Girls Go Ska; Frente al Mar!

Rude girls grito! Far from home perhaps, but so, so worth mentioning for tropical vibes of rock steady and ska in a fashion proportionately you’ll find hard to come by around these parts, it’s my beloved all-girl-bar-one Mexican ska band, Girls Go Ska with a bran-new album Frente al Mar. Girls and ska, what’s not to like?!

From the off, the title track simply melts, mellowly, and builds in tempo, but is never overdramatic; “cool” is the operative word; fresco! If I’ve put them on a pedestal before, they’ve now put another couple of pedestals atop it. Often steady paced for the genre, it proves ska, while upbeat doesn’t have to be full of macho-bravura skinheads, or a frenzied rancour attack against dogmatic tyranny it’s often misperceived here through the eighties’ second-generation Two-Tone scene, and within the dominate contemporary ska-punk internationally. I’ve made this point in the past when penning a more general piece about ska and reggae in South America, in which Girls Go Ska were featured.

Frente al Mar is breezy, bright and fun, light-hearted and beguiling. It roots the genre to its original Jamaican ethos, as a carefree dance music. Though, there’s a large chunk of assumption with those observations, as my Spanish isn’t up to scratch, so my presumption rests on the design, the album name, which translates to the seaside, basically, and mood of the vocals; if they’re singing about anything other than romantic themes and enjoying oneself dancing on a tropical beach, like making political statement, it certainly doesn’t sound that way! You just have to enjoy the professionality and untroubled vibe this album breezes in your direction, it’s gorgeous, and it absolutely skanks!

Packaged femininely in loud pink and decorated with cute shōjo manga, rather than our typecast black and white chequered trade identity with Walt Jabsco splashed all over, Frente al Mar provides an alternative to norm, but is no way attributes the “fairer sex,” rather riot grrrl kick-ass in tenet, gender-neutral in sound. Not that punk comes into play; throughout it’s steadfast traditional ska sound, one should credit Studio One rather than Two-Tone, or even Reel Big Fish for, there’s also sprinklings of Latino sound traditional to Mexico, of ranchera, norteño and their contemporary offshoots, but are subtle and likely naturally occurring.

Imagine, if your English mind will adapt, Gloria Estefan performing ska, and you’re nearer to the mark than The Specials. But no, eight sublimely flowing tunes is what you get, a sun-kissed blessing on the ear, in the style of brass-based rock steady and good ol’ ska. While pukka boys, Death of Guitar Pop are currently returning the welcomed Nutty-Boys-esque frivolous and fairground ska home for lads, further afield, here comes the girls.

Meanwhile here in my hometown of Devizes, the newly opened rum bar, The Muck & Dundar has been a roaring success, proving a taste of the tropical is welcomed, ergo, taken out of its context and origins, Frente al Mar would make the perfect soundtrack to it. Me? I’m smitten, with a little crush!