Pride month finds me wondering if Pride events are actually needed more in our smaller market towns where awareness and acceptance is perhaps lesser than in larger towns where diversity is tolerated more, but Prides are already established. Then I ponder deeper, if that’s even an accurate statement, and if it is, why many small town Prides seem to barely bathe a little toe in the water, or fizzle out after they doโฆ..
From Bronski Beat’s poignant Small-Town Boy video to Little Britain’s โonly gay in the villageโ running joke, culturally there’s always been a consensus that anyone LGBTQ+ could fair a better life, even safer, in an urban environment. Ergo, while Prides may thrive in cities, in the sticks it’s harder to organise them effectively.
Add to this the economic downturn causing an increasing risk for any free event, the terrible notion with a rise of far-right philosophy infiltrating our councils, with negative tendencies towards Pride, pushing through permissions and gaining support for Prides might sadly lessen, particularly in sparsely populated areas with a minority of LGBTQ+.
While Pride in Bath is relatively new, and like Swindon Pride, happens in August, Salisburyโ Pride has events every weekend in June with a family gathering at Sloan Park on the 6th and Juneteenth on the 20th at The Bell Tower Green. However, Swindon Pride began promoting their events in June, this year seeing an inclusive virtual walking challenge. Pride is changing everywhere and offering alternatives to a carnival-style event.
Influenced perhaps by former mayor Declan Baseley, Chippenham holds very elaborate Prides, this year over the 13th-14th June weekend. But Nathan of Trowbridge Pride explained they were forced to reduce theirs to bingo evenings and pop up stalls. โWe are in need of new volunteers to help bring our planned full sized festival to our town park,โ he said.
My concerns for rural Prides stemmed from a Facebook post on a Marlborough group, gauging interest for a Pride there. Well, Pewsey held a Pride for a few years, but a spokesperson for it told me it’s now reduced from a โfull dayโ to a drag cabaret night, which is on 12th September.
While Calne have maintained theirs, and it’s this weekend, I cannot find anything on one in Melksham, and though Devizes held a few in previous years, due to the operation now running with one solo person, Oberan told me large-scale events are on hold. Itโs great to note, though, this saddening trend is bucking on the canal, as boater community Floaty Boaty offers a Pride Parade & Picnic at The Bradford-on-Avon Wharf on June 20th.
Motivation might also be a factor for Prideโs decline. It must be disheartening to arduously labour over an event where the attraction for it is in the minority and organisers worry it cannot escape its niche. Whilst heterosexuals with an open mind might feel welcome at a Pride, I consider they’re lesser living rurally, compared to those who really need to reconsider their views on the matter. The numerous social media reactions to our article on if Wiltshire Council should fly the Pride flag suggested there’s many locally who do.
Comments flooded in on it, either airing views that they shouldn’t, generally using reasoning that whilst they’ve nothing against homosexuality, it’s not for councils to condone it, and counter arguments accusing them of homophobia. In fairness, aside from the irrelevant but expected patriotic flagwaving comments, in some suggestions where they didn’t want โtheir face rubbed in it,โ conveys they’re either unaware of their ingrained homophobia, or they have the necks of giraffes, for how else could you rub someoneโs face into a flag atop of County Hall?!
But our Pewsey Pride spokesperson provided a surprising alternative, saying โI have actually found that some of the gay community in our village are the ones who oppose it the most. They say they donโt need a “day” or “event” to celebrate who they are, and they just want to integrate into the community.โย
If Pride is subjective, even for the LGBTQ+ community, and, I feel, in many circumstances itโs doubtful some leopards can change their spots, it is also clear many wish to celebrate the progress made, and being itโs taken the best part of 500 years to move from hanging gays, through imprisonment and from post illegality riddicle and hate, to an era where no one bats an eyelid to see same sex parnters on a TV game show, but social media holds a smoking gun for a gradual regression, I think itโs worthy of celebration. But, we know progress can often be slower in rural areas.
Does this make Prides in rural areas even more essential than urban areas? Or would it be better for those in rural areas to put their efforts and resources into assisting in larger townsโ established Prides, or forming collectives to host Prides each year in a different town within their group?
โI think combining prides is a great idea,โ our spokesperson for Pewsey Pride agreed, โas itโs really hard to maintain our biggest issue; we are only a small village and finding the funding/sponsorship is really hard. We can’t put on events without it.โ Although they praised a partnership with Pewsey Carnival, โthey help with liability insurance, etc, which can get frowned upon, that we aren’t solely a Pride event, but we couldnโt do it without their help.โย
For encouraging other organisations to assist, especially those with a majority of straight members, a starting point could be to confirm Pride is inclusive, express the reasons for having Pride, and if any take precedence over the others. The conflicting two intentions must surely be: is Pride’s celebratory element paramount above raising awareness and attempts to cause heterosexuals to think differently? The former might cause criticism that itโs not inclusive for all, even though it is, and this, shamefully, answers the latter.
For heterosexuals, if attending a Pride allows them to walk in anotherโs shoes, itโs surely valid. Being straight, pondering all this found me reflecting personally, recalling a time that I did experience something akin to what it might feel like to be gay in a tight community complete with homophobes; the impact of isolation when I moved from suburban Essex to a Wiltshire village at thirteen. I was not made to feel welcome by many, because I was different. Culturally I was an outsider, and often treated with mistrust or ridicule, even threatened.
It may have been only a taster, not nearly as serious as issues gays have to deal with daily. Being Iโve integrated, I could shrug it off as tribal immaturity, call it water under the bridge, but in consideration, if it continued till this day, I must suppose it would affect me psychologically.
As (mostly) adults, urbanites might bellow out homophobic abuses unperturbed, as itโs a built up area youโre less likely to be known, whereas country folk in smaller communities might be more selective in mannerisms, to their face, but hold deeper and darker negative values bottled up and only exhausted privately between those likeminded.
Then I wonder if talking behind your back is possibly more upsetting, humiliating and damaging than someone throwing abuse directly at you? Either way, it’s why we need Pride, and we need Pride, in some format, be that wellbeing seminars and community building workshops rather than an all out carnival, in our rural areas equally, if not more.
The Devizes Arts Festival is now in its 40th year and, as ever, seems to be in robust health.ย Marking the anniversary with 30 wide-ranging events across two weeks in several venues in and around the town, hereโs yet another example of D-Town continuing to punch well above its weight in the area of the Arts…..
Whilst there are lots of big, headlining events (see link below to DAFโs website), thereโs lots of other more intimate, and interactive, things going on too. Because itโs not just big bricks you need to build a wall, itโs the quality of the mortar to bond those bricks into something really solid. The theme, if there is one, of many of these smaller events is about getting involved or โhave a goโ. Well Devizine, as you lovely people well know, is always up for a bit of a challenge, so I thought Iโd pitch in to three literary-type events this week. Being no stranger to the publishing world myself, I decided that, apart from listening to one of the UKโs most prolific fiction and screen writers, Iโd cast an eye over two things Iโve previously had a go at myself โ memoir-writing, and ghost-writing. What could possibly go wrong? You never know โ I might actually learn something.
First up on Monday was Bath Spaโs Steve Tuffin, who led a very practical class on how to go about writing a personal memoir, or indeed how to approach any form of creative writing.ย Surrounded by some wonderful sepia-tinted historical photos on the walls of the Cheese Hall (plenty of subject-matter there), Steve led an engaging session. In what could have been a dry, dusty and boring subject (rather like my good self), Steve presented a very lively, interesting and, yes, absorbing couple of hours.ย Apart from some great tips, techniques and tools, there was plenty of good discussion and three different short practical writing exercises.
One of the interesting debates, especially in the light of modern politics and celebrity โvoicesโ, concerned the cross-shading between factual/ absolute โtruthโ and the personal/ relative viewpoint of โmy truthโ. The stories weaved by Trump and his cohorts, Raynor Winnโs โThe Salt Pathโ and the Harry/ Meghan psycho-drama, are all evidence enough that โmemoirโ and โmemoryโ can often be poles apart, thus melding the different worlds of fact and fiction.
Steve cantered through a number of techniques (starting small, finding your voice, controlling the speed, being brave, reading out loud, finding a way in etc), but the key lesson that came out time and time again was the need to โpostpone perfectionโ: get what you want to say down on the page as quickly as possible, then re-draft (many times), edit, and polish. Clearly a technique that we at Devizine have already (ahem) been practising for many years!
Later on Monday evening, the venue switched to much larger Corn Exchange, where a lively audience of about three hundred turned out on a rainy night to hear Becky Grey interview the prolific and versatile author and screen-writer Anthony Horowitz.ย Responsible for writing scripts for Midsomer Murders, Foyleโs War, as well as the Alex Rider teen spy series, two modern Sherlock Holmes novels and three James Bond continuation novels, Horowitz is no stranger to hard work and all the tricks and tools of fiction writing.ย
Becky didnโt have to work too hard to get the man talking: Horowitz proved to be a loquacious and captivating raconteur. He had plenty of anecdotes and examples to give, peppering his replies with humour and witty asides. Having known he wanted to be an author since the age of ten, discovering that he had both the right skills and a vivid imagination, he was soon set upon the career which has now made him famous. Declaring himself a great fan of Agatha Christie and her skill at plotting, by planting the clues to the โsolutionโ but without giving away the answer before the very last twist, and deliberately laying false trails, Horowitz showed himself to be entirely engaged in, and engrossed by, the techniques of the popular fiction-writer.
His line on the use of AI was that it was a useful, but a clearly limited tool, to be employed with care and discretion, and to understand its limits. He said that he used AI simply as a research assistant, a search engine to fill in the gaps, simply to save time on researching factual background information, but never to do any actual โwritingโ that could end up in any of his books or scripts.
And that knotty subject that had emerged during the earlier session in the afternoon, the frequent non-alignment between โmy truthโ and factual reality, came up again for some more analysis. The Trumpian world-view, together with a brief commentary of the recent Sturgeon/ Murrell embezzlement fandango were subjected to some light-hearted, but laser-sharp, critique.
Horowitz revealed that he had no set daily โroutineโ for his writing, that he was useless at reading his own work (for audiobooks), that โcosy crimeโ was a misnomer (because murder is too horrible to ever be cosy), that he canโt write poetry or romance (his wife had told him that he could never write about a subject that he had no experience of), and that over his career he had systematically killed off every single character who had ever been nasty to him (well, their fictional personas at least!).
After the 45-minute session, Becky opened the floor to audience Q&A for twenty minutes, after which there was plenty of action out front at the book-signing session. Overall, a very entertaining and engaging evening from an author at the top of his game.
Finally (on Tuesday afternoon), to complete the final layer of this sandwich of literary delights, I turned to BBC Sportโs Becky Grey herself.ย In an event sponsored by Wadworth, and held in the wonderfully historic surroundings of Devizes Museum, she spoke about how she had started her career in ghost-writing books and newspaper columns for celebrity sports stars. And the answer was โ almost by accident. She zig-zagged her way towards it until, like Anthony Horowitz the previous evening, she suddenly discovered that she had a flair for writing, and that her subject-matter (sports and sports-people) was totally engaging. She seems to have never looked back.
Becky talked of the various sports personalities sheโd worked with, and took us through the steps and techniques for tackling that kind of work. Interestingly she hit many of the same themes and techniques that Steve Tuffin had mentioned the previous day (including just getting the first draft down on paper, refining and editing, picking out the real story etc). In answer to questions, she also talked about handling the tricky โfactual truthโ versus โmy truthโ debate (by challenging, and with a lot of tact!), payment models, red lines, and copyright.
And finally โ yes youโve guessed it โ there was a short exercise, another chance to โhave a goโ. And, of course, a book-signing. Another engaging and interesting session.
So there you have it – three events over two days, vastly different in some ways, but nicely inter-connected in others. And did I learn anything? Ah โ that would be telling!
Anyways, onwards and upwards, with still plenty of great stuff to come over the next ten days, both ticketed and free. The Devizes Arts Festival continues until the night of Sunday 14th June at various venues around the town. Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk
Pride month finds me wondering if Pride events are actually needed more in our smaller market towns where awareness and acceptance is perhaps lesser thanโฆ
Wiltshire Music Centre is launching the Make Music This Summer programme, a vibrant 19-day programme of musical activities for children, young people and families….. Designedโฆ
Images by Jess Worrow A busy late spring weekend across the county, with major events from Bradford-on-Avon to Swindon, but I’m bringing quality acts Iโฆ
Tickets are now on sale for Frome Festivalโs silver anniversary year, taking place between the 3rd โ 12th July, 2026. Three hundred events are scheduledโฆ
Wiltshire Music Centre is launching the Make Music This Summer programme, a vibrant 19-day programme of musical activities for children, young people and families…..
Designed for ages 0โ21 and their parents and carers, it offers a wide range of inspiring, accessible and high-quality experiences throughout the summer holidays. From rock bands and musicals to music production and LEGO stop-frame music videos, Make Music This Summer brings together creative opportunities for all interests and ages, From the 25th July to the 30th August 2026.
Delivered in partnership with local practitioners from across Wiltshire, the programme offers young people a chance to explore music, creativity and performance in a welcoming and supportive environment. The programme includes three strands: workshops, concerts and screenings, giving families flexible ways to take part during the holidays.
Hands-on workshops invite participants to try new skills, build confidence and collaborate with others, whether forming a band, taking part in a musical or producing their own tracks.
