mature, if I sum it up as; it blends blues and country, people might respond, “yeah right; that’s been done 60 years ago, it’s called rock n roll!” I’d favour it bridges a gap between the two; weaving blues roots, electric blues and country, with contemporary superiority and originality, but authenticity too, rather than simply, a “blend.” Generally, though, it’s blues, other times it nods to country, but only teeters on the edge of rock n roll. I asked Elles if this was fair portrayal, she replied, “Yeah I’d say that’s a pretty good comparison! I like to dance on the edge of blues, roots, soul and country – add a smidge of rock and that’s what gives you Elles Bailey.”

 
Still, there’s a wonderful smoky style to Elles voice, Bonnie Tyler too easy-a-comparison, because when its country, the acute composition and ingenious writing style is akin to Dolly, while her blues components are as blistering as the idols it pays tribute to; Howlin’ Wolf in particular.

It’s often questioned how a singer obtains their raspy or smoky vocals, and if its dangerous on the vocal chords. Some joke they record as soon as they wake up, others suggest smoking a packet of Camel cigarettes, but Elles’ website reveals a story behind hers of being in hospital as a kid. The blues then took Elles at an early age, and it shows, for this is truly polished and earnest music. This is one fiery blues chick with edge, but with sublime professionalism.

 
This is no quick sample of her music, I count eighteen tracks on the deluxe edition of her debut album Wildfire (Sept 1st 2017) she snapped over to me, which after a listen you feel emotionally exhausted but beholden, like you’ve just returned from a trip to Texas. Like a classic Springsteen album, subsequently you feel like you know the boss personally, as if he’s poured every last detail of his life, his transitory thoughts and sincere sentiment into it.

 
Wildfire received rave reviews, achieved no.2 in the iTunes blues Charts. Subject matter is often the rises and pitfalls of romance, or related, although not cliché, the standard template of cowboy references, boxcars and highway shoot-outs are rare, but Elles regularly travels to Nashville, the album tracked in Blackbird studios Tennessee. Produced by Brad Nowell, ‘Wildfire’ assembled a host of Nashville’s finest, including Grammy Award winning guitarist Brent Mason and three-time ‘Musician Hall of Famer’ Bobby Wood. Blended together back in the UK with the likes of Jonny Henderson (Robyn Ford, Matt Schofield) on Hammond organ and Joe Wilkins on blistering guitar, the result is a unique trans-Atlantic coming together of styles.

 
There’re no standalone tracks here; all are breath-taking and powerful, even acoustic ones. “Same Flame” packs said punch, and is particularly catchy, downtempo “Leiper’s Fork” is staunchly inspiring as Tammy Wynette, and “Time’s a Healer” drifts like Pink Floyd. I hear The Doors, Taylor Swift, but predominantly I hear that dependable old blues of Muddy Waters and the aforementioned Howlin’ Wolf, who’s self-titled tribute song Elles knocks out of the park. I tell her a story I’d once read about him in a recording studio in London, when he gave a quick word to a bunch of young hopefuls recording in the next studio. After said advice the group came out with the style which defined them, and thus the Rolling Stones ensued. Elles loved the story, how we’d both loved to have been a fly on that wall!

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So, Elles is to present a stripped-down version of the songs on offer with Wildfire, “and some new songs and old songs, so a kinda different show,” she explains, on a hefty “Stripped back trio” tour she’s appearing at The Devizes Sports Club on Friday November 30th – you’d be a hound dog to miss out on this one.

 

Tickets available now at Devizes Books, Avon Trophies, Devizes Sports Club or of course, MPL Guitars UK. You can reserve your tickets via txt to be picked up on the door on 07760482453.

Facebook Event Page Here 

Elles Bailey Website

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Hymns for Robots in a Shoebox

Hymns for Robots by Noctium Theatre is defined as devised/ expressionist theatre, and it’s at The Shoebox Theatre in Swindon this weekend.

 
In a small attic, packed in hundreds of cereal boxes, lies the life’s work of Delia Derbyshire – the unsung genius behind the Doctor Who theme tune and trailblazer of electronic music. Join Noctium as they explore this fascinating tale of the mother of modern music. Using strange sounds and weird wobbulations, Noctium brings you a sonic experience your ears won’t believe.

 
Hymns for Robots mixes Noctium’s unique heightened performance style with analogue and digital music to bring you an extraordinary life that was almost forgotten.

 
Suitable for ages 14+. Contains strong language and references to sex.

 

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***** “Constantly engaging and charming. Hymns for Robots is something that shouldn’t be missed.” – Broadway Baby**** “Quirky, offbeat and stylish” – Fringe Guru

 

 

Friday 9th – Saturday 10th November, 7.30pm. Cost: £10

Book Here

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Birthday Bash, Birthday Bash….

