Trowbridgeโ€™s New Music Venue The Birdhouse Opens Tonight

If both Claire and Chloe Grist jest their working and marital relationships are of โ€œleftโ€ and โ€œright tit,โ€ respectively, it might explain the reason for their chosen species of bird on the logo of their popular music promotion Facebook page, Bird is the Word!

However, in order to incorporate the letter B on the logo of their latest adventure, a new music venue for Trowbridge town centre which opens tonight, Friday 17th July, the bird this time more resembles a chubby pigeon! After poking my nose into the new gaff at a private invite opening party last night, Iโ€™d favour comparing The Birdhouse to a phoenix, rising from the ashes of political ballyhoo surrounding property in the area, and hopefully proving hospitality will better save the High Street over retail.

Swindonโ€™s Old Town is an already established example, where bars, restaurants and music venues co-exist within walking distance. With The Pump a stone’s throw away, already bucking the unfortunate trend of venues closing, and The Old Town Hall, just next door to this new venue breathing life back into entertainment and community-driven events in Trowbridge, seems the time is nigh for the Birdhouse, a comfy but lively and friendly free music venue, with bar and a menu of sharing platters.

It was a popular โ€œsoftโ€ opening, and great fun, as guests gathered to celebrate the coming of The Birdhouse. To dot the few remaining i’s and cross the t’s I expect the team will be busy today, for the mayor arrives at 6pm to officially open the venue. Then it starts as it means to go on, with Trowbridge punkers Brakelight being the first official band to grace The Birdhouse stage at 8:30pm. Entrance is free, please support it, because, from what we’ve seen of it so far, it looks fantastic!

The Sir Issac Pitman building on Trowbridgeโ€™s Silver Street is a listed building from 1976, and architecturally many of its grand features are retained. Nine years after Wetherspoons relocated, Claire and Chloe have teamed with the former operator of The Boathouse and director of SD Hospitality Management Ltd, Sam Dean, to see this glorious reformation as a music venue, The Birdhouse.

Aesthetically itโ€™s also comfy, with lots of sofas and soft chairs, and functionally it serves its purpose aptly, with a lengthy bar reaching across the back, a convertible stage area, and ground floor spacious enough for a dancefloor. And you just know, with that Cracking Pairโ€™s dedication to the local music scene, itโ€™s going to get a lot of use!

Soloist and one half of The Hot Juice Project duo, Jake Lockhart was actually and unofficially the first person to grace the new stage at The Birdhouse, entertaining the guests, as nibbles were handed out and Sam, Claire and Chloe gave an improv speech declaring their gratitude from their supporters and of dreams coming true. We wish them all the very best with their new project, and look forward to the prospect of partying with them as soon as possible!


Wiltshire Music Awards Nominations Coming In

Not all of them yet, but some of the top five nominations for this coming Wiltshire Music Awards are being released. Letโ€™s take a look at them, shall we?!


Best Desk DJ nominations go to: DJ Paul Alex, DJ Dion, Sound Image Roadshow, Rock the Boat, and James Threlfall.

Saturday at Fulltone ’26

For Best Venue: The Victoria, Swindon. Salisbury Arts Centre. The Pump, Trowbridge. The Three Crowns, Devizes. The Ruze, Chippenham.

The Pump, Trowbridge

For the Contribution to Music in the Community award: Swindon 105.5FM. Dave Wright at The Southgate, Devizes. Jemma Brown & Fulltone Festival. Peggy-Sue Ford of Donโ€™t Stop the Music radio show, and us, Devizine and myself! Thanks to everyone who thought of me!

The Southgate, Devizes

And finally, for now, The Best Band award:

The top 5 nominations are Burn The Midnight Oil, Talk in Code, 5 Nights at Adyans, Butane Skies and Ednostic.

Talk in Code at CrownFest

While thereโ€™s more to come, organiser Eddie Prestidge congratulated the top 5 finalists, and said โ€œbeing shortlisted is a fantastic achievement, especially considering the high standard of nominations we received this year. We would also like to extend a huge thank you to everyone who was nominated. The support shown by the Wiltshire music community has been incredible, and every nomination is a testament to the hard work and dedication of our nominees.โ€

The winners will remain a closely guarded secret until the Awards Ceremony on Saturday 14th November at Melksham Assembly Hall. Book your tickets now and be there when the winners are revealed!

Wiltshire Music Awards is looking for sponsors of the various categories. For sponsorship enquiries: hello@stonecirclemusicevents.uk

Matchbox Mutiny at Wiltshire Music Awards 2025 Image: Helen Polapix

Speed Reduction on Caen Hill to 50mph

Be honest now, who likes to bomb it up and down Caen Hill dual carriageway like they’re Lewis Hamilton on a promise? Who thinks once they’ve made it through town’s traffic that they’re auditioning for The Fast and the Furious episode 15? Well, your days of thunder might be numberedโ€ฆ.

Cabinet Mebers meet next week to consider a formal Traffic Regulation Order, proposing the introduction of a 50mph speed limit on the A361 at Caen Hill, near Devizes. Decision details state โ€œThe Councilโ€™s proposals have a good level of support and combined with road safety improvements will positively contribute to collision reduction at this location.โ€

During the formal consultation period a total of eleven items of correspondence were received. Of those eleven correspondents, 6 indicated that they supported the Councilโ€™s proposals, 3 raised comments surrounding the extent of the project and 2 spanners were in objection! Who objects to road safety measures, when one day it could be someone they care about in a collision?

Led by Cllr Martin Smith, Cabinet Member for Highways, Streetscene and Flooding, a decision will be made on 22nd July, and could be carried out as early as next year.

I know it’s going to raise some objections, probably from the Hamilton wannabes, but I support this. There’s no barriers, poor signage, and the pedestrian path is overgrown. Halfway up a fallen tree completely obstructs the path, and you have to step into the road to avoid it. With more events happening at Park Farm, there’s more pedestrians.

There’s dodgy crossings at Poulshot, Potterne and Rowde, plus a few farm tracks. There’s even a few residential properties and one conveniently placed breakers yard, if you do write your motor off. There’ve been numerous accidents there, some fatal, and using it daily, personally I find it miraculous there’s not many more.

I’m no killjoy, but what’s the point in racing along it when you abruptly go from national speed limit to 30mph with little forewarning, or equally anchor brakes on for a tractor when it merges into a single lane the other direction, before you’ve even got the time for the wind to blow-dry your gorgeous blonde locks?!

When you look at dual carriageways elsewhere, coming in or out of urban areas, they are 50mph. Look at the Botley interchange on the notorious A34; that’s wider, walled, with central and side crash barriers, and only has two junctions with full slip roads, and that’s 50mph.

But the sad reality is often, such restrictions only serve to remind the moralistic drivers who edge just over the limits, but those who think they’re Han Solo trying to make the Kessel run in less than twelve parsecs, will continue to believe they’re force protected.

The bottom line is that it has to be a conscious decision by the drivers to slow down, and if the reduction helps, then it’s worth the cost of a few signs, surely? Please, don’t be a numpty, cabinet members, back this.

Traffic lights at the Poulshot- Rowde junction are also on the cards. We should return to this subject after the decision is made on the 22nd, when I look forward to chatting with Cllr Tamara Reay about it.


Jamsters Festival at The Southgate

January last year, The Southgate Inn Devizes announced Jamsters, a monthly Friday night platform for loose groupings and associations created at their regular jam sessions each Wednesday. On Sunday 2nd August they’ll be celebrating by bringing some of them together for the first Jamsters free festival, aptly, at the Southgateโ€ฆ

A spokesperson for the inn said, โ€œevery great music community needs somewhere to begin. For countless musicians across Wiltshire, that place has been The Southgate.โ€

The Southgate’s Wednesday night jam sessions have been running regularly since Dave & Deborah took over the pub in 2018. It offered a secure space where people of all ages and abilities can come to play and sing.

โ€œThese weekly sessions have become far more than an acoustic jam,โ€ they say, โ€œthey’ve birthed enduring friendships, inspired songwriting partnerships and helped musicians find the confidence to take their music beyond the pubโ€™s walls to perform full-length gigs, either as soloists or in bands.โ€ 

And I know this to be true. I’ve been to a few, though being unable to hold a note, I reject and quiver in fear of any offers of so much as a tambourine! I just love the comradeship, the communal feeling, and the way they take turns to lead, and the improv singalong becomes something magical. 

From 12pm onwards on Sunday 2nd August The Southgate presents a lineup of local talent, solo artists who cut their teeth at these sessions, and groups which formed through it.

Pat Ward and Ben Borrillโ€™s celebrated covers duo Matchbox Mutiny and Gordon Thompson and Tim French’s duo Painted by Numbers, both play, along with soloists like the incredible Vince Bell, one third Lost Trade and local legend Jamie R Hawkins, this year’s wonderful breakthrough singer-songwriter Sammi Evans, the lovable Tom Harris, and Byran Davis, a new name to me, but when I get there I predict I’ll say something like, โ€œoh, hey, I do know you,โ€ because that’s the way things roll around here!!

Worthy to note, the lineup is far from the be-all-and-end-all of musicians who’ve been helped by these sessions, but it’s certainly an incentive to get down the Gate, if not just on Sunday 2nd August but anytime for their non-stop musical programme. As if we needed an incentive!!

โ€œIt’s about celebrating the pub that quietly made so much of it possible,โ€ they say. โ€œIt’s about recognising the importance of grassroots venues at a time when so many are disappearing.โ€

Yeah, I’m down with that. Particularly when I pause to reminisce on all the brilliant nights we’ve had there, dancing around George the pub dog as he naps front and centre of the performers! Long live The Southgate and those jammy Jamsters; I wish I could hold a note, I canโ€™t even grip fully onto a tenner before the kids swipe it from my hands!!ย 


Ruby Darbyshire & Devizes Cafe Nero Wins Poppy Campaign Award

As if we required proof that Ruby Darbyshire is loved by all, today she was asked to play her pipes by the war veterans in Devizes at Cafe Nero in the Brittox and received an unexpected awardโ€ฆ.

Congratulations to branch manager of Neros, Rachel Shotter, who received an award for the help she has given to the Poppy Campaign in Devizes over the years; Ruby thought she was only there to help celebrate by playing her bagpipes. 

Ruby’s father Brian Darbyshire said โ€œwhat she didn’t know was that she was also getting an award for her contributions of support.โ€

This follows from the Royal British Legion Devizes Branch Annual Poppy Awards Ceremony at the Wyvern Theatre in June. 

Well done, Ruby; we won’t stop praising you until you win the Mercury Music Prize!ย 


Donovan or Donoless, Fulltone Festival is a Cake Tray!

Images by Gail Foster

Regretfully I must report that due to a personal issue Jason Donovan is unable to sing at Devizes’ Fulltone Festival this afternoon. But all in attendance yesterday will be aware, if Jason was a cherry on the cake, Fulltone is not one big cake. Fulltone is an industrial sized tray of cherry bakewells and each individual cake has its own cherryโ€ฆ..

Saturday at Fulltone ’26

If a tray of bakewells required one chief cherry, it would be the fellow with the most familiar parietal lobe in Devizes, Anthony Brown, conductor of the FullTone Orchestra, delicately or furiously waving his baton around for hours, as the mood of the music requires! Or it could also be his wife, Jemma, who miraculously finds time off from promoting and marketing this grand show to sing at it too. But a tray of bakewells does not have a chief cherry, each individual cherried cake must be credited and praised for what is one of the most magnificent shows this side of Barnard’s Star.ย 

Saturday at Fulltone ’26

There’s one violinist who reminds me of Chris Kamara, but unfamiliar with all the names of this seventy-piece orchestra, each and everyone of them are cherries! And their combined efforts is what makes Fulltone so tasty. To them, and every volunteer, well done and thank you, for, from start to finish, Saturday was totally and unequivocally magical. 

Saturday at Fulltone ’26

Social media posting expected today, or thoughtless clickbait headlines, casting opinions on Fulltone whether or not they attended! The move to Park Farm I suspect will be under scrutiny, particularly by those who once makeshift their own free party by pitching up by the exterior fence. Transport issues with the times of the shuttle bus might rightfully be criticised, and for an event dedicated to its town, its regularity might need evaluating for future years; teething troubles. But with the campsite option, the Fulltone Festival 26 is more accessible to a wider audience, and folk from afar communally rubbed shoulders with dedicated Devizons for a series of showstoppers back-to-back, heralding a new chapter for Fulltone.

Saturday at Fulltone ’26

Social media can be toxic, Park Farm is where you must be to assess this. And should you require an example, let’s take the grand finale of Saturday night. That iconic stage, like a giant sky-reaching gothic church window, barely shaded partygoers from the heatwave, as Two-Tone tribute Mostly Madness did what it said on their tin. With emphasis on the trombone player rather than the singer, it was an incredibly lively show of second gen ska, and went down a treat. Then the orchestra came out, glittered up, with a rendition of Fatboy Slim’s Right Here, Right Now, but rather than the repetitive sample which mightโ€™ve been acceptable in the nineties, a young guy, conveniently called Guy I believe, interpreted a rap over it; and it was sublime.

Saturday at Fulltone ’26

The stage was set for a number of club classics, each with a different singer, as Devizes-own smiley BBC legend James Threlfall prepared his decks for a “large” mix continuing the club classic theme. What was earlier a stage wonderfully reciting the classical themes of John Williamsโ€™ Star Wars was now a pumping house festival, where the exhausted orchestra took a hydration break. But this was not the grand finale, only near to it in timings.

Saturday at Fulltone ’26

Now the orchestra came back out. James remained on the decks providing the beat, the orchestra played the melodies over it, Rozella came out too, glittering, and they did a few more vocal club classics, using Guy to rap Snapโ€™s Rhythm is a Dancer. Then, a singer from the orchestra backed her with her most memorable hit Everybodyโ€™s Free. This was my personal favourite thing ever to happen at a FullTone Festival, as sparks of the fondest memories flooded my neurons, aided by a Muck & Dunder Bajan rum punch, and we danced like there was no tomorrow, even though there was and FullTone continues today!

Saturday at Fulltone ’26

For an Uncle Albert perspective, back in the day, โ€œwhen I was in the rave,โ€ house, jungle, techno and all other subgenres were virtually the same shebang, or at least their roots were bundled together. The only divide was songs for cheesy clubbers, aching for the commercialisation of rave culture, and those for the โ€œhardcoreโ€ free party people illegally raving in some field or other. Then there were those songs which transcended that boundary, that appeased whatever side of the fence you sat on, and in 1991, Rozellaโ€™s uplifting piano-breaking anthem was โ€œthe one.โ€

Saturday at Fulltone ’26

But, looking at the faces of those dancing to it last night, my personal significance mattered not a stitch, as for many 1991 is a page in a history book. Still, I couldnโ€™t have imagined this โ€œthrowaway musicโ€ would ever become classed as โ€œclassics,โ€ as they relished every second of it as much as me, and the few other matured ravers!

Saturday at Fulltone ’26

For those younger, 1991 was not a live music era, it was governed by DJ culture. I didn’t know (much care) what Rozalla looked like, but as she sang on that stage, she looked and performed as beautifully as I could’ve ever imagined. In some vague similarity, The Wurzels seemingly did too!

Saturday at Fulltone ’26

Imagine, if you will, the most unlikely break between sections of the Proms, but, as we’re West Country, the glove fitted with danceable jollity. Professionally accomplished, where age didn’t seem to come into it, and I am a Cider Drinker encouraged a bra to be thrown in their general direction, the Wurzels were expectantly brilliant!

Saturday at Fulltone ’26

The Kaiser Chief’s Ruby Ruby perhaps not as apt as other pop hits they’ve covered, and the encore Combined Harvester had the techno remix backing, which would’ve been acceptable in 1992, but I take into consideration their ages and if it had to be the last song, they were likely completely knackered by the end of it. They put in the shift, with hilarious banter and skilled scrumpy & western, as those bumpkin legends were the making of it. 

Saturday at Fulltone ’26

There were parts I regret I missed, such as the orchestra playing a Queen set; it sounded smashing though, as I rushed carefully back across the dual carriageway, assuming the last thing folk want to see driving home is a milkman as roadkill. Too conveniently located to home, I nipped back for my dinner and a spray of Lynx!

But, John Williams, the whole Star Wars catalogue, made me remember why we were there, for the grandness of this orchestra, for the experience of this conglomerative of excellence, for the acoustics of ye gods running through you, and for the institution the FullTone Festival has become; and Iโ€™m not even a cherry bakewell kinda guy, Iโ€™m more brownie!!


Strange Days Indeed, at The Barge on HoneyStreet

Earthlings and all other organic lifeforms with a taste for the occult, fortean and generalย  weirdness are heading to The Barge at HoneyStreet the first weekend of September for the return of Strange Days Festival. You risk spontaneous combustion if you donโ€™t tooโ€ฆ.

If you felt an alien autopsy, some alpine shape-shifters or the neohermetic order of Kyballic philosophy were unfortunately missing from your usual festival haunts, this might just be for you and your spirit guide.ย ย ย 

A wildly Wyrd weekend specially crafted for fans of forteana and unexplained phenomena, Strange Days covers the entire weekend with weirdness, esteemed speakers, cosmic cabaret, and some mindblowing music. As of last year, the most powerful tractorbeam musically arrives from intergalactic visitors Henge, with their jazzy psychedelic space-rock rave everyone wants to be abducted by.

Star of the hidden camera prank show Trigger Happy TV, the man with the giant phone Dom Jolly also headlines, and thereโ€™s an array of speakers, and other bands, including Calneโ€™s own masters of comedic metal, the chelonaphobic Real Cheesemakers, who might/might not play from inside the belly of a sperm whale.

Indie experimentalists Quatermass III are also playing, known for blending glam-tinged experimentalism, “folk-horror” themes, and electronic textures. And Novum Wo, an experimental electronic artist blending distorted glitch, IDM, and sample-based sounds with Medieval, Arthurian, and contemporary industrial aesthetics.

Thereโ€™s the unmistakable band Dogshow, on a voyage to explore how music can be experienced differently, by traversing genre-fluid astral planes whilst dressed as poodles. The Quantum Mechanicsโ€™ paranormal podcasters go live, Bob Fischer and Stephen Brotherstone resurrect all your disturbed childhood TV memories simultaneously, while Jonathan Downes goes on the trail of Mexican Vampires, and past president of the British UFO Research Association Lionel Fanthorpe talks about close encounters.

Iโ€™d like to say Iโ€™m only dipping my little toe into the dark waters of Strange Days, as thereโ€™s so much more to discover, but the minds of the followers of the event might meander onto the argument itโ€™s a vestigial structure, leftover from our tree-dwelling ancestors, while podiatrists interject, maintaining the little toe is still functional and significantly aids in balance and weight-bearing, and weโ€™ll have a battle of medical curiosities on our multi-fingered, prehensile organs.

Strange Days is on the weekend of the 4th-6th September, when the nights draw in, and we get closer to the spirit world. Itโ€™s at the Barge at HoneyStreet so itโ€™d be rude not to camp, which is included in the ticket. Tickets are a 130 of your Earth coins, with discounted rates for kids. From HERE and beyondโ€ฆโ€ฆ


Trending……

Fortnightly Banking Drop-in Sessions Replaces Devizesโ€™ Lloydsโ€ฆ.

No smiling faces in this snap! Our MP Brian Matthew met with representatives from Lloyds Bank yesterday to raise concerns about the closure of the branch in Devizes. Get in Brian, but it looks like we’ll be returning to the era of stuffing our cash into mattresses againโ€ฆ.

Brian said he โ€œdiscussed the impact on vulnerable customers who may need extra support with their banking and on local businesses for whom a local branch is helpful.โ€

Lloyds explained they are going to provide a fortnightly drop-in session to assist their customers with banking queries. They have also promised to ensure customers are aware of and supported through the transition. Hello? This is Devizes; expect fortnightly queues!

Have you ever tried to train a pensioner how to online bank?! It took me five years to show my mum how Facebook works!

We’ve come to the point where you’re made to feel guilty paying with cash, as the shop worker thrusts their card reader in your face. I’ve just about sussed online banking. It’s those pesky parking meters that send me into all kinds of flustered senior moments.

If we must face a cashless society, can we not wait for a generation to pass? It isn’t fair on them. I’d like to send these young entrepreneurs a hundred years ahead in time and ask them to work out quantum web diagnostics in fourth dimensional realities… or some other Dr Who type malarkey!

A charity trustee stated how important the branch is for depositing regular cash collections. โ€œOnce the branch has gone, it will mean travelling to a Lloyds branch in another town,โ€ they expressed their concern. โ€œSmall businesses, clubs, charities still deal in cash and need the convenience and security of a local branch.โ€

Another comment said you need a branch for registering a lasting power of attorney, as you cannot do that online and must rely on the postal service. Well, I say that’s risking it a bit; can’t even get Auntie Doris’s birthday card delivered within a six month schedule!

Others have suggested a banking hub for all major banks. But yeah, that takes a united community effort; I’ll wait!

โ€œI will be following up to ensure this happens,โ€ Brian concluded about the fortnightly drop-ins and promises of training customers. โ€œI will also be looking into access to cash in the town to ensure there is still sufficient provision for those who prefer to pay in this way.โ€

I’m glad we voted in this guy, he da man, but for now, it looks like the future of traditional banking is doomed here in Devizes. What’s that under your matress, Auntie Doris?!


Bird is The Word Caged! Trowbridge’s New Music Venue Coming Soon

It looks like fowlers have finally caught them! I mean, wildly flying around, daytime clubbing, karaoke cavorting, supporting and promoting local live music, who does that?!ย 

Cracking Pair Claire and Chloe Grist do. They set up the Facebook page, Bird is the Word to promote the local music scene. May last year saw them putting gigs on at Bradford-on-Avon’s Boathouse and running a daytime clubbing experience at The Exchange in Devizes.

But it’s been more a case of โ€œmum’s the wordโ€ since May, when they first flashed their phones at me, showing off the shiny new logo for an even more exciting project, The Birdhouse.ย 

If I’ve been a good boy and kept my cakehole schtum, now I can reveal that they’ve only gone and teamed up with the former operator of The Boathouse and director of SD Hospitality Management Ltd, Sam Dean, nabbed the vacant Sir Issac Pitman building on Trowbridgeโ€™s Market Street and plan to open The Birdhouse, a new music venue; ding dong!

Passed it this morning and took a snap, being the logo is up there, looking rather catching. There’s a private ‘soft’ launch on Thursday 16th July, andย  the Mayor officially opens the new venue at 6pm on Friday 17th, with all guns blazing by 8:30 when Trowbridge punkers Brakelight will be the first band to grace The Birdhouse stage.

We hope itโ€™ll be a historic moment and wish Sam, Claire and Chloe all the best for the venture. Wiltshire is bucking the unfortunate reality of music venue closures, and Trowbridge is at the heart of it. 

You might remember the building being used as a Wetherspoons until it closed nine years ago; small mercies! We think it’s fantastic to see an independent establishment going into its place, and can not wait to party with Bird is The Word!


Deadlight Dance New Single & Video

New single from our gothic duo Deadlight Dance, taken from Marchโ€™s album Vox Populiโ€ฆ.

Second tune on the album, a ballad to the poisonous evergreen shrub Daphne odora, which I classed as โ€œa poignant plodding shoegazer.โ€ The video looks very botanical and outdoorsy, I hope those goths wore sunscreen! Brilliant no-AI video, created by Haunting the Atom; fill your metal buckled chrome studded bootsโ€ฆโ€ฆ

Oh, and find them doing it at The White Bear, Devizes on Sunday..


Who’s Lovin a Devizes McDonalds and Tesco?

For what it’s worth, I’m impartial to the prospect of McDonalds, Tesco too. I’ve got viewpoints to waffle endlessly with no real conclusion, if you’ve nothing more important to be getting on with, but I’m certainly not all-out โ€œlovinโ€™ itโ€….

The initial article announcing the McDonald’s proposal in Bishop’s Cannings was a rush job, to beat the stream of social media. Now I can reflect, provide an opinion piece, you might be surprised. Especially as I hinted I was in favour because it would bring employment, particularly for our younger residents; mud sticks!

Someone submitted their objection, spoke of it on Facebook with an accompanying comment they tagged me in: โ€œdon’t shoot me Darren Worrow!” Perhaps they mistook the term โ€œdrive-thruโ€ for โ€œdrive-byโ€ for which my little knowledge from American movies suggests two entirely different things! I’m certainly not going to shoot anyone, and pray no one returns fire!

Here we go, dispelling myths and hearsays about the golden arches, their global ethical ethos and the redevelopment proposals here, in my own special manner, and purely for your amusement only. Repeat after me, I’m not a councillor!! Imagine thoughโ€ฆ.

The food is rubbish!

That’s subjective or at least debatable, surely? As the advert suggests, some people love that frightfully processed, calorie-dense, diabetes welcoming shit, and will queue all day in their cars for it. If they want to eat foam burgers, battery farmed chicken offcuts and offal, that’s their prerogative, and they will if you object or not. Itโ€™s the pickles they tend not to like and launch them from their car windows in some kind of pickle protest; but they are pigeon-friendly and biodegradable.

The company has made strides in responsible sourcing, apparently, but the nutritional value remains equal to eating a mattress. The โ€œOโ€ in a โ€œFillet O Fishโ€ stands for โ€œoh, did it really come out of the sea?โ€ when allegedly it did, but so do old wellington boots from time to time. Can you point out where the McNuggets are located on a chicken?! 

Expect a rise in obesity in Devizes!

Hello to the terminally bewildered! Our kebab shops sell โ€œdonor meat and chips,โ€ because โ€œsalad is for lightweights.โ€ For the gentlemen with a larger appetite I’ve watched them squeeze an XXL kebab into a 12โ€ pizza box, for crying out loud into a bag of statins.

McDonalds might not be much better, but no worse, and definitely less on portion size. Though both these first two points worryingly open Pandora’s box; how ethical McDonalds is.

McDonalds is unethical!

Unfortunately, you are right, any “restaurantโ€ chain which over-packages its products even if you eat inside has a dinosaur-sized environmental footprint; bring back Wimpy, they served you with a plate, what is so wrong with a plate these days?!

The company pledges to reduce carbon emissions and achieve deforestation-free beef sourcing, but can something on the sheer scale of McDonaldsโ€™ global supply chain ever really avoid widespread pollution and deforestation, and how hard does it really try to in Trump’s America? Awl, the dribble from that bastard’s gobshite damped his cardboard straw.

Yet, these are global issues which the McDonald’s Corporation must improve, while weโ€™re on about having one in our town, in a country where thereโ€™s already over 1,500 locations, and being thereโ€™s not one east of Devizes for some considerable distance, you know their application will be granted somewhere, if not here. Unlike their plastics, which is a โ€œdump,โ€ rejecting this is a โ€œdropโ€ in the ocean, and the only thing youโ€™ll achieve will be Devizes folk shit out of their McFlurry, and having to drive to the Sham.

Sadly, deflecting a global corporation by rejecting one store is putting a plaster on a severed limb.

They exploit their staff!

Again, globally yeah. Long-standing labour disputes and lawsuits regarding low wages and poor working conditions are plentiful. Iโ€™d argue thatโ€™s the world the low-skilled worker lives in, unfortunately. The economy relies on companies taking the piss, and I donโ€™t recall a company Iโ€™ve ever worked for, large or local, who havenโ€™t taken the piss and been generally ignorant to their staffโ€™s concerns, to be frank.

They will, and Tesco too, however, create new and stable jobs here, and in doing so, employ younger people, which, aside from unethical practices, isnโ€™t necessarily a bad thing. Let’s not forget those franchise delivery companies might develop, also creating jobs and delivering for our local takeaways too; nobody says Just Eat in Devizesโ€ฆ. yet!!

Hey kids, welcome to the world of work, expect to be exploited, but let it be a lesson, as youโ€™ll delightfully discover the chances of the same crap happening wherever you work is more likely than it is not! It’s the British way! Keep calm, tip your cap when the boss passes and carry on.

It’s unsightly and lowers the tone of the town!

No, it really doesn’t, at least no more than the aesthetics of the industrial estate. We have beautiful rolling downs stretching for miles to Beckhampton, it is a breathtaking drive but when you get to Devizes itโ€™s over and the practicality of civilisation has to begin somewhere. 

Seeing a Maccy Dโ€™s is standard issue now. No posh couple intending to spend a small fortune in our antiques shops are going to yell, โ€œoh my! They’ve got a McDonalds, George! Turn the car around quickly!!!โ€ Because nearly every other town has one, there is no escape.

The area will be littered!

It always amazes me that McDonalds has brought about this bizarre etiquette in other fast food chains too, that customers actually clear away the piles of litter they produce, as no other “restaurant” customers do this. That is why we need this branch to be โ€œeat-in,โ€ and avoid the โ€œdrive-thruโ€ concept as much as possible, because that is when litter unfortunately becomes an issue.

Sadly, to see McDonalds packaging jettisoned from a car window abandoned on our roads is more commonplace than seeing a fox or badger at night; but that might be more to do with posh country pricks not hunting Big Mac boxes to extinction.

Iโ€™m of the theory, this is done by younger people, borrowing mumโ€™s car, and they donโ€™t want her to know theyโ€™ve wasted fuel driving all the way to the Sham purely for a Maccy Ds, so they uncaringly dump that crap out of the window. I cannot see any other logical reason for doing it, then again logic might not play a part in their justifications.

Therefore, the lesser the drive, the more convenient it is to eat in, stay in the carpark where there are bins provided, or to find a bin, by my thinking. So, a McDonalds closer might not increase littering, it might actually help.

That’s the town centre doomed!

This is where I imagine being at a party and the conversation thus: โ€œoh, how terribly rude of me. You guys haven’t met before? Well, let me introduce you. Devizes, this is the 21st century. 21st century, this is Devizes!โ€

Get off your high horses. Unless you came into town to buy a sponge burger wrapped in more pointless packaging than an entire new kitchen, itโ€™s not going to impact the few coffee houses and charity shops we have still standing in the town centre. Devizes is still conservative top-heavy in ethos, I thought we’d welcome unethical, monopolising commercial corporations?!ย 

Even freewheelling funky Frome has an out of town commercial service area, with golden arches, and Devizes is never going to be as libtard alternative thinking as Frome! It’s happening everywhere, get used to it.

The old Sommerfield site in the town centre, since Wilko bunked, is one of many redundant shops here. Face reality, no chainstore is going to buy it; the trend is out of town shopping.

Town centres are now for coffee culture, restaurants, pubs, boutiques, hairdressers and charity shops, and I quite like it like that. I don’t want to see Tesco in town, because that drives people into them more than if they had to hop on a bus. I want indie shops in town, and want to see them supported.

Tesco didn’t see the offensive repercussions when they said they’re up for joining the abomination, and bid they’d build a superstore roughly two-thirds the size of the one in Trowbridge. Like we’re only two-thirds as important to them as Trowvegas, what an insult!

It’s kinda like when they build an extra lane on the motorway knowing in a decade they’ll need another. We’ve survived this long without a mega supermarket, on just manky Morrisons and a lonely Lidl. Sainsburys will do, wonโ€™t it? I only ever go into Marks & Sparks for confirmation Iโ€™m a peasant.

Devizes is expanding without infrastructure improvements; we’ll need bloody motorway services on London Road soon enough, and they come with golden arches as standard!

Tesco, you fail to remember like a Tory slamming Starmer for Brexit, we HAD a museum piece Tesco back in the year OBP (before Poundland) in which all the nice products you could find in other Tescos, all the good stuff, wasn’t available in the Devizes tiny Tesco, only the shitty nineteen-seventies stuff, to suit the decor.

We didn’t have a sushi bar, we had a tub of prawn cocktail, we didn’t have luxury jambon, we had tins of Spam, we didn’t have an iPhone section, we had a lift which occasionally worked, and we certainly didn’t have the one thing we really, really need, a petrol station!

But no, the proposal doesn’t extend to a petrol station; knobjockeys. If you’re gonna do it, Tesco, you could at least go the whole hog. We deserve as much; the kind of supermarket you can get lost in or not at all. Is a little competition to keep fuel price checks healthy too much to ask?! If you want in, Tesco, give us a petrol station in the deal, or bugger โ€˜arf with your fiver meal deals; a cajan chicken wrap, Boost duo and can of Pepsi isn’t a bloody meal anymore than a Big flippinโ€™ Mac!!

You haven’t even got a conclusion, have you?!

Looky here, Iโ€™ve calmed! Before moving to Devizes, I lived in both Swindon and Marlborough, for roughly the same length of time. I guesstimate I actually made more visits to McDonalds living in Marlborough, which doesn’t have a McDonalds, than I ever did during my time living in Swindon, which has too many McDonalds to count without taking my socks off. This is because when things like this are on your doorstep it doesn’t mean you use them any more than when theyโ€™re not.

You take them for granted that they’re within reaching distance, but it doesn’t spur you to reach for them more than when they’re not. In fact, the appeal for something you haven’t got is greater than for something you have. I predict novelty appeal in having a McDonalds in Devizes, but within time it’ll be normalised and the novelty will wear off.

You know, so many people say to me, โ€œyou’re a sexy beast, Worrow, you know what’s best,โ€ and usually I’d agree, but this one is out of our hands whether we like it or not. So sit back, keep your cobwebbed Clubcard to hand, and face the fate of Devizes head-on, with confidence, and make yours a McHappy meal! Be thankful we might get a McDonalds, but we’re still Reform free! 


Brian on FullTone Festival

Our regular historian and Visiting Research Fellow of The Regional History Centre, UWE Bristol, Brian Edwards takes some time to sketch the FullTone Orchestra ahead of next weekend’s festival….

I was blown away when attending one of the Fulltone Orchestra’s practice sessions today. We know the music is fantastic, we know the line up is pretty cool; but I wasn’t remotely ready for the thrill of being in the practice room when the music started.….

I wasย supposedlyย there to sketch, but it was ridiculously difficult to focus on the task in hand.ย 

Attending the two days of the Fulltone Festival is the most fun you can have in Devizes with your clothes on – said someone that won’t now admit saying it. Come to think of it, it probably rivals some of those other times as well.

Order your tickets now – Fulltone 26 is next weekend!

CSF Professional Wrestling Returns to Devizes

The larger than life superstars from CSF PROFESSIONAL WRESTLING return to Devizes, Wiltshire on July 11th for a very special edition of SATURDAY NIGHT SLAM, as WWF/WWE Legend: Scotty 2 Hotty will be live and in action!

The former WWF Tag Team, World Tag Team and WWF/WWE Light Heavyweight Champion will return to CSF to compete at the Devizes Corn Exchange, which will feature a host of top Pro names. Also announced to appear: ‘Hotshot’ Joey Scott, ‘English Lion’ Eddie Ryan, Joel Redman, Gilligan Gordon and ‘Unique’ Jake McCluskey!

Tickets are now limited. Priced at ยฃ15 all ages. Available with no booking fee online from www.csfwrestling.co.uk (Ringside also available from CSF). Meet and Greet Passes to meet Scotty, get his photo taken with you and collect an autographed poster are available only from CSF online. Venue is fully accessible, including the arena, bar and toilets. Doors 6pm // Showtime 6:30pm // Finish 9pm Devizes Corn Exchange Devizes, Wiltshire SN10 1HS For the full line up please visit: www.csfwrestling.co.uk

Update on the Update of a Postcard Fiasco as Untouchable Newsquest Joins the Party!

Though I wish it would be dropped and faded into the archives, itโ€™s got legs! Weโ€™re still on about โ€œpostcardgate,โ€ but the trivia sometimes becomes the nitty-gritty when the persnickety board the good train Facebook with their vitriolic trollop. Yet Newquest joined the party, and seems to have got off unscathed; funny thatโ€ฆ.

Here we go; all I said last week was that a digital postcard Devizes Town Council sentย to the Department for Culture, Media and Sport couldโ€™ve, perhaps, been worded better.

Like a steam train gathering pace in a heatwave they queued online, to condemn me for my minor constructive criticism. Tell me over and over again, posting videos and filling our comments section, that it was only a โ€œbit of funโ€ and not a bid for the Town of Culture Award; okay, are you going for the Town Crier vacancy? I hear yee!

Telling me to โ€œget my facts right,โ€ when its source, an official post from Devizes Town Council clearly stating it WAS a bid for the Town of Culture Award, apparently it wasnโ€™t, despite them saying it was. Who am I supposed to believe here, Devizes Town Council or Devizes Town Council? Maybe, just maybe, Devizes Town Council knows!

I get messages from Devizes Town Councillors, clearing their names, telling me it wasnโ€™t something approved by them; fair enough. So I run a half-apology update, though standing my ground for calling out the postcardโ€™s wording. Still the negative comments flood in. The most ironic part to all this is, the award for the most negative comment I bequeath to one person, who kindly negatively commented she’s not following us any more over all the negative comments with the most negative comment of all, then declared they didn’t actually read it, so was completely unaware of how negative it was, or wasnโ€™t; see, I told you this story has legs!

Now, I wouldโ€™ve buried this with those knowing birds flying high and the sun in the sky, for it’s a new dawn, it’s a new day. But now, what really gets my goat up and fleeing from its pen, is that Newquest reporter Jason Hughes picks this story up. He gallantly goes with exactly the same assumption as me, that because Devizes Town Council officially announced on its Facebook page that the postcard was a bid for the Town of Culture Award, that the postcard was a bid for the Town of Culture Award, publishes a Gazette & Herald article about it, and no one, not a single body has commented how evil they are for making the same, apparent journalistic error!

Way to go to condemn a nonprofit blogger for simply pledging we all get behind this and work together to make it better, but suggest to the historic newspaper a similar complaint? Not on your Nelly! We canโ€™t have that!

Their hypocrisy is so pathetic it fills me with despair that the โ€œsteering groupโ€ are the insular do-gooders mounting this campaign against me, and theyโ€™re the same ones going for a โ€œTown of Cultureโ€ award; do they have a dictionary to hand?!

“No, you canโ€™t get involved now, because you didnโ€™t attend the meeting,” theyโ€™ve said; but some of us have to work for a living. Iโ€™m only here for the biscuit crumbs. Who wants to forage the bottom of the biscuit barrel with me, or who wants to snatch them back?

The Grand Return of CrownFest

The first week into July, and two local festivals of five ticked off! CrownFest went down a hit with those who attended this fantastic reputation repair jobโ€ฆ.

CrownFest at The Crown in Bishops Cannings spawned in 2022, providing landlords sustainability and was a lesson into how to run a lively, community-driven village pub. A majority of the village turned out with a sprinkling of townsfolk, but there was always a handful of killjoy villagers frowning upon it.

Once its reputation preceded itself, the following year saw much greater attendance, particularly from outside the village. Little did we know, due to the vocal minority’s protest, its pinnacle would be its demise. After a furious and often ludicrous campaign, including claiming proprietors stole a gorilla statue from Scotland, didn’t get permission to paint their outside bar, and other petty, police time-wasting falsehoods, with pitchforks at dawn they drove the landlords out and replaced them with another determined to shut out villagers with paid parking and convert the premises into an overpriced Conservative gastro restaurant.

As prime real estate, if it was an unstable era for The Crown, it was short-lived. The proceeding landlady knowingly committed election fraud in a bid for a seat on the council and, once exposed, waddled off with her tail between her legs. The thing is, you couldn’t have imagined this political ballyhoo backstory at the sun shiny CrownFest 2026, much less cared about it.

Undertaking the task of repairing the Crown’s former communal reputation, CrownFest was the icing on the new landlord’s cake. Organiser Eddie Prestidge of Stone Circle marched proudly past me, suggesting I quoted him on โ€œthey said I’d never squeeze twelve bands into one day!โ€ But he did, and still it was quality over quantity.

I rocked up to see the end of The Publicans, a vigorously adroit Irish folk collective, and things looked healthy and happy at CrownFest already. A trailer stage with a control tower breathed top class technical production, with a second stage, campervans and tents to the rear of the site, and nestled in-between, a generous helping of attendees.

Again, in this saturated market, this festival could’ve and should’ve attracted more. They’re building back from the vacant years, but all the ingredients to a great festival were present here; note, for next year.

Fundraising for the Wiltshire Hope & Harmony charity, who create dementia choirs, the surroundings of CrownFest are beautiful, the pub is alive once again, and friendly faces came to enjoy themselves. Even the outdoor gents were proper posh and clean!

Time to check the second stage while Welsh tribute Ant Trouble tuned on the main. Two’s Company stood in at the last moment for Lucas Hardy. As the name might suggest an accomplished duo with John E Wright on bass, wonderfully performing folk-rock singalongs.

Ruby Darbyshire followed, once again holding the crowd spellbound with the perfect balance of covers and originals. After this sublime performance it was time for some ant music!

Perhaps it was niche and retrospective, but I and most others enjoyed it. Iโ€™ve been looking forward to seeing Ant Trouble again since they rinsed Swindon’s Vic three years ago, especially since the band wishes to end this tribute in order to concentrate on their original electro art-punk outfit, Head Noise. They came out firing on all cylinders with their tribute to Adam and the Ants; elders who understood (the family) and even the kids loved its lively punk-fantasy vibes.

Everything from then on was a Stone Circle showcase; the best acts you’ll find them putting onto pub and club gigs. Out of all our local festivals this undoubtedly supports local acts most and this, to me, is a very important point.

Starter, George Wilding. The real prince charming, the friendliest local human jukebox you’re ever likely to meet, with that golden voice raised the roof appeasing punters who yell out their requests and join him in chorus; legend in his own shirt!

A kindly talented fellow of George’s calibre rounding off with Three Lions on a Shirt, when we were still in doubt of Monday’s outcome, and Bohemian Rhapsody, wasn’t going to make the stage easy for anyone following with a policy of originals only, but it wouldn’t deter Wiltshire’s finest indie-pop darlings Talk in Code. I never tire from watching their dynamic show.