Family-friendly concerts provide an accessible and relaxed introduction to live music, while screenings of popular musicals are paired with interactive singalong sessions led by choir leader Fliss Courage.
โMake Music This Summer is all about opening the doors to music-making and live performance for children, young people and familiesโ, says Cassie Tait, Head of Creative Learning and Community Engagement. โBy offering a mix of workshops, concerts and screenings, we hope to inspire creativity, build confidence and create memorable first experiences of music at Wiltshire Music Centre.โ
With activities running across 19 days, Make Music This Summer invites families across Wiltshire and beyond to discover, create and enjoy music together. Early booking is recommended.
A busy late spring weekend across the county, with major events from Bradford-on-Avon to Swindon, but I’m bringing quality acts I find elsewhere on my adventures into my village. Rowdefest was, again, a great success, if I do say so myselfโฆ..
Being close to Devizes, where the Arts Festival kicked off this weekend too, Rowde might not gain the traction of events in villages further away from a town, such as The Urchfont Scarecrow Festival. I believe this makes the case for a village fete even greater.
In part we’ve modernised a fete with music, but with community spirit in mind, we retain traditional elements of village fete within Rowdefest. And the fruits of our committee and volunteersโ labour paid off; this year proved it wasnโt beginnersโ luck, it’s become a beloved and tremendous annual occasion.
As social media posts gather many aim at my already overinflated ego, claiming I’m the responsible adult of this baby. I confess I played a part, from organising the music to poster design, and, 6:45am found me partially resembling Wurzel Gummidge, as I lugged fifteen hay-bales from the gate to the middle of the field. Thanks for coming, if you did, but you must’ve looked around?!
From our youngest volunteer stringing up bunting to our eldest guiding traffic in and coordinating stalls. From the Parish Council helping erect the tent, and Simon, our sound engineer, going above and beyond his job, to our wonderful committee sorting red tape, legalities and other boring musts, like every event, Rowdefest takes colossal amounts of hard work from many volunteers, and the ones undertaking the most unseen tasks usually don’t receive the credit they deserve. I just attend the odd meeting to ease their biscuit quota.
Yet, aside from my biscuit munching, it was all these elements from so many which made the day. For the first year we had a sheep shearing show, alongside rides and stalls children were catered for, and at St Matthews we had tea and cake for our eldest attendees. With a raffle, tombola, and teenagers raising funds for Camp International adventures, The Mind Tree Cafe ran an affordable bar, along with Woodland Pizza and Boigers dishing out the tucker. What we find now is an annually returning audience, whoโve felt safe in the knowledge this will be a memorable day for everyone in the family.
Last year I crammed music acts in, appreciative of the many offers to play Rowdefest. This time I reduced the slight changeover chaos it caused with lesser acts. On reflection, with gaps to fill, I think, if budget allows, we should push for three acts next year. But once our wonderful Devizes Jubilee Morris Dancers had done their thing, back by popular demand, and our councillor and chair of Wiltshire Council Laura Mayes kindly opened our event in glorious sunshine, Ruby Darbyshire walked out playing her bagpipes, and I was comforted by the notion, while lesser in quantity, the quality was assured.
If thereโs any similarity between Ruby and our headline band, Barrelhouse, itโs that no matter how many times I see them perform, (which I have,) I remain in awe of them. Ruby held another crowd spellbound here in Rowde, MP Brian Matthew was among many who came to me to acknowledge his amazement at how talented this young singer-songwriter is, and after an absolutely sublime two-hour show, Ruby left to do it all again in Bradford. Just wow, Ruby, you were truly perfection.
If the landscape of MantonFest abruptly populating when Barrelhouse appears has become a tradition in Marlborough, the institutionโs baby sister festival Park Farm and heady nights at our Southgate are securing a similar pattern in Devizes. And this makes sense to me, for Barrelhouse are all about the blues, Devizes loves the blues, but aside those aficionados, Barrelhouse deliver blues with lively universal appeal. And that was my pitch to the committee, way back in the winter months.
Understandable was their initial concern, blues is perceived as melancholic, and they wanted lively. Grateful I therefore remain, that they took my word for it, and the proof was in the pudding, as the wide demographic ignored the temperature and got up and danced in much the same fashion as is the Mantonfest “tradition,” to Barrelhouseโs infectious sound.
A grand finale by an excellent local band, firing on all cylinders, and mirroring last yearโs epic hoedown by Burn the Midnight Oil. I appreciate feedback on the chances of bands returning, Talk in Code was one, but I assure you, Iโve more tricks up my sleeve too! What 2027 will bring is undecided, but, with support from the community through the rocky road of maintaining a free event like this, this yearโs fantastic and trouble-free event was so pleasant and positive, I hope Rowdefest will remain as it is, and I will continue to place my efforts into making it so, just like our wonderful committee.ย
Itโs 2006, and the charts are awash with what will become known as landfill indie. Somewhere in backwater Townsville UK, an already road worn veteranโฆ
After months of speculation, controversy, and local media bias, The Shindig Festival at Malmesbury’s Charton Park has been given the green lightโฆ.. Despite Newsquest floggingโฆ
What was once counterculture hedonism is now as mainstream as a package holiday. In the UK music festivals are fashionable, approved and plentiful. Ten yearsโฆ
Three short years ago, we first spoke with Vanessa Tanner, campaigning in the Devizes Town Council by-election for Devizes East. In those few minutes, Iโฆ
Juke box musicals tend to be little more than a string of hits, loosely linked together by a fairly weak storyline, and it must be said โWe Will Rock Youโ breaks no moulds in this regard. However, Queenโs wonderful music provides a joyous couple of hours wrapped around a tale of a dystopian future where real music has been replaced by a totalitarian approach to manufactured music allied to an oppressive state a.k.a. Globalsoft, where a bunch of outcasts and renegades run a guerrilla style existence hunted by the security forces on a renamed earth โ now iPlanet. A sort of melange of Ray Bradburyโs โFahrenheit 451โ meets โ2112โ by Rush in a โRobin Hoodโs Merry menโ saga with Star Warsโ vibes topped with a King Arthur reference, all vaguely linked by Freddie and friends. It must also be mentioned, and applauded, that the references and jokes have been kept contemporary since its initial scripting twenty-five years ago.
It’s a challenging show to undertake โ firstly the iconic status of the music, and the unique styles of Mercuryโs voice wrapped up in what is really a tribute act turned into a stage show. Secondly Ben Eltonโs acerbic wit as the jokes, knob gags, and satire come thick and fast. And not to omit, in this glorious heatwave we are enjoying at the moment, thirdly the cast, band and crew sweltering away during the show! But Trowbridge Musical Theatre (TMT) with their typically large cast of almost forty members deliver the show at St. Augustineโs this week with style, energy and smiles galore, directed by Petra Schofield and produced by Maria Matthews.
The set (โBrightโ) is simple but effective providing multiple height levels and stage depth; sound and lighting (Harry Sandford, Chris Sealy & Harry Weissenbruch, and Ryo Rosemann) provided top effects and follow spot, and the standard excellence of the back stage management and crew (Chris Isaacson, Nicky Runyeard-Hunt, Cameron Runyeard-Hunt, Bernice Hudson, Stewart Langford) kept everything smoothly ticking along; the sign of a good back stage crew is that you never know they are there โ plaudits to them. Costumes, hair and make-up are an โunseenโ team, although their input is critical to a showโs success and Karen Grant, Sandra Tucker, Lucy Adeney and Lyn Taylor deserve kudos in this area.
As a jukebox musical of course the band are an all-important and integral part of the show, so step forward Musical Director (Helen Heaton), keyboards (Helen Heaton and Sian Noctor), guitars (David May and Ben Jones), bass (Owen Heaton), drums (Alex Kemp) and percussion (Helen Altoft) who delivered the Queen โsoundโ โ how marvellous to have a guitarist named May ย in the band too! All too often a bandโs volume can overpower the voices especially as in this case when the band is between the stage and audience, but levels were delightfully placed to support but not drown out the singingโฆย though during the big instrumentals, the lead guitar and drums could have been louder to just give thatย OOOMPHย we have all come to love from Brian May and Roger Taylorย ๐โฆ But then again that may (ba doom tish!) just be me who likes his musicย LOUD!!!
No musical theatre show is ever complete without a wonderful ensemble and as ever with TMT shows, these ensembles were a highlight with tight choreography and slick background singing and stage presence. Its not realistic to mention the nigh on thirty ensemble members all individually, and its possibly unfair to just single one of them out, but I do have to say Yvonne Paulley shone throughout with her happy, smiling face, clearly enjoying herself to the maximum (and that is no slight on all the others either of course!). Regarding the choreography, Dani Fuke has clearly worked tirelessly with the entire cast, and especially the ensemble, to create such seamless excellence – bravo BRAVO!
Andrew Curtis plays the role of โBuddyโ which for story purposes acts as a sort Greek chorus, providing the context and background to various key plot information. โBuddyโ because his character is named after Buddy Holly though Andrew skilfully provides at times a Ben Elton lookalike as well as Buddy Holly during the show to provide an homage to the scriptwriter ๐
Ryan Chown as Brit (Britney Spears) and the ever excellent Daisy Woodruffe as Oz (Ozzie Osbourne) combine with Buddy to set the scene and bring the early plot along as a loving couple intent on fulfilling their innate desires to rebel against Globalsoft, and Chris Howlett provides one half of the oppressive Globalsoft dictatorship as Khashoggi, the head of secret police with distinct Gestapo overtones.
The other half of the evil empire, the supreme leader of iPlanet, Killer Queen, is superbly played by Keeley Guyan in her TMT debut. Her strong vocals and stage presence shine through and she totally makes her solos her own.
That just leaves us with Carisma Dolphin as Scaramouche and Noah Heard as Galileo; both are excellent in their characterisation and delivery, Carisma especially as her portrayal of the uber sassy, girl power confidence imbued heroine of this piece. Their on-stage chemistry as a couple grows throughout the show in line with their charactersโ relationship, quite wonderfully done, and their duets were simply perfect. Now โ itโs a tough call for anyone to take on songs by Freddie Mercury, and not even George Michael could fill those huge boots, but both Noah and Carisma had clearly worked hard to emulate some of Mercuryโs intonations and delivery. Chapeau!
I began with a comment about jukebox musicals being just great songs and a weak storyline, but it is only fair to add that amongst this daft storyline, there are some real connections to historical and contemporary issuesโฆย dictatorships, rebellions, oppression, the struggles of minorities, bread-and-circuses state control and so on; maybe unsurprising given Ben Eltonโs past as an irony heavy stand-up comic and satirical author. So, while this is a light hearted show nonetheless it does deal with some genuinely terrible concepts beneath its surface and it is worth a moment of reflection.
โWe Will Rock Youโ is performed by Trowbridge Musical Theatre at St. Augustineโs Catholic College, Trowbridge from May 27th until 30th, at 7.30pm with a Saturday matinee at 2.30pm.
May seemed so far away back in Feb when we ran a preview of two plays which will see a Devizes acting company debut at the Edinburgh Fringe. Beforehand, they’re staged at their base, the Wharf Theatre. I’ve had a sneaky peak already, you can tooโฆ.
Acting coach Lou Cox, director of The Wharf Acting Company, wrote and devised both shows. Whose Play is it Anyway is showing at the Wharf Theatre on Friday 29th and Saturday 30th May, before heading north, but the second, Having a Baby and the Sh!t They Donโt Tell You in Books is only on Saturday.
Firstly, and undoubtedly the easier to summarise is the interactive comedy Whose Play is it Anyway? Name-spin upon improv show Who’s Line is it Anyway, but more a general parody of low-budget TV quiz shows of the seventies, thirteen actors of the group perform eighteen scenes from various plays and it’s up to audience to call out which decade, genre or play it is, according to the question set by the grandstanding host, Barry Ruffles.
With no fourth wall Ruffles, played with diligence by Gavin Rand, tempts the audience to be the quiz show crowd with offers of carrot-on-a-stick prizes. But the utmost comic element is his impertinent relationship with his superficially glitzy assistant, Jenny Flannel, played with such absolute perfection and improv timing by Danielle Cosh, youโd think you regretfully picked her up in a Wetherspoons in Romford.
A unique angle, yet the greatness of this show is in the contradiction between the sombreness of the scenes against the comical game show concept, and in turn, the scenes make for an interesting display of the diversity of theatre throughout the ages. For the theatrophile it might act as a boastful test to their knowledge, but for someone less culturally aware it has the potential to be a fun clipshow sampler. Being the latter, there were several encapsulating scenes which made me think, you know what, Iโd like to see that play in full?
Itโs originally quirky, bottom line, ideal for the Edinburgh Fringe but also with a degree of universal appeal. What was most fascinating, and also a testament to the skills of the actors, similarly to its namesake Whose Line, thereโs a genuine improv component in the order the scenes are played out. Governed by a deliberately tawdry bingo ball machine, the order is genuinely random, even if youโd be forgiven for assuming it was fabricated. โIt keeps us on our toes,โ one actor, Matt Dauncey jested, โand makes the show different each time.โ
The others, as follows, Laura Deacon, Dion Smith, Karen Payne, Brigid Maude, Laura Bartle, Rhiannon Fitzgerald, Isla North, Jamie Whatley, Jenni Prescott and Lisa Smith all need to be highly commended too, for the immense amount of preparation undertaken to develop this, and their readiness to randomly jump into any of the various characters and styles of play. The team also fondly remembered member Andy Bendell, who recently passed away. This was fun and intriguingly original in equal measure, and (in joke) more a waste of Haribo than a waste of your time!
