debby wilkinson – devizine.com

That preview covers the basic premise and storyline of the play, and its societal equivalences to modern society. Its a rags-to-riches, riches-to-rags, rags-to-rags and riches-to-nothing story of five women who in their pursuits of idolatry, social climbing and wealth, and escaping the oppression of men, all in their own way achieve their aims – mainly – but are still left oppressed by the patriarchy.

Doll Common retains a semblance of normality but as a drudge to everybody – including other women – she neither improves nor worsens her lot. Rebecca Marshall full of confidence and panache during the story finally sees herself ruined by slander at the hands of the nobility – who also do the dirty on Elizabeth Farleigh who from lofty pretensions , airs and graces, descends to the gutter, abandoned. Nell Gwynn (yes – THAT Nell Gwynn) in many ways truly “makes it” – but at the cost of abandoning any independence and thoughts of fulfilling her dreams. And finally there is the matriarch of the group, Mary Betterton, who crashes from doyen of the theatre to a housewife, rejected in her middle age by her most dearest.

Director Debby Wilkinson in this debut performance for her new theatre company “3^rd Third Theatre” has created a black box presentation focussing all attention on the actors, the characters and the story. It’s stunningly effective – less is more as they say – as with subtle lighting, and sound alone the action is embellished in this captivating and intimate portrayal of women’s experiences across all time.

Her cast is simply sublime; every member plays their role to the utmost excellence. In no particular order as they are all equally wonderful, Louise Peak drudges through Doll’s interactions with not a little humour subtly delivered as she plays her cynical underdog role. Sophie Kerr as Elizabeth Farleigh is cool and classy and haughty until undone and her transformation to a guttersnipe is seamless.

Wendy Dophiede as Mary Betterton portrays Mary’s self assured, slightly unworldly, diva drifting into obscurity, disbelief and self doubt smoothly, from self assurance to horror at her demise. Grace Sheridan captures the cheeky London orange seller, Nell Gwynn, whose social climbing reached the highest ranks of the land whilst retaining her charm and fun, and that twinkle in her eye, later resigned to her fate as a kept women to the King. Freddie Underwood completes the cast with her stunning portrayal of Rebecca Marshall, sassy, fun loving but ultimately ruined. A true cast of cohesiveness, bringing April de Angelis’ play to life.

by Ian Diddams

images by Simon Hoy

This tragi-comic play, set in 1660s London, focuses on the first English actresses allowed on stage after the Restoration. It explores the lives, struggles and camaraderie of five women navigating a male-dominated world, dealing with sexual exploitation, ageing, and the fight for artistic freedom. Bawdily funny yet profound, Playhouse Creatures explores the pitilessness of ageism and the need for economic independence. The play highlights the harsh realities of the early theatre scene, where actresses were often seen as ‘animals’ or ‘creatures’, rather than respected professionals. [ 3rd Third Theatre ]

While April de Angelis’ play is – as above – set in the second half of the seventeenth century, and there are mentions to historical events of that period – the beheading of Charles I, Charles II, the plague, the Great Fire of London – as well as references to the contemporary theatre still of Shakespeare – nonetheless the real messages and contexts of its story are universal throughout time, including the present day. Its really about the patriarchal oppression of the female of the species, and only somebody that is living in a cave could fail to recognise that these women’s struggles are reflected in issues facing women almost four hundred years later than the play’s timeline. And then within those broadest of divisions, are portrayed further social demographics between the women of the story… of class differences.

Some of the characters are actual historical figures, others a melange of types, none more so than the nominative deterministically named Doll Common. Played by Louise Peak, she represents the working class and is an everywoman – cleaner, dresser, messenger et al

Elizabeth Farleigh, played by Sophie Kerr, is a societally acceptable woman, somewhat disdainfully interacting with those she sees as beneath her social position. However, she falls from grace and ends up as one of the under-class she previously showed open contempt for. Mary Betteton, delivered by Wendy Dophiede, is the matriarch of these women – a long-standing actress of note and phenomenal palmarès, whose husband ran the theatre they performed in… and who fell from her pedestal when replaced by younger, prettier actresses.

Nell Gwynn, portrayed by Grace Sheridan, probably the most well known today of the characters portrayed is a rags to riches story of commoner to leading actress and eventually a kept woman by King Charles II, while Rebecca Marshall, represented by Freddie Underwood, uses her connections as an actress to socially climb by marrying an Earl… to end up shunned by society as she is first tricked by a man, and then accused of a heinous crime.

Five women, all under the control of men, trying to escape their lot… and all in differing ways ending up still oppressed by the patriarchy whether they rose, fell or trod water in life

Five women, five stories, loosely intertwined. “Playhouse Creatures” is so much more than just five timelines though. It is funny, shocking, dramatic, poignant. These five actors and director Debby Wilkinson have together brought a black box performance to life, in the debut performance by new kid on the block, “3rd Third Theatre”.