Splashpad, I’m all over it, Pal!

Word of the week in the Vizes; Splashpad (apparently Word sees it as one word) So, who wants to splash and who wants to whinge? I ask Town Clerk, Simon Fisher the questions which need to be asked…….. 

Once upon a time there was a slash-pad on the Green in Devizes, dubbed a drug-hatch, it was a public loo popular with vandals, in a pretty shabby state and kept closed much of the time. Now it’s a haven for the youngest of our community, who on summery days can play and splash until their hearts content. What a wonderful prospect if this could be a reality, yet despite a huge response to a Gazette & Herald article last week, which only stated “Devizes COULD get a splash-pad on the green,” both speculation and hope have seen an unprecedented online reaction.

Are we just “keeping up with the Jones’,” namely, Melksham, shouldn’t we be conserving water, is it an open invitation to vandals? There’s a sure quantity of negativity surrounding the idea, and personally I’d like to ensure a budget for children’s activities is equal for all ages and not just the toddlers, in an era where we’ve seen the closure of youth centres et all. Though my hand is swayed by my own fond memories of how the two mini-mes enjoyed splashpads, obviously me too, a little!

Hats off to Melksham, their largely Lib-Dem council have made a success story from the project. Water used in a splashpad is a tiny percentage of a town’s supply, no more than a swimming pool and no one is rallying outside the Leisure Centre, are they? There are two approaches to splashpad mechanics; a flow-through system and recirculating system. A recirculating system operates like a pool with chemicals, filters and pumps. Water is sent to the pad from a tank roughly four to five times the system’s flow rate; in short, it’s recycled, people.

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Splashpad in the Sham

As to vandalism, I have to cough. While it’s possible, and certain lengths will have to be introduced to ensure it isn’t, what we have now, a toilet block is a far cry from pristine. Litter, yes, litter happens there anyway, splashpad or slash-pad; surely, it’s a matter of trust and education, added on top the concept if you give the young something to do, rather than lounging on vacant grass bored, perhaps they’d repay it with gratitude and consideration. A long shot you may cry, but it’s a presumptuous cry, isn’t it?

Are we getting ahead of ourselves here though? I thought I’d play Devil’s advocate and fire some questions, Town Clerk Simon Fisher dared to answer them! “The project is still at a relatively infant stage,” he begins. “At the end of last summer, the Town Council was approached by a number of parents who asked if Devizes could have its own Splash Pad and therefore the Council needed to determine if there was a general demand for such a facility and also if a suitable site could be found. That initial phase of the project was completed just before Christmas, with a report to Council identifying a potential site, cost implications and evidence that a Splash Pad facility would be well used.”

“As you would expect, whenever we evaluate the need for a facility there will always be those who have no need for it and therefore resist its delivery,” Simon continued, obviously unable to name them fuddy-duddies who wouldn’t know fun if it came up and slapped them around the chops with an inflatable banana, but hey, I will! “But that is very much in the realm of public service provision, therefore whilst we must not ignore non-users, what is important is that we ensure that if money is spent on facilities they will be well used.”

I agree, we must not ignore them, we must splash them!!

“One of the comments you have raised, about the time of year it will be used and the assumption that it will only be used during the summer is a fair one,” said Mr Fisher. Oh, yeah, I did ask that; hardly Hawaii, is it? “However, this facility is not unique in this, with most of the outdoor facilities we provide seeing a massive drop off in use during the winter.”

See me screwing up my face, which is never a good thing, my Nan used to say I’d get stuck like it, but our other outdoor facilities aren’t a massive new cost; they’re football goals and swings. Sorry, that’s unfair; Hillworth park’s renovation is wonderful. Let’s look at that shall we? Summer days I go there, I see kids of all ages, really active, enjoying every minute, and I never see them dropping litter; coincidence? But money, innit, that’s what it comes down to.

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Artist’s Impression of how Devizes Splashpad will look

“There is clearly a cost implication attached to providing any capital project and we still have to determine how a Splash Pad will be funded,” Simon explained. “There are two elements to this, one is the capital cost, for which we will seek developer contributions and grants but this will need some Town Council seed funding. The other is revenue funding, ensuring any facility is well maintained and this will come from the Council; however, this funding may also support the upgrading of services more generally in the area and the Splash Pad will do this for the Green. Many of the services we provide are free at the point of delivery and a Splash Pad is likely to be such a service.”