Alrighty then, not to blow my own trumpet, it’s time to mention our Birthday Bash again; case you forgot! Concern that it’ll be just me, crying into a packet of pickled onion Monster Munch, and Dean trying to pinch one is waning, as attention for our little party grows evermore, like a zit.

 
While I’ve asked nicely if The Gazette & Herald would be so kind as to give it mention, being it’s for charity, and I’d thought that’d bury a hatchet, it seems I’m talking to a brick wall, so I’m relying on word of mouth, and Facebook of course; you know what to do, sharing is caring!

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Oh, in addition, Sue Davis is going to ring me without inkling how grumpy I can be Saturday mornings, to allow my Dorset tones to ring over BBC Wiltshire radio-waves; I shall be live at 9:45ish. And of course, a special thanks goes to DJ Emma D, on the ones and twos at Fantasy Radio, who’s already given the bash a plug. While I’m unsure if she’d appreciate the tag DJ Emma D, I think it suits; make it a “thing!”

 
The best thing about it, this birthday bash I mean, other than we’re raising some Wonga for Cancer Research, is that all the acts playing were featured, or least fondly mentioned, back in the early days of Devizine, that long, long year ago.

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There was one which hasn’t been mentioned, the wildcard, Dirt Road Diary, but unfortunately, they had to cancel. Suggested by Dean, as we’re in conjunction with Dead Kool Country Promotions, which basically equates to Dean doing all the hard bits while I sprout gobbledygook and take control of insuring the drinks behind the bar are suitable for you; I’m nice like that.

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I’ll be honest with you, (as you know I always am!) I had deliberations about a country band playing our gig, as it’s not to everyone’s tastes, until I downloaded their EP, “Our Country,” released Spring 2018. You can download it here from their website, free; it has that tender slice of rock, like Tom Petty & The Heartbreakers, particularly tracks like “Kiss Tomorrow Goodbye.”

 
While I’ve no plans to don a ten-gallon hat and rustle in cattle with a lasso, I love it, there’s a great many references to Americana, box-cars, highways, etc, which may seem cliched given Dirt Road Diary are from Calne, but its authenticity overrides this notion and it drives a convincing country vibe. “The EP’s been receiving great reviews,” lead guitarist Mark Allen tells me, “culminating with us being nominated for the BCMAs people’s choice award to be announced during the awards ceremony on the 24th November.” I don’t do hard feelings, and I wish Dirt Road Diary all the best with this and future ventures.

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Our Country certainly convinced me to change my mind about Dirt Road playing, plus it would’ve given certainty to the times here that I’ve mentioned the ethos the Devizes Country Music Club, recently renamed Devizes Ameripolitan Music Club, likely for the very reason that it is not as one might at first suppose; line dancing is just a slither of the scope on offer, and the club plays host to some experimental and interesting bands. Dean Czerwionka has also recently launched The Devizes Family Club, also operating out of the Cons Club, so as one busy guy, I’m extremely grateful for his time on our birthday bash project.

 
So, are we one act missing I hear you screech, am I down to ten men? Not likely pal, is the answer, as the wonderful Jamie R Hawkins has been on the warmup bench for the whole season, unsure if trips to Switzerland for his recording his new EP might disable his availability to join us, but I’m delighted to announce, he can do it! Adding Jamie to our bustling line-up of local talent really is the icing on the birthday cake.

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Have no concerns, we do have cake, a black forest gateau should arrive, made by the Harcourt Hamsters of Chirton, and kindly donated by Beverly Borrill; I kid you not, check out our hammie feature story from earlier this year!

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Not forgetting Matthew Hennessy of Hennessyimages, who is our official photographer; as official photographer for DOCA and The Wharf Theatre too, provided he doesn’t upskirt me on the dancefloor, we’re delighted to have him.

 
With Dean, Matthew and Bev done, there’s so many others to thank, Carol and the Cons Club staff, of course, but especially Pete of our brilliant record shop and musical hub, Vinyl Realm, who’ve stepped in last minute to provide the PA, and hopefully operate too, as it’s way over my head.

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Most of all though, let’s thank the stars of the show, as no matter if I get my haircut for the special occasion or not, it’s not about me, it’s about the wealth of talented musicians who have kindly agreed to play for nothing but the love of their craft. Lottie J from Swindon you may well know; only fifteen with such a mature, soulful voice and keen writing ability. She’s one to watch, so get there at 6:30pm as she’s opening our show.

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Our Devizes lads, Sam and Finley, aka Larkin are next up, you got to love ‘em; we’ve been following their progress through the brilliant Set You Free debut album to their new EP. After this then, I treat you to the masterful song-writing of that porkpie-hat-wearing Trowbridge living legend Phil Cooper, who sent me his album “Thoughts and Observations of…” to review many moons ago. Phil’s been working closely with our recent addition Mr Jamie R Hawkins, they bounce off each other nicely and so, I think we should extend Phil’s slot, slide said Jamie in and let them play in whatever formation they wish to; it’s a win-win.