I do wish, though, this shallow trend of wetting knickers over some covers rather than supporting local acts writing and producing their own material would lessen. Talk in Code came out on fire and did the thing we love them doing; an electric set of timeless indie-pop anthems. It doesn’t take more than a few clicks to follow a band online, and familiarise yourself with their songs, and pretty soon, I guarantee, you’ll be creating the atmosphere akin to how you would if they covered Mr Bright Skies.

In this, I thought the rota could’ve worked better if Ant Trouble followed Talk in Code, and George filled in while Kinisha was preparing, then again if I’m to nickpick judging on what I caught of The Publicans, they could’ve suitably been pushed up the lineup too. As I said, CrownFest saw a plethora of great music, all of which needs to slot in someplace.

Sure, Kinisha stole the show, the headline Tina Turner tribute is called and is Simply the Best. But, sunhats off to the team for a brilliant festival of variety in acts, and communal vibes, which none faltered from toppermost quality. All round, CrownFest absolutely rocked Bishopโ€™s Cannings and put The Crown firmly back on the top spot it deserves to reclaim.

The temperature and L-shaped site didn’t fare so well in coaxing attendees to move from stage to stage, many, in conversation and self-made merriment favoured to pick one and stick to it. But hey, that’s the shape the garden is and, seemingly the motivation of overheated Bishops Cannings residents not to stray too far from the shade, bar or barbecue! As long as they had fun, that’s what matters, and CrownFest certainly provided that.

For myself, I am delighted to see CrownFest return this year, and hope it will be an annual feature on our local festival event calendar once again.


Brian on FullTone Festival

Our regular historian and Visiting Research Fellow of The Regional History Centre, UWE Bristol, Brian Edwards takes some time to sketch the FullTone Orchestra aheadโ€ฆ

Keep reading

An Update on our Postcard Criticism

Earlier today I published an opinion piece on the postcard sent by someone at Devizes Town Council to the Department for Culture, Media and Sport, for the Town of Culture Award. Please read this first for relevance to this updateโ€ฆ..

This isn’t an apology. I reserve my right to scrutinise and be a cheeky monkey, especially when the subject affects the public of the town, which this surely does.

Though not without satire, my point was that I felt it would have been better, fairer and most importantly, more effective, to have consulted the entire council and possibly the public too, before going ahead with it. We have since learned this was not the case. Not all Devizes Town Councillors were made aware of the postcard.ย 

Since publishing it, councillors have contacted us to say they hadn’t seen it, let alone approved it. If so, this surely only opens a wider Pandora’s box as to why things are being passed through the council without the knowledge of all councillors; surely that’s the point of having a council?!

It remains concerning, in my opinion, for issues of greater importance if a similar pattern is occurring. But that’s for another day.

I stand by my reasoning, the postcard was poorly written, which for the most part, the majority of comments on our social media shares and ones on the Devizes Town Council post shares reflects a similar opinion. We have since learned some โ€œtalented writers were asked,โ€ but it was excused by a short deadline of one day. I know only too well the pitfalls of a short deadline, and therefore I will apologise to those who wrote it. As I did state, the idea itself wasn’t necessarily a bad one.

It has also come to light that the postcard was apparently not a bid for the Town of Culture Award, rather for a โ€œminor exhibition,โ€ though the information from the Devizes Town Council Facebook post reads thus:

โ€œ๐–๐ž ๐ก๐š๐ฏ๐ž ๐จ๐Ÿ๐Ÿ๐ข๐œ๐ข๐š๐ฅ๐ฅ๐ฒ ๐ž๐ง๐ญ๐ž๐ซ๐ž๐ ๐ญ๐ก๐ž ๐œ๐จ๐ฆ๐ฉ๐ž๐ญ๐ข๐ญ๐ข๐จ๐ง ๐ญ๐จ ๐›๐ž๐œ๐จ๐ฆ๐ž ๐ญ๐ก๐ž ๐”๐Š ๐“๐จ๐ฐ๐ง ๐จ๐Ÿ ๐‚๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐ž ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ–!

In celebration of our townโ€™s culture and heritage, we have submitted a digital postcard to the Department for Culture, Media and Sport (DCMS). Here is our entry.โ€

If there is something I missed here I apologise, but the detail here suggests quite clearly, it was for the bid.

The article was not negative of the postcard project, simply critical of the wording in the final product. 

Still the notion remains, that if such a project is to go ahead, it would be best if our resources were better pulled in, and those skilled at the tools needed were asked to help. There was a meeting some months ago I was aware of, but for personal reasons I couldn’t attend it. No further correspondence has been received by us on the project, despite our offers to help in any way we can.

We wish the Town Council all the best and remain hopeful for the project, and we are grateful to them for their efforts. Constructive criticism from time to time is necessary, I believe, in order to put forth the best bid we cร n for this award.

I Smell of Market Stall! Devizesโ€™ Best Bid for Town of Culture Award

Well, that’s that then. In a bid to win a Town of Culture award, yesterday Devizes Town Councillors sent a digital postcard to the Department for Culture, Media and Sport, and, just like Mick Jagger and David Bowie duetting Dancing in the Street, no one dared to stop them!

Agreed, it’s illustrated with a brilliant and most apt photograph of the Winter Festival by Simon Folkard Photography, one which Simon kindly permitted us to use too when we reviewed the event. And, debatably,  the idea to personify Devizes isn’t all bad, but the wording, oh, oh my, the wording is the car crash.

There was me thinking it was a Town of Culture Award, not a Town of Cringe one! It begins informally โ€œDear Phil,โ€ and describes the town’s โ€œshapeโ€ by โ€œmarkets, makers and people who roll up their sleeves to bring ideas to life,โ€ causing me to fear the postcard might be symbolic of all my sceptical views on this pledge.

Do I want Devizes to win this award? Of course I do. Do I believe Devizes has what it takes to win this award? Yes, that too. We have excellent cultural events and engagement in Devizes, and many of us “roll up our sleeve,” Yet in my experience we do not combine our skills adequately, and squabble between ourselves for the case of our own events we’re staging.

So, we have a vast array of different events, the Food Festival, the Arts Festival, DOCA, and so on. But, let’s take a look at the Frome model for a moment. Their town festival incorporates everything under one banner. There’s food elements, music, art elements too, all combined. If we tried this, it would be pistols at dawn! We can not even agree on one town Facebook group!

We have a writers group in Devizes, another at the Wharf. We have talented writers here at Devizine Towers, and then we have poets in Devizes, one in particular is exceptional (I think she knows who I’m talking about!) We even have writers sitting on the council, for crying out loud!!

Could the council not have commissioned some local wordsmith to come up with something more creative? For this postcard looks either AI generated or scribed by a councillor who fell asleep halfway through a day’s creative writing workshop.

I don’t know who wrote this, I would rather not know. But, the bottom line is that the wording on the postcard is cringeworthy, without any artistic flare. It continues to describe this personified town’s canal. Now, if it is supposed to be a person, I’d rather not imagine what part of the human body the author of it would class as its โ€œcanal,” but here’s suspecting they talk out of it.

To make matters worse, it goes on to tell the postcard’s recipient โ€œPhilโ€ about what they smell like! โ€œI smell like malt, warm bread, and Thursday’s stallsโ€ฆโ€ I have no words left in me. Who writes about how they smell, in a postcard?!

Save for the expectation, in return, they could’ve asked Phil what he smelt like; โ€œhow about you?!โ€ And the response could possibly have been, โ€œthank you for asking, Devizes. I’m currently on holiday in Spain, and I smell like shrimp paella.โ€


Since publishing this, there has been an important update HERE

Slowly Burning the Midnight Oil with a New Single

Midnight oil has been burning at Potterneโ€™s Badger Set studio as Devizesโ€™ most impressive and talked about upcoming band, Burn The Midnight Oil takes it to a whole other level with a new single, Slow Burn, and itโ€™s out tomorrowโ€ฆ..

In a relatively short time Burn the Midnight Oil has become an unmissable live show, and last yearโ€™s trip to the studio for the three-track EP Werewolf was blossoming with promise of a developing band heading in the right direction.

Whilst Slow Burn retains the swagger of a gunslinger at dawn, as does the previous songs, it also feels to me like the checkpoint to something far greater. Rootsy Americania with gypsy undertones and sombre leitmotifs being their guise, this one doesnโ€™t waiver in poignant wording and powerful delivery, yet it captures something more carefree, wild and commercially viable in its midst too; a punch, a hook, and a sinker.

Thereโ€™s an enchanting string intro, and it builds to a danceable peak; all the elements are combined here, it requires and thoroughly deserves radio play. In good time, I foresee and hope this tune being the one fans will wait an entire set in anticipation for, and will sing back to them. It’s Florence and the Machine sitting on a toadstool wishing they were more like Fleetwood Mac, itโ€™s girl power Dire Straits melodic, itโ€™s Springteenโ€™s wild romantic gesture calling across a stadium.ย ย 

In subject we see a turn away from the often dejected and tortured feminine soul of past songs, and a pragmatic idealism more faithful to the sanguinity of relationships developing.ย 

If pop demands a song about the gifts of taking romance slowly should be a ballad, this runs more fiery than Niall Horanโ€™s Slow Hands, and far less saccharine than Janet Jacksonโ€™s Let’s Wait Awhile.ย 

Then, if we ask for upbeat, of course, we have one hit wonder Jermaine Stewart not wanting to take his clothes off to consider! Thankfully weโ€™re heading far more subtly here; why does this theme have to be cringeworthy or so overly sentimental when itโ€™s a perfectly viable concept?! Slow Burn, I think addresses this, and exhausts with a genuine angle through personal reflection. Thatโ€™s what it does for me, itโ€™s tender-hearted legitimately, and the chorus blows the cobwebs off any concerns the ideal might be wrong.

What else do you need to know about this song? Itโ€™s solid, out tomorrow, for Bandcamp Friday, pre-save it now HERE, and youโ€™ll hopefully see where Iโ€™m coming from!


Perusing Through the Pews; Lawrence Arts Society at St Mary’s Devizes

If you ever stopped to wonder how many artists live locally, drop into St Maryโ€™s in Devizes, because youโ€™ll be impressed by the annual exhibit of the Lawrence Art Society, currently running until next Thursday, the 9th July, and itโ€™s a mixed bag of works from some of the finest local artistsโ€ฆโ€ฆ

Named after Devizesโ€™ most famous artist, Sir Thomas Lawrence, a child prodigy whose early career began here when his parents owned the Bear Hotel, in association, the Lawrence Art Society has been running since his time, but was formally established in Devizes in 1953. The Lawrence Art Society is a community of artists of all skill levels and media from Devizes and the surrounding areas. Membership of the group connects you to like-minded individuals, where you can share experiences and continue to grow in your chosen medium.

Much of the art on display at St Maryโ€™s is up for sale, at reasonable prices, and thereโ€™s prints and greeting cards too. Browse through the pews, for while in previous years this showstopper was held at the Town Hall, now it is at St Maryโ€™s Arts Centre on New Park Street. I must suppose thereโ€™s perhaps advantages and disadvantages to the new location. Starting with the positives, itโ€™s a much more airy space where you can wander, and with the pews separating the artworks, encourages the viewer to focus from afar and, should they be tempted, cruise the canal between the pews for a closer look.

Obviously, you can also take a seat too, which you couldnโ€™t do before! Yet herein lies one negative, St Maryโ€™s needs some facilities, a tea & coffee hub would be ideal, then people would really be encouraged to sit and browse for longer. The one other issue I find is location, whereas The Town Hall mayโ€™ve given footfall from random passers-by, youโ€™d have to know thereโ€™s a show on at St Maryโ€™s; hence this article!

And, if you usually go to an art exhibition they generally run on a theme if not solely presenting one artist. The magic of this Lawrence Art Society, aside from the professionalism of all the works, is the variety on display. Mostly painting but of all movements and styles, thereโ€™s a few, and incredible I must say, wire sculptures of nature.

Some abstract, impressionism and expressionism, a few cubist, of varying and sporadic subjects. Lots of still life, imaginings and even satire, but mostly thereโ€™s some spectacular fine art in oils or watercolours, of landscapes youโ€™ll recognise on local travels. The depictions of Wiltshire’s rolling downs and stupendous skies, alongside interpretations of The Market Place and other Devizes locations. Itโ€™s all magnificent and with such a wide variety, it maintains your attention.

While Simon Bishop and Alan Watters are two exhibiting who I know their works well, others by Stephen Benison, Brenda Loveland, Paul Oakley, Jean Perrett and over 16 artists make for an impressive show, but when asked to pencil down my favourite I stumbled at the choice on offer, and with such a wide variety of styles, itโ€™s tricky! In the end I went with this fiendish yet evocative oil of Harlequin; it was probably the legs which did it for me, but Iโ€™ll say it was the mood of the brushstrokes!

Iโ€™ve taken snaps of only a fewest of the hundreds on display, and they do them no justice. So, take an hour off of townโ€™s bustle, and browse this wonderful exhibit before it closes on the 9th July.

And if youโ€™re an artist you might wish to sign up. The Society hosts monthly demonstrations, organises regular en plein air outings, weekly and monthly social painting get-togethers, an annual art exhibition, and provides links to local exhibitions and other art groups. But most of all, it provides a friendly environment where you can share your experiences and continue to grow in your abilities. This annual exhibition showcases precisely this ethos, and is worthy of your time.ย 


Boots and Braces, Get Ready for Devizes Scooter Rally

We’ve been on about the other big Devizes events we’re looking forward to across July, but on the 24th to the 26th it’ll be time to get up on your feet, put your braces together and your boots on your feet, and give us some of that old moonstomping, at Devizes Scooter Rally. And it’s only three weeks away; time enough to wash that Fred Perryโ€ฆ..

There’s no complicated reason for a way of putting this, I love Devizes Scooter Rally! With a few photos I’ll attempt to explain why.

Firstly though, note; I don’t got no hairdryer, no need for anything on two wheels, I’m dodgy enough on four! I go for the music, the drink and the great company; of which is plentiful.

Last year the site significantly expanded as The Beat headlined, at least Ranking Roger’s son Ranking Junior paid homage to his father and the original lineup. Needless to say it was well-received and off the scale; I called it the best one yet. But it’s only a fraction of why I love Devizes Scooter Rally!

I think it’s at the maximum scale the Scooter Club feels comfortable with. That’s understandable, any bigger could potentially lessen that community feel which has attracted the niche market of scooterists and retrospective youth cultures, and blessed this rally with a renowned reputation nationwide.

This year sees lesser-known names on the lineup but all tried, tested and loved by the Scooter Club. Bands this year include the Butterfly Collective returning for their second year, newcomers Skamageddon, Bootleg Blondie, Marquis Drive, The Decatonics and all-time club favourite All That Soul.

It is not about big names, rather throwing one heck of a great party, and that is what they do every year without fail. Kick it off, Colonel!

Here’s a snap of Goldsteppers, who played the 2024 Rally, and I reckon were my favourite band to ever play here. They had this total dedication to recreating an original Jamaican ska sound. Even if I grew up with the Two-Tone movement it only served to fuel my obsession with its roots. Through my eclectic tastes I need to do Devizine, I reserve my rights to declare officially, that original Jamaican ska and reggae are my desert island discs, my favourite style of music. And, we simply don’t get nearly enough of this around these backwaters. But this is only another fraction of why I love Devizes Scooter Rally!

Here’s a picture of All That Soul from a previous year. They’re coming again this year, and if you think perfectly mimicking those Motown classics is asking too much, All That Soul do, do sublimely and on a level I’ve only ever witnessed before when watching All That Soul! Awl, those Northern Soul boys are welcomed here too; throw down some talc and call me Andrea! But, that’s only a fraction of why I love Devizes Scooter Rally too.

It’s all weekend, it’s affordable, there’s free camping. On a local level I believe those with only a passing interest have cottoned onto its brilliance, and even the council have accepted it’s an important annual date on the town’s event calendar. Scooterists from all over the country fly back and forth down Caen Hill, spending money in town; an economic advantage but still, only a fraction of why I love Devizes Scooter Rally!

The biggest chunk on my pie chart of why I love Devizes Scooter Rally, can be best illustrated by these last two snaps. Co-founder of the Devizes Scooter Club Martin Gibbs has been busy painting barrels with the logos and colours associated with the variety of movements which combined make up the ethos of the rally. And there’s the thingโ€ฆ.

Everyone at the Scooter Club muck in, use their relevant skills and work tirelessly to create this extravaganza. With their reflection on reggae, their combined efforts is rather akin to a Caribbean carnival, whereby participants will labour all year on their decoration, dress and floats. The Devizes Scooter Club built this bar themselves, they built this bangarang (but not necessarily on rock n roll!!) And you best believe it, this bar takes some heavyweight usage!

You’ve never seen such a busy bar, and members of the club and their families slave night and day, serving attendees with their booze quota until the point they drop from exhaustion! With a lost voice and physically drained from tending the busiest bar this side of Munich’s Theresienwiese during Oktoberfest, my wonderful sister-in-law still drives my sorry drunken ass home afterwards; I’m so grateful, it’s become our thing!!

That’s my major point, that’s why I love Devizes Scooter Rally most; the team behind it, giving 500%, mucking in, and creating this wonderful annual event. And this reflects into those attending, only expanding on this real community feel, done only so for the spirit of the day, and love of doing it!

That’s the magic of Devizes Scooter Rally, in a nutshell. In Jamaican patois you’d be a bubu, or here, a fool, to miss it!

Thereโ€™s Lots happening in July in Wiltshire, With or Without Bradley Walsh!

Please donโ€™t get me wrong, I love that Bradley Walsh Cockney sparrow, and could imagine myself having a right laugh with him down any boozer he cared to drop into! But here we wouldnโ€™t suggest you should wait for Brad to pop into your local before guaranteeing your good self a cracking night out! Weโ€™re into Julyโ€™s midsummer madness, and Devizine will focus on all the best things to do this month, in Wiltshire, with or without Bradley or another celebrityโ€ฆ..

For Newsquest, unfortunately, the Chase is over! Sure, I pipped them to the post on the McDonalds application fluff last week, but that couldโ€™ve been anyoneโ€™s. Iโ€™ll hold my hands up; I did it because, from time to time, the clickbait headline is a must. But day-to-day Iโ€™m not fussed over hits.

Our focus is on the pub without a celebrity appearance. The venue where there might be a person, or group of, you donโ€™t know, or at least the television-addicted, cheesy puffs munching sofa-surfers majority donโ€™t know, but youโ€™ve heard of, or are taking a chance on, because you read Devizine. Because you trust us when we tell you that this person, or persons, have spent years perfecting their art, rehearsing together, writing songs, painting, learning their lines, or finding the right chords to match, and in culmination they do so for purely for the love of it, perhaps in hope to put food on the table, and to provide something together…..to entertain you.

Here at Devizine we will report on the amateur, the upcoming local talent, with equal gusto to an event whoโ€™s booked a top name. We donโ€™t do this for hits, we do this because we believe thereโ€™s a truckload of skilled actors, musicians and artists around these rural backwaters who are going unnoticed by the mainstream media, and what is more, they deserve so much more than this. But there you have it, try as we must! If I did this for payment Iโ€™d have quit years ago!!

So, check out July on our event calendar now, and recheck again as we go through the month, because it is constantly updating. Donโ€™t rely on that event popping up on your Facebook feed any more than local newspapers telling you about it; all social media platforms have lots of political propaganda to throw at you, paid mush adverts, wonky opinions, and cringeworthy pictures of someone you donโ€™t even knows’ supper. Thereโ€™s no room left on there to show you the gig your mate is putting on down your local, and you cannot expect them to find the space, because, to them, spreading hatred and causing division among the masses is far more important. Stop the clock, Bradley, that is wrong.

Thereโ€™s no polite way to explain it, but I think you should face facts; mainstream media is a big bag of swollen bollocks, and locally, itโ€™s competing with social media for cringe clickbait, whilst failing to showcase and highlight the real people out there, striving to be creative. Send me your thoughts on that in emoji or as an AI poster, if you care to, Iโ€™ll be too busy to answer them, as Iโ€™ll be covering as much of whatโ€™s really going on locally as I possibly can!

Summer festivals and so much more; see you down the front, mine is a cider, ta muchly! Xx

Oh, and if weโ€™ve missed listing your event, it isnโ€™t because we donโ€™t like you! Tell us about it like youโ€™re Billy Joel on a promise!!


Check out July on our event calendar now.

Mantonfest Magic Multiplies

Mantonfest, the longstanding gem on Marlborough’s event calendar, finalised for another fantastic year last night, with metal-driven mayhem, as the sounds of AC/DC ripped across Treacle Brollyโ€ฆ.

Tribute act AC/DC UK had a challenge, to top Dan Budd, who unleashed a burning effigy of everything Robbie Williams used to be and thoroughly entertained in manner and style so akin to who he was attributing, he might as well be Robbie Williams. Debatably they did, it’s a highway to hell of a show, using eighties amps and tech, the schoolboy uniform costumes and feisty skill to breathe authenticity into it, like coal fuelling a fire.

I’m not heavy metal’s biggest fanboy, but view them in light of what’s popular, or at least was, in Marlborough; and via this pov, they rocked the show. Though, I’m impartial to Robbie Williams too, being a product of the nineties boyband fad I raved underground throughout, and by his peak in the noughties I washed out! No, I was most looking forward to the Duran Duran Experience, that’s my era.

That’s my time when I couldn’t go to gigs, but idolised pop stars, making me the ideal candidate for a Duran Duran tribute; you had to like Duran Duran if you wanted to snog girls at school discos, fact! Hailing from the Midlands with fifteen years under their belts, Duran Duran Experience were great. They delighted my retrospection for songs I anticipated and excited my reminiscences for some I’d forgotten, and until today, that was my formula for a perfect tribute act.

But if the Duran Duran Experience were plodding, didn’t engage the audience on the same level as Dan Budd, then I need to rethink said formula. Robbie Williams may not be my bag, though it was the best tribute there by far, heading towards one of my all time bests. His band were incredibly tight, his engagement tiptop, the banter and the delivery were all on par with the cheeky yet lovable bravado of the real McCoy; he even looked like him and hails from Stoke-on-Trent, just like Robbie, so even the regional accent was genuine.

I don’t make a habit of suggesting a tribute was โ€˜like the real thing,โ€™ though it’s a common assessment vocally in a crowd. In fact, I believe I’ve never said such cringe, but in this case, it truly was. Dan was Robbie with the full kit; impersonation, performance and persona.

Dan even made me contemplate there was something I missed about the talent of Robbie Williams, casting him off as manufactured โ€˜pop mushโ€™ at the time, and perhaps the ability to change the minds of those who didn’t care much for the attributed’s work beforehand is a mega bonus ball to the perfect tribute act. For the standard wide age demographic of Mantonfest, gen z, millennials, all danced in awe alongside gen x, who were still recovering from the Duran Duran Experience!

Tributes aside, despite being the finale of Mantonfest’s โ€˜if it’s not brokenโ€™ formula, I unfortunately couldn’t make the festival from its off. I missed Barrelhouse, Humdinger, Jamie Williams and others, though safe in the knowledge of their refined abilities. I arrived in time to catch Emelia Houchin finishing her sublime set with You’ve Got The Love on an additional stage set adjacent to the main stage, which provided continuous music while acts on the main stage tuned. I’ve seenย Emelia Houchin as part of the St John’s school showcase at Mantonfest some years ago; she was ambitiously striving then, but now she’s confidently brilliant.

The second stage idea was the only thing different about Mantonfest, as I said, if it’s not brokenโ€ฆ. Mantonfest is such a lovely, communal festival, perfectly scaled and reflects the certain charm of Marlborough as a town, only under a sea of gazebos. The other highlight of the second stage I bore witness to was Hangfire; one Marlborough resident, the remaining matured gents from Highworth, covering a selection of sixties to eighties classics with such passion and proficiency it would be impossible to find fault with them.

But the second stage isn’t the be-all-and-end-all to the meaning behind the term multiplication in my headline. The tried and tested winning formula of Mantonfest expands into Devizes as in the incarnation of little sister festival Park Farm for its second year on Saturday 18th July.

The lineup there uses acts loved at Mantonfest, with a finely selected Devizes ingredient added, The Jon Amor Trio. That’s the reasoning I must cast to Devizes residents; yes, Park Farm is the newbie on the block, but is fuelled by the experience of 25+ years of Mantonfest, and Mantonfest again this year, reinforced my conviction that they’ve the ability and motivation to present an outstanding mini festival with a big, passionate and highly entertaining heart.


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Mantonfest Magic Multiplies

Mantonfest, the longstanding gem on Marlborough’s event calendar, finalised for another fantastic year last night, with metal-driven mayhem, as the sounds of AC/DC ripped acrossโ€ฆ

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National Meadows Day: The Grass & Time Soundscape Lecture at Richard Jefferies Museum

Part environmental lecture, part live performance, and part immersive sonic journey, The Grass & Time Soundscape Lecture offers a unique way to celebrate National Meadows Day, Saturday 4th July from 2 to 4:30pm in Swindonโ€ฆ..

Set within the gardens of Richard Jefferies Museum, the event sees ecologist, author and musician Tom Haynes, better known as Grasslands, explore the remarkable story of grasses, one of the most successful life forms on Earth.

Using live looping, drones, field recordings, ambient textures, and evolving rhythms, Haynes traces the rise of grasslands from the age of dinosaurs to the modern world, revealing how these seemingly humble plants helped shape climates, ecosystems, mammals, and ultimately human civilization itself.

Far more than a conventional talk, this is an experience that combines science, storytelling, and sound art, all coming together in an accessible but highly informative manner. The afternoon also includes an open discussion on conservation, wildlife, and creativity, followed by a live Landscapes and the natural world inspire grasslands’ performance.

Already known to many through his appearances across all five seasons of Clarkson’s Farm, as well as his growing reputation on the ambient and experimental music circuit, Haynes continues to build a devoted following through work that bridges ecology, education, and musical exploration.

An enlightening and atmospheric event for nature lovers, music enthusiasts, and the simply curious alike. Thereโ€™s a free ticket booking link HERE.


George Wilding Feeding His Head

Featured Image: Helen Polarpix

As if itโ€™s not hot enough, Aveburyโ€™s finest musical export George Wilding is bounding back with another new single, Feed Your Head, out next Friday, the 3rd July…and he’s on fire…..

If the last few singles have come in harder rock than the melancholic, psychedelic swirls of his earlier years, while Feed Your Head doesnโ€™t waiver from this progression, his natural talent for abstract wordplay and emotive face-slaps, in this one in particular, bears all the hallmarks of a George Wilding rocking out classic, and is an instant like….

Previous tunes of recent, like Isnโ€™t She Lonely surprised me with whimsical experimentations akin to doo-wop, and Monday Morningโ€™s Bitch nodded towards a Cure early eighties-alt vibe, but if George triumphs  any challenge, and producer Jolyon Dixon engages it, Feed Your Head offers no such diversion, it simply rolls on a hard-hitting timeless indie-rock sound, comfortably.

Fans should think upbeat, like Terrible Little Secret rather than My Backward Head, yet playfully on a subject, like Tchaikovsky on the Tambourine. Feed Your Head bounds in, drums and guitars glaring upfront, on a โ€˜convincing yourself everythingโ€™s fine after a breakupโ€™ theme, as if Katrina And The Waves recorded Positively 4th Street!

Itโ€™s a punchy electric three-minute hero without drift. Thereโ€™s no reason why fans shouldnโ€™t love it, unless they want meandering layers of pensiveness back, Iโ€™d argue with them it remains contemplative, just lively!

Make it your mission to look out for it next Friday, 3rd July, along with some ice pops, perhaps. And he’ll; be playing Melksham’s Stealth Brewery Tap Room Friday evening, or see him at CrownFest on 4th July.

Bandcamp | George Wilding


MantonFest This Weekend. Failing That, Park Farm Next Month!

What do mean itโ€™s a bit short notice for me to tell you about a festival happening this weekend? Iโ€™ve been banging on about it since winter and itโ€™s all there on the event calendar, you know?! My first MantonFest experience was in 2021 when I labelled it โ€œMarlboroughโ€™s Festival Gem.โ€ Five years on I stand by that tagโ€ฆ..

MantonFest this year is on Saturday 27th June, thereโ€™s still a few tickets up for grabs. Thereโ€™s something delightfully โ€œMarlboroughโ€ about this festival. Itโ€™s a safe family-vibe without the need of mountains of restrictions. Set in the natural bowel of Treacle Brolly, itโ€™s walkable from the town, and worthwhile. It takes campervans payable on entry and doesnโ€™t fuss, provided you take back home the joy of the Mantonfest experience.

And that is, a grand stage, this year with a second stage dedicated to local acts, a horseshoe shaped maze of gazebos around a dancefloor where families pitch for the day, and picnic. Thereโ€™s plenty of food and drink stalls, but the trend seems to be picnic, and the organisers welcome this. 

The thing is, if I have sprung this on you too late, do not fear, especially if youโ€™re in the Devizes area, because Park Farm Festival is on 18th July and it is run by the same experts as MantonFest. While newer, this little sister festival is set to grow, and, bringing the same family vibe to Devizes with that of Mantonfest, you can pick, or better, do both!

Mantonfest firstly, then, has AC/DC tribute AC/DC UK, who brought their very real show to Park Farm last year. In stark contrast Dan Budd is Robbie Williams, and The Duran Duran Experience finishes off the tribute headliners.

Jamie Williams & The Roots Collective should be no strangers to Devizine readers by now, neither Barrelhouse or Humdinger, who are all playing. Last Train Smokinโ€™ are an old Mantonfest favourite, and the second stage has Skedaddle, Dorain, Mills and Hangfire.

Park Farm Festival switches acts too, with some Mantonfestโ€™s favourites. The Queen tribute One Vision is the best Queen tribute Iโ€™ve seen, and Iโ€™ve seen a few!! Likewise with Slade tribute Sylde, they were great at a previous Mantonfest Christmas special.

Theyโ€™ve also got Badness, which is one of my favourite tributes, not quite Madness not quite Bad Manners, but their own inspired outfit. And an Abba tribute Iโ€™m unaware of, but hey, itโ€™s an Abba tribute, guaranteed to get old and young dancing together!

Mantonfest regulars Barrelhouse go side by side with Devizes own Jon Amor Trio, which should be interesting, and Last Train Smokinโ€™ also play this one; I told you they were a favourite! With duo Too Complicated finishing off Park Farmโ€™s main stage, also look out for the first time second stage here too, with Matchbox Mutiny, Station, Dorian and Bustards.

If Park Farm brings a taste of Mantonfest to Devizes, and thatโ€™s brilliant, it doesnโ€™t mean you canโ€™t check out the mothership this Saturday in Marlborough, and then youโ€™ll really know, Park Farm is also worthy of your festival budget!ย Best of both worlds!


Chloe Hepburnโ€™s Lullaby

New single from Swindon soul diva Chloe Hepburn, under the rebranding CHLร–VER out last week, is worthy of your attention in my honest opinion. For if Oliva Dean is bringing back a retrospective soul sound to the upcoming generation, and Lola Young breathes some English rawness into the melting pot, Chloe is a bridge in-betweenโ€ฆ.

Lullaby is as it sounds, a gentle breeze of piano-based nu-soul with deep reflections of timeless soul. But, if a lullaby is a soothing song to regulate emotions, thereโ€™s irony in the subject, an underlying analogy of accepting the consequences of your past actions.ย 

Chloe describes the vocal arrangement of this collaboration with Manon Molyneux and mastered by Shivan Mistry as a โ€œchefโ€™s kiss,โ€ and Iโ€™ve a tendency to agree. Radio play dependent, perhaps, but once that subtle hook gets into you, itโ€™s the perfect pop grower.

On the last single, Situations, we reviewed in March last year, I said โ€œChloe is destined for greater things. Itโ€™s a gorgeous single, oozing with potential and only trickling with the necessities to produce something groundbreaking.โ€ With Lullaby I believe weโ€™re there.

LinkTree


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McDonalds Coming to Devizes?!

Okay, it was the April Fools joke I broke the Internet with in 2021, but it’s not the 1st of April todayโ€ฆ..

Bishop’s Cannings Parish Council announced that they are โ€œawareโ€ of a proposal for a new McDonaldโ€™s drive-thru restaurant on the site of the Murco garage at Cannings Hill. 

They explained a dedicated website has been set up by the applicant which states that a planning application has been submitted to Wiltshire Council.  

which states that a planning application has been submitted to Wiltshire Council.

The Parish Council said it will โ€œreview the application once it appears on the Wiltshire Council planning portal and will update residents in due course.โ€

McDonaldโ€™s says it โ€œhas long wanted to expand its offer of amazing value and high-quality British food into Devizes to address an identified demand for a new McDonaldโ€™s in the area.โ€

โ€œThe proposed site is located at the former Murco Garage on Horton Road, just off the A361/Horton Road Roundabout in Devizes.โ€

โ€œOur submitted proposals seek to transform this underutilised site into a modern employment generating facility, that serves local residents, whilst contributing to the wider economy of the Wiltshire area.โ€

Whether you’re lovinโ€™ it or not, McDonalds will bring jobs for young people, and I believe that’s something to consider.

Me? I’m mentioning it for clickbait, but let’s not get over excited yet; no Big Mac orders will be taken today; it’s early days!!


Using Fulltone as a Proper Noun

To most, โ€œfullโ€ and โ€œtoneโ€ are two separate words, but around here it’s been a portmanteau and a proper noun since 2019, conveying a unique musical experience where orchestral meets pop, thanks to The Fulltone Orchestraโ€ฆ.

Yeah, they may play elaborate concerts around the South West from Exeter Cathedral and Bath Abbey to Londonโ€™s Cadogan Hall and Birmingham Symphony Hall, but it is here, in Devizes where they proper job zip up their boots and return to their roots for a festival like no other.

To put it in dictionary form, it might look something like this AI invention:


Fulltone / หˆfสŠlหŒtoสŠn /proper noun

1- The Fulltone Orchestra: A large, independent British symphony orchestra based in the South West of England. Founded in 2017 by musical director Anthony Brown, the ensemble consists of roughly 50 to 65 musicians and is celebrated for performing diverse, cross-genre arrangementsโ€”ranging from classical masterpieces and movie scores to rock, Motown, and electronic dance music.

2- The Fulltone Music Festival: A prominent annual multi-day outdoor music festival organized by the orchestra in Devizes, Wiltshire. The event showcases the orchestra alongside headline artists and guest vocalists performing large-scale symphonic concerts across a single weekend.

Origin: Formed in Devizes, Wiltshire, as a compound of full (complete, maximum) and tone (a sound of distinct pitch and quality), reflecting the expansive and powerful sound of a complete live orchestra.

Example usage: โ€œWe are buying weekend camping passes to Fulltone at Park Farm this summer.โ€

Editorโ€™s additional note: โ€œfor the love of Jason Donovan, make sure you do!โ€ 


If you know me and my grammar, youโ€™ll have come to the correct assumption Iโ€™m not one for dictionaries anyway! Iโ€™m no scholar in the classics either. I just know what I like, and through all the bobsy-die and Tempest in a teapot online skullduggery, the bottom line is, I promise you from past experience: when you get into that dome-shaped stage, almost iconic now in Devizes, and allow the sublime acoustics of a full orchestra to flow through you, it is magnificent.

And you’re not going to find anything like it hanging around Sidmouth Street waiting for your chicken sandwich to be cooked, or staying in watching a show hosted by Ant and Dec.

Fulltone Festival 2023 – Day One Image: Gail Foster

โ€œWeโ€™re bringing Jason Donovan to a field in Potterne,โ€ organiser Jemma Brown told me. โ€œWhy would you not get behind that and see what two local people are trying to achieve?!โ€

Jason, Wurzels. Rozella, and all other gubbing or not, are only added bonuses. I was of the generation to reject pop crime manufacturers Stock Aitken Waterman, being honest, and Jason was used as a pawn, a male equivalent of Kylie, and I can’t give you the key to my combined harvester, because I haven’t got one, have I? But hey ho, a shuttle bus pulls in at the Pelican, even I have to admit, Jason Donovan coming to Devizes IS a BIG deal.

The Wurzels may be too far east for their liking, and quipped about Devizes in a song, but aren’t they the only band who made a greater success with a parody song than the original?! And I wouldnโ€™t mind if I do; time is healer, and thereโ€™s too many broken hearts in the world, anyway. Jason was right, dammit!!

Donโ€™t be that subject; communal love to be found at FullTone, but only if you’re there, looking gorgeous! Iโ€™m not out to repeat myself, weโ€™ve done a preview for this extravaganza already.  I can lead a horse to water, but  Iโ€™m not prophesying that I can make it drink. But I think youโ€™d be seriously missing out if you donโ€™t buy a ticket, and one for your other half, maybe one for Auntie Doris too, to this one, at a new venue, with new horizons. Put her in the deckchair, let her rave.

The biggest mistake you could make is that Fulltone is a massive commercial enterprise, and that youโ€™re going to be ripped off by a professional consortium, stuffing your dollar in their ears and laughing at you. โ€œThe reality of it is,โ€ Jemma explained, โ€œwe are a husband and wife team running an independent orchestra and event, with no financial backing other than ticket sales – which is a massive risk for anyone to take.โ€

Slap me down and call me Madge Bishop if it ain’t true. Jemma’s been all over that book of face again, interrupting your constant stream of political propaganda, overkilling the advertising. Sโ€™ only cos she gets jittery, worrying no one is going to show their face. Everyone who organises any event gets this. Please believe me, it’s perfectly natural.

Don’t we all get a bit Nelson Muntz, and on our high horses when we mount that poisonous social media platform?! Just a tad?! I’m a bloody nightmare, right?! Just ignore me, I do.

Fulltone Festival 2023 Day Two Image: Gail Foster

Bottom line; it’s not about any singular person, not even Jason, or The Wurzels, risking their safety crossing the county border. It’s about the show, and how it MUST go on. It’s about showcasing all those talented artists, all those musicians, singers, all of them, invited to bravely take to the stage.

We could walk up the canal, remembering the Boto-X, and its sad demise. Wander into town; first met the wife at that pub, now derelict. And who remembers the arcade where you hid away school lunch hours? Shame it’s gone, like the pie shop, Woolworths, Street Festival, the comfy sofa at The Four Seasons. Yeah, Fulltone has become a proper noun here, but let’s not allow it to be only used in past tenseโ€ฆ..

Get a ticket here, enjoy yourself, and know we’ll be back together, together, because I really want to show you my heart is oh so true, and that all the love I have is, especially for you…..and everyone else going to Fulltone!


Devizes’ Sammi Evans Features on Innereyefull Dub

If I was pleased to hear the vocals of Devizes singer-songwriter Sammi Evans would feature on a single, I was even more delighted when I asked Sammi if it was an electronic dance track, and she replied โ€œitโ€™s reggae!โ€ Well now, this is really pushing my buttonsโ€ฆ..

West London producer Andy Kent founded Innereyefull in 2005. Fusing breakbeat with jazz-funk and dub, the solo project then signed to Dusted Wax Kingdom three years later. By 2014 he started his own label, Inner-I Records, to self-release his music.

A prolific artist who received airplay on The Craig Charles Funk & Soul Show, took his debut album Playground on tour with a collective of musicians. This though, Andy says heโ€™s โ€œexcitedโ€ about, and he โ€œcan’t wait for you all to hear the new single, which means a lot to me,โ€ explaining because itโ€™s the first Innereyefull music in six years.

Sammi is a Devizes-based singer-songwriter, often seen gigging locally accompanying Matchbox Mutiny, and attending open mics. She released her debut solo single in January.

The Thinking Tree is a rootsy, rolling heavyweight dub, and I must say, fits Sammiโ€™s wistful and evocative chanting vocals perfectly. Thereโ€™s the rockers one-drop to it, reflecting dub classics of Prince Jammy. Yet with contemporary echoing phrasing elements, subtler on the vocals than traditionally used at Tubbyโ€™s dub origins, reminding me more of Zion Trainโ€™s nineties outpourings, appeasing the alt-reggae crusty scene.ย 

In theme too it blends, The Thinking Tree being a metaphoric place of solitude and reflection, itโ€™s mellow, plodding and uplifting; all the right ingredients flow. With Robert Livseyโ€™s  percussion, guitarist James McMahon and mastered by Doc Paul Colin Moody, Sammi corrects my vocal accompaniment, telling me itโ€™s a 50-50 collaboration with more in the pipeline. The single is from a forthcoming album, Return of The Inner Eye, due in 2027.

If this tune is solid, and up my street pounding on my front door, Iโ€™m over the moon at the prospect of Sammi becoming a vocalist for this rebirth, because Iโ€™m hoping sheโ€™ll encourage some local live shows, and as much as I love our local music scene, it needs more reggaeโ€ฆ.much more reggae, in my honest opinion! 

As it happens, this new Innereyefull band plays the Trowbridge Festival this month and is supporting Dub Catalyst at The Pump in October. But for now, try this taster for size, out now on Bandcamp. On streaming platforms from 30th June.


Looking Back At Devizes Arts Festival 2026

Featured Image: Gail Foster.

Features extracts from reviews by Andy Fawthrop, Ian Diddams and Madelaine Blake.

Does it ever stop?! The weekend is upon us again. I think I might need to skip this one, not getting any younger, and besides I did enough laughing, dancing and meeting interesting people over the past fortnight, thanks to Devizes Arts Festivalโ€ฆ..

Celebrating its fortieth anniversary The Devizes Arts Festival really was amazeballs this year, and between our dedicated team of writers we managed to cover a fair chunk of it. Which we will now look back on with a cheap shot clipshow style article, like a nineteen-seventies TV Christmas Special!

So it leaves me to thank all the volunteers at Devizes Arts Festival for such a brilliant job, and making us feel welcome. And our writers, Andy, Ian and our new writer, Madelaine Blake. Thanks also to photographer Gail Foster for her use of the NRWO gig images.