Only similar for contrasting comedy against tragedy, Having a Baby and the Sh!t They Donโt Tell You in BooksI was treated to next. Lou has performed this one-woman show before at The Wharf and elsewhere; Helen Robertson reviewed it for us, causing me to want to see it myself.
Committed to taking a โmanlyโ perspective to one with their knickers at their ankles chatting about their vagina, which is usually blushing and smirking like Finbar Saunders, I found equal heartfelt emotion and gulp in this unbridled masterwork.
Iโm reminded of a podcast interview with Adrian Edmondson, hardly recognising his voice, a voice I should know only too well. He was crying over thoughts of the passing of his comedy partner Rik Mayall, and I reasoned, because Iโd never heard Adrian cry, only ever laugh. What happens to the funny person when the funny runs out?
I marvel at writers like John Sullivan, with his knack of creating loveable character relationships, like Del-boy and Rodney, who can switch the comedy narrative to the most sombre and touching moments. But if this takes genius, itโs a whole other ballgame to take a monologue twisting comedy from tragedy to the stage, when it comes from the heart of personal experience. What begins as part stand up routine, part PowerPoint presentation, ends with the most unfeigned emotional piece of theatre youโre likely to witness.
Lou runs off a frank and quite brilliant stand-up routine akin to a most alternative, brutally honest and graphic guide to pregnancy, and while keen to state each case is different from any other and many women like to talk about their experiences, she describes the stark revelations of mental and physical changes due to her own maternity, with comical precision. This self-observational comedy would be plentiful for a trip to Live at the Apollo, and whilst this is impossible to summarise without spoilers, the conclusion to her story is not bathed in the glory of childbirth, nor amusing anecdotes of post-natal activities.
Until this point, you ride it with Lou, especially parents with a story to tell themselves. But, due to lack of oxygen during a traumatic birth, Louโs daughter Hattie was left severely brain damaged, and only managed five days. Lou reflects on her tragedy honourably but with understandable criticisms to faults made and how they were dealt with, abruptly halting the jokes, and twisting the direction to finalise with a tearful poignant message so powerful youโre at loss for a suitable expression to account for such grief.
I asked Lou if this was her way of dealing with it. โFor my show itโs certainly cathartic,โ she replied, โbut more importantly Iโve been able to raise so much money previously under Hattieโs name. Also having had to be silent during the legal case I feel I can finally tell my story in the hope that I can raise awareness and promote change in maternity services.โ
You can donate to Hattieโs Fund here, but sympathy, try as you might, the show is a glimmering reality horror not calling for it. Only commanding you to walk in those shoes for a moment, causing it to be breathtakingly brilliant, but hard to review, words will fail you, dammit. Easier to present to it a deserved award; itโs something you have to see for yourself.ย
Which you can do, HERE, before they see it in Edinburgh. Of which we wish them all the best for, and being clips of multiple plays, suggest they break more than one leg!
Wiltshire Council will discuss granting itself permission to fly the Pride Progress flag outside County Hall and other Wiltshire Council offices during Pride Month. Theโฆ
Sixteen year-old entrepreneur, Katie West from Devizes, set up her own gardening business, FreshEdge Teen Landscaping a few months ago, but received a ban fromโฆ
The Rondo Theatre in Bath will be bursting with high-energy chaos this June as The Rondo Theatre Company presents Bullshot Crummond, a gloriously silly parodyโฆ
With duty calling in the wee hours of each Saturday, itโs got to be something special to drag me off the sofa on a Friday evening, and whilst Iโd rather not provide only half a gig review, this has to be said. Phil Cooper invited some friends along to The Fold in Devizes yesterday, a Canadian friend, multi-instrumentalist singer-songwriter, arranger and producer called LG Breton, who would accompany Philโs headline set, and two supporting acts, Jamie R Hawkins and Tamsin Quinโฆ..
Something of a reunion and homing for the original trio of The Lost Trades. This backroom of The Lamb served as the foundation of Kieran Mooreโs Sheer Music, where, by the end of the last decade it hosted ninety percent of their gigs. Both Tamsin and Jamie cut their teeth here, and Josh Oldfieldโs project to receive the venue saw them both return to their roots, to play some new and some old songs, and tell a tale or two about it.
Jamie began. A remaining member of the Lost Trades, he suggested playing solo was rare for him these days, yet a wonderful outpouring of his sentimental muses exhausted from The Fold, like it had never faded. If acoustically singing self-penned songs is like riding a bike I wouldnโt know, but it certainly felt this way when Jamie did his thing, as sublimely as he ever did.
If the narrative of his stage patter was reminiscent, with backstory, it reflected the reunification ambience, and there was always time for a reset, as the banter between all three of them developed over years of working together. In such, Jamie would play bass for following Tamsin, and Phil jumped in on cajรณn for her finale; just magical!
Though doubtlessly assured Phil would naturally see this through to a masterful conclusion, Iโm sorry I couldnโt stay; beauty sleep a stipulation prior to another symphony, the dawn chorus. Donโt get me wrong, I love the dawn chorus entertaining me whilst I work, and it was a particularly spectacular one this morning. But hey, itโs got a bit of a โHeart FMโ about it, in so much as those birds repeat the same songs every morning! Tamsin Quin and Jamie R Hawkins (solo) on the other hand, Iโve not heard for what seems like an age, they had some new songs to sing, and the evening was of equal magnificence.
Being separately these three were the backbone of subjects when Devizine started out nearly ten years ago, coupled with the notion itโd been a while, I couldnโt miss them, could I? Philโs was the first album I reviewed, Tamsin fundraising for her debut album was the very first article, and Jamie bleeped on my radar shortly afterwards. And now, since Tamsin left the Lost Trades, and took a break from music, it was perhaps her in particular I was so enthralled to see again, performing like two years hadnโt passed us by.
There were a few songs I knew, Tamsinโs 2019 single Scandal, and Jamieโs delightful solo rendition of Petrichor, the title track of the Tradesโ second album though rarely played, but mostly, and more valuable was their new songs, which followed suit with their individual styles; Jamie with those sentimental looping narratives, and Tamsin with her barefoot timekeeping, hippy-chick odes to life and love.
The crowd was comfortably communal; better numbers than past trips to the Fold. I do hope it gains some traction, another good reason to attend was to check that progress, because we really need an honest grassroots venue supporting original live music in Devizes. Phil, Jamie and Tamsin in one shout, a trip down memory lane, a must and so wonderfully executed; I love โem, I love โem, I love โem. As for the dawn chorus though, yeah, those birds also perked me up about not staying until the end. Those bottles wonโt deliver themselves you know!
Four years ago I witnessed a Gen Z phenomenon in Devizes. With a certain indie punk zest and intelligent songwriting, Devizes School band Nothing Rhymesโฆ
Not just a pretty spiral church, there’s plenty for Bishop’s Cannings to be proud about. Evidence with the personal touch recently defeated a brazen landgrab,โฆ
Friday afternoon at The Lamb, tucked away behind the Town Hall in our market town, with my aim to introduce two aspiring local singer-songwriters whoโฆ
There’s the story of one newfound fan who, after her performance, asked Ruby how many copies of her CDs she had, bought the lot and distributed them freely throughout the audience! Ruby Darbyshire has that effect, seemingly wherever she goesโฆโฆ
Iโm thrilled Ruby is playing RowdeFest on 30th May. On 21st June she supports Chantel McGregor at Long Street Blues Club, a music appreciation society where attendees gaze upon acts in respectful silence. But, I’ve witnessed Ruby captivate regulars of the noisiest pubs into muted awe!
At Devizesโ Three Crowns, number one pub for cover bands knocking decibels across a raucous crowd, Ruby crouches, packing away her bagpipes after a sublime Sunday set of mellowed and breezy originals and covers, professionally smiling, greeting either familiar faces or new fans desperate to express their delight and gratitude.
However long it takes for the crowd to wane, I’m determined to catch up with Ruby. Whilst I’ve known her gregariousness for a couple of years, she also maintains an enigmatic charm, rarely talking backstory, life and what inspires her. I wanted to discover Ruby’s motivations, solve riddles behind how she’s so mind-bogglingly talented at just nineteen. Oh, and if we’ve been heaven sent, or how it comes to be we have this remarkable singer-songwriter on our local circuit.
Icebreaker first. Ruby has two EPs, and a few separate songs, like Caller Unknown, a soulful debut single co-composed with Justin Haywood, and with help from Tim Burgess of the Charlatans. Produced by Freddie Cowan of The Vaccines, it was played on BBC6. But her forthcoming is called God is Offline, which Ruby recently posted a demo ofโฆ.online!
I asked Ruby if she had a release date. โNo date yet,โ she replied, โbut weโve planned for the end of the summer.โ
โIt was inspired by our recent trip to Egypt,โ Ruby explained, โwhere we narrowly escaped Dubai’s missile attack by a few hours. When we got to our apartment, we could see down on the street. There were loads of prayer mats, because the mosque was so filled people had to spill out onto the road. And so that inspired it.โ
Itโs deeper meaning, I presumed, was not to seek faith online, but to look either spiritually or in the real world. Ruby elucidated, โmore just the fact that everyone is the same, whether they believe in a different God or they are from a different part of the world, they’re all the same. We’re all just trying to live our lives. To say, why are we bombing each other, then bowing to God? It’s just saying that God isn’t looking down on us, and he’s not actually looking after us. Or that you cannot connect with him.โ
Thereโs characters in her narratives lost or searching for a light, others dubious of their own answers or consequences. But, if thereโs a sparkle in Rubyโs eyes, they are not naรฏve stars. Rather theyโre symbolic of precociousness, one who modestly acknowledges, and is confidently content with, their calling.
Ruby is well-travelled. Across the UK, into Egypt and over in India, she is adjoined to her music, therefore itโs not just us who loves her performances, itโs infectious wherever they trek. To discover why is surely to delve deeper into Rubyโs background and roots.
โMy mum’s Filipino,โ Ruby said, โMy dad’s English, but lived in Scotland for a long time and I was born in Scotland.โ If youโve seen Ruby busking with bagpipes, or at a Burns Night, the latter part mightโve been obvious, but how and why has she settled on the Kennet & Avon?
โI was homeschooled. So we moved down to Cambridge, which was said to be the best place to be homeschooled,โ Ruby continued. โAnd then, during COVID, we needed a change. So we moved, because we had some friends here, we moved over with the boats from one side of the country to the other side. It took us about a year to move the boats.โ
I know the reality differs, but I supposed life on the canal can behold a certain perception of idyllic tranquillity, so I asked Ruby if she felt that has an influence on her songwriting. โSomeone said to me that I have a lot of songs which are connected to the sea and water, which I would say yes, I’ve got a few of them,โ she reacted. โI don’t know. I guess it does. Everything influences songwriting, whether you live in a city or in the countryside. And I guess it does show up in my songwriting.โ
A common question which somewhat stumbled Ruby, was particular artists she would cite as influences, because as she explained, โI get a lot of influence from different places. I think, lyrically, Mumford and Sons, made me fall in love with music, and their lyrics are beautiful. Artists I like, Nina Simone for her vocalsโฆ. and you’ve put me on the spot!โ This though proves her natural professionalism, an understanding that most musicians could write an extensive essay on their influences, but the objective here is to be brief.
On cover choices for a live set though, Ruby mused, โI hear a good song and think about what I can do with it rather than, oh, let’s play it exactly like them. I try and put my own slant on it.โ
But, we really should focus on songwriting. Does Ruby have a template or system for writing, or do they more simply sporadically or randomly evolve? โIt’s really difficult, songwriting,โ she confessed, but explained she โwas inspired by the title, God Is Offline. Crowned Lightbringer, I was inspired by a riff. Insomnia, I was inspired by a metaphor I found online. It just comes, like there’s loads of ways of writing and I guess it just depends on each song, because each song is unique and individual.โ
While her fanbase is perpetually expanding with each gig, I asked Ruby if she preferred to play to a majority aware of her, or to new audiences, particularly in a foreign country.
โI think it’s nice to know that I have support,โ she expressed, but the preference did not allow geographical boundaries. โFor example,โ Ruby expanded, โthere were so many people that knew me from other gigs here, and they’ve come back, which reflects on the quality. It shows me that I’m appreciated. We did some house parties in Egypt where all of our friends came and people that had come to loads of gigs, and they were the most supportive and most enjoyable parties or concerts that I’ve ever done, because it was all people who supported me.โ Which returns us neatly to our opening line: Ruby Darbyshire has that effect, seemingly wherever she goesโฆ.