My note on spreading the budget equally on all ages of youngster, Simon seems positive such a project would impact on the area as a whole. “The Splash Pad project may well see the provision of a café facility on the Green, which will enhance the area as a place to “hang out”. Many teenagers already do this; therefore, this will enable us to manage the space and keep it clean, which is a current criticism.” Yep, jobs too; a parkie, like Ranger John Smith; he chased bears smarter than the average, away from pic-a-nic baskets, though; we’d need Dwayne Johnson on the nightwatch!

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Keep off the grass!

He also expressed the projects already in place for older kids. “Whilst youth services remain principally the responsibility of the Unitary Authority, Wiltshire Council, whose budget for this purpose has been progressively cut in the last few years, Devizes Town Council does seek to provide facilities for all ages.” A major downer, as in another story, I’ve been waiting two years for a response from Wiltshire Council about when they’re due to repair a bouncy chicken and swing in a Rowde playpark; so I wouldn’t blow up your arm bands just yet.

“A few years ago,” Simon explained, “we built a large skate park for older children at our Green Lane site at a cost of over £150k and we are in the middle of a £1.7m investment for new football facilities, again aimed at older children and adults.” I have to take off my hat here, with or without Wi-Fi, satisfying most teenagers is near impossible, for the record I was a right stroppy one, though I’d imagine you’d find that hard to believe.

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You kids have got lots of splashpads already, be happy!

One thing is easy though, satisfying younger kids. Babies will play with a box, a set of car keys, toddlers happily play in a muddy puddle, why get a splashpad, just section off our road’s potholes?! Honestly, I’m certain that’s the pompous attitude of many of us. Toddlers though, soon learn how to whinge and whine to get what they want, or don’t want. Where do they pick this stuff up from? I’ll remind you, shall I? They get it from us, so quit your selfish whinging, just because you’ve outgrown your water-wings and spare a thought for the kids. Splashpad, I’m all over it, pal!


© 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Nerve Endings Love Muddy Puddles!

Local indie-rock outfit, Nerve Endings have a debut single, out last week…..

At the distal end of every axon lies the conclusion to a nerve. They message sensory neurons, bleating “you’re hot,” “or cold,” or “oi, that hurts!” Around these waters a personification are the nociceptors of noise, chiefly guitarist and lead vocalist Mike Barham, bassist and vocalist Rob McKelvey and drummer boy, Luke Bartels, and their stimuli definitely sends threat signals on the ears, in a premium possible manner.

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When they step on stage expect a little horseplay, then an explosive set of twisted blues riffs combining the elements of all contemporary alternative and indie rock subgenres. It leaves one intrigued by the news, which was drunkenly fed to me one summer’s evening at the Southgate, what will become of the progression towards recording the sound; we now have confirmation. Muddy Puddles is a Peppa Pig free song, which howls all that’s prodigious about Nerve Endings; unless Peppa is one who wears her heart on her sleeve.

Players, I shit them. Relationship annoyance by those who view romance as a sport, if being an archetypical subject, this alarm-ringing debut single of thrashing guitar riffs, with howling vocals that meet a near-sixties blues melody composes it with freshness. And as the gritty theme takes no prisoners, wailing “you won’t change, get your head out your arse and you might see,” analogous of actual nerve endings, sending a powerful warning to those who dig the dagger deeper into their victim’s heart. The result is boundless energy I might’ve expected, but executed professionally and agreeably adroit; great start to the year, guys!

See, I once pondered if the rave era ended youth culture as without conviction, I couldn’t assess any post-genre apt for the idiom. Perhaps the most stimulating conversation I’ve had with Mr Mike Barham, over a decade my junior, was at a Saddleback Festival, where he proclaimed grunge and emo proceeded my era. I was saturated in the fact younger people considered them youth cultures, concluding just like the teddy boys, punks and skinheads before me, my epoch was blindly trapped in the renaissance of a particular era.