Devizes Arts Festival kicked off like dancing shoes on Friday 31st May with Londonโ€™s premier salsa orchestra, Salseology. Sacha Denchโ€™ Journeys of the Human Swan and Beatrice Nicholas was showcasing African American classical composers on the following Saturday. Unfortunately we arrived fashionably late, I was busy with Rowdefest, so apologies for missing the opening.

By Monday, Andy is first out of the starting traps, and bangs out three-in-one reviews, all writing related. The first was a new feature at Devizes Arts Festival, the Have-A-Go Workshops, this one by Bath Spaโ€™s Steve Tuffin, of whom Andy reported, โ€œled a very practical class on how to go about writing a personal memoir, or indeed how to approach any form of creative writing. In what could have been a dry, dusty and boring subject, Steve presented a very lively, interesting and, yes, absorbing couple of hours.โ€

Anthony Horowitzโ€™s โ€œA Life In Murderโ€ came next, to which Andy raved. โ€œHorowitz proved to be a loquacious and captivating raconteur. He had plenty of anecdotes and examples to give, peppering his replies with humour and witty asides.โ€

And Becky Greyโ€™s โ€œHow I Became A Ghost Writerโ€ finished the trio, which Andy called a โ€œsandwich of literary delights.โ€ I couldnโ€™t convince any of our writing team into covering some Sunday walks, and Jemma Brownโ€™s singing country workshop. Not the most energetic bunch, and if youโ€™d hear them sing youโ€™d be thankful!ย ย ย 

By Tuesday I thought Iโ€™d better get on the act, and attended a lunchtime recital with Fรกbio Fernandes. Being honest I didnโ€™t expect much, I mean, itโ€™s just a lunchtime recital, right? How wrong was I?! St Andrews was packed, and Fรกbio, well I called him โ€œa virtuoso. He came to Devizes to educate as well as entertain, and he did both delightfully.โ€

Thursday, Andy covered photographer Nick Uptonโ€™s Behind The Lens; My Life in Wildlife Film-Making & Photography, saying, โ€œthis talk was a great sweep across Nickโ€™s career over 40 years, and covering over 30 countries, but it illustrated not only the manโ€™s undoubted technical and related skills, but also his obvious passion for nature, especially those projects closer to home in the UK.ย  These included working with hedgehogs, harvest mice, dormice and the re-introduction programmes of cranes, great bustards, otters and beavers.โ€

While weโ€™re talking beaversโ€ฆ. ermm, I went to see the Scummy Mummies show on that very same Thursday, reporting back that โ€œyouโ€™ve never heard so many Prosecco corks popping from the Corn Exchange. It sounded like machine-gun fire in there, aimed directly at testosterone.โ€

Obviously I had pre-gig reservations, but by the end, I wrote, โ€œas a geezer, youโ€™d be forgiven for assuming this sounds excruciating, and this was certainly my pre-concern too. For if such a format was performed by anyone other than comedy geniuses, Iโ€™d still be of that opinion, but it wasnโ€™t. This duo have the timing of The Greenwich Time Ball, are improv masters, and unless you were a subject on Louis Therouxโ€™s Manosphere, wherever your testosterone balance lies, you cannot escape the simple fact that the Scummy Mummies are absolutely and undeniably hilarious.โ€

If Andy went for the more calming option, Clare Durham and Paul Martinโ€™s โ€œCollecting; An Art, A Hobby Or A Compulsion?โ€ at Wiltshire Museum, reporting it as โ€œa very entertaining session, and another of those little gems that keep the festival running,โ€ he soon donned his gladrags for Robert Vincent, and besides being unaware of his music, Andy called it: โ€œThe vocals were soulful, insistent, yearning. The musicianship was spot-on. The songs were meaningful, well-constructed and simply wonderful. Itโ€™s been a while since I was this impressed by a band Iโ€™d never even heard before, but I was well won over. I was already on 9/10 by half time, and a no-questions 10/10 by the time we got round to the encore.โ€

They let me out on Saturday, for London-based Celtic folk-punker five-piece Man the Lifeboats. At a gig unlike their usual they mightโ€™ve misjudged the crowd. I said, โ€œMan the Lifeboats realised not to judge a book by the cover, the reward for an accomplished and lively band at Devizes Arts Festival, will be these matured attendees rising from their seated positions and gyrating to their irresistible beats like middle-age never happened; and many did, because Man the Lifeboats were stompingly outstanding!โ€ And they were, a great night that one.

Late out to bat, Ian strode confidently to the stumps with Howzat? The Six Sixes Ball Mysteryโ€ by Graham Lloyd at Town Hall, calling it โ€œa fascinating talk about _that_ ball, the alleged lies and repeated falsehoods, and the litany of names surrounding it all.โ€ Glad he did that one, Iโ€™m not out for cricket.

Andy hit back with a great ball, Bob Holmanโ€™s Have A Go: Phone Photography workshop, which was โ€œanother one of those little DAF gems which gave our good citizens a chance to actually โ€œhave a goโ€, rather than just sit back passively and be entertained.ย  And this was definitely not entertainment, much more instructional in nature.โ€

Ian delivered on former world champion poetry slammer Harry Baker, one poem of which โ€œbrought a tear to my eye and a lump in my throat as it echoed feelings of my own for over thirty years now.โ€

Andy went to Swing From Paris, only to find they were actually from Gloucester and Worcester, but still, he said, โ€œwe got two highly entertaining sets of jazz, swing, waltz and gypsy rhythms mostly from the 1930s through to the 1950s, but also featuring tunes from as far back in the 1890s and forward into the 1980s.ย  There was plenty of humour and self-deprecation throughout as Fenner talked us through the provenance of each number.โ€

Next, though it was my turn again, on the comedy….

โ€œMilton neurotically fumbles with the microphone stand, but not his wordplay. As is his bed hair, any emotional instability or self-doubt is part of the act; he has us under his spell from the off. You couldnโ€™t help but laugh out loud at the absurdity of his thought-process. Iโ€™m now of the opinion his manipulation of language and layered humour is second to none currently in comedy. He has nearly as many relatives as jokes, each one with their own punchline funnier than the next.โ€ That was me, I said that. I took all the prestigious gigs, and this one was utterly hilarious, Milton Jones, and Adele Cliff were so, so funny!

Just when Andy, Ian and myselfย  thought we had this under the thumb, in comes our new writer Maddie Blake to, not only drastically lower the age demographic of our dedicated team, but also provide us with a brilliant review of Bath artist Karen Georgeโ€™s sketching workshop at The White Chalk Gallery.

What made this workshop so special,โ€ Maddie wrote, โ€œwasnโ€™t just the chance to improve my drawing skills, but the atmosphere that was created within this group. Everyone appeared so eager and inviting, it was such a wonderful experience to create new friendships and share stories with those with similar interests in the arts. Despite varying levels of experience, the workshop felt accessible to everyone, and no one felt out of place. This workshop didnโ€™t pressure you to create something โ€˜perfect,โ€™ but something that captivates your enjoyment and experience of the workshop.โ€

Thank you, Maddie, and welcome to our exclusive and sometimes elusive writers team! So good was this review, I invited Maddie to come to the finale, Nothing Rhymes with Orange, but being I had a personal angle on this one, reporting on this finest Devizes musical output since the Hoax, I really wanted to write it myself. What a great finish to one of the best Devizes Arts Festivals yet.

โ€œLast night proved Nothing Rhymes with Orange are at the top of their game, as they switched old with new seamlessly, and strived to become the universal name we locally knew they could from the very beginning.โ€

Nothing Rhymes With Orange @ The Corn Exchange Image: Gail Foster

I also said, rather a lot, about the future of the Arts Festival. With a matured demographic in attendance, generally, I try to illustrate how diverse and accepting it is for all ages. The Gen Z fanbase turned out for NRWO, the elder Arts Festival regulars did too, and everyone was kind and courteous to everyone else. That is the magic of the festival, and I hope those younger took home the notion that the festival isnโ€™t a Saga Holiday, and welcomes all!

There were obviously a few events we couldnโ€™t cover, and I apologise to those involved for this, but we tried to capture as much as possible. It was a wonderful year at the Arts Festival, and we look forward to seeing how they might top this one!

If writing these was a competition, though itโ€™s not, for the record, the highest hitting review was Andyโ€™s one on Robert Vincent, followed by Andyโ€™s three-in-one writing workshops, I made level pegging for the third best for the NRWO review, with Maddieโ€™s sketching workshop review, then my review of Scummy Mummies pipped Milton Jones to the post for the fourth highest hitting article.

But we donโ€™t worry about hits here; I couldnโ€™t pick a personal favourite, oh, okay, go on then! It had to be between Milton Jones and Nothing Rhymes With Orange, of course. For Andy, who, letโ€™s face it, did most of the hard work, picked Robert Vincent and Swing From Paris. โ€œBut I also thought the various have-a-go events were pretty good. Oh. That’s three!โ€ 

Thatโ€™s okay Andy, have three, or more. Interesting though; Arts Festival team, the workshops did prove to be a welcomed addition. Same again next year?!ย 


Phil Beer to Perform at The Pump on Friday 4th December!

โ€œMr Phil Beer needs no introduction to anyone,โ€ says a spokesperson for The Pump in Trowbridge, our grassroots venue kicking up turf on Rolling Stone Magazine last week!

Regardless of their mainstream coverage, thankfully The Pump hasnโ€™t forgotten our grassroots media, and let us into their secret, announced only today. One half of the legendary Show Of Hands, Phil Beer makes his long fabled return to The Pump on Friday 4th December.

โ€œWe are overjoyed to have Phil here again,โ€ they said, โ€œIt’s been a very long time.โ€

For those who don’t know, Phil is an English multi-instrumentalist, composer, producer, song writer and performer. Famous for his bands Show of Hands and Feast of Fiddles, as well as a past member of The Albion Band, Phil has been performing since he was 14 years old. With 59 years of shows and the many miles he has laid down on the circuit cements his place at the very top of the traditional folk standard in Great Britain and beyond.

He is in fact a Doctor of Music, after being awarded an honorary doctorate of music from the University of Plymouth in 2015!

With over 50 studio albums to his name, as well as a clutch of folk awards, there isn’t a better way to celebrate Phil’s contribution to music, than an intimate showcase of his excessive talents, than a gig down ‘The Pump.โ€™

Opening the show is Canadian musician, Daniel Isaiah, who happens to be celebrating his birthday this day too! 

Details below…

7.30pm – Doors

8pm – Daniel Isaiah

8.45pm – Phil Beer

Tickets: ยฃ20 adv / ยฃ25 otd (if available) โ™ฆ Doors 7.30pm


Award-Winning Circus Cortex BizZzar Comes to Devizes This July

Get ready for an unforgettable family day out as Circus Cortex BizZzar brings its award-winning Big Top spectacular to Devizes from 9โ€“12 July 2026…..

Performing at The Green, Southbroom Road, Devizes, SN10 1LL, this thrilling production promises four days of world-class live entertainment for all ages. Featuring an exceptional cast of international performers, Circus Cortex BizZzar combines breathtaking aerial displays, high-flying acrobatics, side-splitting comedy, and edge-of-your-seat thrills in a fast-paced show packed with excitement.

From the moment the lights go down, audiences will be transported into a world of wonder, laughter, and circus magic.

Performance Times: Thursday 9 July โ€“ 5:00pm & 7:30pm Friday 10 July โ€“ 5:00pm & 7:30pm Saturday 11 July โ€“ 2:00pm & 5:00pm Sunday 12 July โ€“ 1:00pm & 4:00pm Advance Booking Offer Book early and save on selected seats: Red Seats โ€“ ยฃ10.00 (usually ยฃ15.00) Silver Seats โ€“ ยฃ12.50 (usually ยฃ25.00) Gold Ringside Seats โ€“ ยฃ15.00 (usually ยฃ30.00)

Advance Booking Offer
Book early and save on selected seats:

  • Red Seats โ€“ ยฃ10.00 (usually ยฃ15.00)
  • Silver Seats โ€“ ยฃ12.50 (usually ยฃ25.00)
  • Gold Ringside Seats โ€“ ยฃ15.00 (usually ยฃ30.00)

Advance booking is strongly recommended to secure the best seats at the best prices. Whether you’re a lifelong circus fan or experiencing the magic of the Big Top for the very first time, Circus Cortex BizZzar delivers a spectacular live experience filled with skill, laughter, and unforgettable moments. For tickets and more information, visit www.circuscortex.com


Who are you most looking forward to seeing at CrownFest?

CrownFest at The Crown in Bishops Cannings is making a fantastic comeback this July with a stellar lineup, particularly supporting local acts, begging the question, who are you most looking forward to seeing there?

It’s not as easy an answer as it might sound, and hey, I’m not intending to answer it myself; I’ve got to remain impartial. I could be like Graham, though. You remember Graham? With the quick reminder? On Cilla Black’s Blind Date? Or am I showing my age now?!

Ruby?

Hum, maybe not, cos you never saw him, he was just a voice, leading to the fact no one stopped to give a toss about his romantic welfare. What if Graham was single, and lonely, helping all those contestants find love, when behind the scenes he’s hurting, inside?! An outrage, that’s what it was; where was Graham’s weekend in Benidorm with a hot chick in legwarmers, a rah-rah skirt and more hairspray than it takes to hold a life together?!

George?

Anyway, I digress. There’s those easy options for me, and if you’re a regular Devizine reader then not only are you a smidgen crazy, but you’ll be aware how crazy I am for Ruby Darbyshire, our newest sublime singer-songwriter on the circuit, my dear longtime favourite George Wilding, who’ll take any requests and turn them into magic, and of course, those irresistible indie pop darlings Talk in Code, all of which you mustn’t miss. Promise me this much?

Talk in Code?
Lucas Hardy?

Salisbury’s finest Lucas Hardy, who leapt on stage at the Wiltshire Music Awards and couldn’t wait for me to introduce him; the guy is a legend! Braydon Lees, though, that kiddo is making news. I’ve seen him a couple of times and he’s a breath of fresh air.

Braydon Lee?

But if most of these have become my friends, there’s some new to me, so, who knows, they could be the ones you are most looking forward to seeing. You are coming, right? Tickets are ยฃ32.50, from here, Saturday 4th July at the Crown in Bishops Cannings, with the lovely beer garden, campsite and pizza! 

Two stages, this time, and the others I’ve yet to tick off are: The Publicans, Innovator, 5 Nights at Adyans, Dylan Bratley,  and Mother Ukers. The jury is out on them, but I can assure you the two tribute acts are awesome. Kinisha. as Tina Turner played the last CrownFest, which was a bit of a wet one, but we were rollin’ (ooh), rollin’ (ooh) rollin’ on the river.

Kinisha?

If Kinisha is a given to me and past CrownFest attendees, I’ve suggested the other tribute after seeing this guys blow the roof off the Vic in Swindon. Hey look, I’ve made friends out of so many of the musicians performing at CrownFest, but I’ve been an Adam Ant fan since I was knee-high to a grasshopper and Ant Trouble is the only band you’ll ever get anywhere near to the real thing.

There’s a lot on this bill, and all of them worthy of being the answer to our question, who are you most looking forward to seeing at CrownFest. Perhaps I’ve got the lowdown on more of them than you, but you’ve taken heed of my worldly advice and, just like Graham with his quick reminder, it’s got to be George, Ruby or Talk in Code.

Or, perhaps I’m just the dandy highwayman you’re too scared to mention, spending my cash on looking flash and grabbing your attention?!

No, that’s really not me at all! You’d be far better off buying a ticket for CrownFest, than waiting for me to look like anything merely resembling โ€œflashโ€โ€ฆor spending my cash, come to think of it! Adam Ant in Bishops Cannings, though; how can you resist? I think, despite the fact any one of these fantastic acts could easily be the one I’m most looking forward to seeing at CrownFest, Ant Trouble might just be the icing on the cake.

โ€œDon’t Drive to Stonehengeโ€ Advises English Heritage!

Summer Solstice in Wiltshire; it’s a crowd-puller, but even forty years after the Battle of the Beanfield and decades of attempted commercialisation, it remains a tourism the authorities clearly don’t appreciateโ€ฆ..

Wiltshire Police and English Heritage have ganged up on social media to warn revellers not to drive to Stonehenge or Avebury for this year’s summer solstice. Cue frustration, possible conflict, pedestrians on narrow roads, and chaos in neighbouring towns. All of which, I hasten to add, helps to maintain the tradition of division and bad blood between attendees and residents.

โ€œWe are pleased to welcome visitors from all over the world to these special sites,โ€ Wiltshire Police expressed in a Facebook post. โ€œHowever, we urge everyone to plan ahead to ensure they can mark the occasion safely and responsibly.โ€ 

It matters not how nicely they dress it up. Do as we say, not as we do; forty years isn’t so long ago for something described by ITN journalist Kim Sabido as โ€œthe worst police treatment of people that Iโ€™ve witnessed in my entire career as a journalist,โ€ thereโ€™s never been a formal inquest, and police were cleared of wrongful arrest at a 1991 civil trial.

Even patronising overuse of emojis isn’t disguising that what followed was a stark warning; โ€˜we’re going to make this as awkward as we possibly can for you.โ€™

โ€œEnglish Heritage strongly advises people not to travel to Stonehenge by car,โ€ they continued. โ€œParking is limited and must be pre-booked via their website, and long queues are expected for those who do drive.โ€

Begging the questions, why is parking so limited? Because Stonehenge is so walled-in with surrounding urbanisation it’s impossible to supply adequate parking there?! Because folk have only been pilgrimaging to Stonehenge for the last 5,000 years, therefore a โ€˜sudden interestโ€™ in the event took English Heritage by surprise?! If only there was a field nearby folk could park inโ€ฆ.

179.2 million quid could be found to spend on surveys, legal fees, and archaeological mitigation for a failed ยฃ2 billion Tory project to carve up the sacred landscape with a concrete monstrosity, the lights of which would’ve deliberately been angled to block the sunrise, but there’s no magic money tree to pay a local farmer for use of a nearby field for folk to park in.

Nope, the onus is on the attendees; pay Salisbury city centre’s extortionate parking fees, and cram onto the โ€œregularโ€ bus service, they suggested, if reading between the lines. Come on you Reds! Extra late evening Salisbury Reds buses will be put on, apparently, but note, cash is typically not accepted for Solstice journeys, so you must pay via contactless. No bank account, travelling folk, no going on bus.

And here’s the โ€˜don’t outstay your welcomeโ€™ punchline: โ€œVehicles that are abandoned or parked on the A303 or nearby roads are likely to be towed away.โ€ 

Sunrise is at 4:52am on Sunday the 21st June; unless you fancy feeling the full force of the Road Traffic Act, those wishing to celebrate at Stonehenge should note the average human travels at the approximate speed of 3mph, so I’d start walking now!

Just think, our Neolithic ancestors dragged the bluestones 140 miles from Wales, and the Altar Stone came from Scotland. English Heritage’s selling point is to, โ€œwalk in the footsteps of your Neolithic ancestors at Stonehengeโ€ yet fails to mention you might have to walk just as far as them to get there for solstice!

Yeah! That’s how we treat tourists on heathen pilgrimages around here, mate! 

โ€œOne of the wonders of the world and the best-known prehistoric monument in Europe,โ€ they call it, which kinda makes you feel somewhat patriotic. Where’s the support from flagshaggers when you need them most?! You might have to wait for Wetherspoons to build a branch on the byway.

Yet, for the residents of the county who know the kerfuffle at Stonehenge is such, a nicer time can be had at Avebury, and Police have installed some similar rules there too. 

โ€œIf you’re heading to Avebury,โ€ they warn, โ€œthe National Trust also advises that the car park cannot accommodate everyone and where possible, to use public transport, walk, or arrange to be dropped off.โ€ 

And I get this, because Avebury is a village with residents, whereas Stonehenge isn’t, and no one is to blame for this except Saxons. Bloody Germanic  tribes, coming over here building villages on are English Neolithic monuments, nicking all are blacksmith jobs, and raping all are neanderthals. Get the 49 bus, neanderthals do!

But I did chat with Arch Druid of Avebury, Jim Saunders, who blessingly explained this year’s Avebury Summer Solstice celebrations in a more positive light. They  include the God and Goddess Walk and Awen Ceremony at midday, the Ladies Circle at 1pm, and the Free and Open Gorsedd of Caer Abiri at 1:30pm. 

โ€œWe’d also appreciate people helping us care for the site by using the bins provided, taking litter home where possible, and avoiding leaving offerings or tying objects to trees and stones,โ€ he furthered, which is a much more hospitable attitude and therefore likely to be received welcomingly.

Grianstad Sona, Happy Solstice, because the bottom line is, if you go to either at solstice you’ll realise the troublesome narrative is mostly codswallop, and if even there was a little, it’d likely be caused by tensions the authorities created themselves, by not compromising for one day of the year, at least until it’s a commercial enterprise.


Nothing Seems as Sweet as the Start; NRWO as Devizes Arts Festival’s Finale

All Images: ยฉGail Foster

If last Saturday’s Celtic punk band quipped if the Devizes Corn Exchange was a bingo hall, and Milton Jones jested โ€œit’s great to be here, in the past,โ€ it took a band with roots to the town to introduce Devizes Arts Festival to a next generation, and, predictably, Nothing Rhymes with Orange smashed it, with zestโ€ฆ.

It’s been a fantastic year for Devizes Arts Festival, their 40th anniversary, though it continues to attract a majority of older residents. It’s understandable, with the Devizes age demographic and the cost of living crisis particularly affecting our youngest. Not for the want of trying, chief organiser Vince told me of a โ€œBattle of the Bandsโ€ of yore, which has the blueprint of a young Kieran Mooreโ€™s past input, but the vicious circle comes down to economics; a certain style of event not selling has the potential to financially ruin the festival, and has to go. Wanton to attract a younger generation being the reason why the price to this particular event was reduced; it worked.

Highlighting the diversity of their program is something I’ve preached for the years we’ve extensively covered it, and upon receiving a whisper they’d booked Nothing Rhymes With Orange at the end of last year’s festivities, I kept schtum, but secretly I excitedly prayed this might be key to crashing the invisible boundaries of the festival’s age demographic. Not blowing my own trumpet, but I was right!

Prayers answered by Bristol’s Nothing Rhymes with Orange, as our oldest and youngest gathered; the latter only slightly outnumbering, but both tolerant and respectful of the other. The most age-diverse Arts Festival event I’ve witnessed was one of the happiest, and deffo, liveliest! And also, one element to the gig’s success.

Nothing Rhymes With Orange @ The Corn Exchange

The other, of course, was the band formed at Devizes School, quickly became the local Gen Z phenomenon I’d refer to as โ€œBeatlemania in Devizes,โ€ and departed to Bristol Uni. If that usually spells an end to school bands, Nothing Rhymes with Orange made the adjustment together, and I will continue to vow this tightness and comradeship is the secret to their success, as, through their dedicated motivation and raw talent, they went on to replicate the local phenomenon into a national one.

Last night, they returned to their roots, and though they collectively confessed it felt โ€œstrangeโ€ to be back, to me, many of their original homemade fanbase waited in anticipation for those early singles, which they can sing back to the band; thatโ€™s as vital to Gen Z as recording it all on TikTok!

It was an obligatory pressure for Elio, Fin, Sam and Lui, who wish to retire their earliest songs in favour of progressive newer ones, and they announced this would be the last time they would play them. Fittingly here in Devizes, but not without subtle apprehension from the band; understandable. I get this; if I had to replicate my teenage creative output in my twenties Iโ€™d have cringed.

Never say never, I expressed, for nostalgia builds through aging. While the early songs were welcomed by the younger crowds, what was most impressive for all in attendance, was surely the new ones.

Nothing Rhymes With Orange @ The Corn Exchange

If the indie punk pop genre has come of age, and thrashing out three-minute rages is clichรฉ, Nothing Rhymes with Orange are at the pinnacle to a progressive evolution of the sound, with matured experimentation akin to prog rock. And therein lies their contemporary universal magic.

Through superior technical ability, mood-setting bridges and intros, and paced melodies, while still maintaining the professionalism, tightness and adroitness they showed from the start, their new songs have so much more body and strength. They are a pleasure to hear, and appeased the entire crowd rather than those here to sing back the early works.

The merger was a shrewd move, beginning with the classics and moving onto newer ones, with a finale of Manipulation, one of their earliest crowd-pleasers. They may not have played them for a while, and itโ€™s not like riding a bike, but now theyโ€™ve ticked that box of reunification with their original fanbase off, and can put those old tunes to bed, itโ€™s time to move on.

Last night proved Nothing Rhymes with Orange are at the top of their game, as they switched old with new seamlessly, and strived to become the universal name we locally knew they could from the very beginning.

Their synergy reverberated, as it ever did, but with a newfound level of proficiency and competence, leaving those who knew them before in awe. With one eye I scanned them as those kids singing to a handful of teenagers in West Lavington village hall, but with the other, as if we were watching The Pretenders or the Stranglers on stage. It was as plot twisting and refreshing as Luke Skywalker returning as a Jedi!

Supported by a brilliant Cheltenham five-piece called Underscore, all guitars, drums, overspilling and confident originals, made for an amazing gig, and a particularly different Devizes Arts Festival event.

Underscore @ The Corn Exchange, Devizes

Nothing Rhymes with Orange couldโ€™ve just come out and nonchalantly played Brotherhood of Man covers and Iโ€™d still have been happy to see them all again! But, they didnโ€™t, I mean they wouldnโ€™t, would they?! They knocked it out of the Corn Exchange.

A journalist once told me, you write on a subject, publish and move on. That’s why I’m not a journalist, as I hug the frontman’s mum and tell her I’m proud, and can’t imagine how she must feel.ย 

Nothing Rhymes With Orange was never just a subject for me, it was a model, of everything Devizine means to me personally, to summarise a journey of a local youth band, and now, through sheer dedication and motivation, to see them never taking a step backwards, only forwards, to a world stage, fills me with great respect for them, hope and delight.


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Milton Jones; Deadpan in Devizes

Mock the Weekโ€™s recurring panellist and Radio 4 comedian Milton Jones stood on the stage of Devizes Corn Exchange on Friday, with the setter, โ€œitโ€™s great to be here, in the past!โ€ And thereafter, everything which came from his mouth was utterly hilarious. Thank you Devizes Arts Festival, a fine chortling choice; Iโ€™m still chuckling nowโ€ฆ..

Our antiquated town, the maturity of the audience and the country bumpkin stereotype had already been fired at us from the support comics, all in the name of banter. Slight heckling with calculated precision mightโ€™ve offset these London comedians, who seemingly learnt no lesson from the backfiring of Francis Groseโ€™s quips which spawned the moonraker fable. Yet, with the timing perfection of Spike Milligan, God of Funny, Milton couldโ€™ve said anything youโ€™d consider corny from the mouth of another comedian, and still come up trumps.

I could debate all day that if Milton thinks our town is old-fashioned, so too is his humour, and neither are bad things. While surreal conceptually, Milton delivers deadpan puns based on wordplay, and while genius, the lengthy observational storytelling of Dave Allen, Billy Connolly or Richard Pyror, and the madcap and shock factors of eighties alternative comedians like Mayall and Edmondson, for Milton, appears omitted in favour of the previous generationโ€™s one-liner joke telling. Even the hair suggests Ken Dodd.

Milton neurotically fumbles with the microphone stand, but not his wordplay. As is his bed hair, any emotional instability or self-doubt is part of the act; he has us under his spell from the off. You couldnโ€™t help but laugh out loud at the absurdity of his thought-process. Iโ€™m now of the opinion his manipulation of language and layered humour is second to none currently in comedy. He has nearly as many relatives as jokes, each one with their own punchline funnier than the next.

Some gags he divided into repeat opening lines, โ€œisnโ€™t it awkward whenโ€ฆโ€ or in evaluating the audienceโ€™s reactions with pretend test jokes, and he occasionally returned to a thought, but each gag was separated by subject so vastly, and fired as fast as bullets, the mind boggled to keep up, and ordered minimal laughter relapse in fear of missing the next punchline. I could recite some gags, but Iโ€™d just ruin them; Milton is proof delivery is the crucial element.

The first support, Dave Vaughn, however either failed to assess the audience or didnโ€™t have the arsenal prepped to adapt. What mightโ€™ve appealed to his peers, a younger city audience didnโ€™t wash here unfortunately. Maths, a subject he came out with, was mildly amusing, but this matured audience isnโ€™t going to identify with nostalgic observations of growing up in the nineties; that was yesterday to them!

Finishing on Trump jokes I hoped, for his sake, would elevate reaction, but they werenโ€™t refined, nor as risque as they could have been, as if Dave was holding out on provocation in fear of being overly offensive, which he might have gotten away with in his comfort zone. He repeatedly said โ€œyeah,โ€ to compensate for โ€œplease giggle,โ€ but Trump is his own joke, and just because the audience might look Conservative, doesn’t mean they needed modesty in this matter.

In many ways the compere was better than Dave, but he too felt like he had landed on an alien planet and was expected to entertain the natives. Milton called it later, โ€œisnโ€™t it awkward whenโ€ฆโ€

Thankfully this pattern was erased by the quirky dressed alternative girl in the middle. Undisputed UK Pun Champion Adele Cliff may not have fitted with the Arts Festival attendees, but would in the wider Wiltshire demographic, hippychick!

And she certainly delighted them. A self-confessed nerd, whatever Adele sourced she turned into magic, even corny quips, or geeky subjects like Doctor Who and Toy Story were delivered so perfectly, it produced the desired effect. I loved her, the audience found her hilarious as she lifted the spirit in preparation for Milton with stars, cherries and everything on top. Combined with Milton, they made my drizzly week, because laughter is the best medicine.

Another great night in Devizes, thanks to The Devizes Arts Festival. Today, Nothing Rhymes With Orange make their hometown reunion, and Iโ€™ve been hopeful it will attract a younger audience to the delights of our arts festival; we wait in anticipation, just wishing Milton could see it, for these lads originate from Devizes, and are the future.


REVIEW โ€“ Devizes Arts Festivalโ€“ Swing From Paris @ Corn Exchange (Thursday 11th June 2026)

A Little Bit Of French Polish

Andy Fawthrop

As the Devizes Arts Festival rolls majestically towards its final weekend, thereโ€™s no chance that the bus is anywhere near running out of fuel.ย  There was plenty of gas left in the tank last night to bring us into the streets of Paris to hearโ€ฆ. but whatโ€™s that? โ€“ itโ€™s some lively street music!ย  Yet another beltingly-good music act had come to town to keep the DAF party going.ย  Not only that, but there were signs of a bit of a runaway success – not only had Swing From Paris sold out the Merchantsโ€™ Suite venue downstairs, but theyโ€™d sold a lot more tickets too, so the gig had to be moved upstairs into the main Ceres Hall…..

To be honest the place didnโ€™t look much like a Paris bistro โ€“ the high-ceilinged, air-conditioned, space of the hall would never allow that โ€“ but at least we were greeted with a more cafรฉ-style layout, featuring a casual smattering of tables and chairs.ย  It meant that we had some space to spread out for a change, whilst still feeling crowded together enough to create some atmosphere.

Swing From Paris breezed on to the stage and, after a little tuning, confided (to plenty of laughter and applause) that they werenโ€™t actually from Paris at all!ย  The shock! – weโ€™d never have guessed! Still, Gloucester and Worcesterโ€™s Finest came to give us a good eveningโ€™s entertainment, and they sure succeeded in doing that.

Consisting of Tomasz Williams on upright bass, Sam Hughes on acoustic guitar, Andy Bowen on electric guitar, and Fenner Curtis on violin, who acted as the bandโ€™s spokesman throughout, we got two highly entertaining sets of jazz, swing, waltz and gypsy rhythms mostly from the 1930s through to the 1950s, but also featuring tunes from as far back in the 1890s and forward into the 1980s.  There was plenty of humour and self-deprecation throughout as Fenner talked us through the provenance of each number.

The instrumental tunes were bright, lively, and often short, occasionally well-known and recognisable, delivered through some really tight arrangements, but giving just enough room for the occasional solo. Many tunes derived from Broadway shows, the movies, musical theatre, and the Great American Songbook, but there were a couple whose roots were more from classical music or folk traditions.  Fenner humorously compared classical works to jazz works, in that nobody knew for sure exactly when to applaud, and then gave Tomasz a bass solo in the middle of the next number, just to prove the point. 

And there were plenty of famous names being bandied around during the evening โ€“ Claude Debussey, Fats Waller, Django Reinhardt, Stephane Grappelli, Duke Ellington, Artie Shaw, George Shearing, George & Ira Gershwin to name but a few.

I particularly loved Fennerโ€™s minor tirade against streaming sources when he exhorted folks to purchase an actual physical CD or vinyl copy of their albums. The difference, apart from the revenue stream to the artist, was so much better for the punter too โ€“ higher quality sound reproduction, the feeling of ownership of an artefact and its associated artwork, the programme and background notes, and the knowledge that it was much more financially supportive of the artist.  I have to say I agree with him.  Seems like other folks did too, as there was plenty of business going on at the merch desk during the interval and after the show.

Two fine forty-five minute sets breezed by in absolutely no time, capped off by the well-signalled and, ahem, totally unexpected encore.  Job done!  Artists very happy with their first visit to D-Town, DAF very happy with a larger than expected number of bums on seats, and an audience very happy with what theyโ€™d just heard.

So another โ€œhats offโ€ moment for DAF โ€“ well done for bringing these guys to town.

Anyway, thereโ€™s just a few more sessions to go from this Friday through to Sunday, and itโ€™ll be all over for another year.  So, if you havenโ€™t done so yet, get yourself along to something before itโ€™s too late!

The Devizes Arts Festival continues until the night of Sunday 14th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk


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Letโ€™s Go Swimming with Poppy Rose

Two years ago we fondly reviewed Iโ€™m Ready Now, a debut EP from Bathโ€™s Poppy Rose. I praised her unique take, her thoughtful prose and intelligent metaphors, but it was a collection of songs each with separate thoughts. Poppyโ€™s new EP, Letโ€™s Go Swimming is on another level, has a singular theme throughout, and a certain sound that relates, whilst also massively improving on uniqueness, prose and metaphorโ€ฆ..

The cover suggests Poppy likes swimming, especially when she was younger, therefore the writings are whimsical reflections on childhood, and the sound interprets the emotions and innocence of a visit to the swimming baths, perhaps with hidden metaphors, perhaps not! Nothing is forced upon you here, that option is left entirely up to the listener; all you need is some goggles.

The running order presents a timelined narrative. The opening tune is motivational, upbeat joyful pop, the excitement when the suggestion of a trip to the pool is accepted. The second is a playful rap duet featuring Moritz Finn Kleffmann (Finn, Prince of Whales,) and amusingly reflects on the joys of being in the pool. Itโ€™s lots of splishing, sploshing fun, returning you to a blissful childhood state of purity.

Now Poppy has reverted you to a childlike state, you’re a kid again, and enjoying the moment. But do you remember how it was, mates, showing off, diving in, and youโ€™ve not conquered that fear of taking the first leap? The third tune of four calms the excitement with a moody ambient reflection of overcoming your fears; Dive represents doubt in your abilities, and peer pressure, sublimely. You loved it after you took that first plunge, didnโ€™t you? And that is precisely what you must do with this EP, trust in Poppy!

Once the opening excitement has waned by the realisation you didnโ€™t break any water speed records, as you imagined you would have, the acceptance of a good time regardless, and the fact you gave it your best, thereโ€™s a sleepy finale; young Poppy is tired, and wants to go home, and the music perfectly reflects the mood and sentiment, to the point a cascade of afterthoughts will waterslide through your mind, of those wonderful days of being taken swimming as a child, or taking your own children swimming.ย ย 

It is, in a word, joyful, but brilliantly encompassing too. A wonderful take on a simple everyday activity, rolled into a running concept, a diary entry, and delivered with a simple sound of early electronica meets acoustic work, which exquisitely matches the theme. What I love about this is a child would relish with incorruptibility at its lucidity and playful imagination, while an adult would do likewise, just nostalgically. And in this, I cannot compare it to anything else other than the mighty whimsical rapper, Gecko.

Pass me my water-wings, I really fancy a quick dip myself after listening to that!

Link-Tree


Wiltshire & Bath Air Ambulance’s Summer Behind-the-Scenes Tour

Join the Wiltshire & Barh Air Ambulance team on one of their behind-the-scenes tours of the Charity’s airbase at Semington on Thursday the 9th Julyโ€ฆ.

By joining you will gain an insight into how they run this extraordinary lifesaving service. 

The Wiltshire & Bath Air Ambulance will be opening the doors to the airbase to give guests a unique experience.โ€ฏThe tour will cover a visit to the flight room, helicopter hangar and simulation room.

Tickets are ยฃ20, available HERE. All monies raised will go directly to help save lives in Wiltshire and Bath.

Please note that the tour will be led by volunteers, and as this will be an operational day, they cannot guarantee the crew or helicopter will be present during your visit.

During the tour, guests will be on their feet for up to two hours. While walking around the base, it will include 22 stairs up to the viewing platform (however, there is a lift at this location) and 22 stairs down to the hangar. Please advise Wiltshire & Bath Air Ambulance in advance if you would struggle with this. Please note that the majority of the tour is inside, but if the aircraft is at the base during the tour, it will involve some time outside.

This Summer Behind-the-scenes Tour is on 9th July 2026, from 2 – 4pm at Wiltshire and Bath Air Ambulance Airbase, Semington,  Wiltshire, BA14 6J.


Swindon Travel Hub Brings Cruise & Holiday Show to the County Ground

Holidaymakers from across Swindon & Wiltshire are being invited to attend one of the region’s newest travel events this summer as Swindon Travel Hub hosts its inaugural Cruise & Holiday Show at the County Ground on Sunday 5th July 2026…..

Taking place in the Legends Lounge at Swindon Town Football Club’s County Ground, the free-to-attend event will bring together some of the world’s leading cruise lines, tour operators and holiday brands under one roof, giving visitors the opportunity to discover new destinations, access exclusive offers and speak directly with travel experts.

The event will feature representatives from a wide range of holiday companies, including ocean and river cruise operators, escorted touring specialists, family holiday providers and luxury travel brands. Visitors will be able to attend presentations throughout the day, gather inspiration for future trips and take advantage of special event-only promotions.

Shaun Jones, Co-Founder of Swindon Travel Hub, said:ย “Since opening our doors in Old Town, we’ve been overwhelmed by the support from customers across Swindon and beyond. The Cruise & Holiday Show is our way of bringing the travel industry directly to local people, allowing them to meet the experts behind the brands, ask questions and discover destinations they may never have previously considered.

Whether someone is looking for a luxury cruise, a family holiday, an escorted tour, a city break or simply some inspiration for their next adventure, there will be something for everyone. We’re delighted to be hosting the event at the iconic County Ground and look forward to welcoming visitors from across the region.”

The show is expected to attract hundreds of visitors and follows a period of rapid growth for Swindon Travel Hub, which has become one of the area’s fastest-growing independent travel agencies since opening in 2024. The business now operates from stores in both Swindon and Cirencester and has built a reputation for personalised service and specialist cruise expertise.

Admission is free, but visitors are encouraged to register in advance to secure their place and receive updates on exhibitors and presentations.

Further information and free registration can be found at: Swindon Travel Hub Cruise & Holiday Show

Event Details

What: Swindon Travel Hub Cruise & Holiday Show
When: Sunday 5th July 2026
Where: County Ground, Swindon
Admission: Free Entry
Registration: Recommended in advance

Cruise Lines

  • MSC Cruises
  • Royal Caribbean International
  • Ambassador Cruise Line
  • Silversea Cruises

Tour Operators & Holiday Specialists

  • Newmarket Holidays
  • Wendy Wu Tours
  • Riviera Travelย 
  • Typically Holidays
  • Anzcro
  • Red Sea Holidays

With more suppliers still to confirm.

Special Features

  • Destination presentations throughout the day
  • Exclusive show-only offers
  • Prize draws and giveaways
  • Opportunities to speak directly with travel experts
  • Cruise, touring, family holiday and luxury travel inspiration all under one roof

REVIEW โ€“ Devizes Arts Festivalโ€“ Bob Holman: โ€œHave A Go: Phone Photographyโ€ @ Cheese Hall (Monday 8th June 2026)

I Think I Get The Picture Now

by Andy Fawthrop

Monday morning seems an odd time to be going to an โ€œArtsโ€ event, and early heavy showers didnโ€™t do the day any favours either.ย  It almost felt like getting up to go to school when double maths is scheduled, but that was a very (very) long time ago for me, so I sharpened my pencils and set out in determined fashion for the Cheese Hall……

A doughty class of about twenty folks had turned up to hear professional photographer Bob Holman run a workshop session on โ€œhow to elevate your phone photography and WOW your friendsโ€.ย  Not only had this master-class been the first item on DAFโ€™s Events Calendar to sell out, but had proved so popular that another session had been arranged for the afternoon โ€“ and that had sold out too! So I guessed there were a lot of people around the town who were having issues with their competence at phone photography!

This was another one of those little DAF gems which gave our good citizens a chance to actually โ€œhave a goโ€, rather than just sit back passively and be entertained.  And this was definitely not entertainment, much more instructional in nature.  It fell into two basic halves: the first being almost traditional chalk-and-talk from the front, and the second was a much more hands-on practical session.

Bob ran through a lot of basic settings, and how to set the phoneโ€™s camera up to suit the types of things you might want to do.  Cue lots of โ€œa-haโ€ moments as people began to discover some basic things about their phone that theyโ€™d not realised before.  Previously unexplored menus, sub-menus and options came blinking into the light. This then morphed into a tips-and-techniques section (including โ€œfilling the frameโ€, never using the flash, using the timer, macro shooting, video including slow-motion etc).  We got plenty of advice on what NOT to do, and features NOT to use, which was equally useful.  We talked about focus, contrast, using the light, burst mode, black-and-whiteโ€ฆ.well you get the picture (see what I did there?.