Future reflections seemed vaguer, for Rubyโs proficiency is folk, self-disciplined, not scholarly, and I always felt she was comfortable there. Dabbling experiments with breakbeats over her piping, perhaps to modernise its perception, I omitted, but possibilities of forming a band I did mention. โWas this like a year ago?โ Ruby causally inquired, but pondered โit’s always a thought,โ noting some particular gigs where, โit would be good to have some more musicians, to play and accompany me.โ
The โwhat comes nextโ section was dominated by her enrolment on an online music course. โIโll do an undergrad starting September,โ she told me, and furthered proposals to continue writing and โexperiencing different music,โ mostly through planned travelling back to Egypt โnext winter, so, experience the Arabic music, beautiful stuff.โ
My hopes for this broad-horizons, free spirited prodigy might be proficient backing and a renowned producer, and I often marvel at the possibilities when pondering this imagining. This led us onto talk about the music industry today. Ruby explained how the shift relied heavily now, not on schooled certification or headhunted raw talent, rather on an artistโs ability to self-promote and build an online presence. From monumental beginnings like The Edinburgh Fringe Festival to opening for us at The Wiltshire Music Awards, if Rubyโs journey would one day make as equally a fascinating biography as some musical legends, I envision a day people would be engrossed by it.
But while Rubyโs roots, travelling, and gigs and festivals, to song-writing on her narrowboat, are all narratives in the natural progression of her skills as a multi-instrumental musician, thereโs one defining, and perhaps incredulous element to solving the riddle behind how she’s so mind-bogglingly talented, which is that Ruby has been playing music since she was three and a half, and busking by four. Dammit! Thatโs the kind of age Iโd have considered acquiring the skillset to bite my own toenails an achievement!!
Swindon-based adrenaline pumping five-piece Liddington Hill released their first EP for three years, and Radium is highly radioactiveโฆ.. For most on the North Wessex Downs,โฆ
Mixed emotions over one of those eye-catching social media โreelsโ a few months ago, for two reasons. Firstly, attraction; the singing girl was a visionโฆ
by Mick Brian images by Jim McCauley โLord, what fools these mortals beโ, says the mischievous sprite, Puck, to his master the fairy king Oberonโฆ
by Ian Diddams images by Platform 8 Take Abigailโs party, add some Aykbourn, a touch of Coward and a liberal sprinkling of 2010s socio-political backgroundโฆ
Itโs 2006, and the charts are awash with what will become known as landfill indie. Somewhere in backwater Townsville UK, an already road worn veteran is making their furtive steps into a solo career that, unbeknown to them, will have a major and lasting impact on the UK music sceneโฆ..ย ย
Frank Turner is already famous for searing live performances that have put his band right in the front and centre of UK alternative music. Now he has to do it all again. Armed with only a guitar, many opinions and a reading list that would make your local library wince, he struck out, willing to perform anywhere that would have him.
Documented here is the genuine sound of a guy learning his craft. Nights like these are found across the UK every night of the week. Immortalized in lyrics that would appear later in his career, his โbedrooms, bars and bunker squatsโ work ethic took him to unknown towns, like Devizes.
Devizes had a rich history in live music when it was primarily known as a military / squaddie town. Live performances from Status Quo, Ginger Baker’s Airforce, Curved Air (twice), Yes (twice), Van der Graaf Generator, Thin Lizzy, Fleetwood Mac, King Crimson, Rory Gallagher, Mott the Hoople, all in 1971 alone. But it wasnโt until 2004 that its life was breathed back into its history, when Foals, LostAlone, Frank Turner, The Struts, The Computers, and more began performing here. Putting the town firmly back on the touring circuit.
This cassette documents, warts and all, the chaotic approach to small back room bar live shows. The rawness of the songs, the rowdiness of the audience. Included in the earnest set list are two covers. One from his peer Chris TT and a Sun Kil Moon cover too. Both showcase Frankโs knowledge and passion for underground music.
Frank recounts, โremembering details of one show out of more than 3000, two decades on, is a challenge. Those early days were a blur of cigarettes, trains, whisky, sleeping on floors, panic and drive. My craft has evolved slowly over the years, so flipping back to an early document of a show can be a shocking thing in some ways; so much has changed. But enough has stayed the same. Kieran helped me out with shows in the early days and remains a friend now. Somehow, shows like this led me to where I am now, and I wouldn’t change a thing.โ
This release will only be available on cassette, direct from Sheer Music, or at 3 carefully selected independent record shops, Banquet Records in Kingston, Sound Knowledge in Marlborough and Mars Tapes in Manchester. The eight track cassette itself is a 2 tone olive and dusty pink affair, and clocks in at just over 30 minutes.
The artwork apes the style of 70s and 80s bootleg cassette releases. A down to earth, hand made/drawn approach, with an image that was lifted from a photograph of one of the Devizes gigs! The whole release is a charming, straight forward no frills release. The music does the talking, and we know it elevated an honest, hardworking musician to stadium heights. For more information, please visit the Sheer Music website, HERE.
Bradford on Avonโs Live Music Festival returns from Friday 29th May to Sunday 31st May; three days of live music from outstanding bands and artistsโฆ
by Ian Diddamsimages by Gail Foster ‘Devizes & Beyond’ is a collection of original poems in traditional forms and digital photography, inspired by life inโฆ
Some four years since his last release under his own name, Lavingtonโs electronica composer Moray McDonald presents a soundtrack; the music he wrote and producedโฆ
Can we please draw a red line under Pewsey’s Moonrakers St George’s Cross facade fiasco now Wiltshire Council has u-turned on a proposal forcing landlordโฆ
A wife cooked her husband on Thursday evening in Devizes. I watched the whole thing unfold, but would have politely passed off any offering of a plate, in favour of my funky KitKat Chunky (three for a quid at Derek’s Deals!) What do you know? Iโm way too much like Kenneth for my own liking, for after all, the way to a manโs stomach isโฆโฆ
You can get ice cream at Devizesโ wonderful Wharf Theatre, but not at a dress rehearsal, which is what this was; my apologies if the headline deliberately deceived you! You are here now, and might as well read about me sneaking in my own snack, to watch this wicked black comedy from the writer of The Nativity film series, Debbie Isitt. Opening night is Monday 18th May and the final night is Saturday, 23rd.ย
Directed by Alison Warren, The Wife Who Cooked Her Husband may have the conclusion given away in the title, but the lead up to it is an unnerving watch with poignantly satirical dialogue. Set in either the late seventies or early eighties, a time when the practices of patriarchy were being questioned via feminism for a younger generation, their elders upheld the traditions of married life. Ergo, for a middle-aged chauvinist to โpart exchangeโ his older model wife, might find himself undone and exposed by his newer modelโs more modern perceptions of marriage.
There’s only three characters in this play, sitting around a dinner table. Flashbacks builds a devilish narrative of a cheating husband, how it emotionally affects his ex-wife, and the new wife too. Jessica Bone plays the ex-wife, Hilary, vividly. The focal point of the play is her building concerns for her marriage, and realisation her suspicions were right. Defining her plight is the emotional rollercoaster which justifies her revenge.
Louisa Davidson is Laura, the scandalous, younger, hedonistic mistress, and she plays it with a realistic front. But as the play delves deeper into Lauraโs psyche, and her expectations from her marriage, whilst more radically feministic, are of equal burden to Kenneth, the happy-go-lucky fellow, caught in this love triangle of his own making.
It becomes clear the antagonist was never Laura. Kenneth is the lovable charmer, a gluttoness Elvis fan. Hardly a master of deception, he fulfills his desires uncaringly; the basic caricature of an eighties lad with Peter Pan syndrome; me starting this review with what I ate during the show might well be proof! If Jessicaโs abject and sentimental monologues are the backbone of the play, theyโre contrasted by Kennethโs playful ignorance, and therein lies the comedy, dark as it may be.
Andy Bennett plays Kenneth with comic splendour. One who gets his dinner at home but his love elsewhere, and at this successful beginning thereโs a scene of visual comedy gold, as the moment of him ingeniously switching from Hilary to Laura delights him. Once reality takes hold, holes in his lies are exposed, and whilst his thoughts on the matter are exposed too, theyโre not nearly as nuanced as either Hilrayโs or Lauraโs. One could argue a writer creates more realistic characters of their own gender, and in this Kennethโs characteristics are flatter. Another argument is, of course, thatโs the fundamental difference between the genders!
Here is a play which either gender can enjoy, and it is very enjoyable, but after-thoughts might some cause healthy debate! Thatโs what makes this a great show. The production may not be the best Iโve seen at The Wharf, though thatโs a high pedestal, but three days later Iโm still pondering its details and the questions it raises; itโs a grower.
While it might appeal more to women, the tensions and stress on relationships caused by an affair should alarm the man more, and they should see it if only to find sympathy for the mess they would create, following their desires without consideration. Young men preaching hyper-masculinity and this manosphere concept, should note this play proves these ideas were standard not so long ago, and didnโt work back then. Because, and hereโs the real hitter, Hilary ponders at the conclusion, Kenneth has decidedly average levels of chauvinism, passive with it, and is atypical rather than extreme, but still heโs a manipulator and cheat who deserved his comeuppance.
The macabre ending suggested by the title is therefore expected, but the wait for Kennethโs fate and Hillaryโs justifications are more intensely meaningful than the concussion. While this play is of a simple setup, with a simple and common premise, the more its deeper meanings roll over in my mind, the more I accept that The Wife Who Cooked her Husband is a must-see.
If options for urbanites seeking experiential or themed dining experiences are boundless, theyโre lesser so in our rural backwaters. Yet, weโve returned from a deliciousโฆ
Thereโs a cold remote ambience of burrowing doubt in the opening of Westburyโs singer-songwriter Serenโs debut song, in which, as the title suggests, she usesโฆ
The biggest risk for any media reporting negatively on illegal raves is that, in their youth, their fifty-plus target audience probably attended illegal raves themselves!โฆ
Devizes Music Academy is set to bring joy, energy and a whole lot of sparkle to the stage with its latest musical theatre production,ย Sister Actย laterโฆ
Thimbles on standby, Devizes Outdoor Celebratory Arts are calling all creative craftspeople and makers to their new project, The Makers Exchange. Itโs a new craftโฆ
What was once counterculture hedonism is now as mainstream as a package holiday. In the UK music festivals are fashionable, approved and plentiful. Ten years ago I might have added โprofitableโ to those observations, but with the market flooded, โriskyโ might be a more suitable word. For the punter though, it means options, but if youโre only annually able to budget for one or two, it means decisions and dilemmasโฆ..
Across the country and wider you could trek, adding to your expenses. For complete and utter festival-heads and perhaps thrill-seeking younger generations itโs a cost worth digesting to savour that certain experience. For those with passing interest, first timers, or older festival goers simply wanting convenience, looking for festivals closer to home is the desired option, and locally weโve our fair whack of quality choice. The trouble with so many on our doorstep is, which ones?
I really cannot make the decision for you. And Iโm not about to suggest any of them are necessarily better than another, because, quite simply, they are not. I can only evaluate them in accordance to their individual style and ethos, and you must decide which ones sound more appealing to you personally, deal?!
A separate never-ending list I could publish of festivals within a relatively short radius of Devizes, and I endeavour to add as many as I can find on our event calendar. To lessen the task thereโs fewer within the county Iโd recommend. Minety and Mantonfest most, good allrounders with top headline acts and devotion to locally sourced acts. Bathโs Party in the City, HoneyFest at The Barge on Honeystreet, and Ramsfest in Ramsbury, all this weekend alone.
From dance festival Shindig at Charlton Park to Chippenham Folk Festival, The Curcus Festival in Somerset and Old Town Festival in Swindon, May alone is jam-packed, ending with Bradford-on-Avon Music Festival and of course, free and local to us, I have to mention Rowdefest; although Iโm hosting the entertainment there, donโt let it put you off!
Of course it all depends on what you want out of your festival. During high season, June and July, if youโre a hardcore raver The Existence Festival near Malmsbury will be up your street, whereas for the more commercial, Melkshamโs Wiltshire Throwback Festival is poptastic. Trowbridge Festival for those seeking a wide range of original local music, and so many town festivals welcome this ethos too, such as Inspire Warminster.
Some are as established as Womad, and some blossoming. Going with what you know is a fair game, Marlborough folk return every year to Mantonfest through familiarity, similarly with Potterne Beer Fest, but you should consider the underdogs too; striving to gain reputation can often mean a team dedicated to really pulling off a show.
The same rules apply if you are to stay in Devizes, and it’s fair shout. We punch above our weight. Aside from our wonderful curated arts festival operating multi-venue, and those memorable odd days like carnival, The British Lion’s Black Rat Monday, and the Lions on the Green, you have four main options for pay festivals. Unusually, while the two established events are niche, the upcoming ones have more general appeal. But the base of your dilemma of which to attend should rather be on personal preference, because, in their own unique ways, all of them are equally as good as the others. If that comes across crawling, it’s really not; go to them all and judge for yourself!!
Listed here with no priority, then, other to assist the flow of the article, are an overview of the big four of Devizes, which may/may not help your decision!
In a word; FullTone, on the weekend of 11th-12th July. It’s unique and magnificent. Spawned from a classical free party in the Market Place seven years ago, The FullTone Festival has become a beloved institution in Devizes, a pay orchestral dance music crossover, eclectic enough to incorporate upcoming local indie bands, stage shows and attract some big names to town.ย
Image: Gail Foster
Licensing regulations reduced last year’s FullTone to concentrate almost entirely on their namesake in-house orchestra. This year, with a relocation from The Green to Lower Park Farm, things are quite the opposite. Not only camping onsite can be introduced, FullTone boasts Jason Donovan, The Wurzels and Rozalla, alongside eclectic tributes and from jazz to themed orchestra concerts.