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For the record I wouldn’t change it for the world, we partied harder, faster and longer than any predecessor, and I’d like to wager more than any “emo,” whatever that was, had to Google! Yet his statement not only aided new exploration in me, but a liking for this gentle giant who explodes with passion and fiery temperament when on stage. A specific style of the genre, that much I am aware. I know who Kurt Cobain was pal, blanketed by an era maybe, but not living on the moon; just a few miles closer to Earth.

My eclectic taste was never faulted by the overindulgence of the youth culture which engulfed me for a period, and I emerge open-minded and prepared to accept anything. Intrigue took me to a Bowling For Soup gig at Bristol’s O2, that and my son’s need of a lift. Yet if I felt out of place, searching for another sober, taxi-driving Dad as youths collapsed in the heat and the frontman made stagediving a cliché, I still enjoyed it. As is Nerve Endings, I’m not dying my hair black with a neon streak, neither are they, but this rocks with competence, appetite and enjoyability.

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Here’s the spotty-fly link, I know my system needs updating, here’s one if you’ve an apple; but Mike, thanks to my son’s Christmas present I now know where Bowser’s Castle is, and I like it; getting there, I just take the long way around!


© 2017-2019 Devizine (Darren Worrow)
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REVIEW – Pink Torpedoes @ Long Street Blues Club, Devizes – Saturday 28th December 2019

For One Night Only

Andy Fawthrop

Only a week after John Coughlan’s Quo’s rousing set, it was back up to Long Street Blues Club for another great gig. If you needed the Christmas blues blowing away, this was the gig to do it.

Support act for the night was Jamie R Hawkins, aided and abetted by his sometime collaborator Phil Cooper. I suppose you could say that this was two thirds of the newly-formed Lost Trades, but we’ll have to wait until later to hear their new songs. This set was Jamie and Phil classics from their back catalogues, taking it in turn to take centre stage with mic and guitar, then to drop back onto cajon to provide backing beats and vocals. Of the two, Jamie’s presence and performance is the stronger, and his songs stand up much better. And it was great to hear Jamie belting out his rather non-PC “Hope You Have A Bloody Good Christmas”, with enthusiastic audience participation, to finish up with.

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Then an amazing, raucous almost two-hour set from the The Pink Torpedoes. Fronted by ex Dr Feelgood Pete Gage, backed up by former Hoax drummer Dave Raeburn, with guitarist Paul Hartshorn and bassist Pete Lowrey, this four-piece really delivered the goods in this one-off gig.

Keeping the chat to an absolute minimum, the boys launched straight in and played their way through an enormous song-book of rock, blues, R&B, boogie-woogie – you name it. Sounding as tight and professional as if they were gigging every night of the week, the set was full of excitement, raw power and incendiary licks. Pete, on vocals, harmonica and keyboards was the dominating presence up front, but the rest of the band absolutely played their parts.

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At times there was a definite “feel-good” factor in the room, and the dance-floor filled up number by number. There was no tin, but if there had been a tin it would have said “open with care – raw, undiluted and powerful”. And the band did exactly what that tin would have said. Stevie Ray Vaughn’s “Pride and Joy”, Muddy Waters’ “Hoochie-Coochie Man”, Little Richard’s “Lucille”, Bob Troup’s “Route 66” and Albert King’s/ The Doors’ “Roadhouse Blues” all came tumbling out, one after the other. This was R&B at its very best.

And it was clear that the band thoroughly enjoyed their outing playing together again – the smiles and the laughs, and the audience rapport were great to see.

Another amazingly good gig, another bargain night’s entertainment at Long Street Blues.

Future 2020 gigs at Long Street Blues Club:

• Saturday 25th January Kirk Fletcher (Fabulous Thunderbirds)
• Sunday 26th January Billy Bremner’s Rockpiles
• Saturday 7th March Ian Parker Band
• Saturday 4th April Mike Zito Band
• Saturday 18th April Mark Flanagan Band
• Saturday 30th May Antonio Forcione Quartet


© 2017-2019 Devizine (Andy Fawthrop)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Devmas and Roughcut Rebels

With Andy dispatched to Long Street, I’m left to saunter Devizes this drizzly last Saturday before Christmas. Possibly more than usual, there’s choices to be made. Catching the Real Cheesemakers has been on my to-do-list, yet making it down the Southgate seemed unlikely, as I’d an invite to the Christmas Concert of Chole Jordan and Andrew Hurst, determination not to miss Mike Barham’s Devmas #2 down the Cellar Bar, and as the Black Swan had those Roughcut Rebels I couldn’t resist the urge to check them out too.