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Tamsin follows Phil and Jamie, Devizine’s middle name is Tamsin-Quin-Fan-Club, our first ever article was about her crowdfunding project for an album, which came to fruition as Gypsy Blood, so it wouldn’t be the same without her here.

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I’m also so delighted George agreed to come too, when I first met photographer Nick Padmore, he tipped me off about George Wilding, even prepared I was in awe of his natural ability, and I’d sing his praises to the moon and back, but they’ve probably heard of him there already. I have asked the amazing young painter, Miss Bryony Cox, who is also known for her love of singing, if she would like to join George for a song or two, appearing together in the past has proved to be a wonderful combination; not sure how far we got with this idea but I guess it’ll turn out whichever way on the night.

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And what an awesome night it’s due to be, with Swindon’s The Day Breakers as a finale; Cath and Gouldy, who now also gig as duo Sound Affects, I first discovered through the Devizes Scooter Club as the then Killertones, with their awesome brand of classic covers we can all have a dance at the end; honestly, I insist. Dean has even offered, unofficially, to show us how to dance the floss – another good reason not to miss it.

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Of course, I might be persuaded to say a few words of gratitude, alcohol levels permitting, but you know I’m not best in the spotlight; has to be a very dull spotlight, 20watt or less. We do, however have the brilliant Devizes poet Gail Foster, to entertain us with some witty verses during any tuning and downtime from the acts, so a massive thank you also, to our Gail.

 
A few have asked if they can bring children, whilst I confess, I’ve not arranged provisions or entertainment specifically for the kids, of course they are welcome, and free for under 16s. Who am I to deny kid’s entrance, after all I’m a big kid anyway?! There will be balloons, provided by Cancer Research, and maybe, if I get the time, or someone else could bring some pens and paper, I’d be more than happy to spend as much time as I can on the night, doing some doodles with them.

 
Any other questions or queries you may have, do send them as I’m not an event organiser and probably have overlooked a number of things.

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All I need now is you, oh and a buffet, which I’m working on, but no guarantees; if anyone would like to take this on, with the promise of free advertising on Devizine, I’d be enterally grateful if you get in touch asap. So please make sure you’ve had your dinner early, as it kicks off at 6:30pm, on Saturday, 10th November, and please come and enjoy yourself!

 
Tickets are £10, all proceeds, save a beer each for our acts, will go to the Devizes branch of Cancer Research. Get ticket at the club, at Vinyl Realm, online here, or message me if you’d like to reserve some, but there will be some on the door. Anyone on the guest list are welcome to donate to the charity if they so wish to do so, at the door.

Tickets Online Here

Let me know your coming on Facebook!

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There’s a Kidnap… In Pantoland!

No, not some kid’s pap in Poundland, there’s been a kidnap in Pantoland, or at least there will be if the Wharf Theatre have anything to do with it. Me, I’m trying to imagine: “he’s behind you!…..Oh, he was behind you, now he’s bartering for your ransom demand.”

Still,  The Wharf Theatre Group ask, “what better way to start the Christmas Season and get into the festive spirit than by taking the family to the Wharf Theatre to discover all the songs, jokes and slapstick fun you would expect from the magical world of panto?”

“Come and cheer, boo and generally join in as you help discover ‘who-done-it’ in this pantomime adventure featuring all of your favourite fairy-tale characters,” my money is on Buttons, never trusted that guy, always the quiet ones.

“Together you can catch the culprit and rescue Snow White, Sleeping Beauty & Cinderella who have all been taken hostage by someone in Pantoland. Help Detectives Maverick and Chirpy investigate the case with a little help from the goodies, including wacky washer woman Widow Twanky and silly servant Buttons. And remember to keep a look out for the baddies – Captain Hook, the Evil Queen, the Wicked Stepmother & the Wicked Fairy are hiding out at their club house, working on their alibis!”

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I confess, I’ve a little crush on the Wharf Theatre since the fantastic Little Shop of Horrors performance and it sounds to me like The Wharf’s spin on pantomime will be highly entertaining family fun! Tickets £12/under 16s £10, can be purchased from Ticketsource at:

https://www.ticketsource.co.uk/the-wharf-theatre/events

or at the Devizes Community Hub and Library on Sheep Street, Monday to Friday, 9am-5pm or by ringing 03336 663 366. To find out what else is on at the Wharf pick up a new Autumn/Winter brochure which is now available from the Community Hub and Library and many other outlets around Devizes.

Wharf Theatre, Wharfside, Devizes, SN10 1EB

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