Of course, Park Farm has been home to the Devizes Scooter Rally for the past six years, after its inaugural rally in Rowde, the same year as FullTone, 2019. 24th-26th July this year, Devizes Scooter Rally doesn’t hold a major headliner like FullTone. They tried this last year to great effect. The Beat headlining elevated the rally’s attendance and reputation within the nationwide scooterist scene.
There was a feeling the rally last year had obtained the maximum expansion for the organisersโ preference and to retain a community feel, of which it excels in. And herein lies the most persuasive argument for attending. The Devizes Scooter Rally doesn’t require a big name, the reputation it has built, and its angle incorporating retrospective youth cultures is plenty to guarantee, even though you might not have a scooter or only a passing interest in ska and soul, if you go to Devizes Scooter Rally you’re in for one heck of a cracking party!
The other two festivals in Devizes, I’d call the underdogs for they’re new in comparison, but should be equally considered as FullTone and the Scooter Rally, especially if you’ve eclectic tastes and/or are looking for an amazing family experience.
If both aforementioned are on Park Farm, the site holds its own; The Park Farm Festival is on Saturday July 18th. In only its second year, and if last time things leant towards rock, this year sees a wider aiming family program, with tributes to Queen, Abba, Slade and Madness. Park Farm deserves your full consideration, because despite being new itโs organised by the creators of MantonFest, a brilliant Marlborough festival with twenty-five years under its belt and a reputation for excellence.
Mantonfest 2023
Tributes, yeah, tried and tested at previous Mantonfests. Iโve seen Badness, One Vision, and Slyde, at MantonFest and guarantee theyโre among the very best of tributes around. Park Farm has a full program, including our very own Jon Amor Trio, and just like the Rally and Fulltone, thereโs a free shuttle bus running to and from the site to the town. It may need to find its feet, but last year was absolutely brilliant and loved by everyone who made the effort to go.
The only one not on Park Farm is last here but certainly not least. Crownfest returns to The Crown at Bishops Cannings on Saturday 4th July, after a few years break due to landlord changes. It is great to see it back on our calendar, as the years we did Crownfest it was one of most memorable local affairs, ever! The thing is with Crownfest, things are looking bigger and better than before. And itโs undoubtedly the best for its focus on local acts. Some of the best are listed here, George Wilding, Ruby Darbyshire, Lucas Hardy, and none other than Talk in Code.
Crownfest is a landmark charity music festival, garnished with some of the finest local acts, highly recommended by us at Devizine, and supporting Wiltshire Hope and Harmony, a charity providing essential support to those with SEN needs and to families caring for loved ones living with conditions such as dementia and Parkinsonโs, as well as those at end of life, offering compassion, dignity, and a true sense of hope. And, on our recommendation there will be ant music, supplied by one my all time favourite tributes, Ant Trouble; we are the family!
Iโve been waffling far too long about your blind date with a festival, itโs time to be Cilla; โhereโs Graham with a quick reminder!โ
Will it be number one, the glitter, Prosecco and everybody’s freeeee to feel good festival with a full orchestra behind Jason Donovan?!ย ย
Will it be number two, the boots and braces moonstomping madness hairdryer extravaganza, with a seemingly never-ending supply of beer?!ย
Will it be number three, the friendly, family, outside chance, with John Amor, Barrelhouse and magnificent tribute acts to rock you; cum feel the noise for the dancing queen!ย
Or will it be number four, the grandest pub festival youโll likely to find, set in a beautiful beer garden under the magnificent spiral church of Bishops Cannings, and with Tina, Ant music and a real dedication to supporting local live music?
Or will it be all of them?! Do it, be a festival slapper! Date the lot, and the Devizes Arts Festival, Food & Drink Festival, Black Rat Monday, carnival, Lions on the Green, and if I see you at any, mineโs a pint of cider, cheers mucker!
Three short years ago, we first spoke with Vanessa Tanner, campaigning in the Devizes Town Council by-election for Devizes East. In those few minutes, I knew Vanessa was the person for the role, and we congratulated her for winning her seat for Devizes Guardians. Today, we congratulate her for becoming the new Mayor of Devizesโฆ.
She had some big boots to fill. Jane Burton was a respected Councillor, and the by-election wasn’t without its pitfalls; namely a false scandal perpetrated by the opposition candidate. But Vanessa’s voluntary work and keenness for environmental issues thankfully shone through.
Seems like I was onto something back then, as Vanessa announced today, โI’m absolutely honoured and privileged to have been made Mayor of Devizes last night. I think it’s going to be a turbo-charged and exciting year ahead.โ
Vanessa thanked John Richard Stephens, her friends, family, and colleagues for their support. Congrats, and perhaps a bottle of Brown Ale also goes to Jonathan Hunter for picking up the deputy mayor role; I shot the sheriff, but not the deputy!
Devizes Guardians thanked departing mayor, Cllr Jennie Britten, for her “selfless dedication and service to Devizes,” adding, “It has clearly been a year marked by compassion, leadership, and community pride.”
Congratulations, Vanessa! We don’t think you’ll make a great mayor. We know you will. Wear that bling with pride! And if you raise a glass to her success, make sure it’s one of the reusable cups that Vanessa initiated across Town Council events and beyond to many local pubs and bars!
Sixteen year-old entrepreneur, Katie West from Devizes, set up her own gardening business, FreshEdge Teen Landscaping a few months ago, but received a ban from the popular local Facebook group Devizes Issues, trying to promote it. In the scheme of things if it sounds petty to you, itโll probably be what it isโฆ..
The cost of advertising is spiralling, and can cripple a business before it gets its feet on the first run of the ladder. Marketing on local Facebook groups is an essential method to getting your initial message out there, informing people of your services. Katie mistook one administration rule of the group Devizes Issues, which allows other businesses to advertise, by mentioning where her gardening business operates rather than where they are based, and in pleading her case to the admin of the group, was ignored and promptly banned from it. Strewth; two sugars for my storm in a teacup! Would he have done the same to olโ Alan Titchmarsh, I wonder?!ย
Iโm not going to put Katie up against the wall here. I believe anyone starting up a small business in this current financial climate needs a leg up, and Iโm particularly impressed when such comes from someone so young. Originally I thought Iโd freely offer to write this, omitting the unjust circumstance which spurred it, but, sleeping on it I thought, in fear of it simply coming off as an advertorial, the harshness of the decision to ban her from the Facebook group needs to be said.
This is not an advertorial, I would not ask Katie for money for publishing this. I wouldnโt even expect a hedge trim; I actually like tending my garden, it keeps me away from doom scrolling precisely this kind of petty nonsense on social media! The admin of the group in question really needs to grow up, or if we are to use gardening analogies, position a grow bag in line with their pelvis, lie down in it, and grow a pair!
I’m sorry, but I’m sick and tired of hearing about locals being unfairly banned from this same Facebook group for inconsequential reasons. It leaves people frustrated, and if they react, the admin plays their victim card like drama is addictive, every time. Ban those being offensive, abusive, or prejudgemental, I dare say, but Katie finds herself in an ever growing collective of covid support groups, other councillors or candidates of opposing parties, or residents who dared to speak against the opinion of the admin, and found themselves kicked out unjustly of a group which claims to be an impartial community page. Orwell couldn’t make it up!
As it is, and something you should take heed of despite not seeing it on a certain Facebook group, looking at photos of their past work, FreshEdge Teen Landscaping appears to make a top class job of it. โIโm a 16-year-old gardener offering affordable garden tidy-ups and outdoor work,โ Katie explained. Her current offers are a full day gardening service for ยฃ160, and two days for ยฃ220 within the Devizes area, โno matter how overgrown the garden is!โ
Her services include lawn mowing, weeding, patio and driveway cleaning, planting flowers, hedge trimming and general gardening tidy-ups. Katie, who tells me she often brings her boyfriend to help too, is friendly, hardworking and โhappy to help get your garden looking great again!โ And, in return, I firmly believe we should be helping our local young people with such initiatives, not casting them aside for accidentally breaking a hidden rule of a Facebook group!ย
One satisfied customer said, “I asked Katie if she could weed my gravel as I find it difficult to bend as I have osteoporosis .. Katie along with the help of her boyfriend did an amazing job that has saved me hours of back breaking work โฆ good to see young people prepared to work hard.”
As for the Devizes Issues, silly sausages say โit’s a popular group,โ to excuse themselves for staying in it. Hit me with a snooker ball in a sock if it ain’t true, I say bullying is a spectator sport; leave and the powertripping is greatly reduced.
Why stay in a group disciplined like the admin is the daddy of a borstal, when there’s others with admins who understand the meaning of words such as compromise and compassion, waiting for residents to join them? Oh, and get your garden smartened by Katie while you decide!
Whether you’ve a bizarre inclination to meet the Addams Family in the flesh and figure this might be your closest opportunity, you couldn’t think ofโฆ
Itโs a question Iโve asked Chippenham singer-songwriter Harmony Asia on each rare occasion I catch her for a chat; if sheโs planning to capture aโฆ
David slew Goliath with a sling and a stone. Bishop’s Cannings Parish Council used evidence, against a group of Devizes Town councillorsโ more circumstantial landโฆ
They might appear like sticks of broccoli on their featured image, with no logical explanation as to why, but they actually are two former students of Lavington School, who are reuniting to enter Cancer Research’s Race for Life in Salisbury on 21st Juneโฆ..
Lauren Mesquita and Jess Worrow pledge to complete the 5k run raising vital funds for Breast Cancer Research, but need your help. Stay calm, you need not dust off your joggers and Dunlop Green Flash; they’re only asking for your donations!
The two girls met at Lavington School, Jess is now studying for English and media A-Levels in Swindon, and Lauren is currently studying nursing at college, with plans to be working as a Pharmacy Support Worker within the NHS.
Lauren said, โIhave a big passion for helping other people;ย that’s why I want to work in healthcare, to make a difference.I worked in oncology and haematology wards, and a chemotherapy outpatients suite during a nursing placement at a hospital, meaning I’ve had the opportunity to learn about cancer and talk to lots of patients living with it.โ
Jess added, โCancer is happening right now, which is why I’m taking part in a Race for Life 5k to raise money and help to save lives.โ
The two friends have both had family members affected by cancer. โWe want to raise money to help combat this awful disease that affects so many people across the globe,โ they said. โSo any donation is deeply appreciated.โ They’re calling their partnership, Not Fast, Too Funny.
This will be Lauren’s second year of running the Race for Life, but it’s the first time for Jess. Though Jess has been keen on many sports, including playing for England Hockey performance centre and Reading FC Academy in the past. I don’t even know how far 5k is, but it’s got a K in it which usually makes it sound like it’s much further than my own personal best of occasionally running for the bus.
We wish Lauren and Jess the very best of luck, and call upon our lovely, lovely readers to please support them with a donation if they can, because they’re lovely, really.
โIโve seen so many stories of people fighting through it and recovering,โ Lauren added, โincluding some in my own family, and itโs really motivated me to do this.โ
Retrieved footage from a stolen drone of the Wiltshire Hunt Saboteurs reveals the Beaufont Hunt making a fox kill earlier this month, and itโs undeniableโฆ
Just who is Theodore Thump? A wise pet rabbit? The mysterious sixth Beach Boy? This album newly released from Shedric, Swindon soloist and groovist ofโฆ
Buzzwords, like โturbo,โ or โsonicโ are cliche, overused trends which gain popularity because they sound impressive, even if they are empty of meaning. I avoidโฆ
Itโs always nice to hear when an inaugural local event is successful, especially one as unique and original as Marlborough School of Languagesโ annual Fiesta.โฆ
Right here, right now in Devizes, Palooza spawned and has become the fast-growing house music event brand in Wiltshire. They’ve beenย invited backย to perform atย Fatboy Slimโsโฆ
No jumping bandwagon election articles from us this week; we’ve had no election here, move along if that’s what you came here looking for! But, what were our Wiltshire Councillors up to on election day, instead of temptingly campaigning with a bag of peanut M&Ms outside polling stations, or nervously twitching in their seats?! We thought we’d ask themโฆ..
Note; we thought we’d ask them for fun, hoping for an amusing responseโฆ. These are councillors, though, the real McCoy, I didn’t hold out much hope. Not that they couldn’t be amusing, you understand?! No, silly, I just prayed some might be daring/crazy enough to actually answer!
I desperately despatched a dodgy message on the day, to a few we know and like. No point in asking Reform councillors; too busy painting roundabouts and shouting at hotels, I’d expect no more. National result for them though; who’d thought swapping empathy for anger, and accountability for a blame game would make such an appealing prospective?!
โStop thar boats,โ is all they’ve got; Swindon is landlocked, nincompoops! What, are they coming across Coate Water in a paddleboat now?! Deform took Penhill, Pinehurst and everything else in Swindon beginning with a P; like Primark. You do realise a local councillor isn’t Prince Namor the Sub-Mariner, right?! Unfortunately for you, they approve shed extensions, there’s little they can do to stop a boat.
Anyway, such was the wording in the message those few who I sent it to probably thought my phone was pinched by Michael McIntyre. Perhaps they shampooed the dog, or went to Ikea and brought a nice, fluffy cushion for their safe seat, I wondered. It’s thoughts like this which get me through the tougher days!
Fingers crossed in anticipation, first to answer was our very own MP, Brian Matthew. Not as complimentary as it might sound, given our track record of preceding MPs, but Brian is deffo the friendliest! Always where the action is, heโd been in Swindon on the day, helping with the election process/rumble there. Not really amusing, but at least they have a TK Maxx.