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No customary Christmas jumper, sore foot, Snively cold a-comin’ and the longest work day of the year looming, expect a critical approach as the want to break my record and visit four gigs turned into two. Down the Cellar Bar first, Devmas time in aid of Wiltshire Air Ambulance. Badly timed to miss Jamie R Hawkins, who I met outside for a chat. The Celtic Roots Collective, namely Bran Kerdhynen and Mirko Pangrazzi breezing through their set of Irish folk inside, I swaggered to the bar. Ah, Dirty Old Town; this duo gets better each gig. At the bar Bran was keen to explicate that they treat it as fun, but continuing in depth we rapped on folk’s universal effect, from French square-dances to Tin Pan Alley.

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Meanwhile compact pussycat Patrick Goodenough resonated his sublime melancholic echoes through the cellar; man, he loved that dog, but even his Christmas song was forlorn! Managed to catch a couple of tunes from the lively Nerve Endings who followed. Of course, with Mike as host of the evening, and Luke’s family in charge of the Bear Hotel, it’s inevitable they’ll play, but their dynamic and entertaining driven rock is always welcome. I nipped out though, soz, but I was summoned to the Town Hall, in error.

I’m intrigued to hear Chole sing after all the local praise and success stories surrounding her school of music, and even if it’s not to my eclectic taste I merit a performance on delivering “what it says on the tin,” rather than my own preference. Yet while I explained who I was and why I was there, I was met with a condescending reply. My name was not on the list, the patronising lady on the door slurred “yes, she invites a lot of people,” implying I wasn’t one of them, and proceeded to attempt to charge me full price for the service. Not the type to growl “do you know who I am?!” I politely had to leave. Note: if you invite Devizine to review your event, ensuring door staff are aware is essential; I don’t review from the carpark.

Third of four scratched off, as drizzle set in and an aforementioned sore foot wander to the Southgate seemed improbable, time to check the Black Swan. Once a haven for live music, this grand and timeless tavern I’ll confess to missing on my usual agenda and I’m keen to bless it once more with my presence! Fitting, as when our Roughcut Rebels play you need to be around. Met with Britpop performer Bill Green and with those Six O’clock Circus guys showing us how they party Calne style, the atmosphere was electric, matching the Roughcut’s blinding performance.

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Through Britpop anthems they sprinted, loud and proudly ringing out a five-decade selection of mod and rock covers, each one treated as gold in their hands. Proficient yet lapping up every minute of their show, The Roughcut Rebels came, saw and conquered. Making use of such a lengthy repertoire, as to be expected Oasis, The Kinks and the Jam were in there, but interestingly an awesome, if rather unseasonal, Summertime Blues and superb version of Jake Bugg’s Lightening Bolt. This was bought to the boil with the Who’s Substitute in a versatile and highly entertaining set.

I edged toward the door reluctantly, the thought of Jon Amor arriving at the Cellar Bar persuaded me and, I rushed back across the Market Place narrowly avoiding the traffic; hey, I’m walkin’ over to see Jon Amor here, buddy! Here’s a man, who while The Roughcut’s deliver a powerful full-band show, Jon can match, thrive and amaze, solo, with just an electric and acoustic guitar, and loop pedal.

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The finale to this year’s Devmas had come, Mike was smiling as Jon did his thing. Through “Stitch in your party dress,” to “Red Telephone,” he knocked them out with usual excellence and blithe seasonal delight. Covers included a rousing Tainted Love. His unplugged-wandering-around trick took on a Christmas song, as he handed out the Haribo, and he continued to skilfully loop his acoustic guitar to rapidly switch to electric. But Mike’s expression had changed to mixed emotions as Jon requested his and Luke’s presence on the cobblestone stage. While Luke grinned, as is his carefree persona, Mike relished in the opportunity to jam with Jon, yet the trick to lead them into Wham’s Last Christmas left Mike amusingly in revulsion!