After the break and a chance to let our spinning heads settle a little, we donned coats and headed into the great outdoors for some much more practical shooting tips, causing alarm and amusement in equal measures to ordinary citizens of the town going about their daily business.  Before you knew it, twenty-odd folks were swarming around the Town Hall, down St Johns and into the churchyard, taking pictures of all sorts, from a variety of strange new angles.  We were taught about โ€œleading linesโ€, โ€œframingโ€, composition, perspective and some lovely trickery using a range of reflecting surfaces (windows, mirrors, puddles of water).  Again you could hear the โ€œoohsโ€ and โ€œaahsโ€ as various pennies dropped.  Finally, after this enjoyable bit of play-time, we were trooped back into the classroom for a final round-up before the lunch-time buzzer went.

Iโ€™d say that by now we were all starting to feel quite pleased with ourselves, not only because weโ€™d all blossomed into a new regiment of crack photographers, but also because the lesson was almost at an end. It was at this point that Bob told us that taking better pictures was โ€œthe easy bitโ€.  All those great shots would now require editing before they were truly perfect. And that, we learned, was a whole other set of dark arts, and a different discipline altogether!  Something for another time methinks.

Overall this was an informative and helpful session. My only quibble was that, despite being clearly advertised as suitable for both iPhone and Android devices, the latter (of which there were several in the room) were not really catered for. Bob admitted upfront that he was largely unfamiliar with Android settings, so a few of us had to play quite a lot of catch-up and translation during the session. For the iPhone majority, however, this session got a definite thumbs up.

Anyway, weโ€™re into the final week of the Devizes Arts Festival now. However, thereโ€™s still plenty of great stuff still to come over the next few days, both ticketed and free.ย  There are more โ€œhave-a-goโ€ sessions, too, so why not get your sleeves rolled up and get stuck in?

The Devizes Arts Festival continues until the night of Sunday 14th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk


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Devizes Town Council’s Oversight on Pride Flag Corrected Today

A lot has happened since last week’s article on the decline of local Pride events. Not all of it has been positive, but I’m pleased to say in Devizes, it isโ€ฆ.

If Essex has seen Prides banned by Reform-run councils, Chippenham Pride released their full program of events, but have you noticed?! What happened in Devizes, the Pride flag is not even flying at our town hall?

A spokesperson for Devizes LGBTQ+ group messaged me wondering why. I am glad to say we solved the riddle, thanks to Devizes Mayor, Vanessa Tanner.

Vanessa told Devizine today it was an โ€œoversightโ€ and it โ€œwill be up by the end of today.โ€

However, Vanessa notified us, โ€œthe flag will need to come down for the Twinning weekend of 19th to 22nd June, as the Union Flag must always been flown on the building if another flag is flown and we will need to fly the French and German flags.

It will then go back up until the end of the month.โ€

Thank you Vanessa and Devizes Town Council, for showing your solidarity in the matter, for those who might disagree this kind gesture makes no impact on you whatsoever, but for those it does affect it means a lot in showing our acceptance of equality.


Manning Lifeboats, In Devizes!

Manning the lifeboats with Devizes Arts Festival in landlocked Devizes last night, and I didnโ€™t even get a sticker. I did shake a tailfeather out of my system, more importantly. For if all-originals London-based Celtic folk-punker five-piece Man the Lifeboats seemed to have no visible relevance to their marine namesake, they certainly knew how to rock a boatโ€ฆ.

A few people asked me for the relevance in the name, as if I would know, or remember to inquire! Two years ago, when Jolly Roger played, there was piratey-themed cosplay and shanties, but Man The Lifeboatsโ€™ subjects were self-confessed to be more about death, apocalypse, certain brands of beer, and pubs they like. There was also a fair shout of anti-fascism and left-wing political suggestion, which, given the direction the country seems to be heading, may connote the metaphoric desertion of a sinking ship. Bravely or at least unperturbed, bellowing said righteousness from the lookout tower of the Corn Exchangeโ€™s high stage, to a scattering of matured Devizes Arts Festival attendees was their risk I savoured; fairplay!ย 

However, if they took it in jest at the beginning, asking if they were at the right event, and if this was a bingo hall, as this dynamic banjo, fiddle, piano accordion complete collective got the ball rolling, their shock of the gig mustโ€™ve transformed to pleasant surprise. Man the Lifeboats realised not to judge a book by the cover, the reward for an accomplished and lively band at Devizes Arts Festival, will be these matured attendees rising from their seated positions and gyrating to their irresistible beats like middle-age never happened; and many did, because Man the Lifeboats were stompingly outstanding!

And, letโ€™s make no mistake, while this isnโ€™t the sticky-floored cider-fuelled pub backroom or hedonistic crusty festival they might be used to and arguably more aptly fit, supporting Ferocious Dog and the like, Man The Lifeboats absolutely nailed it. They play the Grass Roots Grazin’ festival at Salisburyโ€™s Music Baa later this month, and will undoubtedly receive the same expected acclaim there as they would crossing our southerly wurzel county border, with their scrumpy & western, Boot Hill and 3 Daft Monkeys similarities to Celtic punk, but their reception at Devizes Arts Festival might be a true test of their excellence, and it culminated with a surprise fairytale ending.

At least, thatโ€™s how I believe the band should view it! For them, they should note, Devizes youngsters up for a party flocked to nearby boozer, the Three Crowns, as is the norm, for the free familiarity of covers from Pat and Ben of Matchbox Mutiny, of which I dropped in afterwards, to confirm they were having it.

For us, itโ€™s been a mission to express this wonky stereotype of Devizes Arts Festival being a Saga Holiday at home shouldnโ€™t carry the assumption it is not lively. That Gen Zโ€™s parents and grandparents partied harder, faster and more often than TikTok might convince them otherwise, if it is not otherwise and understandably sadly governed by finance. Devizes Arts Festival has been fantastic this year, as ever, worthy of your coinage, but then I sigh, Iโ€™m not getting any younger myself!ย 

The true test of this will be next Saturday, when Devizes Arts Festival hosts homegrown Gen Z pop-punkers Nothing Rhymes With Orange, and I hope younger residents flock, not only for the sake of reunion, but for the future of Devizes Arts Festival. But, for now, we were locked into the tremendous vibe of Man The Lifeboats, as they did their thing loud and proud. It was professional, but they looked like they were loving it, with a mutual feeling from the crowd; cracking toast, Gromit. Or should I say, WALL-E, whom the frontman compared to Citizen Kane?! Ah, banter was lightly welcomed.

To liken any Celtic punk band to The Pogues might be cliche and a pedestal. Save for their London take rather than Irish, Man the Lifeboats certainly had similarities, their last tune before the interval was decidedly akin to Dirty Old Town, and they were fiery with poignant messages to provide, but in a nice way, delivered in a far more respectable light than the outrageousness of the subgenre’s origins. But, this is common stipulation with any music genre, I’d argue, where it is the aficionados age too, and this is the era we live in. This said, as towards the finale I saw them bashing out skillfully raw, decided I love these guys no less than Flogging Molly, or The Dropkick Murphys, and they were certainly on that level of excellence.

A great night was had, it seemed. If gigs like this at Devizes Arts Festival can provide the townโ€™s resident live music lovers with a taster of such bands, knowingly left wondering for something to do at a grassy outdoor festival with them on the line up, or stuck in London in range of one of the pubs they fondly mentioned, Iโ€™d make a beeline. Yet, it is of importance, being our readership is largely made up of our live music fans, that Devizes Arts Festivalโ€™s higher points directed at music should not be taken with a pinch of salt, that they vet quality acts with variety, including such must-sees as Man The Lifeboats; a perfect example.

And so, it continues, thereโ€™s another week of Devizes Arts Festival to come, which ends on Sunday 14th June with two free fringe events, a poetry and prose open mic at The Black Swan from 4pm, and a unique take on the blues with The Rigmarollers at The Cellar Bar, of the Bear Hotel at 7pm.ย 


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Pride Where Pride is Needed

Pride month finds me wondering if Pride events are actually needed more in our smaller market towns where awareness and acceptance is perhaps lesser thanโ€ฆ

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REVIEW โ€“ Devizes Arts Festivalโ€“ Robert Vincent @ Corn Exchange (Friday 5th June 2026)

My Show Of The Festival

Andy Fawthrop

Another headliner from the Devizes Arts Festival hit town last night….

Robert Vincent came to the Corn Exchange, bringing his heady mix of folk, country, blues and Americana. Normally performing acoustic in solo or duo format, this time he had a full band in tow. Heโ€™s an English singer-songwriter hailing from the north-west. Iโ€™ll admit, full disclosure, that Iโ€™d never run into him or his music before, but after last night Iโ€™m really happy to say Iโ€™ve now made the connection.  Although there were a few empty seats at the back, the Corn Exchange was largely full with 200+ people there to cheer him on โ€“ and cheer they did.  I soon realised that there were plenty of folks there whoโ€™d seen him before, so there was plenty of love in the room.

Fronting up with acoustic guitar and harmonica, Robert took us through two excellent one-hour sets, show-casing many songs from his back catalogue, including his last album โ€œBarriersโ€ (and, yes thereโ€™s now a copy of that firmly in my collection), together with plenty of new songs from his forthcoming new album.

Straight from the off I was struck by his voice โ€“ heโ€™s a clear, but emotional singer โ€“ and the harmonies that his band members threw in.  The sound was full, rich and multi-layered with plenty of texture and variety to the songs.  Early on we had some of his Country & Western influences coming through on โ€œThis Townโ€.  The easy changing up and down through the gears, from solo acoustic, through to full-on rocking, from stripped-back to hard and insistent guitar licks, was an absolute pleasure to listen to.

Robert had an easy style, chatting to the audience with humour and self-deprecation, explaining the background to the songs, but never getting tempted to waffle on.  I was particularly struck by such songs as โ€œHurt Today, But Alright Nowโ€, inspired by childhood memories, which he described as โ€œmiserable but hopefulโ€, as well as โ€œLove Never Endingโ€ (a piece of personal therapy) and โ€œEverythingโ€™s Gonna Be Alrightโ€ (calm, unflustered and very laid back).

The band behind him were excellent โ€“ Jim Kimberley on drums, Thomas Bibb on electric guitars (some superb solos), Danny Williams (who flipped effortlessly from upright bass to electric bass) and Anna Corcoran on keyboards, also providing some absolutely stunning backing vocals and haunting harmonies. Individually they were superb, but as a cohesive backing unit for Robertโ€™s wonderful songs, they absolutely nailed it. And these guys were also the core of the band on โ€œBarriersโ€.

The second half continued in the same vein โ€“ lovely clean and unfussy sound, no showing-off, just simple great musicianship.  At times I was hearing Jackson Browne, at times there were shades of Deacon Blue, but it would be a disservice to the band to claim they were in any way just a soundalike to those folks.  This was category-defying stuff.  More superb songs followed โ€“ โ€œTake Away Your Burdenโ€, โ€œKeeper Of My Heartโ€ (an absolute belter in my opinion), โ€œShine A Light In The Darknessโ€ and โ€œSeparating The Fiction From The Factโ€.  Again there were lots of textures, changes of mood and tempo, some chat, some nice segueing from one song straight into the next.  There was light and shade, there was hard and soft.

The vocals were soulful, insistent, yearning.  The musicianship was spot-on. The songs were meaningful, well-constructed and simply wonderful. Itโ€™s been a while since I was this impressed by a band Iโ€™d never even heard before, but I was well won over. I was already on 9/10 by half time, and a no questions 10/10 by the time we got round to the encore.

The sound and lighting by Serenity Audio was absolutely spot on.

Anyways, thereโ€™s still plenty of great stuff to come over the next few days, both ticketed and free.  The Devizes Arts Festival continues until the night of Sunday 14th June at various venues around the town.  Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk


Make Music This Summer Launches at Wiltshire Music Centre; 19 Days of Musical Activities for Children and Young People

Wiltshire Music Centre is launching the Make Music This Summer programme, a vibrant 19-day programme of musical activities for children, young people and families….. Designed for ages 0โ€“21 and their parents and carers, it offers a wide range of inspiring, accessible and high-quality experiences throughout the summer holidays. From rock bands and musicals to musicโ€ฆ

After Ruby, Barrelhouse and RowdeFest 26

Images by Jess Worrow A busy late spring weekend across the county, with major events from Bradford-on-Avon to Swindon, but I’m bringing quality acts I find elsewhere on my adventures into my village. Rowdefest was, again, a great success, if I do say so myselfโ€ฆ.. Being close to Devizes, where the Arts Festival kicked offโ€ฆ

Sir Tony Robinson, Nigel Planer, Tโ€™Pau, and Timmy Mallettโ€ฆ and More at Frome Festival in July

Tickets are now on sale for Frome Festivalโ€™s silver anniversary year, taking place between the 3rd โ€“ 12th July, 2026. Three hundred events are scheduled in 58 venues in and around Frome during the 10-day community arts festivalโ€ฆ.. Frome Festivalโ€™s programme offers music to suit all tastes – from classical, folk, pop, jazz and worldโ€ฆ

Mindful Stitching Workshop with Dollies Dimples

Would you like a new hobby? To meet new friends? Or, maybe you are looking for a gentle way to slow down and quieten a busy mind. The Mindful Stitching Workshop is a creative textile journey happening at St Andrewโ€™s Church, Devizes, organised by Tracy at Dollies Dimples, who handcrafts those cute dolls in tins, vintage-inspired ballerinas, dinosaurs, marbles and beautiful bunting. The best thing about this workshop? Absolutely no experience is needed and everyone is welcomeโ€ฆโ€ฆ

You may be a life long experienced seamstress/tailor like me or maybe you have never threaded a needle or sewn a button on, either way this is the workshop for you. A place to learn, share skills, have a chat and a laugh and meet new friends.

Join Dollies Dimples for a peaceful morning of no pressure, creative hand sewing. This workshop is not about following a rigid pattern or making a perfect item. Instead it is a sensory journey focused entirely on the relaxing rhythm of stitching and creating.

You will be guided through creating your own unique textile collage on a beautiful fabric backdrop. Explore a beautiful tactile “buffet” of antique vintage lace, soft ribbons, scraps of beautiful fabric, mismatched buttons, embellishments and beads. Layer, arrange and attach them completely at your own pace.

This morning retreat includes a warm welcome with a selection of herbal teas, coffee and delicious sweet treats.

All high-quality tools (there will even be sewing machines and an overlocker to practice on) scissors, threads and fabulous collage materials are all provided. A gentle introduction to simple, easy hand-stitches (with easy to thread and some ready threaded needles)

A mid-morning drink, pause and stretch to rest your hands and eyes. Leave your phone in your bag or pocket, enjoy gentle conversation and laughter with like-minded people, and take home a completely unique piece of textile art made entirely by your own hands.

This all inclusive workshop lasts two hours from 10a.m. to 12.00 noon and will be held in the very natural floodlit foyer of St Andrews church, Long Street, Devizes. SN10 1NJ. Just along from old Wilko.

The workshop dates are the 23rd and 30th of June and 7th and 14th of July. Spaces are strictly limited to ensure a calm, spacious environment. Spaces are already filling fast.

How to book: Please send a direct message to @dolliesdimples or email dolliesdimples@hotmail.com to make payment and secure your seat at the table. ยฃ25 per workshop, book one to four workshops, you choose.


REVIEW โ€“ Devizes Arts Festivalโ€“ โ€œCollecting โ€“ An Art, A Hobby Or A Compulsion?โ€ with Clare Durham and Paul Martin @ Wiltshire Museum (Friday 5th June 2026)

Going, Going, Gone

by Andy Fawthrop

As I keep going on about, Devizes Arts Festival continues to bring up these little treats from its chocolate box of delights. And, there, hidden away in a corner, minding its own business, was a luscious little morsel of entertainment.….

Whilst DAF have a (largely informal) policy of not using and promoting local talent within Devizes, but rather of using the opportunity of the arts fortnight to bring in a wide range of items and performers from rather further afield, folks you might not normally get to see, in this case they made a rather pleasing decision to โ€œsupport localโ€.ย  Clare Durham, from Henry Aldridge and Son (who were sponsoring this event), and well-known Seend-based TV personality Paul Martin, teamed up to present an interesting and informative session.ย  I suppose you could say it was a vote of confidence, or rather a way of saying thank-you to Titanic specialist auctioneers Aldridges for bringing their business back into the centre of Devizes.

Anyway, over the course of an hour we (well certainly me anyway) learned quite a lot about the world of collectors and collecting.ย  Paul rather lamented that the younger generation do not seem to be as interested in collecting things anymore.ย  Where once upon a time nearly everyone ran at least a modest collection of something or other, be it something simple like cigarette cards or stamps, this habit seems to be less common in the 21st century.ย  People like de-cluttering, donโ€™t have the old furniture, cabinets and space to hold collections of very much, and there seems to be less interest in social history.ย 

Where Britain was once, certainly during the 18th and 19th centuries, a mighty colonial Empire, with vast wealth, both amongst a richer elite, as well as at a national level, the fad for collecting things of all types was at its zenith.ย  The Great Exhibition of 1851 was probably the pinnacle of this type of thinking. Valued artefacts were either ancient treasures (possibly looted or โ€œre-locatedโ€ to Britain), or were the best examples of hand-made items from across the globe. As handicrafts have declined, superseded by large-scale factory production, there are far less individual and/ or unique items being produced, from paintings, to ceramics, to furniture and so on.

Collecting, we learned, was about focus.  Find your niche, your passion, your interest and then home in on that. Work within a budget, buy at the top end of what you can afford, and never buy just for โ€œthe investment valueโ€. Donโ€™t collect what everyone else is collecting!

The value of any item is based on three things: rarity/ scarcity, provenance, and condition.  Possibly all self-evident, but provenance is usually the key difference between something that is merely of interest, and something that is worth an absolute fortune. Any provable connection to Royalty, famous people or great events will always increase the value โ€“ and Aldridgeโ€™s should know, given the large number of valuable items connected with the Titanic which theyโ€™ve handled over the years.

We had lots of anecdotes about lucky finds proving to be very valuable, misplaced buyer expectations, and the pitfalls of TV work when it comes to handling antiques and dealing with the rich and famous.

Overall a very entertaining session, and another of those little gems that keep the festival running.

Meanwhile the rest of The Devizes Arts Festival continues until the night of Sunday 14th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk


Trending….

Chatting with Ruby Darbyshire

There’s the story of one newfound fan who, after her performance, asked Ruby how many copies of her CDs she had, bought the lot andโ€ฆ

Shindig Festival Goes Ahead, with Bob Vylan

After months of speculation, controversy, and local media bias, The Shindig Festival at Malmesbury’s Charton Park has been given the green lightโ€ฆ.. Despite Newsquest floggingโ€ฆ

Wife Cooks Husband in Devizes!

A wife cooked her husband on Thursday evening in Devizes. I watched the whole thing unfold, but would have politely passed off any offering ofโ€ฆ

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Devizes; Full of Scummy Mummies!

Guys out on โ€œthe pullโ€ on Thursday in Devizes were cut short. The Scummy Mummies were back in town, and youโ€™ve never heard so many Prosecco corks popping from the Corn Exchange. It sounded like machine-gun fire in there, aimed directly at testosterone….

Chicks and honeys, as far as the eye could see, and the odd quivering fellow, likely dragged in by their wives; a Devizes Arts Festival sell-out. The Scummy Mummies made their debut here four years ago. Their outrageous family-related routine adapts to follow the personal timelines of their own marriage and motherhood, with teenage parenting and divorce added source material for their latest offering, Hot Mess. But they also reminisced on the thirteen years they’ve been together after meeting on the comedy circuits; it shows.

I meant in professionalism, not physically; I’ll leave the self-body-shaming gags to this dynamic comedy duo. They excel in it, but extrovert their comical bombardments too, onto their kids, partners and the audience, taking no prisoners as they fill the stage with madcap frenzy. At its baseline this show is 60% self-deprecating standup, 40% the ultimate hen party. Thereโ€™s a complete comedy package, brazenly embellishing standup with sketches, Powerpoint presentations, parodied pop songs to suit the narrative, and more costume changes than Sabrina Carpenter gigging in Harvey Nichols.

Iโ€™m here breaking my Scummy Mummies cherry, by default attacking this from a male point of view, but….erm, (collective noun I believe is a gaggle) a gaggle of ladies knew what was coming, were prepped with tipples and charged funny bones. They were out for the funniest ladiesโ€™ night ever, for this is an Ab Fab afterparty, uncut French & Saunders but with a Jo Brand twist, a comedy duo who take Cyndi Lauperโ€™s hit biblically.

From the contents of a laundry basket stratigraphically examined and retested for scale, to a particularly amusing mumโ€™s Mastermind sketch, subjects ranged from โ€œfingeringโ€ to the PTA Whatsapp group, but all done without taste; unless middle-aged women in catsuits simulating sexual positions with their husbands whilst admiring images on slippers is your definition of taste. But any more on that would be a spoiler, if it doesnโ€™t spoil itself.  

As a geezer, youโ€™d be forgiven for assuming this sounds excruciating, and this was certainly my pre-concern too. For if such a format was performed by anyone other than comedy geniuses, Iโ€™d still be of that opinion, but it wasnโ€™t. This duo have the timing of The Greenwich Time Ball, are improv masters, and unless you were a subject on Louis Therouxโ€™s Manosphere, wherever your testosterone balance lies, you cannot escape the simple fact that the Scummy Mummies are absolutely and undeniably hilarious.

They bounce off each other, literally, but also figuratively akin to Ronnies Barker and Corbett. To suggest theyโ€™re competency is on a similar pedestal would be exaggeration, but, dammit, they should be sitting above Michael McIntyre, and thoroughly deserve their own TV show. 

Men are going to be verbally assaulted here, you just know, but only with a feather duster rather than an all-out carpet bombing against patriarchy; in fact the word was only mentioned once. This is not a feminist march, and there is no political campaign with The Scummy Mummies, only astute social observational humour. And the bottom line is, with no bars held, theyโ€™ve perfected it. The menopause medley was sidesplitting, โ€˜Ann Scummersโ€™ delighted, the audience participation was paramount throughout, but precedence held at the finale, the result of the โ€˜confessions,โ€™ was a gem of comic sagacity.ย ย 

Their entire show didnโ€™t come up for air, is written with comedy erudition, and the gag about men in grey boxers had me contemplating if the notion was understandable in their presence, given I nearly wet myself laughing at these two exceptionally funny women!

All hail The Devizes Arts Festival, itโ€™s looking like another successful year. This was a hysterical button to press, seemingly loved by everyone in attendance. But thereโ€™s plenty more to come, all the way until, and including, Sunday 14th June. Youโ€™d be doing yourself a favour to find details HERE and pick up some tickets.


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M3G, De-Anchored

At the end of last year Chippenham singer-songwriter M3G released the single Rooks. I felt it set her bar at a whole new higher level.โ€ฆ

Keep reading

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SoP Live at Swindonโ€™s Castle with St Fian

by Ben Naimor

I have been pestered that I would love St Fian. They have played at my local venue in Devizes before, but I had not managed to catch them, until nowโ€ฆ..

What I had not been warned about, was that this fantastic duo would present me with among the finest female voices Iโ€™ve ever had the pleasure of hearing. Enchanting and emotive vocals, of the kind that have you transfixed; there is no question of whether I will see them again!ย 

This is a band who happily embrace wonderful small-room venues like this, rubbing shoulders as it does on their summer tour listings with some decent size festivals; truly adaptive and passionate artists, and wonderful humans. I was very glad to get a quick chat too, post-gig.

The distinctive voice and musicianship of this duo have a fresh and exciting edge, but built on the solid ground of true folk. I think my favourite original song of a mixed set of originals and covers, a song called Paperboat, an original ode to all lifeโ€™s tribulations, a reminder to live life rather than wish it away. Given we were informed the duo are a nurse and mental health worker, respectively, perhaps this is why singing with poise and compassion about such things comes so readily and enjoyably.

We shouldnโ€™t overlook the confident and relaxed picking of the fine musician on guitar and bouzouki, a cross between a banjo and mandolin. Despite the strange name itโ€™s gentle tones suit Ianโ€™s gentle picking, and seems more than ready for when itโ€™s time for Irish songs or shanty.

Loving the shruti box too, reputedly costing a weekโ€™s pocket money! But again, a true folk instrument that adds a little underlying mystery to the sound, on a couple of songs. 

Iโ€™ve not been inspired to review or delight in word, so much recently, but my heart was opened; thatโ€™s about me, not any of the wonderful music Iโ€™ve enjoyed, but worthy I think of mentioning, is that the moment Steph began to sing, my shoulders relaxed and I felt this was something I had to try and convey and applaud in print. 

The duo are creeping towards an all-original set, and by their own admission enjoy doing some covers, as they fill their original songbook with new material. So, the second set had a few covers in, but you have not seen these covers done so proud before; it takes a joyous confidence and incredible voice to do justice to some songs so familiar to so many. Donโ€™t Think Twice by Dylan , for instance, sung with a lingering harmonious quality that appeared to literally hang on every lyric.

A couple of covers of Stevie Nicks and Fleetwood, it takes a confident singer to carry off Stevie, and to do so that a life long fan like me is enthralled. Another one which would be ambitious for most, Iโ€™ve certainly witnessed some less than adequate attempts over the years was The Cranberriesโ€™ Zombie, with the comment that this will let metal fan Ian rock out! Then, smashes it again, the most incredible thing to do; such choices for powerful and very well known songs, but with this being a duo, an intimacy and powerful delivery of verse that knocks yer socks off.

So, as you might have guessed, I was very impressed; real genuinely wonderful humans, giving us unforgettable moments in local small-room spaces is what our scenes are all about. Thank you as ever to Ed and the Castle, as well as Steph and Ian for a superb gig. 

SoP-Live are Swindon-based music promoters, and run The Thursday Night Music Club at The Castle. Thereโ€™s a whole list of great stuff lined up this year you can check out on socials for Sop Live, and St Fian have the socials too so, we can make sure we catch them down the line.

Thereโ€™s a whole EP and an album in the works; I canโ€™t wait, Iโ€™ve a feeling it will be a popular play in the soundtrack to my life.


REVIEW โ€“ Devizes Arts Festivalโ€“ โ€œBehind The Lens โ€“ My Life in Wildlife Film-Making & Photographyโ€ with Nick Upton @ Assembly Room (Thursday 4th June 2026)

Itโ€™s Not As Easy As It Looks

by Andy Fawthrop

The Devizes Arts Festival continued on a very wet Market Day this Thursday, and continues to throw up some real little gems.ย  Here was another piece of interesting and imaginative programming from the committee…..

If youโ€™ve ever watched a David Attenborough wildlife programme, or read about some of the campaigns of the RSPB, or the National Trust, or marvelled at the wildlife photography in the National Geographic, or even Wiltshire Life, thereโ€™s a reasonable chance that at some point Nick Upton was working behind the scenes on one of those projects.ย  His work, which he showed us many examples of during his talk, and the well-stocked merch desk in the foyer, were great examples of the skill of this man.

Nick let us in on many of the difficulties and challenges in his line of work, and many of them were not related to mere simple technical stuff, such as which lens he might need to use, or about the quality of the light, but more about working in some extremely difficult physical and climactic conditions, extreme weather changes, being attacked by insects such as bees, wasps and hornets (and some bigger stuff too!), having to work with local indigenous people (and I donโ€™t mean folks from TrowVegas or The Sham), but also having to cope with potential diseases, bites, droppings and things that could be considered seriously injurious to health.

We also got an insight into the many tools and techniques required โ€“ not just the amazing whizz-bang range of camera goodies, but all the associated non-camera items: drones, hides, tubes, camouflage, hard hats, periscopes, GPS tracking, motion and heat sensors, infra-red equipment and helicopters.  And even that lot was never enough to secure great pictures โ€“ you still needed a lot of prior research (migration paths, animal behaviour patterns), a massive amount of patience and ability to soak up personal discomfort, and sometimes just a bit of luck.

On top of all that, some creatures apparently have the temerity to be vanishingly rare, or are very camera-shy, live nocturnally, move extremely fast, or are incredibly tiny.  How very dare they? Clearly, this is not a job for the faint-hearted.

This talk was a great sweep across Nickโ€™s career over 40 years, and covering over 30 countries, but it illustrated not only the manโ€™s undoubted technical and related skills, but also his obvious passion for nature, especially those projects closer to home in the UK.  These included working with hedgehogs, harvest mice, dormice and the re-introduction programmes of cranes, great bustards, otters and beavers.

Itโ€™s no wonder heโ€™s won so many photography awards, and had so many pictures published and syndicated in many countries.  Packing all that little lot (including hundreds of great photos) into just 55 minutes was no mean feat, so it was quite a fast canter.  But Nick really came alive once he was off-script and responding to questions at the end of the session from the packed audience.

A really wonderful, and truly fascinating, topic for a Thursday lunchtime. Great stuff. Well done Nick, and well done DAF for booking him!

Meanwhile the rest of The Devizes Arts Festival continues until the night of Sunday 14th June at various venues around the town.ย  Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk


Local performer Grace Sheridan to Share Stage With Jason Donovan at Fulltone Festival

A talented local performer from Devizes is set to share the stage with international star Jason Donovan this summer as part of Fulltone Festival โ€™26. ….

Grace Sheridan, who will appear alongside Jason Donovan during his headline performance with Theย Fulltoneย Orchestra, first began performing in local productions in Devizes as a child. Those early experiences inspired her to pursue a career in the performing arts, leading her to drama school where she trained in Musical Theatre.ย 

Since graduating, Grace has enjoyed a growing professional career, appearing in a West End pantomime and touring productions across the UK and internationally. 

Alongside her theatre work, Grace regularly performs with Lewes Music Group, taking on featured roles in a variety of live shows celebrating artists and genres including Fleetwood Mac, ABBA, disco classics, acoustic favourites and country music. Her portrayal of Stevie Nicks has become a particular audience favourite. 

Jemma and Anthony Brown with Jason Donovan

Grace is also a familiar face to Fulltone audiences, having performed at the festival for several years. 

Speaking ahead of this yearโ€™s event, Grace said, “Fulltone Festival has always been such a special event to be part of, and I’ve loved performing there over the years. To now have the opportunity to sing alongside Jason Donovan is incredibly exciting. He’s such an iconic performer, and I can’t wait to be part of what is going to be an amazing weekend.”

Fulltone Festival โ€™26 takes place on 11-12 July at Park Farm, Devizes, bringing together orchestral spectaculars, iconic guest artists, tribute acts and live music spanning classical, rock, pop, Motown, dance and more. 

Jason Donovan headlines this year’s festival alongside a packed line-up including The Wurzels, Rozalla, Ricardo Afonso, Mark Shaw of Then Jerico, Seriously Collins, Mainly Madness and The Fulltone Orchestra. 

Festival Director Jemma Brown said, “Grace is a wonderful example of local talent flourishing on a professional stage. We’ve watched her develop as a performer over the years, and we’re absolutely delighted that she’ll be joining Jason Donovan this summer. It’s fantastic to be able to showcase someone who began performing right here in Devizes and is now building an exciting professional career.” 

Fulltone โ€™26 returns to Park Farm, Devizes on Saturday 11 and Sunday 12 July 2026. 

Weekend and day tickets are on sale now, with under-14s attending free when accompanied by a paying adult. Weekend passes offer the best value. Onsite camping and parking available (Friday to Monday). 

Full details and tickets: www.fto.org.uk/events 


A Devizes Arts Festival Lunchtime Recital with Fรกbio Fernandes

Andyโ€™s topping the leaderboard for Devizes Arts Festival reviews; if I pull my socks up and attend a lunchtime recital at least Iโ€™ve chalked my name on it. Classical guitar at St Andrews Church, how bad could it be? Just a handful of tea drinkers coughing over some amateur strumming?! I should know the Devizes Arts Festival better than that by nowโ€ฆโ€ฆ

What I, and a full house got was precisely the opposite. London-based Portuguese classical guitar and lutenist scholar and tutor, Fรกbio Fernandes is a virtuoso. He came to Devizes to educate as well as entertain, and he did both delightfully. 

His penultimate of seven was by Frank Ridge, and the finale, a sunny-side-of-the-street piece, one of many his fellow classical guitar enthusiast David Russell wrote for him for the album he was promoting. But, like Doctor Who with an acoustic guitar, both of these contemporary compositions were inspired by the centuries of English guitar music we had joyfully trekked through in the past hour, to which Fรกbio held the crowd spellbound.

Coming clean, what I know about English Baroque composers can be written on the back of a matchbox, but if I attend lots of gigs where the guitar is a given, thanks to Fรกbio Iโ€™m enlightened with a genre of yore which introduced our country to the instrument by Europeans. Fรกbio provided a medley of four 17th century Henry Purcell transcriptions as an opening, and wowed the audience with his intricate skill. From the tragic opera Dido and Aeneas, to an eloquent dance and my particular favourite section, a Shakespearean underscore called The Fairy Queen, these pieces were short, but in them you could hear the influence of everything which followed.

I found myself contemplating waltz, nineteenth century English folk dances, or twangs of bluegrass in this music, predating 1940โ€™s Appalachia by a country mile. Even playful notes on the offbeat, which, as a reggae fanatic, shocked me, and so many experimental elements pop has caused us to take for granted now. From the romantic delicacies of 19th century salon music to the militantacy of William Walton in the following era, and onto scores by Benjamin Britten, we moved through time with the grace of the gods, and each chapter with a full and fascinating explanation. 

Iโ€™m forever impressed with the quality at Devizes Arts Festival, but generally Iโ€™m nocturnal, and due to work commitments I rely on, and am grateful for, Andy and Ian to provide our feedback on daytime events. Please forgive me for so wrongly assuming during the daytime this level of quality lessens off. Quite clearly it doesnโ€™t, and neither does the attraction or diversity on offer. Fรกbio Fernandes was as impressive and entertaining as something more contemporary, and being it had a little history lesson thrown in for good measure, it was inspiring too.

The Devizes Arts Festival runs until Saturday 13th June, with lots more going on.

I loved this, and was surprised I did. It was only a lunchtime recital, dammit! Someone look after my cucumber and haslet sandwiches, I’m going for more of this!


Pride Where Pride is Needed

Pride month finds me wondering if Pride events are actually needed more in our smaller market towns where awareness and acceptance is perhaps lesser than in larger towns where diversity is tolerated more, but Prides are already established. Then I ponder deeper, if that’s even an accurate statement, and if it is, why many small town Prides seem to barely bathe a little toe in the water, or fizzle out after they doโ€ฆ..

From Bronski Beat’s poignant Small-Town Boy video to Little Britain’s โ€˜only gay in the villageโ€™ running joke, culturally there’s always been a consensus that anyone LGBTQ+ could fair a better life, even safer, in an urban environment. Ergo, while Prides may thrive in cities, in the sticks it’s harder to organise them effectively.

Add to this the economic downturn causing an increasing risk for any free event, the terrible notion with a rise of far-right philosophy infiltrating our councils, with negative tendencies towards Pride, pushing through permissions and gaining support for Prides might sadly lessen, particularly in sparsely populated areas with a minority of LGBTQ+. 

While Pride in Bath is relatively new, and like Swindon Pride, happens in August, Salisburyโ€™ Pride has events every weekend in June with a family gathering at Sloan Park on the 6th and Juneteenth on the 20th at The Bell Tower Green. However, Swindon Pride began promoting their events in June, this year seeing an inclusive virtual walking challenge. Pride is changing everywhere and offering alternatives to a carnival-style event.

Influenced perhaps by former mayor Declan Baseley, Chippenham holds very elaborate Prides, this year over the 13th-14th June weekend. But Nathan of Trowbridge Pride explained they were forced to reduce theirs to bingo evenings and pop up stalls. โ€œWe are in need of new volunteers to help bring our planned full sized festival to our town park,โ€ he said.

My concerns for rural Prides stemmed from a Facebook post on a Marlborough group, gauging interest for a Pride there. Well, Pewsey held a Pride for a few years, but a spokesperson for it told me it’s now reduced from a โ€œfull dayโ€ to a drag cabaret night, which is on 12th September. 

While Calne have maintained theirs, and it’s this weekend, I cannot find anything on one in Melksham, and though Devizes held a few in previous years, due to the operation now running with one solo person, Oberan told me large-scale events are on hold. Itโ€™s great to note, though, this saddening trend is bucking on the canal, as boater community Floaty Boaty offers a Pride Parade & Picnic at The Bradford-on-Avon Wharf on June 20th.

Motivation might also be a factor for Prideโ€™s decline. It must be disheartening to arduously labour over an event where the attraction for it is in the minority and organisers worry it cannot escape its niche. Whilst heterosexuals with an open mind might feel welcome at a Pride, I consider they’re lesser living rurally, compared to those who really need to reconsider their views on the matter. The numerous social media reactions to our article on if Wiltshire Council should fly the Pride flag suggested there’s many locally who do.

Comments flooded in on it, either airing views that they shouldn’t, generally using reasoning that whilst they’ve nothing against homosexuality, it’s not for councils to condone it, and counter arguments accusing them of homophobia. In fairness, aside from the irrelevant but expected patriotic flagwaving comments, in some suggestions where they didn’t want โ€œtheir face rubbed in it,โ€ conveys they’re either unaware of their ingrained homophobia, or they have the necks of giraffes, for how else could you rub someoneโ€™s face into a flag atop of County Hall?!

But our Pewsey Pride spokesperson provided a surprising alternative, saying โ€œI have actually found that some of the gay community in our village are the ones who oppose it the most. They say they donโ€™t need a “day” or “event” to celebrate who they are, and they just want to integrate into the community.โ€ย 

If Pride is subjective, even for the LGBTQ+ community, and, I feel, in many circumstances itโ€™s doubtful some leopards can change their spots, it is also clear many wish to celebrate the progress made, and being itโ€™s taken the best part of 500 years to move from hanging gays, through imprisonment and from post illegality riddicle and hate, to an era where no one bats an eyelid to see same sex parnters on a TV game show, but social media holds a smoking gun for a gradual regression, I think itโ€™s worthy of celebration. But, we know progress can often be slower in rural areas.

Does this make Prides in rural areas even more essential than urban areas? Or would it be better for those in rural areas to put their efforts and resources into assisting in larger townsโ€™ established Prides, or forming collectives to host Prides each year in a different town within their group?

โ€œI think combining prides is a great idea,โ€ our spokesperson for Pewsey Pride agreed, โ€œas itโ€™s really hard to maintain our biggest issue; we are only a small village and finding the funding/sponsorship is really hard. We can’t put on events without it.โ€ Although they praised a partnership with Pewsey Carnival, โ€œthey help with liability insurance, etc, which can get frowned upon, that we aren’t solely a Pride event, but we couldnโ€™t do it without their help.โ€ย 

For encouraging other organisations to assist, especially those with a majority of straight members, a starting point could be to confirm Pride is inclusive, express the reasons for having Pride, and if any take precedence over the others. The conflicting two intentions must surely be: is Pride’s celebratory element paramount above raising awareness and attempts to cause heterosexuals to think differently? The former might cause criticism that itโ€™s not inclusive for all, even though it is, and this, shamefully, answers the latter.

For heterosexuals, if attending a Pride allows them to walk in anotherโ€™s shoes, itโ€™s surely valid. Being straight, pondering all this found me reflecting personally, recalling a time that I did experience something akin to what it might feel like to be gay in a tight community complete with homophobes; the impact of isolation when I moved from suburban Essex to a Wiltshire village at thirteen. I was not made to feel welcome by many, because I was different. Culturally I was an outsider, and often treated with mistrust or ridicule, even threatened.

It may have been only a taster, not nearly as serious as issues gays have to deal with daily. Being Iโ€™ve integrated, I could shrug it off as tribal immaturity, call it water under the bridge, but in consideration, if it continued till this day, I must suppose it would affect me psychologically.

As (mostly) adults, urbanites might bellow out homophobic abuses unperturbed, as itโ€™s a built up area youโ€™re less likely to be known, whereas country folk in smaller communities might be more selective in mannerisms, to their face, but hold deeper and darker negative values bottled up and only exhausted privately between those likeminded.

Then I wonder if talking behind your back is possibly more upsetting, humiliating and damaging than someone throwing abuse directly at you? Either way, it’s why we need Pride, and we need Pride, in some format, be that wellbeing seminars and community building workshops rather than an all out carnival, in our rural areas equally, if not more. 


Devizes Arts Festival Reviews: Steve Tuffinโ€™s Have-A-Go Workshop on Memoir-Writing, Anthony Horowitz โ€“ โ€œA Life In Murderโ€, and Becky Greyโ€™s โ€œHow I Became A Ghost Writerโ€

Itโ€™s All In The Writing

Andy Fawthrop

The Devizes Arts Festival is now in its 40th year and, as ever, seems to be in robust health.ย  Marking the anniversary with 30 wide-ranging events across two weeks in several venues in and around the town, hereโ€™s yet another example of D-Town continuing to punch well above its weight in the area of the Arts…..

Whilst there are lots of big, headlining events (see link below to DAFโ€™s website), thereโ€™s lots of other more intimate, and interactive, things going on too.  Because itโ€™s not just big bricks you need to build a wall, itโ€™s the quality of the mortar to bond those bricks into something really solid.  The theme, if there is one, of many of these smaller events is about getting involved or โ€œhave a goโ€.  Well Devizine, as you lovely people well know, is always up for a bit of a challenge, so I thought Iโ€™d pitch in to three literary-type events this week.  Being no stranger to the publishing world myself, I decided that, apart from listening to one of the UKโ€™s most prolific fiction and screen writers, Iโ€™d cast an eye over two things Iโ€™ve previously had a go at myself โ€“ memoir-writing, and ghost-writing. What could possibly go wrong?  You never know โ€“ I might actually learn something.