Phil Chamberlain, Wiltshire Councillor for Box & Colerne was with Brian, also in Swindon helping with the process. Phil explained he “spent the morning at Wroughtonโs polling station, along with one of Wiltshireโs Reform councillors and we chatted with each other and with voters. One voter got him to look after their dog while he cast his ballot.” Eh? The dog voted?! Might explain a few things!
Big but, what gives in Swindon? With just a 50% turnout they took a geochronologic unit to count the votes. The Returning Officer requested more counting assistants. Apparently they’ve run out of fingers and toes.
The most comfy person at County Hall responded next, Laura Mayes. No, right, cos if I read it right, not only has she the seat for Rowde and Bromham, but also has a chair too; something extra to put your feet up on! They don’t even give The Munster so much as a pouffe, which could be why he’s so crotchety! Black Dog crossroad is safer now; give the geezer a scatter cushion at the very least!!
Laura told me she was โas far away from elections as possible!โ Training for a triathlon, Laura spent the day working on her fitness; running, and swimming in the sea. โCouncil work never stops,โ she explained, โI have been answering emails and helping some residents with a flood protection plan.โ Surely the only one to benefit from answering emails while swimming is The Apple Store?!
Whilst Laura risked water damage to her phone to answer emails, in top hat and tails, Devizes East Councillor Taylor Wright and his partner were poshing it at Buckingham Palace for the Royal Garden Party. Ooh, get you! Seriously, he sent me a smashing picture; a lovely couple. We need more youthful councillors like this proud family man.ย
Meanwhile, Ben Reed for Devizes North broke his Waiblingen Way leaflet delivery record. Maybe he should’ve also been at the palace, being awarded a Victoria Cross for bravery!
I didn’t ask Taylor if the King was serving up Iceland hotdogs in khaki shorts and a bucket hat, as such an image my warped imagination might conjure, but Taylor called it โan incredible opportunityโ adding, โquite easy to say Iโd prefer this over an election count!โ
After her fitness regime, Laura also revealed it’ll be โcocktails and dancing tonight,โ for her. โWho needs elections?โ she jested, โnot me!!โ And that’s it in a nutshell, isn’t it? Wiltshire Council aren’t doing such a bad job in my honest opinion. We were safe from the fiasco here. Whatever happened elsewhere is nought to do with us; we’re fine as we are, thank you all the same!
I thank Laura, Brian and Taylor for their time, and for playing my silly game. The rest were quite rightly like, mind your own business! And who could blame them?! If they see this and foolishly think โI could’ve contributed,โ then, more the merrier, I can edit it. Fix a pothole or two first, and I’ll gladly consider it!
At the end of last year Chippenham singer-songwriter M3G released the single Rooks. I felt it set her bar at a whole new higher level. Iโm glad to report the follow up single, De-Anchored, is equally angelic, and was released todayโฆ..
It might not raise the bar much from Rooks, but it maintains the same direction of excellence. Such is the unique and original direction of this drifting metaphoric shanty, Meg was delighted to hear it played on BBC Introducing in the West last evening, and we are equally thrilled for her! Thank you kindly, Mr Threlfall, they broke the mould when they made Meg.
For in this crazy world of fired up, laden rock n roll and floor rumbling dubstep, sometimes you need a timeout, a breeze of ambient goodness, and M3Gโs acoustic take on melancholy is so beautifully presented with all-M3G loop vocals and sublimely unique expression. And arranged by Phil Cooper too, who knows the composition of a beautiful song like the back of his hand.
ย This time De-Anchored takes a shanty feeling, metaphorically a loose anchor canโt save a sinking ship, relative to a relationship breakdown and the characterโs empathy and sense of loss. It drifts, lost at sea, another delicate impression guaranteed to impress!
De-Anchored is out now, across all major streaming platforms.
Featured Image: Helen Polaxpix What has Devizesโ greatest millennial musical export, England rugby player Jodie Ounsley’s ghost writer, some scummy mummies, a professor of biology atโฆ
Hurrah, at last! Only The Brave is the debut song from Burn The Midnight Oilโs revised lineup; something Iโve been anticipating since watching them rehearseโฆ
Four Dauntsey’s Sixth-Formers have been awarded travel scholarships, and plan to cycle all the way from their school to Bonn in Germany, shortly after completingโฆ
Leading Wiltshire digital entrepreneur Natalie Luckham, AI Educator and founder of award-winning Wiltshire social media consultancy Naturally Social is hosting a free โIntroduction to AIโโฆ
Yes, you did read this correctly! As lovely as our premier grassroots venue, The Pump in Trowbridge is, you might be stretched to imagine it hosting the UKโs biggest festival without at least someone squishing your toes! Without any appropriate safety footwear, allow me to explainโฆ..ย ย
The Music Venue Trust and The National Lottery have announced Everywhere At Once, the UKโs biggest festival, a festival on your doorstep. Taking place on what would have been the Glastonbury Festival weekend of June 26th to 28th 2026, hundreds of grassroots music venues across the country will unite for Everywhere At Once, for one extraordinary weekend.
Venues from Inverness to Penzance will host hundreds of major artists, touring acts and theย most exciting emerging local talent in the spaces that have launched generationsย of musicians. This will enable audiences to experience a diverse, curatedย programme of live music in the intimate rooms that are the heartbeat of their communities.
This is not a festival in a field. Itโs a festival on your doorstep, no tent required.ย Forget the trek, the traffic and the campsites. And this exciting live music experience is coming to Trowbridge, via the Pump. See? Put your Crocs back on the shoe-rack, I said all would be explained!
Everywhere At Once is more than a line-up of gigs. Itโs a national moment to celebrate the grassroots music ecosystem. For three days, the artists play, the venues host, the nation listens, closer to the music, where local matters, where everyone belongs; The Pump ticks that box.
Everywhere At Once at the Pump will include a twee indie pop night with Sketchbook Records presenting on Friday 26th June. Includes a line up of Josie from Copenhagen, Clock Radio from a bit closer to home, Devizes, and Bathโs Wisdom Teeth.
Saturday 27th June is the Nova Nights takeover with punk-indie-blues vibes from Fight Milk from London, Melkshamโs finest The Sunnies, and The Hayden Lloyd Band from Trowbridge.
And thereโs a Sunday matinee from 2pm on the 28th, when The Pump Acoustic Club presents a night of folk with Dan Sealey of Ocean Colour Scene and Fromeโs KD Rivers. Check out the Pump Website for more details.
Not long now, for Rowdefest! Which, as the name suggests, is in Rowde, near Devizes, on Saturday 30th May, and is a free, community spirited family mini-festival with the ethos and atmosphere of a festival and village fete combined; what more could you possibly ask for?! Well, I’ve got some exciting details to reveal, some of which have been top secret until nowโฆ..
That’s the beauty of being involved with Rowdefest, I have the lowdown, and I’m a blabber-mouth! I’ve been drinking tea and assisting with the organisation of this little extravaganza, mainly in charge of biscuit consumption during some painstaking meetings whereby a much greater dedicated team have been carefully plotting this year’s Rowdefest. Let me tell you now, you have no idea of the enormity of hard work which the committee have undertaken to stage this, and to keep it free and fundraising. Ergo, it’d be rude not to come, it’s a quick bus journey or healthy stroll/piggyback from Devizes!
We will be raising money for Rowde Village News & St Mathew’s Restoration, from 1-7pm at the Small Playing Field in Rowde, which is surprisingly bigger than it sounds. We will be entertaining ourselves at the main tent, until such a time the fantastic Devizes Jubilee Morris Dancers have belled-up for a returning show; so much fun last year, they’ve been warmly invited back.
Until then, I suggest we have a dance-off competition with prizes for the best dance moves, so bring your funky pants and your parents too, because extra points will be awarded for the bravery of dragging your parents along for this dad dancing dance off!
It is a family affair. We have a bar, and the Mind Tree Cafe. We have tea & cakes at the church and a plant sale, both of which people can bring on the day; plants and homemade cakes to the church please, and thanking you.
Talking tucker next. Woodland returns this year, with their delicious pizza, and new to Rowdefest, we welcome Boigers, for their smashing smashed burgers. I’m tempted to get one of them as a pizza topping!! And of course, it wouldn’t be Rowdefest, not even Rowde, if we didn’t invite The Rowdey Cow, and a selection of their scrumptious ice cream.
For something totally original, we welcome a live sheep shearing show, at regular intervals throughout the day; might nip over there for a trim. The rest of the time you’ll find me loitering at the main tent, with some guests who will be performing live.
Iโm over the moon, to welcome the sublime Ruby Darbyshire, who will take the stage around 2:30pm. Many of you will know Ruby and those who have seen her before will understand why Iโm so excited. Others will have to wait and see, but wherever Ruby travels around the world, people are left in awe.
At around 4:30 we will read the results of the raffle. Yes, we have a raffle, of course we do, and itโs tombola-tastic, with three tombola stalls; adults, kids, and the school’s bottle tombola. We have fairground rides, face painting, and stalls from Bramblerose Designsโ art inspired by the Wiltshire countryside and hand dyed clothing & fabrics, King’s Bakes, Merlin Glass, Kay’s Rugs & Stuff, Katie Robsonโs craft stall, and the RSPB, and RNLI. We also have fundraising by local children for trips to Borneo and Peru, as well as our own books, bric-a-brac, children’s games, and plant stalls.
Pegden Contracting are supplying hay bales again this year, giving it a real village fete look. So, once youโve browsed our stalls, and grabbed a bite to eat and drink, meet me there, because not only have we Ruby playing for us, but Marlborough’s finest vintage blues with a groove collective Barrellhouse will be blasting out the songs as our grand finale. You are going to love them, pinky promise!
See the poster? It took me ages to design that, and the antiquated computer program I used caused Martin Barnes Creative a headache when he came to remix it and add the groovy graphics; still he returned to thankfully sponsor our event! But not as long, or headachey as it has taken our lovely committee to arrange this festival, and with the support of the Rowde Parish Council, we welcome you to RowdeFest 2026!
Now, local businesses, hereโs how you can help. While we have already filled our field with side-stalls and attractions, would you like your banner displayed at RowdeFest on the 30th May? To display a banner we are only asking for the small amount of ยฃ15 for banners under 1.5 meters long. Anything bigger is ยฃ20. We are keeping it low as we want to promote local businesses. Get in touch if youโre up for it, but I hope to see you all in Rowde on Saturday 30th May, by the order of Devizine!!
Devizes Outdoor Celebratory Arts key into the town’s majority demographic for its first annual event of the year, mature couples, with an affection for samplingโฆ
The Wiltshire Music Awards 2026 entered an exciting new era when Stone Circle Music Events announced was as official sponsor and organiser. Backed by theirโฆ
by Ian Diddams images by Chris Watkins media โChicagoโ is a stand out example of the musical theatre genre โ great songs, great characters, greatโฆ
After much deliberation, Devizine is to pull out of any further organisation of the Wiltshire Music Awardsโฆ.. It has not been an easy decision, andโฆ
Four years ago I witnessed a Gen Z phenomenon in Devizes. With a certain indie punk zest and intelligent songwriting, Devizes School band Nothing Rhymes With Orange built a local following I once compared to Beatlemania. Staging their own gigs and recording original songs, they harnessed appeal from a dedicated fanbase. By the summer of the following year I suggested to DOCA they should host them at the Devizes International Street Festival, and advised residents young and old, to come support this blossoming sensation; and they listenedโฆ..
It will forever remain one of my most fondest memories as editor of Devizine; looking out from the stage across a sea of people stretching the entire Market Place and queuing down the Little Brittox. I announced them, it felt like the right thing to do after banging on so much about how good they were! And they absolutely rocked it, opening a wider age demographic to their brilliance, if still local. But Nothing Rhymes with Orange didnโt stop there.
They would play our pub venues, from the Southgate to the Three Crowns, and they would even fit into FullTone, but they cast a net further, as other venues and festivals of other local areas headhunted them. The vibe was spreading, from Bradford-on-Avonโs Roots Festival to Marlborough’s Lamb and The Barge on HoneyStreet, the lads fast becoming Devizes musical export of the century.
The only time I ever questioned their united successful future was at the end of their sixth form tunnel, when so many school bands demobilise to pursue separate universities, careers, or family obligations. It was 2024, they did a farewell gig at the Exchange in Devizes, and I set up an interview with them. It was more Chow for Now than breakup, as frontman Elijah Easton, guitarist Fin Anderson-Farquhar, drummer Lui Venables, and bassist Sam Briggs all planned to study music at Bristol uni, and even reside together; result!
For the interview I drew up some quirky questions, as usually a band of this age didnโt take themselves overly serious, but what was revealed was evidently the most dedicated band with the most earnest sense of direction Iโve ever chatted with. It is this motivation to their development which drives the phenomenon to their international success. Nothing Rhymes with Orange have matured their sound, harnessed a style, but the audience response is equal to the Gen Z parties of home, just on a massive and international scale.
Bookings this year stretch from Exeter to a Brighton tour, onto Leeds, North Shields and Sheffield. The CURCUS Festival in Dorset, Godney Gathering, Somerset, and back to their new residence with some of Bristolโs biggest festivals. You can find our lads at Taunton, Plymouth, Rotherham, Leicestershire, Warwickshire, and Londonโs premier venue The Dublin Castle. The end of July sees them in Gibraltar, and each and every date makes me proudly think, yeah, theyโve cracked this!