I expressed to them, it would never be Christmas again until such an occurrence is replayed, but with the novel theory this will never be repeated. Herein lies the mood of Devmas, it’s relaxed, cheery and convivially Devizes; don’t miss it next year. Though I did find the time to witness the close of the Roughcut Rebels, completing a marvellous evening of free live music here in Vizes, and long in 2020 may it continue! That’s it though, I’m staying in and munching through a box of Quality Street until I puke. Yes, even the tooth-ripping toffee coins.


© 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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REVIEW – John Coughlan’s Quo @ Long Street Blues Club, Devizes – Saturday 21st December 2019

Deeper And Down

By Andy Fawthrop

Images by Nick Padmore

 

This one was billed as Long Street Blues Club’s Christmas Bash, and it turned into a rare old party.

Support act for the night was the irrepressible George Wilding. As usual, he was witty and engaging, a bit sweary, but always charming and completely entertaining, finishing his set with the inevitable singalong crowd-pleaser of “Always Look On The Bright Side Of Life”.

Then two sharp sets from Status Quo’s original drummer’s John Coughlan’s Quo. This four-piece featured the set-up of John on drums, Rick Chase on vocals/ bass, Mick Hughes on vocals/ guitar and Pete Mace on guitar/ vocals. John was a member of Quo from 1962 until 1981, and the set-list mostly featured material from that early “classic” period.

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They’re not a “tribute” band in the normal sense of the word, more interested in keeping alive the spirit of the classic early line-up. But they certainly looked the part – long hair, head-bands, Marshall stacks, and satisfyingly loud, complete with demon drumming and catchy guitar breaks. They kicked off with “Something About You Baby I Like”, and the dance-floor was immediately full. Thereafter we were taken through the early back catalogue from 1972’s “Piledriver”, 1975’s “On The Level” and 1976’s “Blue For You”, including the song they first appeared on BBC’s Top Of The Pops with – “Pictures Of Matchstick Men” – a period when the band were still toying with psychedelia, before settling into their now more familiar rock groove.

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The sound is not complicated, nor sophisticated, but simple and effective and emotive. It does exactly what it says on the tin – good, down-to-earth rocking – and you can’t help dancing and singing along. We had all the early hits – “Paper Plane”, “Caroline”, “Roll Over, Lay Down”, “Without The Rain”, and a rollicking version of The Doors’ “Roadhouse Blues”.

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It was going well, and the crowd were having a party. Then John decided to come out from behind the drums to talk to the crowd and to reminisce. Personally I think this was a bit of a mistake, because the band lost impetus quite late in the set. Whilst it was interesting and amusing, it might have fitted better much earlier in the set.

Fortunately the band quickly got back into gear again to finish with John Fogerty’s “Rockin’ All Over The World”, followed by a well-deserved encore of “Down, Down”, nicely seguing into “Johnny Be Goode”. The dance-floor was full and the crowd were happy.

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Another memorable gig.

Future gigs at Long Street Blues Club:

• Saturday 28th December Pink Torpedoes
• Saturday 25th January Kirk Fletcher (Fabulous Thunderbirds)
• Sunday 26th January Billy Bremner’s Rockpiles
• Saturday 7th March Ian Parker Band
• Saturday 4th April Mike Zito Band
• Saturday 18th April Mark Flanagan Band
• Saturday 30th May Antonio Forcione Quartet


© 2017-2019 Devizine (Andy Fawthrop/Nick Padmore)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Award-Winning Limerick Folk Artist, Emma Langford, to Appear at Devizes Arts Festival

I reckon I’ve been honourable to The Devizes Arts Festival, as in their excitement they’ve often accidently divulged a booking they’d rather have kept secret, and I’ve not yet let the cat out of the bag until they want it unzipped! Said excitement, though, is symbolic of their passion to bring us a wonderfully diverse roster.

For this one I’ve been equally as thrilled, and glad to be the one to broadcast the news; yes, with their permission! Aptly perhaps, as I’m proud it was my suggestion and I’m so glad they took heed.

So, it gives me great pleasure to announce folk singer-songwriter Emma Langford is to appear at this summer’s Arts Festival. From Limerick in South-West Ireland, Emma has gone from strength to strength. But to start at the beginning of our association; it’s been well over a decade since I got chatting to her father, Des, and in sharing a love of comic art, we’ve been online friends since. Call me archaic, but while you can meet lots of people online which the book of face terms “friends,” you have to wonder if they really constitute “friends,” I mean, if you’ve never met them in person. Des is the exception to that rule.