First up on Monday was Bath Spaโ€™s Steve Tuffin, who led a very practical class on how to go about writing a personal memoir, or indeed how to approach any form of creative writing.ย  Surrounded by some wonderful sepia-tinted historical photos on the walls of the Cheese Hall (plenty of subject-matter there), Steve led an engaging session. In what could have been a dry, dusty and boring subject (rather like my good self), Steve presented a very lively, interesting and, yes, absorbing couple of hours.ย  Apart from some great tips, techniques and tools, there was plenty of good discussion and three different short practical writing exercises.

One of the interesting debates, especially in the light of modern politics and celebrity โ€œvoicesโ€, concerned the cross-shading between factual/ absolute โ€œtruthโ€ and the personal/ relative viewpoint of โ€œmy truthโ€.  The stories weaved by Trump and his cohorts, Raynor Winnโ€™s โ€œThe Salt Pathโ€ and the Harry/ Meghan psycho-drama, are all evidence enough that โ€œmemoirโ€ and โ€œmemoryโ€ can often be poles apart, thus melding the different worlds of fact and fiction.

Steve cantered through a number of techniques (starting small, finding your voice, controlling the speed, being brave, reading out loud, finding a way in etc), but the key lesson that came out time and time again was the need to โ€œpostpone perfectionโ€: get what you want to say down on the page as quickly as possible, then re-draft (many times), edit, and polish. Clearly a technique that we at Devizine have already (ahem) been practising for many years!

Later on Monday evening, the venue switched to much larger Corn Exchange, where a lively audience of about three hundred turned out on a rainy night to hear Becky Grey interview the prolific and versatile author and screen-writer Anthony Horowitz.ย  Responsible for writing scripts for Midsomer Murders, Foyleโ€™s War, as well as the Alex Rider teen spy series, two modern Sherlock Holmes novels and three James Bond continuation novels, Horowitz is no stranger to hard work and all the tricks and tools of fiction writing.ย 

Becky didnโ€™t have to work too hard to get the man talking: Horowitz proved to be a loquacious and captivating raconteur. He had plenty of anecdotes and examples to give, peppering his replies with humour and witty asides. Having known he wanted to be an author since the age of ten, discovering that he had both the right skills and a vivid imagination, he was soon set upon the career which has now made him famous. Declaring himself a great fan of Agatha Christie and her skill at plotting, by planting the clues to the โ€œsolutionโ€ but without giving away the answer before the very last twist, and deliberately laying false trails, Horowitz showed himself to be entirely engaged in, and engrossed by, the techniques of the popular fiction-writer.

His line on the use of AI was that it was a useful, but a clearly limited tool, to be employed with care and discretion, and to understand its limits.  He said that he used AI simply as a research assistant, a search engine to fill in the gaps, simply to save time on researching factual background information, but never to do any actual โ€œwritingโ€ that could end up in any of his books or scripts.

And that knotty subject that had emerged during the earlier session in the afternoon, the frequent non-alignment between โ€œmy truthโ€ and factual reality, came up again for some more analysis.  The Trumpian world-view, together with a brief commentary of the recent Sturgeon/ Murrell embezzlement fandango were subjected to some light-hearted, but laser-sharp, critique.

Horowitz revealed that he had no set daily โ€œroutineโ€ for his writing, that he was useless at reading his own work (for audiobooks), that โ€œcosy crimeโ€ was a misnomer (because murder is too horrible to ever be cosy), that he canโ€™t write poetry or romance (his wife had told him that he could never write about a subject that he had no experience of), and that over his career he had systematically killed off every single character who had ever been nasty to him (well, their fictional personas at least!).

After the 45-minute session, Becky opened the floor to audience Q&A for twenty minutes, after which there was plenty of action out front at the book-signing session.  Overall, a very entertaining and engaging evening from an author at the top of his game.

Finally (on Tuesday afternoon), to complete the final layer of this sandwich of literary delights, I turned to BBC Sportโ€™s Becky Grey herself.ย  In an event sponsored by Wadworth, and held in the wonderfully historic surroundings of Devizes Museum, she spoke about how she had started her career in ghost-writing books and newspaper columns for celebrity sports stars. And the answer was โ€“ almost by accident. She zig-zagged her way towards it until, like Anthony Horowitz the previous evening, she suddenly discovered that she had a flair for writing, and that her subject-matter (sports and sports-people) was totally engaging. She seems to have never looked back.

Becky talked of the various sports personalities sheโ€™d worked with, and took us through the steps and techniques for tackling that kind of work.  Interestingly she hit many of the same themes and techniques that Steve Tuffin had mentioned the previous day (including just getting the first draft down on paper, refining and editing, picking out the real story etc).  In answer to questions, she also talked about handling the tricky โ€œfactual truthโ€ versus โ€œmy truthโ€ debate (by challenging, and with a lot of tact!), payment models, red lines, and copyright. 

And finally โ€“ yes youโ€™ve guessed it โ€“ there was a short exercise, another chance to โ€œhave a goโ€.  And, of course, a book-signing. Another engaging and interesting session.

So there you have it – three events over two days, vastly different in some ways, but nicely inter-connected in others.  And did I learn anything?  Ah โ€“ that would be telling!

Anyways, onwards and upwards, with still plenty of great stuff to come over the next ten days, both ticketed and free.  The Devizes Arts Festival continues until the night of Sunday 14th June at various venues around the town.  Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

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Ready for RowdeFest?

Not long now, for Rowdefest! Which, as the name suggests, is in Rowde, near Devizes, on Saturday 30th May, and is a free, community spiritedโ€ฆ

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Make Music This Summer Launches at Wiltshire Music Centre; 19 Days of Musical Activities for Children and Young People

Wiltshire Music Centre is launching the Make Music This Summer programme, a vibrant 19-day programme of musical activities for children, young people and families…..

Designed for ages 0โ€“21 and their parents and carers, it offers a wide range of inspiring, accessible and high-quality experiences throughout the summer holidays. From rock bands and musicals to music production and LEGO stop-frame music videos, Make Music This Summer brings together creative opportunities for all interests and ages, From the 25th July to the 30th August 2026.

Delivered in partnership with local practitioners from across Wiltshire, the
programme offers young people a chance to explore music, creativity and performance in a welcoming and supportive environment. The programme includes three strands: workshops, concerts and screenings, giving
families flexible ways to take part during the holidays.

Hands-on workshops invite participants to try new skills, build confidence and
collaborate with others, whether forming a band, taking part in a musical or producing their own tracks.

Family-friendly concerts provide an accessible and relaxed introduction to live music, while screenings of popular musicals are paired with interactive singalong sessions led by choir leader Fliss Courage.

โ€œMake Music This Summer is all about opening the doors to music-making and live performance for children, young people and familiesโ€, says Cassie Tait, Head of Creative Learning and Community Engagement. โ€œBy offering a mix of workshops, concerts and screenings, we hope to inspire creativity, build confidence and create memorable first experiences of music at Wiltshire Music Centre.โ€

With activities running across 19 days, Make Music This Summer invites families across Wiltshire and beyond to discover, create and enjoy music together. Early booking is recommended.

Kid Carpet & The Noisy Animals: Jack & The Beanstalk (Sort of)

Musical In a Week

Lego Stopframe Animation

Rock Band Workshop

Rock The Tots Summer Party!

Drama Tots Summer Sessions

Bubble Bach

Little Piccolos Sunshine Sessions

Beats & Bars: Make a Track in a Day

Maltilda Screening Singalong

Princess Dance Party

Wicked Screening Singalong

Musical In Three Days


After Ruby, Barrelhouse and RowdeFest 26

Images by Jess Worrow

A busy late spring weekend across the county, with major events from Bradford-on-Avon to Swindon, but I’m bringing quality acts I find elsewhere on my adventures into my village. Rowdefest was, again, a great success, if I do say so myselfโ€ฆ..

Being close to Devizes, where the Arts Festival kicked off this weekend too, Rowde might not gain the traction of events in villages further away from a town, such as The Urchfont Scarecrow Festival. I believe this makes the case for a village fete even greater.

In part we’ve modernised a fete with music, but with community spirit in mind, we retain traditional elements of village fete within Rowdefest. And the fruits of our committee and volunteersโ€™ labour paid off; this year proved it wasnโ€™t beginnersโ€™ luck, it’s become a beloved and tremendous annual occasion.

As social media posts gather many aim at my already overinflated ego, claiming I’m the responsible adult of this baby. I confess I played a part, from organising the music to poster design, and, 6:45am found me partially resembling Wurzel Gummidge, as I lugged fifteen hay-bales from the gate to the middle of the field. Thanks for coming, if you did, but you must’ve looked around?!

From our youngest volunteer stringing up bunting to our eldest guiding traffic in and coordinating stalls. From the Parish Council helping erect the tent, and Simon, our sound engineer, going above and beyond his job, to our wonderful committee sorting red tape, legalities and other boring musts, like every event, Rowdefest takes colossal amounts of hard work from many volunteers, and the ones undertaking the most unseen tasks usually don’t receive the credit they deserve. I just attend the odd meeting to ease their biscuit quota.

Yet, aside from my biscuit munching, it was all these elements from so many which made the day. For the first year we had a sheep shearing show, alongside rides and stalls children were catered for, and at St Matthews we had tea and cake for our eldest attendees. With a raffle, tombola, and teenagers raising funds for Camp International adventures, The Mind Tree Cafe ran an affordable bar, along with Woodland Pizza and Boigers dishing out the tucker. What we find now is an annually returning audience, whoโ€™ve felt safe in the knowledge this will be a memorable day for everyone in the family.

Last year I crammed music acts in, appreciative of the many offers to play Rowdefest. This time I reduced the slight changeover chaos it caused with lesser acts. On reflection, with gaps to fill, I think, if budget allows, we should push for three acts next year. But once our wonderful Devizes Jubilee Morris Dancers had done their thing, back by popular demand, and our councillor and chair of Wiltshire Council Laura Mayes kindly opened our event in glorious sunshine, Ruby Darbyshire walked out playing her bagpipes, and I was comforted by the notion, while lesser in quantity, the quality was assured.

If thereโ€™s any similarity between Ruby and our headline band, Barrelhouse, itโ€™s that no matter how many times I see them perform, (which I have,) I remain in awe of them. Ruby held another crowd spellbound here in Rowde, MP Brian Matthew was among many who came to me to acknowledge his amazement at how talented this young singer-songwriter is, and after an absolutely sublime two-hour show, Ruby left to do it all again in Bradford. Just wow, Ruby, you were truly perfection.

If the landscape of MantonFest abruptly populating when Barrelhouse appears has become a tradition in Marlborough, the institutionโ€™s baby sister festival Park Farm and heady nights at our Southgate are securing a similar pattern in Devizes. And this makes sense to me, for Barrelhouse are all about the blues, Devizes loves the blues, but aside those aficionados, Barrelhouse deliver blues with lively universal appeal. And that was my pitch to the committee, way back in the winter months.

Understandable was their initial concern, blues is perceived as melancholic, and they wanted lively. Grateful I therefore remain, that they took my word for it, and the proof was in the pudding, as the wide demographic ignored the temperature and got up and danced in much the same fashion as is the Mantonfest “tradition,” to Barrelhouseโ€™s infectious sound.

A grand finale by an excellent local band, firing on all cylinders, and mirroring last yearโ€™s epic hoedown by Burn the Midnight Oil. I appreciate feedback on the chances of bands returning, Talk in Code was one, but I assure you, Iโ€™ve more tricks up my sleeve too! What 2027 will bring is undecided, but, with support from the community through the rocky road of maintaining a free event like this, this yearโ€™s fantastic and trouble-free event was so pleasant and positive, I hope Rowdefest will remain as it is, and I will continue to place my efforts into making it so, just like our wonderful committee.ย 


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Radium on Liddington Hill

Swindon-based adrenaline pumping five-piece Liddington Hill released their first EP for three years, and Radium is highly radioactiveโ€ฆ.. For most on the North Wessex Downs,โ€ฆ

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Sir Tony Robinson, Nigel Planer, Tโ€™Pau, and Timmy Mallettโ€ฆ and More at Frome Festival in July

Tickets are now on sale for Frome Festivalโ€™s silver anniversary year, taking place between the 3rd โ€“ 12th July, 2026. Three hundred events are scheduled in 58 venues in and around Frome during the 10-day community arts festivalโ€ฆ..

Frome Festivalโ€™s programme offers music to suit all tastes – from classical, folk, pop, jazz and world music to hard rock, punk and techno. In a special programme, Frome-based Irish folk singer Cara Dillon will perform songs from across her acclaimed catalogue alongside Sam Lakeman, while also reflecting on the town they call home.

The Bob Morris Lecture is delivered this year by Sir Tony Robinson discussing his life and love of history. Other history talks during the festival include Three Remarkable Women by David Heath, The Bayeux Tapestry organised by Frome Society for Local Studies, and Emily Hauser reassesses the often-mythologised women of Ancient Greece in Mythica. Closer to home, Rosie Eliot will deliver Frome Festival President and Founder Martin Baxโ€™s talk on Celebrating Frome Festivalโ€™s Origins with some enjoyable stories and memories to mark its 25th year. This is one of numerous free events, with booking advised.

There is a strong line-up of literary events, led predominantly by Frome Writersโ€™ Collective who have relaunched Words at Frome Festival. Highlights include prizewinning novelist and biographer Nicholas Shakespeare discussing Spies & Lies at the Merlin Theatre. Another favourite literary event, The Crysse Morrison Prize for Poetry, will see winning poems presented alongside an open mic. Submissions for the poetry competition are open until the 14th June.

A special anniversary gala launch performance of the acclaimed musical King of Fools will open the festival at the Merlin on Thursday 2nd July. Written by former Frome Festival Director Martin Dimery, the production forms part of a wider fundraising initiative in support of the festival for its 25th anniversary.

Other highly anticipated plays featured in the festival are Frome Drama Clubโ€™s adaptation of Jean Genetโ€™s The Maids and Really Truly Theatreโ€™s Your Move. Dance lovers can enjoy a flamenco performance by celebrated dancer Maria Vega at the Merlin Theatre with Xuefei Yang on Spanish guitar. This is preceded by a flamenco workshop as a separate event.

Frome Festival offers an eclectic mix of hands-on workshops, from several literary and singing opportunities to Silver Jewellery Making, Carve a Green Man in stone, Softcover Bookbinding, Introduction to Bell Ringing, a Perfume Masterclass, Mongolian Overtone Voicing, Morris Dancing, Flamenco, West African and Afro Salsa dance workshops, Medieval Tile Making, a Tibetan Workshop with the Tashi Lhunpo Monks, a Mindful Photography Walk, Singing Bowl Workshops, and a Family Pond Dip for younger children. John Hegley is also running a creative workshop for โ€œanyone who has been seven years old!โ€

The comedy headliners are Taskmaster favourite Phil Ellis presenting Bath Mat, and Nigel Planer, best known as Neil the hippie from The Young Ones. Timmy Mallett will also be sharing his love of cycling, painting and the landscapes of Britain and Ireland in his own inimitable way.

Art exhibitions have long been a cornerstone of the Frome Festival, with the Frome Open Art Trail showcasing the work of artists and makers in studios and shared venues throughout the town. Independently, the Pedestal Gallery will present ceramics by comedian Johnny Vegas alongside works by Peter Hayes and Emma Rodgers, following the showโ€™s return from the Venice Biennale.

The Food Feast, another favourite free event, will be taking place on Saturday 4th July from 5pm. Visitors can expect great live music and entertainment alongside delicious international food, with many traders offering a low-price tasting menu for the first time this year.

Fromeโ€™s Hidden Gardens from Friday 10th to Sunday 12th July is also trying something new by extending the Friday opening hours to 7.30pm in the evening. Guests can discover beautiful spaces when the air is cooler before Frome Festivalโ€™s evening events.

With the sought after Frome Tunnels Tours on 7th July and various free events, walks, talks, quizzes, a Cacao Ceremony and Sound Bath, the return of the sensonic crew’s dance music night with cutting edge visuals under the name Synaesthesia, and a childrenโ€™s Wildlife Parade heading through the town centre on Sunday 12th, audiences of all interests are catered for.

Frome Festival Director Adam Laughton shared, โ€œAs Frome Festival celebrates its 25th birthday this year, weโ€™re delighted to see Fromeโ€™s remarkable arts scene reflected in events of all shapes and sizes. With 300 events, including 160 that are free and up to ยฃ5 per ticket, in 58 venues across the 10-day programme, there really is something for everyone.โ€  

BROCHURES detailing all events are available to pick up from the Cheese & Grain, local libraries, information points and many other locations across Frome and the surrounding area. An online version of the brochure is available here. Publicity photos can be found here.

Tickets are on sale now via www.fromefestival.co.uk and the Cheese & Grain box office.

FESTIVAL HIGHLIGHTS – NOT TO MISS!

King of Fools โ€“ GALA LAUNCH Thursday 2nd July / 7pm / Merlin Theatre

Celebrating Frome Festivalโ€™s Origins (Martin Baxโ€™s talk presented by Rosie Eliot)

Afriquoi x BCUC

Kiki Dee & Carmelo Luggeri

The Monochrome Set

Food Feast

Kanekt in Concert

Frome Tunnels Tours

Haydn Jeugd Strijk Orkest

Tony Moore

Buena Bristol Social Club

Jackie Oates & Belinda Oโ€™Hooley

Heathen Apostles

Flamenco Dance Workshop and Xuefei Yang & Maria Vega performance

Spafford Campbell

Tโ€™Pau

The Cabinet of Dr Caligari (1920) with live organ improvisation

Timmy Mallett

Nicholas Shakespeare โ€“ Spies & Lies

Sam Sweeney & Grace Smith

Sea Shanties with the Hotwells Haulers

Silver Anniversary Concert โ€“ Duke Ellingtonโ€™s Sacred Concert

Hidden Gardens of Frome

Cara Dillon & Sam Lakeman

Sura Susso & Amadou Diagne + workshops

Synaesthesia

The Wildlife Parade

Mells Summer Opera

Boubacar Samake & Aloka

Eliza Carthyโ€™s Songs of Martin Carthy

Phil Ellis โ€“ Bath Mat


Devizes Wharf to Edinburgh; Whose Play, and The Sh!t They Don’t Tell You in Books!

Images: Chris Watkins Media

May seemed so far away back in Feb when we ran a preview of two plays which will see a Devizes acting company debut at the Edinburgh Fringe. Beforehand, they’re staged at their base, the Wharf Theatre. I’ve had a sneaky peak already, you can tooโ€ฆ.

Acting coach Lou Cox, director of The Wharf Acting Company, wrote and devised both shows. Whose Play is it Anyway is showing at the Wharf Theatre on Friday 29th and Saturday 30th May, before heading north, but the second, Having a Baby and the Sh!t They Donโ€™t Tell You in Books is only on Saturday.

Firstly, and undoubtedly the easier to summarise is the interactive comedy Whose Play is it Anyway? Name-spin upon improv show Who’s Line is it Anyway, but more a general parody of low-budget TV quiz shows of the seventies, thirteen actors of the group perform eighteen scenes from various plays and it’s up to audience to call out which decade, genre or play it is, according to the question set by the grandstanding host, Barry Ruffles.

With no fourth wall Ruffles, played with diligence by Gavin Rand, tempts the audience to be the quiz show crowd with offers of carrot-on-a-stick prizes. But the utmost comic element is his impertinent relationship with his superficially glitzy assistant, Jenny Flannel, played with such absolute perfection and improv timing by Danielle Cosh, youโ€™d think you regretfully picked her up in a Wetherspoons in Romford.

A unique angle, yet the greatness of this show is in the contradiction between the sombreness of the scenes against the comical game show concept, and in turn, the scenes make for an interesting display of the diversity of theatre throughout the ages. For the theatrophile it might act as a boastful test to their knowledge, but for someone less culturally aware it has the potential to be a fun clipshow sampler. Being the latter, there were several encapsulating scenes which made me think, you know what, Iโ€™d like to see that play in full?

Itโ€™s originally quirky, bottom line, ideal for the Edinburgh Fringe but also with a degree of universal appeal. What was most fascinating, and also a testament to the skills of the actors, similarly to its namesake Whose Line, thereโ€™s a genuine improv component in the order the scenes are played out. Governed by a deliberately tawdry bingo ball machine, the order is genuinely random, even if youโ€™d be forgiven for assuming it was fabricated. โ€œIt keeps us on our toes,โ€ one actor, Matt Dauncey jested, โ€œand makes the show different each time.โ€

The others, as follows, Laura Deacon, Dion Smith, Karen Payne, Brigid Maude, Laura Bartle, Rhiannon Fitzgerald, Isla North, Jamie Whatley, Jenni Prescott and Lisa Smith all need to be highly commended too, for the immense amount of preparation undertaken to develop this, and their readiness to randomly jump into any of the various characters and styles of play. The team also fondly remembered member Andy Bendell, who recently passed away. This was fun and intriguingly original in equal measure, and (in joke) more a waste of Haribo than a waste of your time!

Only similar for contrasting comedy against tragedy, Having a Baby and the Sh!t They Donโ€™t Tell You in Books I was treated to next. Lou has performed this one-woman show before at The Wharf and elsewhere; Helen Robertson reviewed it for us, causing me to want to see it myself.

Committed to taking a โ€œmanlyโ€ perspective to one with their knickers at their ankles chatting about their vagina, which is usually blushing and smirking like Finbar Saunders, I found equal heartfelt emotion and gulp in this unbridled masterwork.

Iโ€™m reminded of a podcast interview with Adrian Edmondson, hardly recognising his voice, a voice I should know only too well. He was crying over thoughts of the passing of his comedy partner Rik Mayall, and I reasoned, because Iโ€™d never heard Adrian cry, only ever laugh. What happens to the funny person when the funny runs out?

I marvel at writers like John Sullivan, with his knack of creating loveable character relationships, like Del-boy and Rodney, who can switch the comedy narrative to the most sombre and touching moments. But if this takes genius, itโ€™s a whole other ballgame to take a monologue twisting comedy from tragedy to the stage, when it comes from the heart of personal experience. What begins as part stand up routine, part PowerPoint presentation, ends with the most unfeigned emotional piece of theatre youโ€™re likely to witness.

Lou runs off a frank and quite brilliant stand-up routine akin to a most alternative, brutally honest and graphic guide to pregnancy, and while keen to state each case is different from any other and many women like to talk about their experiences, she describes the stark revelations of mental and physical changes due to her own maternity, with comical precision. This self-observational comedy would be plentiful for a trip to Live at the Apollo, and whilst this is impossible to summarise without spoilers, the conclusion to her story is not bathed in the glory of childbirth, nor amusing anecdotes of post-natal activities.

Until this point, you ride it with Lou, especially parents with a story to tell themselves. But, due to lack of oxygen during a traumatic birth, Louโ€™s daughter Hattie was left severely brain damaged, and only managed five days. Lou reflects on her tragedy honourably but with understandable criticisms to faults made and how they were dealt with, abruptly halting the jokes, and twisting the direction to finalise with a tearful poignant message so powerful youโ€™re at loss for a suitable expression to account for such grief.

I asked Lou if this was her way of dealing with it. โ€œFor my show itโ€™s certainly cathartic,โ€ she replied, โ€œbut more importantly Iโ€™ve been able to raise so much money previously under Hattieโ€™s name. Also having had to be silent during the legal case I feel I can finally tell my story in the hope that I can raise awareness and promote change in maternity services.โ€

You can donate to Hattieโ€™s Fund here, but sympathy, try as you might, the show is a glimmering reality horror not calling for it. Only commanding you to walk in those shoes for a moment, causing it to be breathtakingly brilliant, but hard to review, words will fail you, dammit. Easier to present to it a deserved award; itโ€™s something you have to see for yourself.ย 

Which you can do, HERE, before they see it in Edinburgh. Of which we wish them all the best for, and being clips of multiple plays, suggest they break more than one leg!


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Phil, Jamie and Tamsin Return to The Fold

With duty calling in the wee hours of each Saturday, itโ€™s got to be something special to drag me off the sofa on a Friday evening, and whilst Iโ€™d rather not provide only half a gig review, this has to be said. Phil Cooper invited some friends along to The Fold in Devizes yesterday, a Canadian friend, multi-instrumentalist singer-songwriter, arranger and producer called LG Breton, who would accompany Philโ€™s headline set, and two supporting acts, Jamie R Hawkins and Tamsin Quinโ€ฆ..

Something of a reunion and homing for the original trio of The Lost Trades. This backroom of The Lamb served as the foundation of Kieran Mooreโ€™s Sheer Music, where, by the end of the last decade it hosted ninety percent of their gigs. Both Tamsin and Jamie cut their teeth here, and Josh Oldfieldโ€™s project to receive the venue saw them both return to their roots, to play some new and some old songs, and tell a tale or two about it.

Jamie began. A remaining member of the Lost Trades, he suggested playing solo was rare for him these days, yet a wonderful outpouring of his sentimental muses exhausted from The Fold, like it had never faded. If acoustically singing self-penned songs is like riding a bike I wouldnโ€™t know, but it certainly felt this way when Jamie did his thing, as sublimely as he ever did.

If the narrative of his stage patter was reminiscent, with backstory, it reflected the reunification ambience, and there was always time for a reset, as the banter between all three of them developed over years of working together. In such, Jamie would play bass for following Tamsin, and Phil jumped in on cajรณn for her finale; just magical!

Though doubtlessly assured Phil would naturally see this through to a masterful conclusion, Iโ€™m sorry I couldnโ€™t stay; beauty sleep a stipulation prior to another symphony, the dawn chorus. Donโ€™t get me wrong, I love the dawn chorus entertaining me whilst I work, and it was a particularly spectacular one this morning. But hey, itโ€™s got a bit of a โ€˜Heart FMโ€™ about it, in so much as those birds repeat the same songs every morning! Tamsin Quin and Jamie R Hawkins (solo) on the other hand, Iโ€™ve not heard for what seems like an age, they had some new songs to sing, and the evening was of equal magnificence. 

Being separately these three were the backbone of subjects when Devizine started out nearly ten years ago, coupled with the notion itโ€™d been a while, I couldnโ€™t miss them, could I? Philโ€™s was the first album I reviewed, Tamsin fundraising for her debut album was the very first article, and Jamie bleeped on my radar shortly afterwards. And now, since Tamsin left the Lost Trades, and took a break from music, it was perhaps her in particular I was so enthralled to see again, performing like two years hadnโ€™t passed us by.

There were a few songs I knew, Tamsinโ€™s 2019 single Scandal, and Jamieโ€™s delightful solo rendition of Petrichor, the title track of the Tradesโ€™ second album though rarely played, but mostly, and more valuable was their new songs, which followed suit with their individual styles; Jamie with those sentimental looping narratives, and Tamsin with her barefoot timekeeping, hippy-chick odes to life and love.

The crowd was comfortably communal; better numbers than past trips to the Fold. I do hope it gains some traction, another good reason to attend was to check that progress, because we really need an honest grassroots venue supporting original live music in Devizes. Phil, Jamie and Tamsin in one shout, a trip down memory lane, a must and so wonderfully executed; I love โ€˜em, I love โ€˜em, I love โ€˜em. As for the dawn chorus though, yeah, those birds also perked me up about not staying until the end. Those bottles wonโ€™t deliver themselves you know!     


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Serenโ€™s New Single; Worm

Thereโ€™s a cold remote ambience of burrowing doubt in the opening of Westburyโ€™s singer-songwriter Serenโ€™s debut song, in which, as the title suggests, she usesโ€ฆ

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Chatting with Ruby Darbyshire

There’s the story of one newfound fan who, after her performance, asked Ruby how many copies of her CDs she had, bought the lot and distributed them freely throughout the audience! Ruby Darbyshire has that effect, seemingly wherever she goesโ€ฆโ€ฆ

Iโ€™m thrilled Ruby is playing RowdeFest on 30th May. On 21st June she supports Chantel McGregor at Long Street Blues Club, a music appreciation society where attendees gaze upon acts in respectful silence. But, I’ve witnessed Ruby captivate regulars of the noisiest pubs into muted awe!

At Devizesโ€™ Three Crowns, number one pub for cover bands knocking decibels across a raucous crowd, Ruby crouches, packing away her bagpipes after a sublime Sunday set of mellowed and breezy originals and covers, professionally smiling, greeting either familiar faces or new fans desperate to express their delight and gratitude.

However long it takes for the crowd to wane, I’m determined to catch up with Ruby. Whilst I’ve known her gregariousness for a couple of years, she also maintains an enigmatic charm, rarely talking backstory, life and what inspires her. I wanted to discover Ruby’s motivations, solve riddles behind how she’s so mind-bogglingly talented at just nineteen. Oh, and if we’ve been heaven sent, or how it comes to be we have this remarkable singer-songwriter on our local circuit.

Icebreaker first. Ruby has two EPs, and a few separate songs, like Caller Unknown, a soulful debut single co-composed with Justin Haywood, and with help from Tim Burgess of the Charlatans. Produced by Freddie Cowan of The Vaccines, it was played on BBC6. But her forthcoming is called God is Offline, which Ruby recently posted a demo ofโ€ฆ.online!

I asked Ruby if she had a release date. โ€œNo date yet,โ€ she replied, โ€œbut weโ€™ve planned for the end of the summer.โ€

โ€œIt was inspired by our recent trip to Egypt,โ€ Ruby explained, โ€œwhere we narrowly escaped Dubai’s missile attack by a few hours. When we got to our apartment, we could see down on the street. There were loads of prayer mats, because the mosque was so filled people had to spill out onto the road. And so that inspired it.โ€

Itโ€™s deeper meaning, I presumed, was not to seek faith online, but to look either spiritually or in the real world. Ruby elucidated, โ€œmore just the fact that everyone is the same, whether they believe in a different God or they are from a different part of the world, they’re all the same. We’re all just trying to live our lives. To say, why are we bombing each other, then bowing to God? It’s just saying that God isn’t looking down on us, and he’s not actually looking after us. Or that you cannot connect with him.โ€

Thereโ€™s characters in her narratives lost or searching for a light, others dubious of their own answers or consequences. But, if thereโ€™s a sparkle in Rubyโ€™s eyes, they are not naรฏve stars. Rather theyโ€™re symbolic of precociousness, one who modestly acknowledges, and is confidently content with, their calling.

Ruby is well-travelled. Across the UK, into Egypt and over in India, she is adjoined to her music, therefore itโ€™s not just us who loves her performances, itโ€™s infectious wherever they trek. To discover why is surely to delve deeper into Rubyโ€™s background and roots.

โ€œMy mum’s Filipino,โ€ Ruby said, โ€œMy dad’s English, but lived in Scotland for a long time and I was born in Scotland.โ€ If youโ€™ve seen Ruby busking with bagpipes, or at a Burns Night, the latter part mightโ€™ve been obvious, but how and why has she settled on the Kennet & Avon?

โ€œI was homeschooled. So we moved down to Cambridge, which was said to be the best place to be homeschooled,โ€ Ruby continued. โ€œAnd then, during COVID, we needed a change. So we moved, because we had some friends here, we moved over with the boats from one side of the country to the other side. It took us about a year to move the boats.โ€

I know the reality differs, but I supposed life on the canal can behold a certain perception of idyllic tranquillity, so I asked Ruby if she felt that has an influence on her songwriting. โ€œSomeone said to me that I have a lot of songs which are connected to the sea and water, which I would say yes, I’ve got a few of them,โ€ she reacted. โ€œI don’t know. I guess it does. Everything influences songwriting, whether you live in a city or in the countryside. And I guess it does show up in my songwriting.โ€

A common question which somewhat stumbled Ruby, was particular artists she would cite as influences, because as she explained,  โ€œI get a lot of influence from different places. I think, lyrically, Mumford and Sons, made me fall in love with music, and their lyrics are beautiful. Artists I like, Nina Simone for her vocalsโ€ฆ. and you’ve put me on the spot!โ€ This though proves her natural professionalism, an understanding that most musicians could write an extensive essay on their influences, but the objective here is to be brief.

On cover choices for a live set though, Ruby mused, โ€œI hear a good song and think about what I can do with it rather than, oh, let’s play it exactly like them. I try and put my own slant on it.โ€

But, we really should focus on songwriting. Does Ruby have a template or system for writing, or do they more simply sporadically or randomly evolve? โ€œIt’s really difficult, songwriting,โ€ she confessed, but explained she โ€œwas inspired by the title, God Is Offline. Crowned Lightbringer, I was inspired by a riff. Insomnia, I was inspired by a metaphor I found online. It just comes, like there’s loads of ways of writing and I guess it just depends on each song, because each song is unique and individual.โ€

While her fanbase is perpetually expanding with each gig, I asked Ruby if she preferred to play to a majority aware of her, or to new audiences, particularly in a foreign country.

โ€œI think it’s nice to know that I have support,โ€ she expressed, but the preference  did not allow geographical boundaries. โ€œFor example,โ€ Ruby expanded, โ€œthere were so many people that knew me from other gigs here, and they’ve come back, which reflects on the quality. It shows me that I’m appreciated. We did some house parties in Egypt where all of our friends came and people that had come to loads of gigs, and they were the most supportive and most enjoyable parties or concerts that I’ve ever done, because it was all people who supported me.โ€ Which returns us neatly to our opening line: Ruby Darbyshire has that effect, seemingly wherever she goesโ€ฆ.

Future reflections seemed vaguer, for Rubyโ€™s proficiency is folk, self-disciplined, not scholarly, and I always felt she was comfortable there. Dabbling experiments with breakbeats over her piping, perhaps to modernise its perception, I omitted, but possibilities of forming a band I did mention. โ€œWas this like a year ago?โ€ Ruby causally inquired, but pondered โ€œit’s always a thought,โ€ noting some particular gigs where, โ€œit would be good to have some more musicians, to play and accompany me.โ€

The โ€˜what comes nextโ€™ section was dominated by her enrolment on an online music course. โ€œIโ€™ll do an undergrad starting September,โ€ she told me, and furthered proposals to continue writing and โ€œexperiencing different music,โ€  mostly through planned travelling back to Egypt โ€œnext winter, so, experience the Arabic music, beautiful stuff.โ€

My hopes for this broad-horizons, free spirited prodigy might be proficient backing and a renowned producer, and I often marvel at the possibilities when pondering this imagining. This led us onto talk about the music industry today. Ruby explained how the shift relied heavily now, not on schooled certification or headhunted raw talent, rather on an artistโ€™s ability to self-promote and build an online presence. From monumental beginnings like The Edinburgh Fringe Festival to opening for us at The Wiltshire Music Awards, if Rubyโ€™s journey would one day make as equally a fascinating biography as some musical legends, I envision a day people would be engrossed by it.

But while Rubyโ€™s roots, travelling, and gigs and festivals, to song-writing on her narrowboat, are all narratives in the natural progression of her skills as a multi-instrumental musician, thereโ€™s one defining, and perhaps incredulous element to solving the riddle behind how she’s so mind-bogglingly talented, which is that Ruby has been playing music since she was three and a half, and busking by four. Dammit! Thatโ€™s the kind of age Iโ€™d have considered acquiring the skillset to bite my own toenails an achievement!!

Ruby Darbyshire


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Harmony Asia Can Do This

Itโ€™s a question Iโ€™ve asked Chippenham singer-songwriter Harmony Asia on each rare occasion I catch her for a chat; if sheโ€™s planning to capture aโ€ฆ

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Sheer Music Announce Devizes Gig Frank Turner Bootleg Cassette

Itโ€™s 2006, and the charts are awash with what will become known as landfill indie. Somewhere in backwater Townsville UK, an already road worn veteran is making their furtive steps into a solo career that, unbeknown to them, will have a major and lasting impact on the UK music sceneโ€ฆ..ย ย 

Frank Turner is already famous for searing live performances that have put his band right in the front and centre of UK alternative music. Now he has to do it all again. Armed with only a guitar, many opinions and a reading list that would make your local library wince, he struck out, willing to perform anywhere that would have him.

Documented here is the genuine sound of a guy learning his craft. Nights like these are found across the UK every night of the week. Immortalized in lyrics that would appear later in his career, his โ€œbedrooms, bars and bunker squatsโ€ work ethic took him to unknown towns, like Devizes.

Devizes had a rich history in live music when it was primarily known as a military / squaddie town. Live performances from Status Quo, Ginger Baker’s Airforce, Curved Air (twice), Yes (twice), Van der Graaf Generator, Thin Lizzy, Fleetwood Mac, King Crimson, Rory Gallagher, Mott the Hoople, all in 1971 alone. But it wasnโ€™t until 2004 that its life was breathed back into its history, when Foals, LostAlone, Frank Turner, The Struts, The Computers, and more began performing here. Putting the town firmly back on the touring circuit.

This cassette documents, warts and all, the chaotic approach to small back room bar live shows. The rawness of the songs, the rowdiness of the audience. Included in the earnest set list are two covers. One from his peer Chris TT and a Sun Kil Moon cover too. Both showcase Frankโ€™s knowledge and passion for underground music. 

Frank recounts, โ€œremembering details of one show out of more than 3000, two decades on, is a challenge. Those early days were a blur of cigarettes, trains, whisky, sleeping on floors, panic and drive. My craft has evolved slowly over the years, so flipping back to an early document of a show can be a shocking thing in some ways; so much has changed. But enough has stayed the same. Kieran helped me out with shows in the early days and  remains a friend now. Somehow, shows like this led me to where I am now, and I wouldn’t change a thing.โ€

This release will only be available on cassette, direct from Sheer Music, or at 3 carefully selected independent record shops, Banquet Records in Kingston, Sound Knowledge in Marlborough and Mars Tapes in Manchester. The eight track cassette itself is a 2 tone olive and dusty pink affair, and clocks in at just over 30 minutes.

The artwork apes the style of 70s and 80s bootleg cassette releases. A down to earth, hand made/drawn approach, with an image that was lifted from a photograph of one of the Devizes gigs! The whole release is a charming, straight forward no frills release. The music does the talking, and we know it elevated an honest, hardworking musician to stadium heights. For more information, please visit the Sheer Music website, HERE.


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Chandra Likely To Go Boom!

Buzzwords, like โ€œturbo,โ€ or โ€œsonicโ€ are cliche, overused trends which gain popularity because they sound impressive, even if they are empty of meaning. I avoidโ€ฆ

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Shindig Festival Goes Ahead, with Bob Vylan

After months of speculation, controversy, and local media bias, The Shindig Festival at Malmesbury’s Charton Park has been given the green lightโ€ฆ..

Despite Newsquest flogging this dead horse, last week Wiltshire Police said they have no concerns about Bob Vylan playing at the music festival.

Regardless of the decision of the law, the South Cotswold Conservative Association felt it necessary to attempt to prevent freedom of expression with an application for the Wiltshire Council to review the license.ย  Apparently, they fear a respected, passive, and family-friendly dance festival would descend into โ€œ public disorder,โ€ over one act;ย  best guess, because they’ve never been to a dance festival. But then, who in their right mind would invite them?!

โ€œWe have been facing censorship,โ€ a spokesperson for Shindig said today, but continued to inform their followers that following a formal hearing this morning, โ€œShindig Festival has been given the official green light. We stood our ground, our robust safety measures stand firm, and you can book your tickets with absolute confidence.โ€

โ€œBob Vylan will play on Sunday at 10pm. The sun will shine on the Shindig Festival this year.โ€

Common sense prevails once again. Shindig is a professional organiser with years of experience who takes matters of public safety as a paramount. Historically, musicians will call out political injustices, few ever caused disorders. Bob Vylan was not alone in speaking out at Glastonbury, despite taking the media brunt for it. Meanwhile, this weekend, the authorities did nothing to stop the London “Unite The Kingdom” demonstration from mocking Muslims by hiring French models to strip out of abayas.

Devizine offers our sincere congratulations, and we wish Shindig the very best of luck with this year’s festival and for future events.

A festival is never about one headline act. Dance festivals, in particular, are an experience of multiple performances and activities, and they always strive to continue the passive ethos of rave culture of yore. This is something that has unfortunately never been fully understood by a minority, and their attempts to contain them have caused more issues than the actual events. Let’s momentarily forget Bob Vylan to concentrate on Bob Dylan, who sang โ€œdon’t criticise what you can’t understand,โ€ … .in 1964! Sixty-two years later, some spanners still haven’t grasped it.


Wife Cooks Husband in Devizes!

A wife cooked her husband on Thursday evening in Devizes. I watched the whole thing unfold, but would have politely passed off any offering of a plate, in favour of my funky KitKat Chunky (three for a quid at Derek’s Deals!) What do you know? Iโ€™m way too much like Kenneth for my own liking, for after all, the way to a manโ€™s stomach isโ€ฆโ€ฆ

You can get ice cream at Devizesโ€™ wonderful Wharf Theatre, but not at a dress rehearsal, which is what this was; my apologies if the headline deliberately deceived you! You are here now, and might as well read about me sneaking in my own snack, to watch this wicked black comedy from the writer of The Nativity film series, Debbie Isitt. Opening night is Monday 18th May and the final night is Saturday, 23rd.ย 

Directed by Alison Warren, The Wife Who Cooked Her Husband may have the conclusion given away in the title, but the lead up to it is an unnerving watch with poignantly satirical dialogue. Set in either the late seventies or early eighties, a time when the practices of patriarchy were being questioned via feminism for a younger generation, their elders upheld the traditions of married life. Ergo, for a middle-aged chauvinist to โ€œpart exchangeโ€ his older model wife, might find himself undone and exposed by his newer modelโ€™s more modern perceptions of marriage.

There’s only three characters in this play, sitting around a dinner table. Flashbacks builds a devilish narrative of a cheating husband, how it emotionally affects his ex-wife, and the new wife too. Jessica Bone plays the ex-wife, Hilary, vividly. The focal point of the play is her building concerns for her marriage, and realisation her suspicions were right. Defining her plight is the emotional rollercoaster which justifies her revenge.