But for their original Devizes fans, there is one important gig on their list, for if itโs one thing to see Springsteen play, itโs another to see Springsteen in New Jersey. Devizes Arts Festival has brought many big names to town, over their forty years, some became bigger afterwards, others already A-list. This year is likely the first time they bring an act BACK to Devizes, as Saturday June the 13th sees Nothing Rhymes with Orange playing The Corn Exchange. The lads returning is going to be big, perhaps as big as the sacks of washing for their mums!!
The Devizes Arts Festival put out, what I considered a slightly wonky perception of this in a social media post. Stating their generation didnโt like paying for gigs, Iโd argue it was more through financial reasoning than anything cultural. Besides, Gen Z have grown now, some with jobs, or at least with better parent persuasion techniques! While worth every penny, Devizes Arts Festival events come with a price, in order to stage them and cover the many free fringe events their program offers.
To attract a target audience rare for the Festival, tickets have been kept to a minimum, weighing in at just ยฃ12.94. I sincerely hope this works, because it is not just Gen Z this event should attract here in Devizes. In my honest opinion, the red carpet should be rolled out for these lads, whoโve put Devizes back on the musical map of England, since the success of The Hoax in the nineties. For the record, I recall standing by a younger Elijah, watching Jon Amor at his Southgate residency with a respectful eye.
The lads of Nothing Rhymes with Orange deserve to be shown a Devizes welcoming home party like no other, by all of this townโs live music aficionados of all ages, not only for their international success, but for motivating a new generation here to pick up guitars and drums and start their own adventures. So, if your kid begs you for some money for a ticket, get one for them, and get one for yourself too!!
It seems Shrove Tuesday celebrations in Devizes have fallen as flat as aโฆ.well, you get the gagโฆ Traditionally organised by Age Concern Wiltshire, and oftenโฆ
The mighty mighty Minety Music Festival announced The Bluetones as their Sunday headliner at their Eames Laurie Main Stage, and The Dub Pistols on theโฆ
The celebrated Shindig Festival at Malmesbury’s Charton Park announced their headline act for May bank holiday 2026, and being that it’s Bob Vylan, it isโฆ
Drizzly Sundayโฆagain. Iโve just finished designing the poster, so allow me to reveal the lineup for Rowdefest this coming May, might cheer us up aโฆ
Spiritual doctor, El Souessi, a prominent speaker for the Bruno Groening Circle of Friends, is coming to Devizesโ Wyvern Club on the 10th May to lecture on the teachings of controversial faith healer Bruno Groening. Make of it what you will, but from my angle it sounds suspiciousโฆ.
While we’re happy to promote local events here at Devizine, we’re wary of those unfitting basic morals, ones affiliating with extreme politics, for example. This one is borderline and I would advise caution. Faith healing is a pseudoscience many within the medical community and public consider unconventional.
Bruno Groening was an oddball, a German mystic who claimed to transmit a healing force he called Heilstrom, to cure incurable diseases. Using the desperation of common folk, often injured in war, in the economic downturn of post war Germany to practice his faith healing and encourage an almost cult following, Groening had a dark history of association with the Nazis, allegations of rape, and negligent homicide of a seventeen year old girl with lung disease.
Groening was anti-science, with a sparse education and a tragic backstory of family loss and being taken as a prisoner of war. Suddenly rising as spiritual healer of mystical abilities in the late 1940s, but moving around Germany because states banned him from practising, media attention sparked a devoted following. Such was its popularity, Groening took to casting magic into two tinfoil balls to project outward to those he was unable to โreachโ physically, only in collecting donations.
Leaders of his own โinner circleโ were reported to take measures to control his access to women to prevent scandal. His quote โthere is no incurableโ is now used to promote his teachings as a โpath to health for body and soulโ by Dr Karim El Souessi and his Bruno Groening Circle of Friends. But, reported as a heavy drinker and chain smoker, Grรถning died in Paris, aged just 52, of stomach cancer; so much for โincurable,โ it seems he couldn’t save himself.
While the social media comments on his Facebook event page hold miraculous curing claims, note none of those comments are from local people, and suspiciously look like bots. I’m one to hold faith there is a possibility in โmind of matterโ for wellbeing, but claiming all diseases are curable by religious indoctrination is stepping way over the mark for me!
While a venue must consider its financial sustainability it should also have a responsibility to its attendees not to host suspiciously immoral events. The Wyvern Club should research event organisers before allowing itself to be hired.
Avoid this, and if you have a medical condition you should consult your GP. We live in an era of science, and, as Grรถning’s death revealed, faith is an island in the setting sun, proof is the bottom line. Go on, do your worst, shrink my head, I double-dare you!!
Your Vote, Your Voice, Your Future, goes the slogan to encourage the public to side with a particular political party based on lies they each cast, when all of them will probably make the country more of a mess than it already is, anyway. We’re not doing this now, not here, not todayโฆ.
We’re here to let you know there’s an opportunity to share your love for particular local musicians and bands, rather than dancing around your handbag when they perform, or blasting them in the face with your phone torch!
Yes, We are talking about the Wiltshire Music Awards 2026, for the nominations process started today. Let the arguments commence!
I’m not here to sway your opinion, as many local artists will undoubtedly go begging for your favouritism, though I should remind you I’m a dab hand at the triangle! Please take a time out to place your nominations, it is more important than any other elections which might be going on.
This is your moment to shine a light on the artists, bands, DJs, venues, and local legends who are shaping the sound of our county right now. My opinion, for realz, is they all deserve a medal, and perhaps a Milky Barโฆeach!
From grassroots talent to headline heroes, if theyโre making any kind of noise other than flatulence in Wiltshire, they surely deserve to be recognised!
And there’s a lot of talented people out there, but while nominations opened today, the 1st of May, there’s time to ponder your options as the polls will close on the 10th June.
The Wiltshire Music Awards 2026 will be held at The Assembly Hall, Melksham on Saturday 14th November, but the time is nigh to cast your votes. I cannot recommend where, only urge you to do so. Supporting local live music is so important, I got smashed in the head by a guitar hosting last year’s awards, but, mentioning no names, the unfortunate incident won’t affect my judgements; I took one for the team, and rose above it!!
In all honesty, there’s not even a category for best triangle player. What is this conspiracy? Won’t someone think of the triangle players?!
It could be bigger than Diggers! See what I did there? Okay, you youngsters might need Google, but while you’re researching Chippenham’s hedonistic past, aโฆ
There’s no sophomore slump for Monkey Bizzle; prolific in their art, these rural chav-choppers return with a second album, Agricultural Appropriation, only five years andโฆ
Featured Image:@jenimeadephotography Just another rainy Saturday afternoon in Devizes, whereby I watched a profound fellow dramatically sacrifice himself to the devil, then popped to Morrisonsโฆ
After the cracking weather we had all week-end, what better way to round things off than with the best of all home-town gigs with one of our local heroes Vince Bell?ย So, suitably attired in t-shirt, sun-hat and sunglasses, off we toddled to one of our favourite watering holes, The White Bear, for a much-needed dose of great original songs.ย Good beer and good music are all that anybody needs.ย Obviously other choices were available, notably up the road at The Southgate, but for us it was a very easy choice. ย Vince is, without doubt, one of our local heroes, and it had been a few months since weโd last had the chance to hear him.….
Vinceโs first-half set was full of his fine self-penned songs, the lyrics coming across clear and loud, accompanied by some fine guitar work. I sometimes make the mistake of slightly under-rating his great work on the strings, but not at all yesterday. He was on absolutely superb form, carefully explaining and introducing each song, but never dwelling for too long, allowing the material to speak for itself.ย The subject matter was downbeat and extremely personal, each song striking home and eliciting warm and enthusiastic appreciation from the gathering audience.
Pub gigs can sometimes be a bit weird, with some folks inclined to compete with the singer by trying to talk over the top, and spoiling it for everyone else whoโs there and actually wants to listen.ย Not so yesterday โ the conversations gradually died down and, at times, you could almost hear a pin drop.ย Great to hear an artist as good as Vince being shown some well-deserved respect. And before we knew it 45 minutes had slipped by and it was time for a top-up pint.
Chatting to Vince at half-time revealed that there were personal reasons why Vinceโs mood and demeanour seemed a little low with his particular choice of songs, which I wonโt go into by discussing here. But suffice to say that the Monty Python lyric โLife’s a piece of shit, when you look at itโ was not an entirely inappropriate way of summarising certain feelings. He promised us a slightly more upbeat second spasm, and so it proved to be.
Joined for most of the second set by his friend Chrissy Chapman (of Burn The Midnight Oil fame), there was some lighter material, mostly penned by her. They worked well together, both in guitar playing and in harmonising their vocals. We were also offered a couple of covers, including (I suppose inevitably) The Stonesโ โPaint It Blackโ, which brought a wry smile to many faces. But, yet again, another 45 minutes disappeared in no time. And then we were treated to the much demanded encore of one of Vinceโs signature songs โSpiderman Pyjamasโ, and the gig was suitably wrapped.
Just time for another quick pint, a short chat, then a walk home in the still-glorious sunshine. I did get the chance before leaving to tell Vince that I genuinely thought that it had been one of his best-ever gigs. There were a lot of friends in the room, and lots of love, but I do hope that such a fine performance helped to win over a few new fans to Vinceโs corner. Heโs a local hero โ he deserves it!
Stone Circle Music Events announced today that all proceeds of CrownFest will be donated to Wiltshire Hope & Harmonyโs Dementia Choir. CrownFest is an all-dayโฆ
If Devizes Scooter Rally has already established its base at Whistley Roadโs Park Farm and Full-Tone are moving to these new pastures, last year theโฆ
Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Greatโฆ
Friday afternoon at The Lamb, tucked away behind the Town Hall in our market town, with my aim to introduce two aspiring local singer-songwriters who haven’t played in Devizes before, and present them at The Fold, a venue once renowned and hopeful to recreate its former reputation. I was anxious about the prospect. Their magnificent soundchecks filled me with confidence, though their wonderful talents were never the questionable element to this ventureโฆ..
From Chippenham, Megan Hoy, or M3G to the local music scene, is a breathtakingly unique singer-songwriter. At nineteen she has built the kind of reputation, in both live performances and recorded, which welcomes her to the South Westโs best venues and festivals. Her music and autism blend to become one, and exhausts something so personal you take a little of her emotions away with you; a skill usually reserved for only rare, professional acoustic performers decades down their journey.
If M3Gโs outpourings are translucent windows into the souls of contemporary youth emotions, anxieties, cogitations and reservations, and those on the spectrum, she unites with her Warminster match. Seren, the same age as Meg, bypassed my vetting process of only booking acts Iโve already seen live, based on Meg and otherโs recommendations, and the videos she posts on social media. They were plentiful to confirm Seren had something special, still her performance came as a pleasant surprise compared to my readymade affections for Megโs music, based upon the numerous times Iโve witnessed her magic.
If both define it as indie-folk, either fits nicely for a support set to an indie band, and allows scope for such bookings such as at The Pump, where they are welcomed by young punters awaiting a punky band. Yet I see it still as timeless folk, that rawness and unrivalled valour to open yourself up to an audience, stripped back instrumentally, just you and guitar, alone in the spotlight; that is courageous. And both Seren and Meg wowed. Just as folk was here, at The Fold, even before Kieran cut his teeth with Sheer Music within these very walls, it was again with a new generation. Everything about this gig fitted, in my opinion.
And it was a wonderful evening. As the sun fell to the moonlight through the high windows of the Fold, Seren opened with her original songs, sublimely. Though shy to talk, Seren commands an audience and holds them spellbound through her honest, ingenious songwriting and her talent to deliver them with soothing, evocative vocals.
A short break and Megโs is complementary to Serenโs set, matching with similar appeal but not rivalling; theyโve gigged together before and thereโs a genuine mutual respect. This sweeping package of excellence was tied and united by a third set, where they joined forces, and this really was something to behold. Each complimenting each other’s original songs and perfectly balancing their vocal arrangements for some covers.
Obviously this review is an encomium, as it was my doing! Still, I wouldnโt say it so if it wasnโt, Iโd bury my head in the sand, pretend it never happened! If you question my honesty, read on. Iโm left bewildered and somewhat frustrated, because those who witnessed this astounding gig were few, few enough for it to cause an issue and serious doubt about hosting more in Devizes.
Reintroduce The Fold they said, a gathering of support on social media welcomed it, but unfortunately, not in realityโฆ yet. I heard the opening night with the fantastic Bluebeard was also poorly attended. Letโs be honest with ourselves, I thank everyone who came, but poor attendance leaves me dubious as to why. Varied illogical reasons spring to mind, which could be debated until the cows come home. Maybe itโs teething issues at The Fold, or the market is already flooded? There could’ve been any number of reasons, but it certainly wasn’t the quality of the music, nor was it the price when we state you โpay what you can.โ
Friday night isnโt a Saturday, lots of folk work Saturday mornings, I could tell myself. Booze ainโt cheap anywhere these days, but another event, ticketed with a hefty price-tag, sold out, understandably reducing footfall. Perhaps though, not through the want of trying, The Lamb has yet to regain the popularity it once held. It is a great watering hole, as it ever was, Iโd be horrified should it go the same spiralling downward route of so many others.