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It was around 2016 when he sent me a video of his daughter singing, yet if I went around telling people “listen to my mate’s daughter sing,” it sounds cringeworthily like I was pushing it only for this reason. I bid you listen to her songs; clearly, it’s not just me saying how utterly fantastic she is. Emma has received unwavering acclaim internationally, after a whirlwind 100-date promotional tour across Austria, Denmark, Germany, Switzerland, the UK and Ireland, to launch her 2017 debut album, Quiet Giant. The Irish Times described Quiet Giant as ‘music that weaves a spell as you listen to it… An enduring piece of work’. Ireland’s state broadcaster RTÉ Radio 1 presented Emma with the Best Emerging Artist award at their inaugural Folk Awards in October 2018. She also made her debut appearance in the USA this August, on the Snug Stage at Milwaukee Irish Fest.

Emma possesses a distinct natural tone and resonance that is truly breath-taking. Quiet Giant features stunning full-band arrangements for ten self-penned songs, and following the album’s Irish release, she was invited to launch it internationally with Germany’s Irish Folk Festival tour. In Devizine’s infancy reviewed Quiet Giant, suggesting it’s “a suave survey of dignity and passionate despondency with uplifting string arrangements and traditional Irish folk values.” I worthlessly tried to find a tenacious link to Devizes to justify reviewing it on our local website. I just wanted to get the message across, as I compared her to Andrea Corr, or a young Kirsty McColl.

But, being as it’s said Emma’s “spell-binding” sound is made to be heard live, be it solo or with a full complement of musicians, I took steps to try to bring her to town for a gig, but it fell through. The promoters were in awe though, told me she really needs to head for London for maximum exposure; “she’s too darn good for Devizes,” I was told! Pleased to say, we’ve no need to worry, thanks to the Arts Festival, and I look forward to this with bells on.

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Emma is a prolific artist, recently collaborating locally on projects with musicians, theatre-makers and aerial-dance performers. This summer’s show should align with her highly-anticipated new album.

The Arts Festival had their final committee meeting of the year at the beginning of the month. “The 2020 programme is nearly there,” they say, “although there are some threads to be tied up. We can assure you that it will be as good as (or maybe even better than) 2019.” Other acts already leaked are London’s Tankus the Henge, who describe their sound as “five-wheeled, funk fuelled, open top, custom paint job, rock ‘n’ roll jalopy that comes careering around the corner on a tranquil summer’s day, ruining the silence and disturbing the bats.” Performing comedy for less-than-perfect parents, The Scummy Mummies are also confirmed, along with San Francisco born jazz pianist and composer The Darius Brubeck Quartet.

Roll on summer, roll on!


© 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Tickets for Winter Ale

Tickets for DOCA’s Devizes Festival of Winter Ales 2020 at the Corn Exchange on Friday 28th and Saturday 29th February 2020 are now on sale…..
The Devizes Festival of Winter Ales is a fundraising event to help meet the costs of DOCA’s free annual programme of outstanding outdoor arts events and activities, including the Devizes International Street Festival, Confetti Battle, Devizes Carnival and the Christmas Lantern Parade.

Held in collaboration with Stealth Brewery, DOCA have bespoke, warming ales and ciders from some of the best independent breweries in the country, as well as some fantastic bands and special DOCA style entertainment. You’ll be able to chose from a selection of Lovett’s pies, and top quality snacks to keep you going.

Expect fantastic bands over the three sessions, Soon to be announced. In usual DOCA style we will bring to you a cabaret act with a difference!

This year, for your entertainment they will be welcoming Matt Barnard. Matt has performed across the world as a compere, actor, musician, singer and as himself in his unique one man show.
He was the resident compere of the cult Sensation Seekers Stage at the Glastonbury Festival, starred in London’s oldest variety show in the West End in and performed his unique act at the famous London Palladium. He also appeared in the Hollywood movie Mrs Henderson Presents in which he performed the famous sand-dance with Gareth Jones.

Unfortunately, DOCA will be unable to admit people who are under 18. Tickets will include a festival half pint glass and enough beer tokens for two half pints.


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