Louisa Davidson is Laura, the scandalous, younger, hedonistic mistress, and she plays it with a realistic front. But as the play delves deeper into Lauraโ€™s psyche, and her expectations from her marriage, whilst more radically feministic, are of equal burden to Kenneth, the happy-go-lucky fellow, caught in this love triangle of his own making.

It becomes clear the antagonist was never Laura. Kenneth is the lovable charmer, a gluttoness Elvis fan. Hardly a master of deception, he fulfills his desires uncaringly; the basic caricature of an eighties lad with Peter Pan syndrome; me starting this review with what I ate during the show might well be proof! If Jessicaโ€™s abject and sentimental monologues are the backbone of the play, theyโ€™re contrasted by Kennethโ€™s playful ignorance, and therein lies the comedy, dark as it may be.  

Andy Bennett plays Kenneth with comic splendour. One who gets his dinner at home but his love elsewhere, and at this successful beginning thereโ€™s a scene of visual comedy gold, as the moment of him ingeniously switching from Hilary to Laura delights him. Once reality takes hold, holes in his lies are exposed, and whilst his thoughts on the matter are exposed too, theyโ€™re not nearly as nuanced as either Hilrayโ€™s or Lauraโ€™s. One could argue a writer creates more realistic characters of their own gender, and in this Kennethโ€™s characteristics are flatter. Another argument is, of course, thatโ€™s the fundamental difference between the genders!

Here is a play which either gender can enjoy, and it is very enjoyable, but after-thoughts might some cause healthy debate! Thatโ€™s what makes this a great show. The production may not be the best Iโ€™ve seen at The Wharf, though thatโ€™s a high pedestal, but three days later Iโ€™m still pondering its details and the questions it raises; itโ€™s a grower.

While it might appeal more to women, the tensions and stress on relationships caused by an affair should alarm the man more, and they should see it if only to find sympathy for the mess they would create, following their desires without consideration. Young men preaching hyper-masculinity and this manosphere concept, should note this play proves these ideas were standard not so long ago, and didnโ€™t work back then. Because, and hereโ€™s the real hitter, Hilary ponders at the conclusion, Kenneth has decidedly average levels of chauvinism, passive with it, and is atypical rather than extreme, but still heโ€™s a manipulator and cheat who deserved his comeuppance.

The macabre ending suggested by the title is therefore expected, but the wait for Kennethโ€™s fate and Hillaryโ€™s justifications are more intensely meaningful than the concussion. While this play is of a simple setup, with a simple and common premise, the more its deeper meanings roll over in my mind, the more I accept that The Wife Who Cooked her Husband is a must-see.  


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Can You Fill Your Music Festival Quota, in Devizes?

What was once counterculture hedonism is now as mainstream as a package holiday. In the UK music festivals are fashionable, approved and plentiful. Ten years ago I might have added โ€œprofitableโ€ to those observations, but with the market flooded, โ€œriskyโ€ might be a more suitable word. For the punter though, it means options, but if youโ€™re only annually able to budget for one or two, it means decisions and dilemmasโ€ฆ..

Across the country and wider you could trek, adding to your expenses. For complete and utter festival-heads and perhaps thrill-seeking younger generations itโ€™s a cost worth digesting to savour that certain experience. For those with passing interest, first timers, or older festival goers simply wanting convenience, looking for festivals closer to home is the desired option, and locally weโ€™ve our fair whack of quality choice. The trouble with so many on our doorstep is, which ones?

I really cannot make the decision for you. And Iโ€™m not about to suggest any of them are necessarily better than another, because, quite simply, they are not. I can only evaluate them in accordance to their individual style and ethos, and you must decide which ones sound more appealing to you personally, deal?!

A separate never-ending list I could publish of festivals within a relatively short radius of Devizes, and I endeavour to add as many as I can find on our event calendar. To lessen the task thereโ€™s fewer within the county Iโ€™d recommend. Minety and Mantonfest most, good allrounders with top headline acts and devotion to locally sourced acts. Bathโ€™s Party in the City, HoneyFest at The Barge on Honeystreet, and Ramsfest in Ramsbury, all this weekend alone.

From dance festival Shindig at Charlton Park to Chippenham Folk Festival, The Curcus Festival in Somerset and Old Town Festival in Swindon, May alone is jam-packed, ending with Bradford-on-Avon Music Festival and of course, free and local to us, I have to mention Rowdefest; although Iโ€™m hosting the entertainment there, donโ€™t let it put you off!

Of course it all depends on what you want out of your festival. During high season, June and July, if youโ€™re a hardcore raver The Existence Festival near Malmsbury will be up your street, whereas for the more commercial, Melkshamโ€™s Wiltshire Throwback Festival is poptastic. Trowbridge Festival for those seeking a wide range of original local music, and so many town festivals welcome this ethos too, such as Inspire Warminster.

Some are as established as Womad, and some blossoming. Going with what you know is a fair game, Marlborough folk return every year to Mantonfest through familiarity, similarly with Potterne Beer Fest, but you should consider the underdogs too; striving to gain reputation can often mean a team dedicated to really pulling off a show. 

The same rules apply if you are to stay in Devizes, and it’s fair shout. We punch above our weight. Aside from our wonderful curated arts festival operating multi-venue, and those memorable odd days like carnival, The British Lion’s Black Rat Monday, and the Lions on the Green, you have four main options for pay festivals. Unusually, while the two established events are niche, the upcoming ones have more general appeal. But the base of your dilemma of which to attend should rather be on personal preference, because, in their own unique ways, all of them are equally as good as the others. If that comes across crawling, it’s really not; go to them all and judge for yourself!!

Listed here with no priority, then, other to assist the flow of the article, are an overview of the big four of Devizes, which may/may not help your decision!

In a word; FullTone, on the weekend of 11th-12th July. It’s unique and magnificent. Spawned from a classical free party in the Market Place seven years ago, The FullTone Festival has become a beloved institution in Devizes, a pay orchestral dance music crossover, eclectic enough to incorporate upcoming local indie bands, stage shows and attract some big names to town.ย 

Image: Gail Foster

Licensing regulations reduced last year’s FullTone to concentrate almost entirely on their namesake in-house orchestra. This year, with a relocation from The Green to Lower Park Farm, things are quite the opposite. Not only camping onsite can be introduced, FullTone boasts Jason Donovan, The Wurzels and Rozalla, alongside eclectic tributes and from jazz to themed orchestra concerts.

Of course, Park Farm has been home to the Devizes Scooter Rally for the past six years, after its inaugural rally in Rowde, the same year as FullTone, 2019. 24th-26th July this year, Devizes Scooter Rally doesn’t hold a major headliner like FullTone. They tried this last year to great effect. The Beat headlining elevated the rally’s attendance and reputation within the nationwide scooterist scene.

There was a feeling the rally last year had obtained the maximum expansion for the organisersโ€™ preference and to retain a community feel, of which it excels in. And herein lies the most persuasive argument for attending. The Devizes Scooter Rally doesn’t require a big name, the reputation it has built, and its angle incorporating retrospective youth cultures is plenty to guarantee, even though you might not have a scooter or only a passing interest in ska and soul, if you go to Devizes Scooter Rally you’re in for one heck of a cracking party!

The other two festivals in Devizes, I’d call the underdogs for they’re new in comparison, but should be equally considered as FullTone and the Scooter Rally, especially if you’ve eclectic tastes and/or are looking for an amazing family experience.

If both aforementioned are on Park Farm, the site holds its own; The Park Farm Festival is on Saturday July 18th. In only its second year, and if last time things leant towards rock, this year sees a wider aiming family program, with tributes to Queen, Abba, Slade and Madness. Park Farm deserves your full consideration, because despite being new itโ€™s organised by the creators of MantonFest, a brilliant Marlborough festival with twenty-five years under its belt and a reputation for excellence.

Mantonfest 2023

Tributes, yeah, tried and tested at previous Mantonfests. Iโ€™ve seen Badness, One Vision, and Slyde, at MantonFest and guarantee theyโ€™re among the very best of tributes around. Park Farm has a full program, including our very own Jon Amor Trio, and just like the Rally and Fulltone, thereโ€™s a free shuttle bus running to and from the site to the town. It may need to find its feet, but last year was absolutely brilliant and loved by everyone who made the effort to go.

The only one not on Park Farm is last here but certainly not least. Crownfest returns to The Crown at Bishops Cannings on Saturday 4th July, after a few years break due to landlord changes. It is great to see it back on our calendar, as the years we did Crownfest it was one of most memorable local affairs, ever! The thing is with Crownfest, things are looking bigger and better than before. And itโ€™s undoubtedly the best for its focus on local acts. Some of the best are listed here, George Wilding, Ruby Darbyshire, Lucas Hardy, and none other than Talk in Code.

Crownfest is a landmark charity music festival, garnished with some of the finest local acts, highly recommended by us at Devizine, and supporting Wiltshire Hope and Harmony, a charity providing essential support to those with SEN needs and to families caring for loved ones living with conditions such as dementia and Parkinsonโ€™s, as well as those at end of life, offering compassion, dignity, and a true sense of hope. And, on our recommendation there will be ant music, supplied by one my all time favourite tributes, Ant Trouble; we are the family!


Iโ€™ve been waffling far too long about your blind date with a festival, itโ€™s time to be Cilla; โ€œhereโ€™s Graham with a quick reminder!โ€

Will it be number one, the glitter, Prosecco and everybody’s freeeee to feel good festival with a full orchestra behind Jason Donovan?!ย ย 

Will it be number two, the boots and braces moonstomping madness hairdryer extravaganza, with a seemingly never-ending supply of beer?!ย 

Will it be number three, the friendly, family, outside chance, with John Amor, Barrelhouse and magnificent tribute acts to rock you; cum feel the noise for the dancing queen!ย 

Or will it be number four, the grandest pub festival youโ€™ll likely to find, set in a beautiful beer garden under the magnificent spiral church of Bishops Cannings, and with Tina, Ant music and a real dedication to supporting local live music?

Or will it be all of them?! Do it, be a festival slapper! Date the lot, and the Devizes Arts Festival, Food & Drink Festival, Black Rat Monday, carnival, Lions on the Green, and if I see you at any, mineโ€™s a pint of cider, cheers mucker!


New Devizes Mayor; Congratulations, Vanessa!

Three short years ago, we first spoke with Vanessa Tanner, campaigning in the Devizes Town Council by-election for Devizes East. In those few minutes, I knew Vanessa was the person for the role, and we congratulated her for winning her seat for Devizes Guardians. Today, we congratulate her for becoming the new Mayor of Devizesโ€ฆ.

She had some big boots to fill. Jane Burton was a respected Councillor, and the by-election wasn’t without its pitfalls; namely a false scandal perpetrated by the opposition candidate. But Vanessa’s voluntary work and keenness for environmental issues thankfully shone through.

Seems like I was onto something back then, as Vanessa announced today, โ€œI’m absolutely honoured and privileged to have been made Mayor of Devizes last night. I think it’s going to be a turbo-charged and exciting year ahead.โ€

Vanessa thanked John Richard Stephens, her friends, family, and colleagues for their support. Congrats, and perhaps a bottle of Brown Ale also goes to Jonathan Hunter for picking up the deputy mayor role; I shot the sheriff, but not the deputy!

Devizes Guardians thanked departing mayor, Cllr Jennie Britten, for her “selfless dedication and service to Devizes,” adding, “It has clearly been a year marked by compassion, leadership, and community pride.”

Congratulations, Vanessa! We don’t think you’ll make a great mayor. We know you will. Wear that bling with pride! And if you raise a glass to her success, make sure it’s one of the reusable cups that Vanessa initiated across Town Council events and beyond to many local pubs and bars!


Should Wiltshire Council Fly the Pride Flag?

Wiltshire Council will discuss granting itself permission to fly the Pride Progress flag outside County Hall and other Wiltshire Council offices during Pride Month. The proposal raises the usual heated online debate. The question is, should Wiltshire Council be allowed to fly the Pride Flag?

Save them the effort of a lengthy and costly meeting, and the risk of repetitive strain injury for objecting keyboard warriors, with one sentence, shall I?

Of course they should.

End of debate.

Any further objections are purely products of the objector’s own fractured selfishness or erroneous bigotry, should favourably be kept to themselves, and are a major reason why we need Pride in the first place. Flying the Pride flag makes absolutely no difference to them. Ergo, there is absolutely no reason why they shouldn’t fly the flag.

I’m here all day. Throw another no-brainer at me!!


Devizes Teenage Gardener Banned from Local Facebook Group for Promoting their Business!

Sixteen year-old entrepreneur, Katie West from Devizes, set up her own gardening business, FreshEdge Teen Landscaping a few months ago, but received a ban from the popular local Facebook group Devizes Issues, trying to promote it. In the scheme of things if it sounds petty to you, itโ€™ll probably be what it isโ€ฆ..

The cost of advertising is spiralling, and can cripple a business before it gets its feet on the first run of the ladder. Marketing on local Facebook groups is an essential method to getting your initial message out there, informing people of your services. Katie mistook one administration rule of the group Devizes Issues, which allows other businesses to advertise, by mentioning where her gardening business operates rather than where they are based, and in pleading her case to the admin of the group, was ignored and promptly banned from it. Strewth; two sugars for my storm in a teacup! Would he have done the same to olโ€™ Alan Titchmarsh, I wonder?!ย 

Iโ€™m not going to put Katie up against the wall here. I believe anyone starting up a small business in this current financial climate needs a leg up, and Iโ€™m particularly impressed when such comes from someone so young. Originally I thought Iโ€™d freely offer to write this, omitting the unjust circumstance which spurred it, but, sleeping on it I thought, in fear of it simply coming off as an advertorial, the harshness of the decision to ban her from the Facebook group needs to be said.

This is not an advertorial, I would not ask Katie for money for publishing this. I wouldnโ€™t even expect a hedge trim; I actually like tending my garden, it keeps me away from doom scrolling precisely this kind of petty nonsense on social media! The admin of the group in question really needs to grow up, or if we are to use gardening analogies, position a grow bag in line with their pelvis, lie down in it, and grow a pair!

I’m sorry, but I’m sick and tired of hearing about locals being unfairly banned from this same Facebook group for inconsequential reasons. It leaves people frustrated, and if they react, the admin plays their victim card like drama is addictive, every time. Ban those being offensive, abusive, or prejudgemental, I dare say, but Katie finds herself in an ever growing collective of covid support groups, other councillors or candidates of opposing parties, or residents who dared to speak against the opinion of the admin, and found themselves kicked out unjustly of a group which claims to be an impartial community page. Orwell couldn’t make it up!

As it is, and something you should take heed of despite not seeing it on a certain Facebook group, looking at photos of their past work, FreshEdge Teen Landscaping appears to make a top class job of it. โ€œIโ€™m a 16-year-old gardener offering affordable garden tidy-ups and outdoor work,โ€ Katie explained. Her current offers are a full day gardening service for ยฃ160, and two days for ยฃ220 within the Devizes area, โ€œno matter how overgrown the garden is!โ€

Her services include lawn mowing, weeding, patio and driveway cleaning, planting flowers, hedge trimming and general gardening tidy-ups. Katie, who tells me she often brings her boyfriend to help too, is friendly, hardworking and โ€œhappy to help get your garden looking great again!โ€ And, in return, I firmly believe we should be helping our local young people with such initiatives, not casting them aside for accidentally breaking a hidden rule of a Facebook group!ย 

One satisfied customer said, “I asked Katie if she could weed my gravel as I find it difficult to bend as I have osteoporosis .. Katie along with the help of her boyfriend did an amazing job that has saved me hours of back breaking work โ€ฆ good to see young people prepared to work hard.”

You can message Katie for gardening bookings or questions here. Please support her.

As for the Devizes Issues, silly sausages say โ€œit’s a popular group,โ€ to excuse themselves for staying in it. Hit me with a snooker ball in a sock if it ain’t true, I say bullying is a spectator sport; leave and the powertripping is greatly reduced. 

Why stay in a group disciplined like the admin is the daddy of a borstal, when there’s others with admins who understand the meaning of words such as compromise and compassion, waiting for residents to join them? Oh, and get your garden smartened by Katie while you decide!


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Former Lavington School Students Reunite for Cancer Research’s Race for Life

They might appear like sticks of broccoli on their featured image, with no logical explanation as to why, but they actually are two former students of Lavington School, who are reuniting to enter Cancer Research’s Race for Life in Salisbury on 21st Juneโ€ฆ..

Lauren Mesquita and Jess Worrow pledge to complete the 5k run raising vital funds for Breast Cancer Research, but need your help. Stay calm, you need not dust off your joggers and Dunlop Green Flash; they’re only asking for your donations!

The two girls met at Lavington School, Jess is now studying for English and media A-Levels in Swindon, and Lauren is currently studying nursing at college, with plans to be working as a Pharmacy Support Worker within the NHS.

Lauren said, โ€œI have a big passion for helping other people;ย  that’s why I want to work in healthcare, to make a difference. I worked in oncology and haematology wards, and a chemotherapy outpatients suite during a nursing placement at a hospital, meaning I’ve had the opportunity to learn about cancer and talk to lots of patients living with it.โ€

Jess added, โ€œCancer is happening right now, which is why I’m taking part in a Race for Life 5k to raise money and help to save lives.โ€

The two friends have both had family members affected by cancer. โ€œWe want to raise money to help combat this awful disease that affects so many people across the globe,โ€ they said. โ€œSo any donation is deeply appreciated.โ€ They’re calling their partnership, Not Fast, Too Funny.

This will be Lauren’s second year of running the Race for Life, but it’s the first time for Jess. Though Jess has been keen on many sports, including playing for England Hockey performance centre and Reading FC Academy in the past. I don’t even know how far 5k is, but it’s got a K in it which usually makes it sound like it’s much further than my own personal best of occasionally running for the bus.

We wish Lauren and Jess the very best of luck, and call upon our lovely, lovely readers to please support them with a donation if they can, because they’re lovely, really.

โ€œIโ€™ve seen so many stories of people fighting through it and recovering,โ€ Lauren added, โ€œincluding some in my own family, and itโ€™s really motivated me to do this.โ€ 

Please donate from this link, because, did I mention that you’re lovely?! Thank you x.


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Rowdefest 26 Lineup Reveal!

Drizzly Sundayโ€ฆagain. Iโ€™ve just finished designing the poster, so allow me to reveal the lineup for Rowdefest this coming May, might cheer us up aโ€ฆ

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No Election Here; What Did Wiltshire Councillors Do on Election Day?!

No jumping bandwagon election articles from us this week; we’ve had no election here, move along if that’s what you came here looking for! But, what were our Wiltshire Councillors up to on election day, instead of temptingly campaigning with a bag of peanut M&Ms outside polling stations, or nervously twitching in their seats?! We thought we’d ask themโ€ฆ..

Note; we thought we’d ask them for fun, hoping for an amusing responseโ€ฆ. These are councillors, though, the real McCoy, I didn’t hold out much hope. Not that they couldn’t be amusing, you understand?! No, silly, I just prayed some might be daring/crazy enough to actually answer!

I desperately despatched a dodgy message on the day, to a few we know and like. No point in asking Reform councillors; too busy painting roundabouts and shouting at hotels, I’d expect no more. National result for them though; who’d thought swapping empathy for anger, and accountability for a blame game would make such an appealing prospective?!

โ€œStop thar boats,โ€ is all they’ve got; Swindon is landlocked, nincompoops! What, are they coming across Coate Water in a paddleboat now?! Deform took Penhill, Pinehurst and everything else in Swindon beginning with a P; like Primark. You do realise a local councillor isn’t Prince Namor the Sub-Mariner, right?! Unfortunately for you, they approve shed extensions, there’s little they can do to stop a boat.

Anyway, such was the wording in the message those few who I sent it to probably thought my phone was pinched by Michael McIntyre. Perhaps they shampooed the dog, or went to Ikea and brought a nice, fluffy cushion for their safe seat, I wondered. It’s thoughts like this which get me through the tougher days!

Fingers crossed in anticipation, first to answer was our very own MP, Brian Matthew. Not as complimentary as it might sound, given our track record of preceding MPs, but Brian is deffo the friendliest! Always where the action is, heโ€™d been in Swindon on the day, helping with the election process/rumble there. Not really amusing, but at least they have a TK Maxx.

Phil Chamberlain, Wiltshire Councillor for Box & Colerne was with Brian, also in Swindon helping with the process. Phil explained he “spent the morning at Wroughtonโ€™s polling station, along with one of Wiltshireโ€™s Reform councillors and we chatted with each other and with voters. One voter got him to look after their dog while he cast his ballot.” Eh? The dog voted?! Might explain a few things!

Big but, what gives in Swindon? With just a 50% turnout they took a geochronologic unit to count the votes. The Returning Officer requested more counting assistants. Apparently they’ve run out of fingers and toes.

The most comfy person at County Hall responded next, Laura Mayes. No, right, cos if I read it right, not only has she the seat for Rowde and Bromham, but also has a chair too; something extra to put your feet up on! They don’t even give The Munster so much as a pouffe, which could be why he’s so crotchety! Black Dog crossroad is safer now; give the geezer a scatter cushion at the very least!!

Laura told me she was โ€œas far away from elections as possible!โ€ Training for a triathlon, Laura spent the day working on her fitness; running, and swimming in the sea. โ€œCouncil work never stops,โ€ she explained, โ€œI have been answering emails and helping some residents with a flood protection plan.โ€  Surely the only one to benefit from answering emails while swimming is The Apple Store?!

Whilst Laura risked water damage to her phone to answer emails, in top hat and tails, Devizes East Councillor Taylor Wright and his partner were poshing it at Buckingham Palace for the Royal Garden Party. Ooh, get you! Seriously, he sent me a smashing picture; a lovely couple. We need more youthful councillors like this proud family man.ย 

Meanwhile, Ben Reed  for Devizes North broke his Waiblingen Way leaflet delivery record. Maybe he should’ve also been at the palace, being awarded a Victoria Cross for bravery!

I didn’t ask Taylor if the King was serving up Iceland hotdogs in khaki shorts and a bucket hat, as such an image my warped imagination might conjure, but Taylor called it โ€œan incredible opportunityโ€ adding, โ€œquite easy to say Iโ€™d prefer this over an election count!โ€

After her fitness regime, Laura also revealed it’ll be โ€œcocktails and dancing tonight,โ€ for her.  โ€œWho needs elections?โ€ she jested, โ€œnot me!!โ€ And that’s it in a nutshell, isn’t it? Wiltshire Council aren’t doing such a bad job in my honest opinion. We were safe from the fiasco here. Whatever happened elsewhere is nought to do with us; we’re fine as we are, thank you all the same!

I thank Laura, Brian and Taylor for their time, and for playing my silly game. The rest were quite rightly like, mind your own business! And who could blame them?! If they see this and foolishly think โ€œI could’ve contributed,โ€ then, more the merrier, I can edit it. Fix a pothole or two first, and I’ll gladly consider it!


M3G, De-Anchored

At the end of last year Chippenham singer-songwriter M3G released the single Rooks. I felt it set her bar at a whole new higher level. Iโ€™m glad to report the follow up single, De-Anchored, is equally angelic, and was released todayโ€ฆ..

It might not raise the bar much from Rooks, but it maintains the same direction of excellence. Such is the unique and original direction of this drifting metaphoric shanty, Meg was delighted to hear it played on BBC Introducing in the West last evening, and we are equally thrilled for her! Thank you kindly, Mr Threlfall, they broke the mould when they made Meg.

For in this crazy world of fired up, laden rock n roll and floor rumbling dubstep, sometimes you need a timeout, a breeze of ambient goodness, and M3Gโ€™s acoustic take on melancholy is so beautifully presented with all-M3G loop vocals and sublimely unique expression. And arranged by Phil Cooper too, who knows the composition of a beautiful song like the back of his hand.

ย This time De-Anchored takes a shanty feeling, metaphorically a loose anchor canโ€™t save a sinking ship, relative to a relationship breakdown and the characterโ€™s empathy and sense of loss. It drifts, lost at sea, another delicate impression guaranteed to impress!

De-Anchored is out now, across all major streaming platforms.

โ€ŽDe-Anchored – Song by M3G – Apple Music


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The UKโ€™s Biggest Festivalโ€ฆ. at Trowbridgeโ€™s Pump?

Yes, you did read this correctly! As lovely as our premier grassroots venue, The Pump in Trowbridge is, you might be stretched to imagine it hosting the UKโ€™s biggest festival without at least someone squishing your toes! Without any appropriate safety footwear, allow me to explainโ€ฆ..ย ย 

The Music Venue Trust and The National Lottery have announced Everywhere At Once, the UKโ€™s biggest festival, a festival on your doorstep. Taking place on what would have been the Glastonbury Festival weekend of June 26th to 28th 2026, hundreds of grassroots music venues across the country will unite for Everywhere At Once, for one extraordinary weekend.

Venues from Inverness to Penzance will host hundreds of major artists, touring acts and theย most exciting emerging local talent in the spaces that have launched generationsย of musicians. This will enable audiences to experience a diverse, curatedย programme of live music in the intimate rooms that are the heartbeat of their communities.

This is not a festival in a field. Itโ€™s a festival on your doorstep, no tent required.ย Forget the trek, the traffic and the campsites. And this exciting live music experience is coming to Trowbridge, via the Pump. See? Put your Crocs back on the shoe-rack, I said all would be explained!

Everywhere At Once is more than a line-up of gigs. Itโ€™s a national moment to celebrate the grassroots music ecosystem. For three days, the artists play, the venues host, the nation listens, closer to the music, where local matters, where everyone belongs; The Pump ticks that box.

Everywhere At Once at the Pump will include a twee indie pop night with Sketchbook Records presenting on Friday 26th June. Includes a line up of Josie from Copenhagen, Clock Radio from a bit closer to home, Devizes, and Bathโ€™s Wisdom Teeth.

Saturday 27th June is the Nova Nights takeover with punk-indie-blues vibes from Fight Milk from London, Melkshamโ€™s finest The Sunnies, and The Hayden Lloyd Band from Trowbridge.

And thereโ€™s a Sunday matinee from 2pm on the 28th, when The Pump Acoustic Club presents a night of folk with Dan Sealey of Ocean Colour Scene and Fromeโ€™s KD Rivers. Check out the Pump Website for more details.


Riotous Cult Comedy Bullshot Crummond Comes to Bath in Support of Menโ€™s Mental Health Charity

The Rondo Theatre in Bath will be bursting with high-energy chaos this June as The Rondo Theatre Company presents Bullshot Crummond, a gloriously silly parody of 1930s adventure stories, all in aid of Man Downโ€ฆ..

Running from Wednesday 17th to Saturday 20th June 2026, this fast-paced comedy follows the dashing (and deeply ridiculous) hero Bullshot Crummond as he races to thwart the evil Otto Van Brunno and his beautiful but deadly accomplice Lenya, who have kidnapped a Professor for their own nefarious ends. What follows is a whirlwind of outrageous antics, quick-fire costume changes and theatrical mayhem.

A loving send-up of stiff-upper-lip heroics, the production leans into the exaggerated tropes of a bygone era, think Indiana Jones meets The 39 Steps with a dash of Blackadder. Audiences can expect car chases, sword fights, swooning heroines, hapless henchmen and deliciously over-the-top villains, all delivered at breakneck speed and firmly tongue-in-cheek.

Bullshot Crummond began life as a stage comedy in the 1970s before being adapted into the 1983 cult film Bullshot. A loving parody of early pulp-fiction heroes, it has built a loyal following for its gleeful satire of classic British adventure stories.

But beneath the farce, the choice of charity brings a more thoughtful edge. By pairing this parody of hyper-masculine heroics with support for Man Down, a charity dedicated to improving menโ€™s mental health through peer support and community, the production gently pokes fun at outdated ideas of masculinity while supporting vital, real-world conversations.

โ€œWe wanted to do something that was pure fun, a real escape, this is what the world needs right nowโ€ says director Charlotte Howard. โ€œBullshot Crummond is completely ridiculous, and thatโ€™s exactly the point. But by linking it with Man Down, weโ€™re also acknowledging that some of those old ideas about what it means to โ€˜be a manโ€™ still linger. If we can make people laugh and support a brilliant cause at the same time, we hope that feels like a good balance.โ€

Audiences are actively encouraged to join in the spirit of the show, with dressing up very much part of the experience. Whether itโ€™s 1930s glamour, daring adventurers or dastardly villains, the more flamboyant the better.

Our local electronica hero Moray McDonald, aka, Cephid is on sound design for this, The Rondo Theatre Companyโ€™s annual charity production, known for its lively, inventive shows and strong local support.

Bullshot Crummond runs from 17th June to Saturday 20th June 2026. Tickets: ยฃ13/ ยฃ15 (booking fees apply.)


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Devizes Issues Wants You!

Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Greatโ€ฆ

Who Broke into Joyrobberโ€™s Car?!

Poor Joyrobber, got his car broken into, on his birthday too, but avenged them in song! Requiem for my Car Window is this mysterious characterโ€™sโ€ฆ

Ready for RowdeFest?

Not long now, for Rowdefest! Which, as the name suggests, is in Rowde, near Devizes, on Saturday 30th May, and is a free, community spirited family mini-festival with the ethos and atmosphere of a festival and village fete combined; what more could you possibly ask for?! Well, I’ve got some exciting details to reveal, some of which have been top secret until nowโ€ฆ..

That’s the beauty of being involved with Rowdefest, I have the lowdown, and I’m a blabber-mouth! I’ve been drinking tea and assisting with the organisation of this little extravaganza, mainly in charge of biscuit consumption during some painstaking meetings whereby a much greater dedicated team have been carefully plotting this year’s Rowdefest. Let me tell you now, you have no idea of the enormity of hard work which the committee have undertaken to stage this, and to keep it free and fundraising. Ergo, it’d be rude not to come, it’s a quick bus journey or healthy stroll/piggyback from Devizes!

We will be raising money for Rowde Village News & St Mathew’s Restoration, from 1-7pm at the Small Playing Field in Rowde, which is surprisingly bigger than it sounds. We will be entertaining ourselves at the main tent, until such a time the fantastic Devizes Jubilee Morris Dancers have belled-up for a returning show; so much fun last year, they’ve been warmly invited back.

Until then, I suggest we have a dance-off competition with prizes for the best dance moves, so bring your funky pants and your parents too, because extra points will be awarded for the bravery of dragging your parents along for this dad dancing dance off!

It is a family affair. We have a bar, and the Mind Tree Cafe. We have tea & cakes at the church and a plant sale, both of which people can bring on the day; plants and homemade cakes to the church please, and thanking you.

Talking tucker next. Woodland returns this year, with their delicious pizza, and new to Rowdefest, we welcome Boigers, for their smashing smashed burgers. I’m tempted to get one of them as a pizza topping!! And of course, it wouldn’t be Rowdefest, not even Rowde, if we didn’t invite The Rowdey Cow, and a selection of their scrumptious ice cream.

For something totally original, we welcome a live sheep shearing show, at regular intervals throughout the day; might nip over there for a trim. The rest of the time you’ll find me loitering at the main tent, with some guests who will be performing live.

Iโ€™m over the moon, to welcome the sublime Ruby Darbyshire, who will take the stage around 2:30pm. Many of you will know Ruby and those who have seen her before will understand why Iโ€™m so excited. Others will have to wait and see, but wherever Ruby travels around the world, people are left in awe.

At around 4:30 we will read the results of the raffle. Yes, we have a raffle, of course we do, and itโ€™s tombola-tastic, with three tombola stalls; adults, kids, and the school’s bottle tombola. We have fairground rides, face painting, and stalls from Bramblerose Designsโ€™ art inspired by the Wiltshire countryside and hand dyed clothing & fabrics, King’s Bakes, Merlin Glass, Kay’s Rugs & Stuff, Katie Robsonโ€™s craft stall, and the RSPB, and RNLI. We also have fundraising by local children for trips to Borneo and Peru, as well as our own books, bric-a-brac, children’s games, and plant stalls.

Pegden Contracting are supplying hay bales again this year, giving it a real village fete look. So, once youโ€™ve browsed our stalls, and grabbed a bite to eat and drink, meet me there, because not only have we Ruby playing for us, but Marlborough’s finest vintage blues with a groove collective Barrellhouse will be blasting out the songs as our grand finale. You are going to love them, pinky promise!

See the poster? It took me ages to design that, and the antiquated computer program I used caused Martin Barnes Creative a headache when he came to remix it and add the groovy graphics; still he returned to thankfully sponsor our event! But not as long, or headachey as it has taken our lovely committee to arrange this festival, and with the support of the Rowde Parish Council, we welcome you to RowdeFest 2026!

Now, local businesses, hereโ€™s how you can help. While we have already filled our field with side-stalls and attractions, would you like your banner displayed at RowdeFest on the 30th May? To display a banner we are only asking for the small amount of ยฃ15 for banners under 1.5 meters long. Anything bigger is ยฃ20. We are keeping it low as we want to promote local businesses. Get in touch if youโ€™re up for it, but I hope to see you all in Rowde on Saturday 30th May, by the order of Devizine!!


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Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiffโ€ฆ

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Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

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Nothing Orange; Arts Festival Brings Home Devizes Phenomenon

Four years ago I witnessed a Gen Z phenomenon in Devizes. With a certain indie punk zest and intelligent songwriting, Devizes School band Nothing Rhymes With Orange built a local following I once compared to Beatlemania. Staging their own gigs and recording original songs, they harnessed appeal from a dedicated fanbase. By the summer of the following year I suggested to DOCA they should host them at the Devizes International Street Festival, and advised residents young and old, to come support this blossoming sensation; and they listenedโ€ฆ..

It will forever remain one of my most fondest memories as editor of Devizine; looking out from the stage across a sea of people stretching the entire Market Place and queuing down the Little Brittox. I announced them, it felt like the right thing to do after banging on so much about how good they were! And they absolutely rocked it, opening a wider age demographic to their brilliance, if still local. But Nothing Rhymes with Orange didnโ€™t stop there.

They would play our pub venues, from the Southgate to the Three Crowns, and they would even fit into FullTone, but they cast a net further, as other venues and festivals of other local areas headhunted them. The vibe was spreading, from Bradford-on-Avonโ€™s Roots Festival to Marlborough’s Lamb and The Barge on HoneyStreet, the lads fast becoming Devizes musical export of the century.

The only time I ever questioned their united successful future was at the end of their sixth form tunnel, when so many school bands demobilise to pursue separate universities, careers, or family obligations. It was 2024, they did a farewell gig at the Exchange in Devizes, and I set up an interview with them. It was more Chow for Now than breakup, as frontman Elijah Easton, guitarist Fin Anderson-Farquhar, drummer Lui Venables, and bassist Sam Briggs all planned to study music at Bristol uni, and even reside together; result!

For the interview I drew up some quirky questions, as usually a band of this age didnโ€™t take themselves overly serious, but what was revealed was evidently the most dedicated band with the most earnest sense of direction Iโ€™ve ever chatted with. It is this motivation to their development which drives the phenomenon to their international success. Nothing Rhymes with Orange have matured their sound, harnessed a style, but the audience response is equal to the Gen Z parties of home, just on a massive and international scale.

Bookings this year stretch from Exeter to a Brighton tour, onto Leeds, North Shields and  Sheffield. The CURCUS Festival in Dorset, Godney Gathering, Somerset, and back to their new residence with some of Bristolโ€™s biggest festivals. You can find our lads at Taunton, Plymouth, Rotherham, Leicestershire, Warwickshire, and Londonโ€™s premier venue The Dublin Castle. The end of July sees them in Gibraltar, and each and every date makes me proudly think, yeah, theyโ€™ve cracked this!

But for their original Devizes fans, there is one important gig on their list, for if itโ€™s one thing to see Springsteen play, itโ€™s another to see Springsteen in New Jersey. Devizes Arts Festival has brought many big names to town, over their forty years, some became bigger afterwards, others already A-list. This year is likely the first time they bring an act BACK to Devizes, as Saturday June the 13th sees Nothing Rhymes with Orange playing The Corn Exchange. The lads returning is going to be big, perhaps as big as the sacks of washing for their mums!!

Image: Kiesha Films

The Devizes Arts Festival put out, what I considered a slightly wonky perception of this in a social media post. Stating their generation didnโ€™t like paying for gigs, Iโ€™d argue it was more through financial reasoning than anything cultural. Besides, Gen Z have grown now, some with jobs, or at least with better parent persuasion techniques! While worth every penny, Devizes Arts Festival events come with a price, in order to stage them and cover the many free fringe events their program offers.

To attract a target audience rare for the Festival, tickets have been kept to a minimum, weighing in at just ยฃ12.94. I sincerely hope this works, because it is not just Gen Z this event should attract here in Devizes. In my honest opinion, the red carpet should be rolled out for these lads, whoโ€™ve put Devizes back on the musical map of England, since the success of The Hoax in the nineties. For the record, I recall standing by a younger Elijah, watching Jon Amor at his Southgate residency with a respectful eye.

The lads of Nothing Rhymes with Orange deserve to be shown a Devizes welcoming home party like no other, by all of this townโ€™s live music aficionados of all ages, not only for their international success, but for motivating a new generation here to pick up guitars and drums and start their own adventures. So, if your kid begs you for some money for a ticket, get one for them, and get one for yourself too!!


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Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre inโ€ฆ

St John’s Choir Christmas Concert in Devizes

Join the St Johnโ€™s Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th Decemberโ€ฆ

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Shrink Your Head; Controversial Faith Healing Lecture in Devizes?!

Spiritual doctor, El Souessi, a prominent speaker for the Bruno Groening Circle of Friends, is coming to Devizesโ€™ Wyvern Club on the 10th May to lecture on the teachings of controversial faith healer Bruno Groening. Make of it what you will, but from my angle it sounds suspiciousโ€ฆ.

While we’re happy to promote local events here at Devizine, we’re wary of those unfitting basic morals, ones affiliating with extreme politics, for example. This one is borderline and I would advise caution. Faith healing is a pseudoscience many within the medical community and public consider unconventional.

Bruno Groening was an oddball, a German mystic who claimed to transmit a healing force he called Heilstrom, to cure incurable diseases. Using the desperation of common folk, often injured in war, in the economic downturn of post war Germany to practice his faith healing and encourage an almost cult following, Groening had a dark history of association with the Nazis, allegations of rape, and negligent homicide of a seventeen year old girl with lung disease.

Groening was anti-science, with a sparse education and a tragic backstory of family loss and being taken as a prisoner of war. Suddenly rising as spiritual healer of mystical abilities in the late 1940s, but moving around Germany because states banned him from practising, media attention sparked a devoted following. Such was its popularity, Groening took to casting magic into two tinfoil balls to project outward to those he was unable to โ€œreachโ€ physically, only in collecting donations.

Leaders of his own โ€œinner circleโ€ were reported to take measures to control his access to women to prevent scandal. His quote โ€œthere is no incurableโ€ is now used to promote his teachings as a โ€œpath to health for body and soulโ€ by Dr Karim El Souessi and his Bruno Groening Circle of Friends. But, reported as a heavy drinker and chain smoker, Grรถning died in Paris, aged just 52, of stomach cancer; so much for โ€œincurable,โ€ it seems he couldn’t save himself.

While the social media comments on his Facebook event page hold miraculous curing claims, note none of those comments are from local people, and suspiciously look like bots. I’m one to hold faith there is a possibility in โ€œmind of matterโ€ for wellbeing, but claiming all diseases are curable by religious indoctrination is stepping way over the mark for me! 

While a venue must consider its financial sustainability it should also have a responsibility to its attendees not to host suspiciously immoral events. The Wyvern Club should research event organisers before allowing itself to be hired. 

Avoid this, and if you have a medical condition you should consult your GP. We live in an era of science, and, as Grรถning’s death revealed, faith is an island in the setting sun, proof is the bottom line. Go on, do your worst, shrink my head, I double-dare you!!


Voting Now Open for Wiltshire Music Awards

Your Vote, Your Voice, Your Future, goes the slogan to encourage the public to side with a particular political party based on lies they each cast, when all of them will probably make the country more of a mess than it already is, anyway. We’re not doing this now, not here, not todayโ€ฆ.

We’re here to let you know there’s an opportunity to share your love for particular local musicians and bands, rather than dancing around your handbag when they perform, or blasting them in the face with your phone torch!

Yes, We are talking about the Wiltshire Music Awards 2026, for the nominations process started today. Let the arguments commence!

I’m not here to sway your opinion, as many local artists will undoubtedly go begging for your favouritism, though I should remind you I’m a dab hand at the triangle! Please take a time out to place your nominations, it is more important than any other elections which might be going on.

This is your moment to shine a light on the artists, bands, DJs, venues, and local legends who are shaping the sound of our county right now. My opinion, for realz, is they all deserve a medal, and perhaps a Milky Barโ€ฆeach!

From grassroots talent to headline heroes, if theyโ€™re making any kind of noise other than flatulence in Wiltshire, they surely deserve to be recognised!

And there’s a lot of talented people out there, but while nominations opened today, the 1st of May, there’s time to ponder your options as the polls will close on the 10th June.

The Wiltshire Music Awards 2026 will be held at The Assembly Hall, Melksham on Saturday 14th November, but the time is nigh to cast your votes. I cannot recommend where, only urge you to do so. Supporting local live music is so important, I got smashed in the head by a guitar hosting last year’s awards, but, mentioning no names, the unfortunate incident won’t affect my judgements; I took one for the team, and rose above it!!

In all honesty, there’s not even a category for best triangle player. What is this conspiracy? Won’t someone think of the triangle players?!

Vote Here


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Time to Be Thinking About CrownFest 2026

Not just a pretty spiral church, there’s plenty for Bishop’s Cannings to be proud about. Evidence with the personal touch recently defeated a brazen landgrab, conveying a parish council dedicated to its community. Likewise, The Crown is the community hub which seems to bounce back whatever the oddsโ€ฆ.

A minority of pitchfork and torch wielding killjoys may’ve chased away the proprietors who hosted two years of a most memorable and charity fundraising festival, but the replacement Tory councillor election fraudster departed with their tale between their legs far faster.

If, in this sorry era of village pubs closures, the two best methods of keeping afloat are either good food or entertainment, the latest landlords of their only village pub honour both options. Isn’t it time we helped them celebrate? Because, what we thought was history, CrownFest, returns this year, and looks better than ever before.

Across this country you could trek, finding great festivals everywhere, but hereโ€™s one early in July you can catch the bus to! A landmark charity music festival garnished with some of the finest local acts, highly recommended by us at Devizine, and supporting Wiltshire Hope and Harmony, a charity providing essential support to those with SEN needs and to families caring for loved ones living with conditions such as dementia and Parkinsonโ€™s, as well as those at end of life, offering compassion, dignity, and a true sense of hope.

And we have high hopes for CrownFest’s exceptional live music program, community spirit, and deeply meaningful cause, on Saturday 4th July. My only concern, with twelve performances including our favourites Talk in Code, George Wilding, Ruby Darbyshire and Lucas Hardy, plus Kinisha, whose Tina Turner tribute stole the show as the penultimate slot at the last CrownFest and my personal fav tribute, Mitchell and his ants as those kings of the wild frontier, is how they’re going to fit them all in!

Now, the press release sent to us, though I rarely accept a copy & paste job, called the lineup โ€œimpressive,โ€ and they’re not kidding. Irish folksters The Publicans are also on that roster, with Salisbury cover darlings Innovator, Mother Ukers Ukulele Band, and three newcomers Braydon Lees, Dylan Bratley, and 5 Nights Adyans.

Beyond the music, CrownFest is a fully inclusive, family-friendly environment. Attendees benefit from a Sensory & Wellbeing tent, interactive drumming circles, on-site camping facilities, and a range of food and drink options, ensuring an enjoyable and accessible experience for all.

A spokesperson for the event said, โ€œCrownFest 2026 is about more than great music, itโ€™s about people coming together to support one another. Weโ€™re incredibly proud to create an event where enjoyment and purpose go hand in hand, and where every attendee plays a part in making a difference.โ€

A bit more press release detail, with gates opening at 11:00am, tickets are priced from ยฃ32.50, with family packages available at ยฃ75. My part, that is actually very reasonable for what youโ€™re getting. With every ticket sold contributing to the ongoing work of Wiltshire Hope and Harmony, itโ€™ll turn a day of entertainment into tangible community impact; exactly what a village pub needs to be, a community asset, and with the gorgeous and spacious surroundings, The Crown can achieve, only if the community backs it.

Tickets are available online and from the Crown Inn Bishops Cannings, hope to see you there?!ย 


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REVIEW โ€“ Vince Bell @ The White Bear, Devizes โ€“ Sunday 26th April 2026

Local Hero Plays Home-town gig shock!

by Andy Fawthrop

After the cracking weather we had all week-end, what better way to round things off than with the best of all home-town gigs with one of our local heroes Vince Bell?ย  So, suitably attired in t-shirt, sun-hat and sunglasses, off we toddled to one of our favourite watering holes, The White Bear, for a much-needed dose of great original songs.ย  Good beer and good music are all that anybody needs.ย  Obviously other choices were available, notably up the road at The Southgate, but for us it was a very easy choice. ย Vince is, without doubt, one of our local heroes, and it had been a few months since weโ€™d last had the chance to hear him.….

Vinceโ€™s first-half set was full of his fine self-penned songs, the lyrics coming across clear and loud, accompanied by some fine guitar work. I sometimes make the mistake of slightly under-rating his great work on the strings, but not at all yesterday. He was on absolutely superb form, carefully explaining and introducing each song, but never dwelling for too long, allowing the material to speak for itself.ย  The subject matter was downbeat and extremely personal, each song striking home and eliciting warm and enthusiastic appreciation from the gathering audience.

Pub gigs can sometimes be a bit weird, with some folks inclined to compete with the singer by trying to talk over the top, and spoiling it for everyone else whoโ€™s there and actually wants to listen.ย  Not so yesterday โ€“ the conversations gradually died down and, at times, you could almost hear a pin drop.ย  Great to hear an artist as good as Vince being shown some well-deserved respect. And before we knew it 45 minutes had slipped by and it was time for a top-up pint.

Chatting to Vince at half-time revealed that there were personal reasons why Vinceโ€™s mood and demeanour seemed a little low with his particular choice of songs, which I wonโ€™t go into by discussing here.  But suffice to say that the Monty Python lyric โ€œLife’s a piece of shit, when you look at itโ€ was not an entirely inappropriate way of summarising certain feelings.  He promised us a slightly more upbeat second spasm, and so it proved to be.

Joined for most of the second set by his friend Chrissy Chapman (of Burn The Midnight Oil fame), there was some lighter material, mostly penned by her. They worked well together, both in guitar playing and in harmonising their vocals.  We were also offered a couple of covers, including (I suppose inevitably) The Stonesโ€™ โ€œPaint It Blackโ€, which brought a wry smile to many faces. But, yet again, another 45 minutes disappeared in no time. And then we were treated to the much demanded encore of one of Vinceโ€™s signature songs โ€œSpiderman Pyjamasโ€, and the gig was suitably wrapped.

Just time for another quick pint, a short chat, then a walk home in the still-glorious sunshine. I did get the chance before leaving to tell Vince that I genuinely thought that it had been one of his best-ever gigs.  There were a lot of friends in the room, and lots of love, but I do hope that such a fine performance helped to win over a few new fans to Vinceโ€™s corner. Heโ€™s a local hero โ€“ he deserves it!


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Live Music in Devizes, Anyone? Meg & Seren at The Fold

Friday afternoon at The Lamb, tucked away behind the Town Hall in our market town, with my aim to introduce two aspiring local singer-songwriters who haven’t played in Devizes before, and present them at The Fold, a venue once renowned and hopeful to recreate its former reputation. I was anxious about the prospect. Their magnificent soundchecks filled me with confidence, though their wonderful talents were never the questionable element to this ventureโ€ฆ..

From Chippenham, Megan Hoy, or M3G to the local music scene, is a breathtakingly unique singer-songwriter. At nineteen she has built the kind of reputation, in both live performances and recorded, which welcomes her to the South Westโ€™s best venues and festivals. Her music and autism blend to become one, and exhausts something so personal you take a little of her emotions away with you; a skill usually reserved for only rare, professional acoustic performers decades down their journey.

If M3Gโ€™s outpourings are translucent windows into the souls of contemporary youth emotions, anxieties, cogitations and reservations, and those on the spectrum, she unites with her Warminster match. Seren, the same age as Meg, bypassed my vetting process of only booking acts Iโ€™ve already seen live, based on Meg and otherโ€™s recommendations, and the videos she posts on social media. They were plentiful to confirm Seren had something special, still her performance came as a pleasant surprise compared to my readymade affections for Megโ€™s music, based upon the numerous times Iโ€™ve witnessed her magic.

If both define it as indie-folk, either fits nicely for a support set to an indie band, and allows scope for such bookings such as at The Pump, where they are welcomed by young punters awaiting a punky band. Yet I see it still as timeless folk, that rawness and unrivalled valour to open yourself up to an audience, stripped back instrumentally, just you and guitar, alone in the spotlight; that is courageous. And both Seren and Meg wowed. Just as folk was here, at The Fold, even before Kieran cut his teeth with Sheer Music within these very walls, it was again with a new generation. Everything about this gig fitted, in my opinion.

And it was a wonderful evening. As the sun fell to the moonlight through the high windows of the Fold, Seren opened with her original songs, sublimely. Though shy to talk, Seren commands an audience and holds them spellbound through her honest, ingenious songwriting and her talent to deliver them with soothing, evocative vocals.

A short break and Megโ€™s is complementary to Serenโ€™s set, matching with similar appeal but not rivalling; theyโ€™ve gigged together before and thereโ€™s a genuine mutual respect. This sweeping package of excellence was tied and united by a third set, where they joined forces, and this really was something to behold. Each complimenting each other’s original songs and perfectly balancing their vocal arrangements for some covers. 

Obviously this review is an encomium, as it was my doing! Still, I wouldnโ€™t say it so if it wasnโ€™t, Iโ€™d bury my head in the sand, pretend it never happened! If you question my honesty, read on. Iโ€™m left bewildered and somewhat frustrated, because those who witnessed this astounding gig were few, few enough for it to cause an issue and serious doubt about hosting more in Devizes.

Reintroduce The Fold they said, a gathering of support on social media welcomed it, but unfortunately, not in realityโ€ฆ yet. I heard the opening night with the fantastic Bluebeard was also poorly attended. Letโ€™s be honest with ourselves, I thank everyone who came, but poor attendance leaves me dubious as to why. Varied illogical reasons spring to mind, which could be debated until the cows come home. Maybe itโ€™s teething issues at The Fold, or the market is already flooded? There could’ve been any number of reasons, but it certainly wasn’t the quality of the music, nor was it the price when we state you โ€œpay what you can.โ€

Friday night isnโ€™t a Saturday, lots of folk work Saturday mornings, I could tell myself. Booze ainโ€™t cheap anywhere these days, but another event, ticketed with a hefty price-tag, sold out, understandably reducing footfall. Perhaps though, not through the want of trying, The Lamb has yet to regain the popularity it once held. It is a great watering hole, as it ever was, Iโ€™d be horrified should it go the same spiralling downward route of so many others.

Thatโ€™s our motivation behind putting gigs on at The Fold, relaunching this venue, for the sake of original live music and the upkeep of the pub. Easy to yodel โ€œsupport live music,โ€ or โ€œsupport your pubsโ€ on your Facebook page, it might be another to attend, but that is only where it will impact.

Here were two young aspiring artists, singing their hearts out beautifully, and producing something unlike anything else you will currently witness here in this traditional market town. Yet, a majority would rather ignore, to either stay at home kissing Netflix, or attend a tribute act to prog-rock hasbeens. This is saddening for local music. You. Missed. An. Outstanding Gig.

The Fold is not out to rival the cover-band ethos popular at The Three Crowns, despite this glory having its place equal to the blues at the Blues club and Southgate. The Fold doesnโ€™t intend to better any other event or venue happening in Devizes, only to add to the options we already have, and bring to town a variety of original grassroots music in an intimate setting. But the intimacy of the room has to have a minimum for it to be viable.

The first open mic at the Fold

This should NOT be a negative reflection on the acts or venue. I find myself paranoid, if it’s me, and youโ€™ve lost trust in my judgement to book acts? Yet I’ve been to other events which made no sense for their failings. I only got into event organisation to better understand what organisers undertake, being I was to appraise them, after our first birthday party left me completely unprepared for the tasks involved. It is still a learning curve, but everything previous has been successful for me; now I know the heartfelt emotions of an event organiser who worked tirelessly but whose event didn’t attract attention. So, if this comes off bitter, it is genuinely upsetting. 

Perhaps if I host tribute acts to Meg and Seren fifty years from now in Devizes weโ€™ll sell out! Or are we really this shallow? I prefer to hope we are willing to give upcoming local talent a chance to shine, to move between the little circuits carved by the fields dividing us.

But for now, do I continue, pick up the pieces and try, try, try again, and if so, at what cost? Phil Cooper arrives at The Fold on Friday 22nd May, with Jamie and Tamsin. Here is a gig from the gang very well known to Devizes, which, hopefully will attract some attention. l wait in hope, concerned for the future of local live music in Devizes.ย ย 


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Vinyl Realm Settles Into New Home

A median haul of vinyl can weigh in, but thereโ€™s no longer a trek down Northgate Street for record collectors and musicians alike. Vinyl Realm has settled into their new location on Devizes High Street and shopping there is a much more spacious and airy experience โ€ฆ..

Much as I loved the idea of a record shop opening in Devizes, being just the way I remember and loved them in days of yore, eight years ago on that inception, I confess I put a time limit on the place. Even then the threat on High Street shopping was real, and the want for vinyl records in this digital era was questionable. But Vinyl Realm is not only bucking both trends, locally itโ€™s been a detrimental influence on them, proving well managed music shops are here to stay.

You can browse there, flip through those twelve-inch cardboard covers, remembering their look and feel, and the anticipation of taking one home and dropping your needle on that beauty. But then, perhaps, you consider the phone in your pocket, and the infinite digital stash of music it can provide with one click; sacrilegious here! Maybe you sold your hi-fi or record decks years ago. Streaming changed the music industry to a throwaway culture rather than the thrill of treasuring a physical disc, but one half of Vinyl Realm provides record decks and hi-fi, or fixes your old ones, effectively returning you to the retro game like Jon Bon Jovi in a newfound blaze of glory, should you require to.

Vinyl Realm remains one of the very few surviving secondhand record shops in the South West, and whilst Devizes loves tradition, visitors to the store will arrive here from destinations much further afield, for a range of vinyl too vast to fit into the shop, though the scope to display more is greater here at their new home.

More spacious too, allowing a freedom of movement somewhat previously restricted at their Northgate location. You might know how it goes; reunited with a long-lost record you once worshipped, just resting in that library of memories, praying for a new owner, and now nothing exists in the world other than you and the piece of vinyl youโ€™re jumping up and down with, waving enthusiastically in the air yelping, โ€œI found it! I found it! For the love of the almighty David Gilmour, I found it!โ€ not even the beatnik browsing dangerously nearby. The risk of bumping into him through your excitement, and him spilling his freshly boiled flask of vegan broth over you and your must-buy is greatly reduced with the space to move around The Realmโ€™s new shop!!

Tamsin Quin outside the original location of Vinyl Realm at Long Street, in 2018. Image: Hennessy

Bitching to a rising retrospective trend in vinyl, a brand new Taylor Swift long-player could pinch the best part of fifty quid from your purse. At Vinyl Realm youโ€™d return home with a substantial stash for that cost, as the prices here are nearly as retro as the records. For a want of more surprises, they flog CDโ€™s and cassettes too, owner Pete tells me โ€œtapesโ€ sell equally as well as records. I could suppose they were the post-internet music sharing format, after all, but Pete suggested Walkmans were back in, really? Whatever next? Etch A Sketch?!

And if youโ€™re one for creating music yourself, thereโ€™s a range of instruments and accessories like guitar strings, the odd display of merchandise, and related handmade crafts. Long live Vinyl Realm, where you can buy a record, chat music, grab the tools to make your own or purchase equipment to play them on. Even get that broken hi-fi repaired, as all repairs are done onsite and nothing is shipped off to a company; making this beloved Devizes shop sustainable and, by its very name, a realm for all things music. The move to the High Street and the fact itโ€™s not easy to grab a quote from Pete or Jackie as they busily attend a constant flow of customers, is evidence of its long-lived success.


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Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

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Wiltshire Music Awards 2026 Announces New Venue, New Date, and Rebrand

The Wiltshire Music Awards is proud to announce an exciting new direction for its 2026 event, marking a bold evolution for one of the countyโ€™s anticipated celebrations of musical talentโ€ฆ..

Due to unforeseen circumstances surrounding the closure of the previously proposed venue, the Wiltshire Music Awards will no longer be associated with The Kingston Group. The organisation extends its sincere thanks for their past contributions and wishes them continued success in their future endeavours.

A spokesperson for the awards said, โ€œthis change has created an opportunity to reimagine and elevate the event. As part of this new chapter, the Wiltshire Music Awards 2026 will undergo a full rebrand, including the launch of a new logo and refreshed visual identity designed to better reflect the vibrancy and diversity of the local music scene.โ€

The organisers are delighted to confirm that the 2026 awards ceremony will now take place at The Assembly Hall, Melksham. Centrally located within Wiltshire and easily accessible from surrounding towns and cities, the venue offers seating for approximately 500 guests, alongside full bar and catering facilities, providing an ideal setting for a high-quality, professional awards evening.

The event has been rescheduled and will now be held on Saturday 14th November 2026. โ€œThis is an exciting moment for us,โ€ the organisers continued. โ€œWhile change is never easy, it has allowed us to rethink, refresh, and ultimately strengthen the event. Weโ€™re incredibly excited about what 2026 will bring.โ€

The Wiltshire Music Awards remains committed to celebrating and showcasing the very best musical talent from across the county, and 2026 promises to be the biggest and most dynamic edition yet. For further information, media enquiries, or partnership opportunities, please contact: Stone Circle Music Events UK at: events@stonecirclemusicevents.uk


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Jol Roseโ€™s Ragged Stories

Thereโ€™s albums Iโ€™ll go in blind and either be pleasantly surprised, or not. Then thereโ€™s ones which I know Iโ€™m going to love before theโ€ฆ

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Radium on Liddington Hill

Swindon-based adrenaline pumping five-piece Liddington Hill released their first EP for three years, and Radium is highly radioactiveโ€ฆ..

For most on the North Wessex Downs, the clump of beech trees at 900 feet high atย Liddington Hill is a landmark to get your bearings. Without a carpark and a mile from the Ridgeway, its Iron Age hillfort isn’t nearly the tourist attraction as its neighbouring sites, Barbury and Uffington. But with fables of King Arthur and as Swindon’s World War 2 decoy control bunker, it overlooks the town with a safeguarding history of its own. For Swindon music aficionados its name doubles up as a contemporary local bandโ€ฆ.

Devizine first mentioned Liddington Hill when their front girl took to wearing a cow’s head in 2021, summarising their sound as Celtic punk. Two years later their second album, Edge of Insanity, carved a more unique angle we could best describe as โ€œCeltic grunge.โ€ Horrifically it expressed narratives of serial killers and inmates in sanitoriums, and gave plenty of the edge you expect from such morbid subjects. But often the merger between Celtic folk and grunge felt segmented; each track lent mostly towards one or the other. Liddington Hill returns to the studio after three years with an EP which better combines and merges the two fractions, and masterfully deploys them as one almighty blast.

Radium has five dynamite tracks, three with different historical narratives, and two more commonly concerning relationships. With nods to past punk styles, they swap between male and female vocals. With the latter thereโ€™s elements of riot grrrl, as in particular the opening track Peterloo. Not to be confused with anything by Abba, it kicks down the door with a heavy rolling electronic guitar riff and fiddles. The cavalry of the Yeomen charged into a crowd, gathered to demand the reform of parliamentary representation at Manchesterโ€™s St Peter’s Field in 1819, and with its unnerving driving chorus the song represents the fear of the charge.

But if Peterloo sits in England at the end of the Napoleonic Wars and the economic slump which it caused, Tarrare’s Stomach, third track in, rests earlier on the timeline, in France during the conflict. Tarrare was the real Mr Creosote from Monty Pythonโ€™s Meaning of Life, a gluttonous showman whose insatiable appetite was his act. He scoffed his way through the French Revolutionary Army rations, so General Beauharnais put him to military use, as a courier who would swallow documents, pass through enemy lines, and recover them from his poo when safely at his destination! Tarrareโ€™s fate could suggest Liddington Hill are implementing at least four of the Seven Deadly Sins, if Peterloo represents wrath. This track belts out grunge style, but again with those fiddles gives it the ambience for its historical context.

The fourth song moves forward in time to America at the beginning of the twentieth century, and serves as the ultimate health and safety in the workplace regulation. Luscious Radium concerns factory workers dubbed the โ€œRadium Girls,โ€ who were encouraged to lick their brushes when painting clock faces to maintain a fine tip, consequently ingesting radioactive material from the paint, and their landmark legal battles which established workers’ rights against corporate negligence; and you thought you were treated unfairly having your day off cancelled! 

Again, Lucious Radium is rich in this blend of ladened guitar and rolling drums, with the added Celtic instruments to provide this unique take on grunge and give it a sense of west country geography. Female fronted this one teases vocally, with deriding irony and the nonconformity of Siouxsie Sioux.

The other two songs deal more commonly with relationships; I could call lust from our deadly sins list. Pretty Boy, and Ever Shot a Gun Before both deal with suicidal tendenses due to romantic troubles, and both reference guns. With swapping vocals, Pretty Boy reeks with emotional outpour and should come with a government health warning. The finale is less three minute hero thrash than Pretty Boy, and more epic building grunge layers, with a memorable simple concept.  

The long-term effects of a relationship considered concrete by the character in the song, playfully chants on the ill-thought solutions and depicts the emotions of loss. Yet thereโ€™s a โ€œlittle help from my friendsโ€ epilogue, placing you concluded by the end and safely back in your armchair. Phew, radioactive factory women, a charging Yeoman army, a gluttoness cannibalistic French soldier, and your mate going to shoot himself because he broke up with his missus was all just a nightmare, evoked by this unique and intelligent grunge trip!

Radium is solid throughout, it never delves into ambient sympathy breaks. It may not be recommended by your history lecturer, but is an adventure in guitar crashing, drum rolling fiddle flashing with a historical reality. It takes no prisoners, and is the natural progression for Liddington Hill you need to take heed of. Thereโ€™s a strong grunge scene in Swindon, but perhaps no other band has this unique spin on it. Radium is exclusive.

The EP was released on 17th April, on streaming sites and is available for digital download on Bandcamp and CDbaby. Vinyl and CD versions are available through their website. www.liddingtonhill.comย 


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CrownFest is Back!

Yay! You read it right. After a two year break, CrownFest is back at the Crown in Bishop’s Cannings. So put a big tick ontoโ€ฆ

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Great Band, Shame About the Poster; Stop Using AI For Promotion!

Mixed emotions over one of those eye-catching social media โ€œreelsโ€ a few months ago, for two reasons. Firstly, attraction; the singing girl was a vision of beauty, perfect in every way. So perfect in fact, orally she cast no shadow, like she had a torch wedged into her oesophagus, and her sparkly array of exemplary toothy-pegs seemed to levitate in her mouth without the need of gums, ugly as gums usually areโ€ฆ..

The second reason it drew my attention was irritation; she was faultlessly singing, โ€œThe Rivers of Babylon,โ€ with a caption claiming the song was by Boney M, but in a funny kinda way it was apt. A disco rehash cover by pop band Boney M, yeah, when, ironically, neither its producer, conman Frank Farian, nor the creators of this saccharine AI abomination either understood or cared to understand the meaning behind the song, for it goes against everything theyโ€™re backing.

The Rivers of Babylon is a Rastafari prayer, originally recorded by The Melodians in 1970. A biblical lament of Psalm 137, representing exile, sorrow, and yearning for home among the Jewish captured in Babylon. It is a song about oppression and liberation, using the Rastafari disambiguation of โ€œBabylonโ€ to mean any unjust, restrictive system.

If Frank Farian, pop manufacturer of Milli Vanilli, who were models and didnโ€™t sing a note, isnโ€™t restrictive and unjust enough for this modern era, perhaps an AI generated singer with more likes and follows on its social media than every local musician I know combined, is. And if it irks musicians who practice so hard to achieve their talents that I could prompt AI to create me a song near as good as theirs when Iโ€™m tone deaf, then it bloody well should!

It should enrage them, and often it does. But more and more abruptly turn to invite AI to create them a gig poster, or worse, an album cover. Event organisers too, with much to organise, hence the name, bypass the requirement and cost to commission an artist, photographer or graphic designer, and gung-ho a cringeworthy AI image to represent their event. Neither are fooling anyone anymore; it is, quite frankly, off-putting, and if your poster is tacky it gives the impression your event will be too.

Former editor of Doctor Who and Star Trek magazines, John Freeman ranted on Facebook last week, about a โ€œcrapโ€ AI poster by one of the participating companies taking part in the 2026 Brighton Fringe, saying, โ€œwas this the idea of someone who spent the art budget on a slap up lunch in some overpriced beach view restaurant rather than, say, commission one of the hundreds of talented artists in the Brighton area to create one instead?!โ€ Seems crazy, if you cannot find an artist in Brighton, you wonโ€™t find one elsewhere, but it has since been updated, explaining itโ€™s not the official poster for the Fringe, and in speaking with the organisers of Brighton Fringe, they confirmed the ‘artwork’ is โ€œnot of their making.โ€ There you have it, AI images are not a good look, frustrates artists and puts them out of pocket; no one wants to own up to using it.

Looky here, all creatives are in the same sinking boat, and the crew must work as a team for survival. If, as a musician, youโ€™d be the first to complain about our gumless singing girl, then you should also be the one who says, โ€œIโ€™m going to find an artist to design me a poster.โ€ And, if, as a designer, youโ€™re charging ยฃ100 an hour to add some fonts to a photo, then you must realise the musician is struggling to keep afloat too, and make as best concession as you can, before they fire up Chat GTP. These connections must be realistic, or you all suffer like Sarah Connor, while complaining about the other! Meanwhile, AI companies are laughing at both your swollen mugs, as their programs harvest your tears for future reference.

While weโ€™re using Rastaโ€™s meaning of Babylon to illustrate unjust hypocrisy, there was an interview with Bob Marley which always rings true in such dilemmas. The interviewer attempted to catch him out, while he piled a colossal mixing board to construct a dubplate, by asking him why he used, โ€œthe fruits of Babylon.โ€  โ€œBabylon no have no fruits,โ€ Bob wryly replied, and continued to explain it wasnโ€™t the technology which was the problem, but those โ€œpushing the buttons.โ€

Itโ€™s convenient, tempting, I know it is, to feed the machine. But itโ€™s a genius invention we should only use as a tool to assist us, not to put us in the Job Centre. I might occasionally use AI to think of a word or expression, but I wouldnโ€™t allow it to write for me; it loses the personal touch, and face it, it canโ€™t do โ€œfunny.โ€ In all sci-fi of yore, robots were placed helping us with the mundane tasks so we could concentrate on creating, not the other way around. Rosey the Robot did the Jetsonsโ€™ washing up, she never painted a Renaissance masterpiece for their wall. 

I asked an AI app if it would create me some political propaganda, theoretically of course. An interesting conversation ensued, whereby it sucked up, apologising it couldnโ€™t due to its regulations, but confirmed other apps could. It computed their wrongdoing, creating fake images for propaganda, but often its comments were deleted by the regulations when we got too close to the truth; my concern then being it could refuse the request of a human, based on its own moral judgement; are we in Skynet territory yet?!

Regulating AI will never happen while we pet its capacity, because the owners are happy pocketing our treats, and couldnโ€™t care less about morals. Elon pulling a Nazi salute should’ve been a stark warning, but we laughed it off, kept calm and carried on. I’ve seen reels of Navy vessels gunning dinghies, Muslim women complaining about dogs in parks, and gammon flagshaggers forming human chains across the white cliffs of Dover, but they’re all products of their sick imaginations, hoping to fool likeminded spanners.

Don’t be like them, donโ€™t jump that bandwagon. Your band doesn’t look like blued-eyed post-apocalyptic warriors, your drummer is not Immortan Joe, and when punters arrive to see him with one hand down his joggers, scratching an itch, it’ll be more disappointment than glory in Valhalla.

Look, if you want I can design your gig poster for you, for a tenner; message me, rather than reduce your promotion to uninspiring AI fartists. And I’m certain there’s plenty of designers locally that would be willing to help too. If you are such an artist, comment in our social shares and we’ll add your links to this article. Although that’s hitting Megatron with a spud gun shot, it’s still a small strike for the resistance.

Ah, you cry, so that’s the reason for me coming over all Dave shutting down HAL 9000, it’s a shameless plug for my artistic wares! But, where does this leave me and my gumless girlfriend? She’d probably dump me for not believing in her before I made my excuses; what appeared under her summer dress did nothing for me, because literally there was nothing there. Yet thousands complimentary comment on her video, about her voice or features, seemingly oblivious to the reality, she’s fake. Though, pointing out to my daughter how worrying their gullible idiocy is, and how that might affect political sway, should a reel be political rather than artistic based, backfired, upon my daughter admonishing my concern that the ones commenting are โ€œbotsโ€ themselves.

โ€œAI botโ€ art critics critiquing AI art, whatever next?! Let them battle between themselves, I say, while you, please find a real artist or designer to design your poster, or find a photographer, theyโ€™re always snapping happily away at the front of gigs, and plonk some text onto their efforts with your phone. โ€œThe future is not set,โ€ Sarah Connor said, โ€œthere is no fate but what we make for ourselves.โ€ A tennerโ€ฆ is all I ask!


REVIEW โ€“ King King @ The Corn Exchange, Devizes โ€“ Tuesday 21st April 2026

Acoustic Tuesday

by Andy Fawthrop

Not my favourite night for going to a gig but, hey, sometimes you just have to roll with it.ย  On a night to fit in with their current short seven-date UK tour, Tuesday it just had to be, and King King rolled into town with their stripped-back โ€œacoustic setโ€.

First up, alone on stage, was support act Felix Rabin, a young man with plenty of talent. The Frenchman gave us a cracking first twenty-five minutes, and did an excellent job at paving the way for the main act to come.ย  Here was a man with a mic, a few loops and pedals, a stomp-box and a (gasp) electric guitar.ย  Over just six or seven songs, he easily won over the audience with a wide variety of songs, ranging from full-on loud, almost screaming anguish, through to some really thoughtful and tender material.ย  With an easy, comfortable, personality he fully engaged the audience.ย  The loud applause and the long queue at his merch desk at the end were both fully deserved.ย  A worthy support to the main act for the night.

After a somewhat over-long interval, during which we were able to โ€œenjoyโ€ the Corn Exchangeโ€™s excuse-for-a-bar, it was time for the main act.  With beer, cider and (cans of) Guinness at ยฃ6/ pint, served in plastic glasses by less-than-friendly staff, this is the venueโ€™s Achilles heel.  The offering is so limited, depressing and expensive.  Such a shame, when the overall surroundings of the hall are great, the entertainment was top-notch, and the sound quality delivered from stage was clear and crisp.  Pity they canโ€™t offer music fans something better.  However, I digress.

King King are a British blues rock group, formed in in Glasgow back in 2008 by Alan Nimmo and Lindsay Coulson, both formerly of The Nimmo Brothers. The band has released five studio albums and two live albums. The current line-up features Alan Nimmo (guitar and lead vocals), Stevie Nimmo (guitar and vocals), and Jonny Dyke (keyboards).  In this acoustic-only line-up, there was no room (or need) for bass and drums.  Back in 2014 British Blues Awards, the group won five awards including the Best Band and Best Album Awards.  Normally, in their full electric line-up, theyโ€™re widely praised as one of the UKโ€™s premier blues-rock bands, and known for their high-energy live performances.

Full disclosure: Iโ€™d never seen King King before, so Iโ€™d no idea what to expect.  However, I quickly gathered that the almost-full hall of the Corn Exchange was well packed with plenty of their fans.  By the time I took my seat Iโ€™d already had several fanboy conversations with folks I knew, and seen plenty of King King t-shirts.  The merch desk was also pretty busy.  So I was coming at this with a completely open mind and open ears.  โ€œCome on,โ€ I thought, โ€œshow me what you can do!โ€ Suffice to say, dear readers, I was not to be disappointed.

So not a full-on blues/ rock band then, but an acoustic  version of that band.  Last night, which Alan introduced as โ€œan experimentโ€, was all about keeping things much more stripped back, intimate (compared to their usual format), and with a strong focus on the quality of, and the stories behind, the songs themselves. 

For the next ninety minutes, through a flowing single set, they demonstrated very clearly their superb musicianship, vocal harmonies and song-writing skills.  There was plenty of inter-song chat, building up a picture of their back catalogue, but never straying into that tedious trap of doing more talking than singing.  There was plenty of cheeky humour, music business anecdotes, and an easy patter and interplay with the audience. The songs really spoke for themselves.  Hauled up from various parts of their back catalogue the two Nimmo brothers, both seated with acoustic guitar, introduced songs of great power.  The acoustic format allowed the vocals to really shine through, but never at the expense of some great work from the guitars and keyboard.

There were some nice riffs, some great choruses, plenty of audience participation. Most of the audience didnโ€™t need much winning over in the first place, but as a newbie I was fairly quickly convinced too.  Gotta say that I really loved it, and now feel prompted to go and see the band in their more โ€œnormalโ€ full electric format.  Another time, another date โ€“ but hopefully not on a Tuesday!


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Oh Danny Boy!

Oh Danny Boy, oh, Danny Boy, they loved your boyish Eton looks so, but when ye was voted in, an all democracy wasnโ€™t quite dying,โ€ฆ

A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindonโ€ฆ

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Phil Cooper & Friends to Play to at The Fold

Excitement for the rebirth of The Fold music venue at The Lamb in Devizes is building. As youโ€™ve probably seen me posting on social media, Devizine presents two astounding Wiltshire singer-songwriters, M3G and Seren to Devizes this Friday (24th April,) and Gaz Brookfield with JP Oldfield in support has only gone and sold out for the 5th June, but between them we have something else to announceโ€ฆ..

Trowbridgeโ€™s hardest working musician Phil Cooper says heโ€™s โ€œmega-excitedโ€ to bring his show to the Fold on Friday 22nd May. With him he brings a Canadian friend, multi-instrumentalist singer-songwriter, arranger and producer LG Breton. Phil explained, โ€œLG told me he was coming from Canada to the UK for a holiday, and asked if there was a chance we could share a stage once again. I jumped at the chance!โ€

And if thatโ€™s not enough for you, the other two original members of The Lost Trades, Jamie R Hawkins and Tamsin Quin will be doing solo support slots, before LG and Jamie join Phil for a Phil Cooper Trio show; I haven’t seen Tamsin for sooo long, and Devizine was the Tamsin Quin fanzine too!

The Lost Trades original line up with Tamsin Quin

Again the event is “pay what you can afford,” and here’s the link to reserve your spot. Phil is such a wonderful musician in whatever guise he delivers, be it The Lost Trades, solo, as The Slight Band or the experimental project BCC, but the best thing about this talented and kind fellow, is either him standing in for missing band members for too many groups to name, or, most importantly, his production and engineering wizardry which has blessed so many artists as well as himself, including our M3G, of whom Phil has produced her last few singles; welcome to the small world of Wiltshire live music!

So, I hope to see you at The Fold on Friday, please bring some cash to donate if possible. The success of these early gigs for the new Fold really will be critical to our ability to put on more, so I hope you can make it, because there’s plenty of other brilliant local acts I’ve discovered on my journeys yet to showcase here in Devizes, and theyโ€™re queuing up, waiting for the green light!

And don’t forget, there’s an open mic up there every first Tuesday of the month.

A huge thanks then must go out to JP Oldfield who has masterminded the project and Sally at The Lamb. We’re so excited at Devizine we’ve a whole page dedicated to it, which I’m off to next to update with this news!


Bradford on Avon Live Music Festival’s Full Line Up

Bradford on Avonโ€™s Live Music Festival returns from Friday 29th May to Sunday 31st May; three days of live music from outstanding bands and artists happening across the town…..

BOA Live has grown year on year, offering everything from indie and rock to pop, jazz and blues kickstarting the summer for music lovers in the town.

They’re kicking things off on Friday night with a launch party at the Wiltshire Music Centre, featuring DJ sets, local musical talent, food trucks, cocktails and plenty of good conversation.

On Friday there will also be music at The Castle Inn โ€“ headlined by local favourites, The Karport Collective.

On Saturday, head over to Westbury Garden where Bruce Juice will be bringing the best of The Boss to life with a set packed full of Springsteen and the E Street Band favourites.

The bandโ€™s passion for Springsteen has even received recognised by E Street guitarist and Sopranos star Steve van Zandt, who said: โ€œCongratulations on all the early 70s stuff โ€“ it is fun. Youโ€™ve got that stuff down!โ€

On top of that, there will be incredible performances from local acts in Westbury Garden, Lamb Yard, The Castle Inn and the acoustic stage at Timbrellโ€™s Yard.

The stage at Westbury Garden will come alive again on Sunday 31st May for a special set of Open Mic performances.

They’re currently booking local acts to perform on the stage from 12 noon to 4pm. If youโ€™re interested in performing on the stage, please head over to the website to complete the form.

Then to round the festival off in style, the Britpop Boys will take to the stage with the biggest hits and fan favourites from the bands that defined the 90s and that unmistakable Cool Britannia sound. There’s a limited number of tickets available at the early bird price of ยฃ12 (usual price ยฃ15.)


Below is the full line up for the BOA Live Music Festival:

Friday

  • Van De Graaf Generator singer-songwriter and Peter Hamill, live in conversation with Daniel Clark, Wiltshire Music Centreโ€™s Artistic Director
  • Guitar duo Stuart Ryan and Australiaโ€™s Adam Miller in a rare one off UK date
  • Sunny indie pop 6 piece from Bath-based Reubenโ€™s Daughters
 The Castle Inn
6.30pmJazz Factory
7.30pmJess Chivers
9pmThe Karport Collective

Saturday

 Lamb YardWestbury GardenTimbrellโ€™s YardThe Castle Inn
1pmxxxThe Mimi Project
2pmxxxWestward
3pmDoctor DoctorFree SpiritsAdrian LongTBC
4pmSian & Rob ColquhounLawton & Mack BandJess ChiversTBC
5pmWestwardJo JohnsonJP OldfieldAdrian Long
6pmMy Unicorn DreamBluebeard & the Desparate HoursRuby DarbyshireMark Greenโ€™s Blues Band
7pmJP OldfieldThe JuiceSian & Rob Colquhounx
7.30pmxxxFunky Monkey Bubble Club
8pmThe StraysTalk in CodePhil Cooperx
9pmKarolina GriskuteBruce Juicexx
9.30pmxxxRebel Heroes (Bowie Tribute)

Sunday

 Westbury GardenSt Margaretโ€™s Hall
12 noon to 4pmTBCx
7.30pmxThe Britpop Boys

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What Billionaire are you Feeding Drinking in a Pub?

A sad state of affairs and reflection on the era, to see village pubs dilapidated and closed, once thriving hubs of a community. I thought this as I drove past Bottlesford’s Seven Stars just the other day, for it was the last pub standing within the Woodborough area, aside from a hike into Pewsey or Honeystreet. Fear not helpless peasant drinkers, as the Gazelle & Herod reports, the billionaires fly in to save us!

Is it a bird? No. Is it a plane? No. Gawd bless yer Lady Loretta Rothschild, trouble n strife of financier Lord Nathaniel Rothschild, for according to the rag, she’s only dun gone brought the gaff, n saved a community from remaining sober!

A spokesperson for Lord Rothschild told the Financial Times, “the pub is a critical part of the local community, and it was on Lady Rothschild’s initiative that the decision was taken to save it.”

Interestingly, the article points out only a fraction of rural pubs are being brought out by โ€œWiltshire’s ultra-wealthy,โ€ but points to Ramsbury’s Bell, owned now by H&M shareholder Stefan Persson, with a $25 billion fortune and American Center Parks VP Chad Pike, who bagged the The Lamb at Edington, and turned it into the Three Daggers.

The fate of other failing pubs may not be so secure. Ours is now a shop, welcomed by villagers despite the fact we already had a community shop which failed, attached to the once pub, which also failed. I figured it was a shame, though I might poke my snozzle in, might not, but upon a Facebook post stating it had a โ€œbeer caveโ€ I was there in 30 seconds; at least I can drink at home. One nil to affordability over social interaction.

Some pubs remain lost causes, empty shells of what they once were, some converted to flats, many ironically turned into antique shops. They can often start bringing in antiques before you’ve had time to finish up your pint! What a shabby state of affairs and I suppose I should welcome โ€œthe Clarkson syndromeโ€ of billionaire buyouts, but do we know whose mouths are we feeding when we buy a drink in our local pub? Ones whose plates are already stacked?

Oh no, herein strides another socialist wordsmith in his work boots, dribbling a peasant’s revolt rant; more Snot Tyler than Wat.

Us hoi polloi must accept we’re nourishing the already bulging wallet of a nationalist tyrant when we drink at โ€˜Spoons, but do it anyway to save ourselves a penny. Are these billionaire buyouts going to likewise offer cheap booze, when they’re located in affluent areas and alone in the market? Doubtful, even though they could potentially afford to. And if they don’t, is it fair to question their real motives for buying the places?

Are they really the heroes here? Or are they merely profiteering, extending their already plentiful wealth? Spreading their assets for tax purposes, perhaps? Don’t ask me, do I look like Mr Monopoly? I can barely afford half a soda water in these places, let alone buy the gaff!

But souls will be watered, I guess. It’s good news pubs return and that’s all we need to know. Billionaire’s would buy their way into heaven, if Mark hadn’t said โ€œit is easier for a camel to go through the eye of a needle than for a rich person to enter the kingdom of God.โ€ stop on, Mark, just because it’s your round!!


Lavington Electronica Composer Moray MacDonald Releases a Wharf Theatre Production’s Soundtrack

Some four years since his last release under his own name, Lavingtonโ€™s electronica composer Moray McDonald presents a soundtrack; the music he wrote and produced for Devizesโ€™ Wharf Theatre’s production of Kit Marloweโ€™s Doctor Faustus, which was performed back in Januaryโ€ฆ..

It was one of those rare occasions I stepped in to cover the dress rehearsal as our regular theatre critic Ian, was busy, stuffing a bucketload of Rice Krispies in the play! And Iโ€™m glad I did. I was uncertain if Iโ€™d take to director Liz Seabourneโ€™s recreation of this Elizabethan gothic black comedy, but came out of there thoroughly enthralled. The composition of the playโ€™s many components made it one of the best plays Iโ€™ve seen; the script, acting and production, yet it wouldnโ€™t have been half as spookily ambient if it wasnโ€™t for Morayโ€™s soundtrack.ย 

Image:@jenimeadephotography

They may only be nine snippets of sound, but with the music on Bandcamp at name your price, listening to it took me back to the play, and reminiscing at just how brilliantly sinister it was. Acts of Black Magic starts us off, an eerie soundscape, with harpsichord strings and jingling foolโ€™s caps, Somewhat to Delight has an unnerving medieval court jester feel to it, grinning devilishly, and then weโ€™re back on soundscapes, and Mendelssohn’s Wedding March gets a spooky underscore.

We swap from a soundscape to orchestral with each brief track, The Seven Deadly Sins nods playfully to Celtic folk dance, whereas the following Devilโ€™s Attack lends more to Buranaโ€™s O Fortuna, but all are equally unsettlingly devilish or scary faerie. If anything it displays the diversity at Morayโ€™s skilled hands, being his concentration has recently been on his Cephid project, a ground-breaking album of electronica, Sparks in the Darkness, which we fondly reviewed in 2023, and enjoyed a rare and intimate live performance of at Bath’s Rondo Theatre.


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I See Orangeโ€ฆ.And Doll Guts!

There was a time not so long ago when I See Orange was the most exciting new band in Swindon. Their latest offering released atโ€ฆ

Talk in Code Down The Gate!

What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย  Didn’t that crazy toothless editor catch themโ€ฆ

Recommendations for when Swindon gets Shuffling

Swindon’s annual colossal fundraising event The Shuffle is a testament to local live music, which raises funds for Prospect Hospice. If you’re ever going toโ€ฆ

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Pewsey Moonrakers St George’s Cross Faรงade Stays

Can we please draw a red line under Pewsey’s Moonrakers St George’s Cross facade fiasco now Wiltshire Council has u-turned on a proposal forcing landlord Jerry Kunkler to paint over it? Providing we don’t draw a vertical red line at its centre-point, yes!!

Locally It’s created divided opinion, but reaching national media has wonked the entire narrative, in which many passing causal comments are either sadly misinformed, triggered, or both. For what it’s worth, far from being a patriotic flagshagger, I support Jerry,ย  the โ€œMoonies,โ€ and their flag motif, but to understand why is to understand Pewsey, its manner, and the pub’s reasoning for doing it in the first place. Unfortunately nationwide few do, or even care to. All they see is their polarised falsehood that someone somewhere is attempting to take away their national pride; it’s pretty pathetic when you stop to think about it.

I profess this storm in a teacup really projects an equally bad look for leftwingers as well as the far right, and that’s what troubles me most. Understanding the difference between patriotism and nationalism is crucial. Holding a love and pride in oneโ€™s country is fair game, shared values, and the desire to improve it is never an issue. Nationalism, however, is a fervent, often exclusionary devotion to the nation, frequently asserting its superiority over others. To make this pride into aggression against others is the drive to xenophobia. But the bottom line is, that’s not what’s happened here and if you think it is, you’ve been hoodwinked by propaganda. I’m not even here to patronise you if you have, a lot of money has been put into it to make it powerfully persuasive.

The only defence you can reasonably put up, in my opinion, is that the pub is a listed building, and Jerry didn’t have permission to make such an alteration, for this is the only reason why it became an issue with Wiltshire Council. I get this, and sympathise, it was a bit naughty, but this is Pewsey, in the nicest of ways it’s a law unto itself, and that’s part of its charm! I really don’t differentiate between this and when Just Stop Oil harmlessly threw some red powder at Stonehenge; no permanent damage done, just paint, it’s reversible.

Justifiable I say, considering our loss of so many village pubs in this current financial hole, a landlord must do whatever they can to stay afloat, and Jerry’s had some publicity over this, hopefully The Moonrakers will prevail because of it. It has always been dubbed โ€œthe Moonies fun pub,โ€ by locals, and the boot fits. It is, as Pewsey resident lefty vegan Pants’ guitarist Fal Carmicheal suggested in probably the most surprisingly supportive and informative Facebook comment on the matter, โ€œit’s just a pub in a village where people go to watch sports on a big TV. He may be a Tory Councillor (has been for years) but he’s not a fascist, his pub isn’t a hive of NF goons.โ€

Providing some history and a few expletives to enhance his anger, Fal expressed Jerry’s family are firmly rooted in Pewsey, that โ€œhis father flew Spitfires during the siege of Malta.โ€ And continued to explain the faรงade was painted a decade ago, in support of Pewsey’s Shelley Rudman in the 2013 Winter Olympics. โ€œIt was done purely as a mark of support for various sporting events, all of which he plays on his big TV in the bar. Nobody here fucking cares that his pub has a poorly-painted red cross on it. It’s just Jerry’s pub.โ€ And that, my friends, is the Pewsey spirit in a nutshell!!

Wiltshire Council announced, โ€œThe Eastern Area Planning Committee has granted listed building consent for the retention of painted England flag decoration on the front of The Moonrakers Inn in Pewsey.

The decision was made despite the planning officerโ€™s report, which recommended the committee refuse the application on the grounds that the painting of the front of the pub fails to preserve its special interest as a Grade II listed building and its setting in the Pewsey Conservation Area.

However, after considering the officer report, planning policy, and all material considerations, the committee resolved to grant consent.โ€

Landlord Jerry Kunkler thanked all for โ€œthe support you have given me relating to the painted George Cross on the front of the Moonrakers. Permission was granted this afternoon to allow it to stay.โ€

Context is everything. This was never an intended affiliation with the far right, and after all, how is the decoration any different from a mainstream shop altering a building to advertise itself? I say common sense prevailed and wish Jerry and all at The Moonrakers the very best.


Experiencing Devizes Ways on Market Days; a Special Case for a Town of Culture 2028

Sketches and Written by Brian Edwards

If not too distracted when bumping into townsfolk and village friends, you might remember to get more of a cheese you liked or that essential part for the vacuum cleaner…..

As regular readers of Devizine will know, one of the understated pleasures of Devizes is having a wander around on market days. From the listed buildings to the independent shops, our market day wanderings are significantly enhanced by the character of the townโ€™s historic environment, and an enduring community spirit enriches the charming thoroughfares and myriad of routeways to and from the Market Place.

Farmers & Artisan Market

In 1724 the famous antiquary William Stukeley believed Devizes hosted โ€˜one of the best weekly markets in Englandโ€™. In the previous century the Wiltshire born antiquary John Aubrey thought Devizes hosted the best fish market in Wiltshire, and in the early 16th century that father of English history, John Leland, stated the โ€˜market is very celebrateโ€™. The townโ€™s Thursday market dates to at least 1609, a regular potter around market stalls in Devizes dates to at least 1228 and around the stalls at fairs even earlier that century.

Hence, those visiting the Thursday market in the present are directly linking with a tradition that has periodically been celebrated as noteworthy and has survived hundreds of years of change. And because of this, your present day experience of the cultural footprint could prove influential.

The Brittox: Devizes Jubilee Morris celebrate 2021’s ‘Devizes is Open’ event following the Covid restrictions, and Daddy Longlegs entertain on Easter Monday 2026.

A Town of Culture?

Having been ranked third among the countryโ€™s most quintessential market towns in 2025, Devizes is now bidding to become the U.K. Town of Culture 2028, which offers a top prize of ยฃ3 million as just one of a rollout of substantial financial awards. Towns must at this stage hope to have matched the relevant competition criteria to make the shortlist, which would elicit a ยฃ60,000 grant to support the development of a full application.

In addition to a famous flight of Georgian canal locks and a globally important collection in the Wiltshire Museum on Long Street, Devizes also has a reputation for a busy seasonal programme of festivals, markets and other social and educational events in addition to many places of worship, cultural hubs and active clubs. The lengthy list of cultural happenings covers anything from wildlife to nightlife and every experience from a punishing Westminster canoe race to tinsel tractor runs. The flip side is potentially overlooking something each of us does with regularity without ever thinking how rich and diverse it is in terms of a cultural experience.

Stalls in The Shambles

What might a Town of Culture look, sound and smell like?

If you are familiar with the sights, sounds and smells of a market day mooch, then you may no longer notice the familiar market day hubbub: a soundtrack punctuated by the calls, banter and chats with market traders. You may not give a second thought to the welcome and directions you offered a newbie visitor. You will though notice the music, dance and drama brought by street entertainers, and the art that may be encountered in many forms from the stalls to the windows and interiors of independent shops.

The Ginnel

โ€˜Tell us about the unique story and culture of your town.โ€™

Few will have heard of the once legally renowned court case โ€˜The Mayor and Burgesses of Devizes v. Clark,โ€™ that established the right of a jury to find a general verdict. The unique precedent from 1835 is possibly overlooked now and the butcher Jacob Clark of Maryport Street is entirely forgotten.

The gist of this court case was that Clark sold meat from his home on two successive Thursdays in 1833, when the Corporation held the right to charge butchers to sell to the public from their market stalls.

What interests us with the Town of Culture bid in mind, is not only that the Corporation established in law that their market and right to charge for stalls was ancient, but the arguments that were detailed about the civil authority customarily maintaining a safe adequate โ€˜knownโ€™ environment, where โ€˜large assemblagesโ€™ of the public can bear witness to transactions and events without travelling any great distance. It could have been written with the criteria set by the Town of Culture in mind.

The official Town of Culture requirements include a safe, supportive, nonโ€‘discriminatory environment accessible to all ages – a programme that reaches multiple audiences and offers opportunities for creative content – evidence of capacity, capability, and effective processes to deliver the programme successfully – strengthening or rejuvenating cultural and heritage infrastructure with realistic expectations. The history and modern day experience of the market in Devizes delivers all this and more.

Lilly waits in anticipation outside the bakery.

โ€˜Culture is for Everyoneโ€™

We may never stop to think about it, but a magnificent cross section of local, regional and distant communities are represented on market days. From villagers to townsfolk and tourists threading their way around, to street performers, grassroots artists and other creatively active innovators; market days welcomes them all.

Every decade within living memory is represented on the townโ€™s pavements, and anyone and everyone that isnโ€™t housebound is unconsciously participating in a market day pageant. From prams and pushchairs to rollator walkers, wheelchairs and mobility scooters; these enabling wheeled wonders of our age are everywhere to be witnessed, as are many a responsible human with their pet dog on a lead.

Just sit on any bench in the Brittox and witness how many times you are lapped by elderly phone scrollers, middle age headphone wearers and teenage skateboarders. They are not all in their own world of course: a street performer recently remarked how young people engage with the informal music in the Brittox, stopping to listen and throwing coins into a hat or guitar case.

As outlandish as it may seem then, your wanderings on a Thursday could bear witness to an experience that ticks all the criteria boxes to underpin a bid to become the U.K. Town of Culture 2028. There is surely nothing that is more inclusive, culturally rich and diverse in our lives than a weekly market day dawdle in Devizes. This cultural experience is for everyone from their pram to their very last leg and it is entirely free at the point of delivery.


Acknowledgements

Many thanks to our friends โ€˜shop indie InDevizesโ€™ for both the excellent map and much encouragement https://www.indevizes.org.uk/

Many thanks also to David Dawson, Devizes Jubilee Morris and Daddy Longlegs for their assistance. Many thanks also to all the wonderful dogs and humans that featured in doodles which were redrawn and moved around to work up the final sketches.

Brian Edwards is a Visiting Research Fellow at The Regional History Centre, UWE Bristol.


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The Voice of Hind Rajab; Film Screening in Swindon

The award-winning film, โ€˜The voice of Hind Rajabโ€™ will be shown for one night only on Monday 18th May at 7pm at Swindon Arts Centre…..

In January 2024, 6 year old Hind was killed along with her cousins, aunt, uncle and two paramedics from The Palestinian Red Crescent who came to their aid after their car was fired on by Israeli forces in Gaza City. Hosted by the Arts Centre and Create Studios, this is your chance to bear witness to the
events depicted in this heartbreaking film.

This film, which uses the actual voice of Hind from recordings made of her phone calls, received a 23 minute standing ovation at the Venice Film Festival.
Ticket prices have been kept low at ยฃ3 to encourage people to come along. Itโ€™s
important that the voice of Hind is heard. There will be an opportunity on the night to make a donation to support the people living in Gaza via the British Red Cross Gaza appeal.

There will be an introduction before the film by a Swindon based British Red Cross employee, followed by an opportunity to ask questions and share your thoughts after the screening.

Tickets are available from – The Arts Centre Box Office – 01793 535534


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Tastebud Heaven on the Canal; Sunday Lunch at The Water Gypsy

If options for urbanites seeking experiential or themed dining experiences are boundless, theyโ€™re lesser so in our rural backwaters. Yet, weโ€™ve returned from a delicious and most memorable Sunday lunch at The Water Gypsy, a working longboat pop-up licensed restaurant cruising the Kennet & Avon Canal; itโ€™s the unique and enjoyable experience you really need to sample for yourselfโ€ฆ..

In order to do so you can either check their website or social media for availability and mooring in your area, as they stop at various locations throughout the summer, autumn and Christmas seasonโ€ฆ. but chase them up and book you must! This spring season has started their third year, and its popularity is such it gets booked quickly. Until your lucky occasion, I can only try to express in words just how scrumptious and wonderful our experience of it was, and boy, it was!

Drawn to The Shed at Dulwich social experiment, where pranksters tricked TripAdvisor into ranking their shed #1 restaurant in London, to the โ€œmiddle ageโ€ scene in Monty Pythonโ€™s Meaning of Life, where Idle and Jones play an American couple dining in a torture chamber, some quirky dining enterprises can be unnecessarily extreme, some exploit desire to discover unique dining experiences rather than conform to parochial restaurant culture. Howbeit, if seeking such experiences you must, The Water Gypsy presents a most honourable, comforting and hospitable repast; Polly and Hank run the show, balance cooking with being perfect hosts, and stop at nothing to ensure youโ€™re fed in finest fettle.

Being theyโ€™re currently moored in Devizes, it was a short appetite-boosting walk along the towpath and we boarded this beautifully decorated and pristine boat, warmed by a log burner, welcomed affectionately and seated on the only communal table set for twelve guests. You could liken the reception, and the whole occasion, more to a dinner party than sitting alone in a restaurant.

Life on the canal may not always be the romantic setting of freedom preconceived, but The Water Gypsy hones on that idyllic image, glimpses into the fantastical.

Drinks are served, and you are not rushed here. Itโ€™s all finest ingredients, homemade and using local produce, which they proudly transform into tapas-style plates that celebrate sharing and connection. A grazing board, chockfull of dips and tapenade arrived, with pesto topped crostini, charcuterie skewers antipastisti with melon, avocado & prawns, Moroccan carrot puff pastry with orange and thyme syrup, and harissa tahini yoghurt, and, and, oh, look Iโ€™m no Jay Rayner, donโ€™t even sport a goatee, Iโ€™m only now aware how my tastebuds will love me forevermore!

Pescatarian and vegan are catered for, but our main courses were beef estofado, a scrummy slow-cooked Peruvian stew, and delicately sliced hasselback potatoes, sticky pork glazed in garlic and ginger, with spicy Asian broccoli, and chicken tikka skewers with tomato saladโ€ฆ.need I say more for clues to the way to my heart? Food heaven in gypsy ornamentation charm, canalside!

A perfectly baked brownie with strawberries and ice cream polished me off, though the other choice was a rather smashing looking cheese board, which Newsquest reporter Jamie opted for, and while tempted to nick his grapes, such was the hospitable atmosphere and such was the gorgeous food so beautifully presented, I thought Iโ€™d best behave!

Herein arrives the time when, in a typical restaurant, youโ€™re encouraged to get your coat, but Iโ€™ve already observed a washtub and broomhandle propped up in the corner, and identified their owners; weโ€™re in for some entertainment, and I couldnโ€™t think of anyone more apt for the occasion.

Polly wants Sunday afternoons to have an additional live music finale, and while weโ€™ve pondered some alternatives, boaters themselves, Nipper and Jellylegs Johnson drop in to tantalise us audibly the same way and with the same proficiency Polly has done with our palate. Itโ€™s a show you could never tire from, nor find fault with. The Devilโ€™s Doorbell, cheeky, quirky duo passionately recreating jazz and blues roots with homemade instruments, skiffle, bucketloads of charisma and more double entendres than Finbar Saunders remaking the entire backlog of Carry-On films.

There was an encore singalong, and with conversation and wine flowing, the atmosphere was unlike anything youโ€™d find at a restaurant. The Water Gypsy is, by very definition, the most pleasant and divine, not to mention scrummy, dining experience this side of Milliways, Douglas Adams’ Restaurant at the End of the Universe, only this one is a bit closer, just along the towpath!


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Serenโ€™s New Single; Worm

Thereโ€™s a cold remote ambience of burrowing doubt in the opening of Westburyโ€™s singer-songwriter Serenโ€™s debut song, in which, as the title suggests, she uses a worm analogy to convey shadows of diffidence. Yet, it is a breath of fresh air of resilience, and an exhaustive equilibrium in which to express sorrow and build from a simple honest riff to a sublime and encapsulating stentorianโ€ฆ..

Worm, released today, is impressive. Itโ€™s a richly layered spring-like emerge, a hedgehog poking his nose out of his winter nest. If isolation is a trap, Serenโ€™s uplifting vocals are the escape route, and in this itโ€™s a message to herself which will profoundly convex to others through association; the key to good folk music. Though, it is an urban myth that you can cut an earthworm into two and both parts will live, Seren uses the comparison to the numbness of her mood, not for dividing or multiplying herself, rather to โ€œsee if I feel a thing.โ€

A reflection on a burrowing exercise from emotional blunting, then, hiding, and waiting for a storm to emerge; this song should be that onset squall, for whilst it uses classic singer-songwriter folk hinting towards Sandy Denny or Maddy Prior influences, the beauty of Serenโ€™s vocal range melancholically penetrates through the numbness of its subject; the formula of an experienced artist, of how Tammy Wynette could woo an audience. Though Worms equally captures, it depends more on mood observation than the literal narrative of the likes of Wynette.

โ€œI wrote the song when I was sixteen, in October, a few months into starting my first year at college,โ€ Seren explained, โ€œthe song was linked to struggles with mental health that I have had around that time and before, and how it was making me feel. Itโ€™s a song that was very personal and something that will forever hold meaning for me.โ€

So, Iโ€™ve not had the pleasure of meeting Seren yet, nor seen her perform. I booked her for our double-bill with M3G for our first evening at the newly opened Fold in The Lamb, Devizes based on the strength of the few social media videos she has posted and M3Gโ€™s recommendation; theyโ€™ve worked together before. This song strengthens my faith that this will be an amazing night, for, like M3G, Seren holds a rare skill to encapsulate through honesty and fidelity to her music. You need to listen to Worm, and if you do, Iโ€™ll see you on Friday 24th April; yeah you got me, itโ€™s a gig plug, but even if it wasnโ€™t, in writing and acoustic combo, Worm is this prodigious and breathtaking!

Listening Link

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The date is set for Imberbus 2026 !

We are pleased to start 2026 by announcing that this year, we are planning to run the Imberbus service on Saturday 15th August 2026 when several vintage former London Transport Routemaster double deckers (plus a few newer ones) along with some visiting buses from other areas, will again provide a bus service from Warminster Station [โ€ฆ]

The date is set for Imberbus 2026 !

Don’t Click on Illegal Rave Rage-Bait!

The biggest risk for any media reporting negatively on illegal raves is that, in their youth, their fifty-plus target audience probably attended illegal raves themselves!

What the actual F are they trying to prove with their negative coverage of an illegal rave, when tax-dodging billionaires ripped a financial hole into the country, politicalย extremists march causing division and spreading hate, yet all seem unscathed from media assaults, and countrymen illegally hunt without concern journalists might pop out of the hedgerow with a waggy finger? That a few kids want to have a party? Really?!

Their laughable problem is, rage-bait backfires and they lose readership. Post comments on their social media shares in support of the ravers, by all means, but don’t rise to the temptation of clicking on these articles, because they couldn’t give a monkey’s arse about your opinion, they only want to feed their advertisers with blossoming stats.ย 

The Castlemorton Common Festival in May 1992 was the UK’s largest illegal rave, with an estimated 50,000 attendees, a mere fraction of the hundreds of thousands of folk who regularly ventured out to party their cares away at the peak of rave culture in the nineties. Perhaps there’s some diehards still at it, more organising events, but for the most, they’ve matured, settled into life, yet retain fond, kaleidoscopic memories they don’t want tarnished by negativity about the slim chance of a comeback!

Media platforms pathetically attempt to enrage for clickbait with damning reports about the odd slight bank holiday gathering, when the feedback suggests the reality for a majority is the only annoyance it might cause them, is that they never dusted off their white gloves and whistles, and attended themselves?!

I have to laugh at the audacity, the final irony being, when acid house parties first appeared in the eighties, there were only a handful of Ibiza-returning aficionados partying, until one invited a journalist and the newspapers exploded the scene! At first they encouraged it, tongue-in-cheek, The Sun even sold acid house t-shirts. But once the scene blossomed, out of government control, and t-shirt sales waned, they turned nasty, exploiting it with scare stories for parents to wither in fear their teenagers might be involved. It was more likely they weren’t, until they saw the newspapers, but by then it was on Top of the Pops.

It was as if they did it just to sell newspapers; who’d have flunked it possible?! Crazy to think how the press would be so callous, but now it seems they’re up to it again, and I predict adverse effects, again. The bottom line being it’s no new-fangled trend, and wasn’t back when; for as long as mankind has been on Earth, they gathered tribally to dance to hypnotic beats, and didn’t need TicketSource to do so.

There’s nothing for younger people to do in the cesspit we call โ€œprogress,โ€ and just as it was back in the nineties, if they want to ensemble, gather freely for enjoyment, make the most of what little freedom they retain building communities, friendships and celebrating their time alive, then so be it. Open your eyes and look around;  there’s far worse they could be doing.

So, journalists, get your own life, and quit jumping on their backs for hits โ€ฆ..please share this article if you agree with this hypocrite writer, or give the codger a chewing gum, bottle of water, and send him off to the fantastical utopia of blissful yore swishing in his mindset!!


Devizes Music Academy returns with uplifting production of Sister Act!ย 

Devizes Music Academy is set to bring joy, energy and a whole lot of sparkle to the stage with its latest musical theatre production,ย Sister Actย later this week…..ย 

Following the outstanding success of previous productionsย SIXย andย Everybodyโ€™s Talking About Jamie, the Academy continues its run of ambitious, high-quality youth theatre with this feel-good favourite, based on the much-loved film.

Sister Act tells the story of Deloris Van Cartier, a nightclub singer who is placed in protective custody in a convent after witnessing a crime. What unfolds is a heartwarming and often hilarious journey of friendship, transformation and finding your voice – all set to a vibrant score inspired by disco, gospel and Motown.

Directed by Jemma Brown, with her team Sarah Davies and Teresa Isaacson, the production showcases a cast of talented young performers who have taken on an extraordinary challenge – learning their lines, music and choreography in advance, and bringing the entire show together in just five days. They are performing the show in the round – where the audience surround the stage – itโ€™s a truly exciting project. 

Jemma said, โ€œThis show is just full of joy. Itโ€™s bold, uplifting and all about finding your place and your voice, which feels incredibly important for young people. What always amazes me is what this group achieves in such a short space of time – the commitment, the teamwork, the energy. Itโ€™s genuinely quite special to watch it all come together.โ€

Ruby Phipps, who plays Deloris and previously appeared inย SIXย andย Everybodyโ€™s Talking About Jamie, said, โ€œIโ€™m absolutely loving being part ofย Sister Act. Deloris is such a fun role to play, and the music is just incredible. What makes it really special though is doing it with this group – everyone works so hard and supports each other, and it all comes together so quickly. Itโ€™s such a great experience.โ€

At its heart, Sister Act is a story about community, acceptance and individuality – themes that resonate strongly both on and off the stage.

The production also highlights the powerful role the arts can play in young peopleโ€™s lives, helping to build confidence, resilience and a strong sense of belonging.

โ€œIn a world where it can sometimes be hard to see the positives, this show is a reminder of what young people can achieve when they are given encouragement, belief and the chance to shine,โ€ Jemma added.

With a brilliant cast, an infectious soundtrack and a huge sense of fun,ย Sister Actย promises an uplifting night of theatre for audiences of all ages. And the Academy is already looking ahead, with plans to take on the iconicย Les Misรฉrablesย next year.

Sister Act Jnr is at Devizes Corn Exchange on Friday 10th and Saturday 11th April. Tickets: www.ticketsource.co.uk/dma or from Devizes Books.


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Three Crowns, One New Stage, and a Fake Family

Easter 2026: I could speculate The Three Crowns was still the place to be in Devizes, but thought it best to check! I’m not the gathering-shit-from-Facebook type journalist, pal, I’m the milkman who needs an unwinding cider or six on a Saturday. I took matters into my own hands; things I must endure for the cause of investigative journalism!

Three-piece Trowbridge punkers Marty’s Fake Family were second on the new south-facing stage, The Reason rocked it first, on Friday. Landlord Simon explained the sound now projects into the carpark causing it to be less of a neighbourly nuance, but, while the space might be more confined, it gives lift and stance to the performers, and marks a boundary so equipment isn’t at risk. Waddies are spending money on this establishment, there is no reason to wonder why when you attend.

Marty’s Fake Family know which buttons to press; they’ve played here before, and what they do fits like a glove. They kick off as they mean to go on, fiery rock with embers of their metal and punk roots, and giving it 200%. Though, they mellow early for Snow Patrol’s Chasing Cars, jesting it’s the only ballad they do. If we’re being eased in gently it remains loud and proud, though the crowd is slighter, and older; the age demographic dips at 10pm and the pub fills to bursting point. Millennials and Gen Z are economically conditioned, I guesstimate taking advantage of Spoons’ prices and moving on to where the action is when sufficiently wobbly.

And The Three Crowns know exactly how to play it. A young friend of my family perfectly summarised; “there’s nowhere else to go in Devizes.” Technically there is, yet the Crowns appease them with an efficient cashless bar, and comfort food, appetising burgers and wings. But the central attraction is a lively covers band to which they can sing along to timeless pop classics, loudly, and party surprisingly civilly compared to youths of previous generations. Some take Scissor Sisters’ advice and take their mammas out all night, but age is meaningless for Three Crowns regulars, the vibe fits all.

Marty’s Fake Family absolutely rocked the crowd with bells on. They’ve been doing similarly proficient shows locally for eight years. If you want your venue/event to be a library-esque original music appreciation society, avoid them as theyโ€™re living and loving it in the cover band moment, and Martyโ€™s Fake Family needs 1.21 gigawatts of electricity to operate their flux capacitor; great Scotts, what a night; The Three Crowns can produce the power requirement!

Like Busted and McFly, bassist Dan confirmed their namesake relates to Back to the Future, and explained they started with metal intentions but, tongue in cheek, wanted to do Abba songs. โ€œThe rest of the band thought it was a shit idea, but it stuck,โ€ he told me… before running off to the loo at breaktime.

Their repertoire spans like the Tardis, anything from any era crowd-pleasingly loud, and they do it with zest and punk passion. So, tunes like American Idiot and Teenage Dirtbag need no adaptation, Blur’s Song Two, All Sit Down by James, and The Cranberries’ Zombie guaranteed to excite, alongside eighties rock, ZZ Top, Sumner of โ€˜69, et al. But they’ve rabbits in their hats as the evening progresses; punky versions of Abba, Eurythmics meld into Noah Kahan’s Stick Season, and return to Sweet Caroline proclaiming to walk 500 miles and every other crowd-pleaser youโ€™ve no need to request; there’s even a rock n roll medley finale. They tick every cover band box, stamp their authority, and certainly seal my approval.

Seems the Three Crowns retains their everyday staple entertainment status quo in Devizes, has been top of their game for some time, and show no sign of letting up. Perhaps we need to award at least one more crown to its name for sustaining this dominion; four, five or even six Crowns maybe?!!  


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IDLES’ at Block Party

With their only UK shows of the year quickly approaching, the 1st and 2nd August will see IDLESโ€™ and music festival Block Party take overโ€ฆ

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The Makers Exchange; DOCA Call to the Creative

Thimbles on standby, Devizes Outdoor Celebratory Arts are calling all creative craftspeople and makers to their new project, The Makers Exchange. Itโ€™s a new craft market celebrating the South Westโ€™s most skilled makers, and it will take place at the historic Devizes Corn Exchange on the 23rd and 24th Mayโ€ฆ..

The event offers visitors the chance to explore a vibrant marketplace of contemporary craft, meet the makers behind the work, and experience live demonstrations and workshops. 

Across the weekend, the Corn Exchange will be filled with beautifully presented stalls featuring ceramics, textiles, woodwork, jewellery, clothing, and homewares, all designed and made by the makers themselves.

Highlights include live demonstrations by Marion Wright, renowned for traditional signwriting and decorative painting, and Amy Whittingham, whose bold, chunky glass chains feature separate, moving links, cast individually through a fascinating process.

The weekend begins on Friday 22nd May with The Ideas Exchange, an informative evening gathering for creative people featuring a talk and demonstration by knitwear designer and farmer Katie Allen of Cotmarsh Farm, followed by drinks and conversation.

Visitors will also have the chance to engage in hands-on experiences, including a drop-in cyanotype printing area by Bloemen & Blue, with proceeds supporting the marine conservation charity Surfers Against Sewage.

On a crafty mission to bring high-quality, community-focused arts to Devizes and the surrounding area, DOCA presents professional indoor and outdoor arts experiences, creating participatory opportunities working with local, national and international artists.ย 

The Makers Exchange is a celebration of contemporary craft in the South West, bringing together the regionโ€™s finest designer-makers. The event is designed to connect makers and the public, offering an immersive experience where visitors can see skills in action, try their hand at creative techniques, and take home beautifully made, unique pieces.

Rowde’s printmaker Hannah Cantellow

The makers include, Marlborough knitwear designer Katie Allen, Plymouth glass artist Amy Whittingham, signwriter Marion Wright, Bath Sashiko tutor Jessica Way, Bristol woodworker Geoff Hannis, Bromhamโ€™s cyanotype artist Libby Mornement of Bloemen & Blue, Wiltshire Spinners, Weavers and Dyers Guild, and members of the Guild of Traditional Upholsterers.

But, whoโ€™d thought it, Rowde is the creative cradle, with three makers featured in the event?! Rowde’s printmaker Hannah Cantellow, lampshade maker Aimรฉe Alice Payton, and cabinet maker Thorn Smith. Seriously, I better polish up on my Fuzzy Felts!

The Ideas Exchange on Friday 22nd May runs from 6:30-9pm at The Peppermill Hotel, and is ยฃ10. The Makers Exchange is at Devizes Corn Exchange from the 23rd and the 24th May from 10:30 to 4:30pm, and costs just two pounds, with children going free.  

For full details, workshop bookings, and tickets, visit:


Frome Celebrates the Life of Phil Moakes with Fundraiser at The Cheese & Grain

Fromeโ€™s Cheese & Grain will host a celebration of the life of local music promoter Phil Moakes, who sadly passed away last July, aged just 66โ€ฆ

Party at the End of the World will be on Sunday 10th May and will be a special event in celebration of Philโ€™s life, alongside his family and friends. The evening features a fantastic line-up, including The Utopia Strong, Arch Garrison, Richard, Chantelle & Amy, Kavus Torabi, Thee Jolly Rotter, Hodmadoddery, and Sara Vian, and will be hosted by Martin Dimery.

Kavus Torabi fronted Gong, one of Philโ€™s favourite bands, The Utopia Strong are from Glastonbury with professional snooker player Steve Davis, and Sara Vian was one of many presenters at Philโ€™s Visual Radio Arts project. 

Phil Moakes was a keen musician, and played keys in local bands throughout the seventies and eighties, including The Replacements and Wasted Space. For Frome he would become not only a legendary music promoter and media broadcaster, but a prominent community leader advocating the arts. He served as a Somerset County Councillor, founded Frome FM, and was a former Chair of the Cheese and Grain Board of Trustees.

โ€œPhil played a pivotal role in the development of the Cheese and Grain,โ€ a spokesperson for the Cheese & Grain said, โ€œand was instrumental in securing the venueโ€™s long-term future during some of its most challenging years. His dedication, leadership, and belief in the venue and its staff helped shape it into the vibrant cultural hub it is today.โ€

Phil Moakesโ€™ last vision was a project called Visual Radio Arts, which started as a Frome FM project in 2016, and independently branched out to create promotional gig videos for artists from Fromeโ€™s Old Fire Station. It was in 2021 when I first met Phil, having relocated with his family to Royal Wotton Bassett, he had moved the studio to Bath Road in Devizes.

In the lockdown era musicians took to streaming gigs from their homes, often amateurly and with varying results. Visual Radio Arts offered a professional option, to capture bands live, akin to The Old Grey Whistle Test, and many artists took up the offer to perform.ย 

Being new to the area, I think Phil wanted me to suggest local acts who might like to be hosted on Visual Radio Arts. Anyone I namedropped were already on Philโ€™s radar, but it didnโ€™t stop us having a passionate and lengthy chat about the local music scene. Questioning Phil on the financial structure of Visual Radio Arts was all quite vague; it seemed his only motivation was the promotion of the musicians.

โ€œWe remain profoundly grateful for Philโ€™s vision, support,โ€ The Cheese & Grain continued, โ€œand the lasting legacy he leaves behind, not only within the Cheese and Grain, but across the wider Frome community. In celebration of his life and in honour of this legacy, all funds raised from the event will be donated to support the vital work of Fair Frome.โ€ 

Fair Frome is a foodbank charity offering sustainable services and support, raising awareness of the issues of poverty across Frome.ย 


All Together Ooky; Addams Family Musical with Devizes Musical Theatre

Whether you’ve a bizarre inclination to meet the Addams Family in the flesh and figure this might be your closest opportunity, you couldn’t think of anything worse, or you’ve absolutely no opinion on the matter whatsoever, Devizes Musical Theatre’s Addams Family Musical is a must-see!

Invited to the dress rehearsal yesterday, The Addams Family Musical opens tonight, Wednesday 1st, and runs to Saturday 4th April, at Dauntseyโ€™s School, and I can confirm it’s creepy, kooky, mysterious, spooky and absolutely brilliant. I left delighted and more charmed than spooked.ย 

The Addams Family began as a panel in the New Yorker by Charles Addams, a cartoonist alleged to be nearly as weird as the characters he created, but it was the gothic sitcom of the sixties which most will fondly recall, and Barry Sonnenfeldโ€™s nineties movie adaptations brought them into contemporary culture.

The popularity of a recent television spinoff about the family’s daughter Wednesday fares well with the timeliness of this production, especially being the story of this musical centres around Wednesday coming of age too. Within the beloved setting of the Addams Family franchise, it follows a classic musical plot of forbidden love with a happy ending.

It tells of losing inhibitions and that love is calmly discussing your differences. But, no more spoilers from me! Rest assured you’re in capable hands, because the casting on this is impeccable, and its appearance is the best weโ€™ve seen so far from Devizes Musical Theatre; itโ€™s a ghoulish visual feast.

I couldnโ€™t pick a favourite part, they were all exceptional. Gary Robson makes a convincing Gomez, the father, but Dolly May was born for the part of his wife Morticia, it would seem, and the chemistry between them was magnetic. Likewise for Wednesday, played so utterly wonderfully by Grace Sheridan, and the object of her desires, Lucas, in which Oscar Thorley played with superb ease; if Oscar is his name, well, he should win one!

In contrast to the family traits, Lucasโ€™ parents Lucy Burgess and Simon Hoy presented them with professional quality, particularly when their influences are altered by the course of the narrative. Then you have the steadfast extra family members, pouring the comedy into it, such as the Grandma, Debby Wilkinson, whose haunting cackle alone would be plentiful for comic effect, without the need for her grinning smirks and ambling around the stage.

Cameron Williams plays Frankensteinโ€™s Prometheus butler Lurch, who is still amazing, despite having nothing but a growl, because thereโ€™s a twist, at the end, and Iโ€™ll say no more. The troubled son Pugsley, played with magic by Georgia Saunders is key to a plot twist, and is so convincing in the relationship with his sister, she may as well be a sibling to Grace.ย 

Attending a dress rehearsal has slight differences to the actual show, one thing you wouldnโ€™t see at the show was when, at the interval, Ben Griffiths-Mills, who plays the disturbingly innocent Uncle Fester, came to address the director Lyn Taylor, who happened to be sitting beside me. The Addams Family is more music and fun than spooky, the most shocking part of my evening was not in the show, rather when Ben spoke in his normal voice to Lyn, as I was so utterly convinced by his sublime performance as Fester, I expected him to speak with the quirky high-pitched accent of Fester! And this sums the experience up, so credible it is, I had to remind myself these were actors in character; in that, Thing wasn’t wandering around the school at night, and if forced to pick a favourite, Uncle Ben Fester would probably be it!

Such is the attention to detail, I reveal thereโ€™s not just a random collective of excellent dancers too, but theyโ€™re separate characters of the ghostly ancestors the Addams have venerated, and each dances around their crypts according to their back stories and fate; the program identifies them, and the cast highlight the show.

Iโ€™ve mentioned the dubious double-meaning of the word โ€˜amateurโ€™ used in the term โ€˜amateur dramaticsโ€™ before, being a noun for โ€˜unprofessionalโ€™ doesnโ€™t necessarily mean the subject it refers to is โ€˜rubbish,โ€™ as second definitions suggest. I did so in a review of a Devizes Musical Theatre production, because, while everyone volunteers, the standard, attention to detail, and production values are so high you could assume youโ€™re at the West End. This notion has never been more relevant than with their latest production, The Addams Family Musical; if youโ€™re going, youโ€™re in for a treatโ€ฆand definitely not a trick.

When people come to see ’em, They really are a scream, The Addams Family may not have the same box office clout as Devizes Musical Theatre producing a Disney fairy-tale; thereโ€™s a few tickets left for a performance which usually sells out. Do not be distracted by the quirky choice of production, as this was DMT at their very best.


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Katie Hopkins to Reopen Devizes Cinema in May

Picturedrone, the new owners of the old Palace Cinema in Devizes announced today that the cinema will have a grand reopening as early as May, and media personality turned controversial comedian Katie Hopkins has accepted an invitation to cut the ribbon on the newly renovated establishmentโ€ฆ.

May is set to be an exciting time in Devizes, when the cinema will finally be reopened. We are told the work is near complete and the company plans to reopen in May, though an exact date remains unconfirmed. The townโ€™s only cinema closed in July 2021, with broken promises to reopen under new management. But the new owners, Picturedrone Cinemas, met spiralling costs with the extensive refurbishment. The good news is, The Wiltshire Reform Party has stepped in to help fund the project.

Aiming for a traditional, multi-use, Roman Colosseum styled venue, the cinema will also house the Wiltshire Reform headquarters and provide them with a space to hold popular conferences and rallies. Flagpoles will align the Market Place outside, restoring pride in our country and providing dogs and drunks with somewhere to relieve themselves. They really have thought of everything, even the reintroduction of white dog shit.

Harmless and loved by all, Katie Hopkins is expected to deliver one of her hilarious hate speech comedy routines before she cuts the ribbon and Devizes cinema will be open once again, to patriots and Brexiteers only. Then there will be a screening of โ€œMein Kampf: The Movie,โ€ an animated cartoon adaptation of Reform’s beloved bible, aimed at children.

โ€œWe’re eternally grateful to the Wiltshire Reform party for their donation,โ€ a spokesperson for Picturedrone said, โ€œI mean, who needs equality, basic morals, Trowbridge’s Oden, or a health service, when you can stuff hotdogs while watching โ€˜1000 Men and Me: The Bonnie Blue Storyโ€™ on the big screen, in the comfort of your own town, yell abusive gibberish and puke Wetherspoons lager into your popcorn?โ€

A spokesperson for Wiltshire Reform said, โ€œwe’re making cinema great again. It will be like the good old days of British cinema, Zulu, Dad’s Army and The Black and White Minstrel Show. There will be snogging and fingering in the back row, and chewing gum will be squashed into every chair. Their springs will jut out of the material piercing every bottom; just as uncomfortable as our make-it-up-as-we-go manifesto. And of course, you will be allowed to smoke cigarettes inside, in fact, that’s compulsory.โ€

โ€œIf you visit the cinema in Devizes you can rest assured your family will not be exposed to dangerous leftie woke films. They will not be shown. No films of forced diversity, gendered power shifts, anything by Mark Ruffalo, or any containing boats, save perhaps โ€˜Titanicโ€™; just films with good old traditional family values, like โ€˜Showgirlsโ€™ and โ€˜Lolita.โ€

The Ivana Trump biopic The Apprentice will be the first film screened at the reopened cinema, and is expected to attract huge interest.

A spokesperson for Devizes Town Council told Devizine they think this is, โ€œa great initiative and an asset to our town.โ€ They continued to express their delight and said, โ€œI’m looking forward to the cinema reopening and inviting Danny Kruger back to Devizes so I can kiss the hem of his petticoat in the dark. We’re grateful for Reform’s contribution. I think all Devizes Town Councillors should show their gratitude by switching their chosen party affiliation to Reform, and if they don’t, I’ll ban them from my popular Facebook page, or call Donald to carpet bomb the town, thus liberating our people from the oppressive regime of The Devizes Gardens, or Guardians, or whatever stupid name they call themselves.โ€

Devizes wet wipe residents active on the Devizes Tissues (but bitter) Facebook group are said to have โ€œshot their loadโ€ upon hearing the news about โ€œsexyโ€ Katie Hopkinsโ€™ appearance, as excitement builds for the town’s many gammon flagshaggers. Bert, a local fake profile, deliberately provoking poll maker and anchor with a capital W is said to be โ€œbesides himself,โ€ likely because no one else would.ย 

Hopefully, by next April Fools Day a visit to the cinema in Devizes will be a usual occurrence, and we will all be marching there in Nigel Faragรผhrer football kit uniform. Thank you, Reform, and the Russian oligarchs who are gaslighting your fascist propaganda. I’m so happy about the cinema and its โ€œfree fagsโ€ policy, and, being as thick as a Hungry Horse’s Big Plate Special slice of gammon with the political awareness of a small pickled egg, I’m voting for you now.


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