Thatโs our motivation behind putting gigs on at The Fold, relaunching this venue, for the sake of original live music and the upkeep of the pub. Easy to yodel โsupport live music,โ or โsupport your pubsโ on your Facebook page, it might be another to attend, but that is only where it will impact.
Here were two young aspiring artists, singing their hearts out beautifully, and producing something unlike anything else you will currently witness here in this traditional market town. Yet, a majority would rather ignore, to either stay at home kissing Netflix, or attend a tribute act to prog-rock hasbeens. This is saddening for local music. You. Missed. An. Outstanding Gig.
The Fold is not out to rival the cover-band ethos popular at The Three Crowns, despite this glory having its place equal to the blues at the Blues club and Southgate. The Fold doesnโt intend to better any other event or venue happening in Devizes, only to add to the options we already have, and bring to town a variety of original grassroots music in an intimate setting. But the intimacy of the room has to have a minimum for it to be viable.
The first open mic at the Fold
This should NOT be a negative reflection on the acts or venue. I find myself paranoid, if it’s me, and youโve lost trust in my judgement to book acts? Yet I’ve been to other events which made no sense for their failings. I only got into event organisation to better understand what organisers undertake, being I was to appraise them, after our first birthday party left me completely unprepared for the tasks involved. It is still a learning curve, but everything previous has been successful for me; now I know the heartfelt emotions of an event organiser who worked tirelessly but whose event didn’t attract attention. So, if this comes off bitter, it is genuinely upsetting.
Perhaps if I host tribute acts to Meg and Seren fifty years from now in Devizes weโll sell out! Or are we really this shallow? I prefer to hope we are willing to give upcoming local talent a chance to shine, to move between the little circuits carved by the fields dividing us.
But for now, do I continue, pick up the pieces and try, try, try again, and if so, at what cost? Phil Cooper arrives at The Fold on Friday 22nd May, with Jamie and Tamsin. Here is a gig from the gang very well known to Devizes, which, hopefully will attract some attention. l wait in hope, concerned for the future of local live music in Devizes.ย ย
Christmas has come early for foxes and normal humans with any slither of compassion remaining, as the government announced the righteous move to ban trailโฆ
Chippenham folk singer-songwriter, M3G (because she likes a backward โEโ) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโฆ
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing theirโฆ
A median haul of vinyl can weigh in, but thereโs no longer a trek down Northgate Street for record collectors and musicians alike. Vinyl Realm has settled into their new location on Devizes High Street and shopping there is a much more spacious and airy experience โฆ..
Much as I loved the idea of a record shop opening in Devizes, being just the way I remember and loved them in days of yore, eight years ago on that inception, I confess I put a time limit on the place. Even then the threat on High Street shopping was real, and the want for vinyl records in this digital era was questionable. But Vinyl Realm is not only bucking both trends, locally itโs been a detrimental influence on them, proving well managed music shops are here to stay.
You can browse there, flip through those twelve-inch cardboard covers, remembering their look and feel, and the anticipation of taking one home and dropping your needle on that beauty. But then, perhaps, you consider the phone in your pocket, and the infinite digital stash of music it can provide with one click; sacrilegious here! Maybe you sold your hi-fi or record decks years ago. Streaming changed the music industry to a throwaway culture rather than the thrill of treasuring a physical disc, but one half of Vinyl Realm provides record decks and hi-fi, or fixes your old ones, effectively returning you to the retro game like Jon Bon Jovi in a newfound blaze of glory, should you require to.
Vinyl Realm remains one of the very few surviving secondhand record shops in the South West, and whilst Devizes loves tradition, visitors to the store will arrive here from destinations much further afield, for a range of vinyl too vast to fit into the shop, though the scope to display more is greater here at their new home.
More spacious too, allowing a freedom of movement somewhat previously restricted at their Northgate location. You might know how it goes; reunited with a long-lost record you once worshipped, just resting in that library of memories, praying for a new owner, and now nothing exists in the world other than you and the piece of vinyl youโre jumping up and down with, waving enthusiastically in the air yelping, โI found it! I found it! For the love of the almighty David Gilmour, I found it!โ not even the beatnik browsing dangerously nearby. The risk of bumping into him through your excitement, and him spilling his freshly boiled flask of vegan broth over you and your must-buy is greatly reduced with the space to move around The Realmโs new shop!!
Tamsin Quin outside the original location of Vinyl Realm at Long Street, in 2018. Image: Hennessy
Bitching to a rising retrospective trend in vinyl, a brand new Taylor Swift long-player could pinch the best part of fifty quid from your purse. At Vinyl Realm youโd return home with a substantial stash for that cost, as the prices here are nearly as retro as the records. For a want of more surprises, they flog CDโs and cassettes too, owner Pete tells me โtapesโ sell equally as well as records. I could suppose they were the post-internet music sharing format, after all, but Pete suggested Walkmans were back in, really? Whatever next? Etch A Sketch?!
And if youโre one for creating music yourself, thereโs a range of instruments and accessories like guitar strings, the odd display of merchandise, and related handmade crafts. Long live Vinyl Realm, where you can buy a record, chat music, grab the tools to make your own or purchase equipment to play them on. Even get that broken hi-fi repaired, as all repairs are done onsite and nothing is shipped off to a company; making this beloved Devizes shop sustainable and, by its very name, a realm for all things music. The move to the High Street and the fact itโs not easy to grab a quote from Pete or Jackie as they busily attend a constant flow of customers, is evidence of its long-lived success.
Daphneโs Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in theโฆ
Part 1: An Introduction March 1936: newlywed French telecommunications engineer Pierre Schaeffer relocates to Paris from Strasbourg and finds work in radio broadcasting. He embarksโฆ
Yesterday Wiltshire Council published an โupdateโ on the lane closure on Northgate Street in Devizes as the fire which caused it reaches its first anniversary.โฆ
Join the St Johnโs Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th Decemberโฆ
This afternoon I find myself contemplating what the future holds for historical discovery and learning for all ages, fun and educational exhibits and events inโฆ
Featured Image: Barbora Mrazkova My apologies, for Marlboroughโs singer-songwriter Gus Whiteโs debut album For Now, Anyway has been sitting on the backburner, and itโs moreโฆ
The Wiltshire Music Awards is proud to announce an exciting new direction for its 2026 event, marking a bold evolution for one of the countyโs anticipated celebrations of musical talentโฆ..
Due to unforeseen circumstances surrounding the closure of the previously proposed venue, the Wiltshire Music Awards will no longer be associated with The Kingston Group. The organisation extends its sincere thanks for their past contributions and wishes them continued success in their future endeavours.
A spokesperson for the awards said, โthis change has created an opportunity to reimagine and elevate the event. As part of this new chapter, the Wiltshire Music Awards 2026 will undergo a full rebrand, including the launch of a new logo and refreshed visual identity designed to better reflect the vibrancy and diversity of the local music scene.โ
The organisers are delighted to confirm that the 2026 awards ceremony will now take place at The Assembly Hall, Melksham. Centrally located within Wiltshire and easily accessible from surrounding towns and cities, the venue offers seating for approximately 500 guests, alongside full bar and catering facilities, providing an ideal setting for a high-quality, professional awards evening.
The event has been rescheduled and will now be held on Saturday 14th November 2026. โThis is an exciting moment for us,โ the organisers continued. โWhile change is never easy, it has allowed us to rethink, refresh, and ultimately strengthen the event. Weโre incredibly excited about what 2026 will bring.โ
The Wiltshire Music Awards remains committed to celebrating and showcasing the very best musical talent from across the county, and 2026 promises to be the biggest and most dynamic edition yet. For further information, media enquiries, or partnership opportunities, please contact: Stone Circle Music Events UK at: events@stonecirclemusicevents.uk
Having to unfortunately miss Devizesโ blues extravaganza on Friday, I crossed the borderline on Saturday to get my prescribed dosage of Talk in Codeโฆwith aโฆ
No, I didnโt imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their second song,โฆ
Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโs latest offering of soulful pop. Itโs timelessly cool andโฆ
Words by Ollie MacKenzie. Featured Image by Barbora Mrazkova.ย The creative process can be a winding, long, and often confusing journey. Seeing a project comeโฆ
Swindon-based adrenaline pumping five-piece Liddington Hill released their first EP for three years, and Radium is highly radioactiveโฆ..
For most on the North Wessex Downs, the clump of beech trees at 900 feet high atย Liddington Hill is a landmark to get your bearings. Without a carpark and a mile from the Ridgeway, its Iron Age hillfort isn’t nearly the tourist attraction as its neighbouring sites, Barbury and Uffington. But with fables of King Arthur and as Swindon’s World War 2 decoy control bunker, it overlooks the town with a safeguarding history of its own. For Swindon music aficionados its name doubles up as a contemporary local bandโฆ.
Devizine first mentioned Liddington Hill when their front girl took to wearing a cow’s head in 2021, summarising their sound as Celtic punk. Two years later their second album, Edge of Insanity, carved a more unique angle we could best describe as โCeltic grunge.โ Horrifically it expressed narratives of serial killers and inmates in sanitoriums, and gave plenty of the edge you expect from such morbid subjects. But often the merger between Celtic folk and grunge felt segmented; each track lent mostly towards one or the other. Liddington Hill returns to the studio after three years with an EP which better combines and merges the two fractions, and masterfully deploys them as one almighty blast.
Radium has five dynamite tracks, three with different historical narratives, and two more commonly concerning relationships. With nods to past punk styles, they swap between male and female vocals. With the latter thereโs elements of riot grrrl, as in particular the opening track Peterloo. Not to be confused with anything by Abba, it kicks down the door with a heavy rolling electronic guitar riff and fiddles. The cavalry of the Yeomen charged into a crowd, gathered to demand the reform of parliamentary representation at Manchesterโs St Peter’s Field in 1819, and with its unnerving driving chorus the song represents the fear of the charge.
But if Peterloo sits in England at the end of the Napoleonic Wars and the economic slump which it caused, Tarrare’s Stomach, third track in, rests earlier on the timeline, in France during the conflict. Tarrare was the real Mr Creosote from Monty Pythonโs Meaning of Life, a gluttonous showman whose insatiable appetite was his act. He scoffed his way through the French Revolutionary Army rations, so General Beauharnais put him to military use, as a courier who would swallow documents, pass through enemy lines, and recover them from his poo when safely at his destination! Tarrareโs fate could suggest Liddington Hill are implementing at least four of the Seven Deadly Sins, if Peterloo represents wrath. This track belts out grunge style, but again with those fiddles gives it the ambience for its historical context.
The fourth song moves forward in time to America at the beginning of the twentieth century, and serves as the ultimate health and safety in the workplace regulation. Luscious Radium concerns factory workers dubbed the โRadium Girls,โ who were encouraged to lick their brushes when painting clock faces to maintain a fine tip, consequently ingesting radioactive material from the paint, and their landmark legal battles which established workers’ rights against corporate negligence; and you thought you were treated unfairly having your day off cancelled!
Again, Lucious Radium is rich in this blend of ladened guitar and rolling drums, with the added Celtic instruments to provide this unique take on grunge and give it a sense of west country geography. Female fronted this one teases vocally, with deriding irony and the nonconformity of Siouxsie Sioux.
The other two songs deal more commonly with relationships; I could call lust from our deadly sins list. Pretty Boy, and Ever Shot a Gun Before both deal with suicidal tendenses due to romantic troubles, and both reference guns. With swapping vocals, Pretty Boy reeks with emotional outpour and should come with a government health warning. The finale is less three minute hero thrash than Pretty Boy, and more epic building grunge layers, with a memorable simple concept.
The long-term effects of a relationship considered concrete by the character in the song, playfully chants on the ill-thought solutions and depicts the emotions of loss. Yet thereโs a โlittle help from my friendsโ epilogue, placing you concluded by the end and safely back in your armchair. Phew, radioactive factory women, a charging Yeoman army, a gluttoness cannibalistic French soldier, and your mate going to shoot himself because he broke up with his missus was all just a nightmare, evoked by this unique and intelligent grunge trip!
Radium is solid throughout, it never delves into ambient sympathy breaks. It may not be recommended by your history lecturer, but is an adventure in guitar crashing, drum rolling fiddle flashing with a historical reality. It takes no prisoners, and is the natural progression for Liddington Hill you need to take heed of. Thereโs a strong grunge scene in Swindon, but perhaps no other band has this unique spin on it. Radium is exclusive.
The EP was released on 17th April, on streaming sites and is available for digital download on Bandcamp and CDbaby. Vinyl and CD versions are available through their website. www.liddingtonhill.comย
Whoโs ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโฆ
One part of Swindon was in perfect harmony last night, and I donโt mean the traffic circumnavigating the Magic Roundabout. Rather The Lost Trades wereโฆ
Raging expressions of angered feminist teenage anguish this month, perfectly delivered by Steatopygous via their mindblowing debut album Songs of Salome, I hail as theโฆ
Not my favourite night for going to a gig but, hey, sometimes you just have to roll with it.ย On a night to fit in with their current short seven-date UK tour, Tuesday it just had to be, and King King rolled into town with their stripped-back โacoustic setโ.
First up, alone on stage, was support act Felix Rabin, a young man with plenty of talent. The Frenchman gave us a cracking first twenty-five minutes, and did an excellent job at paving the way for the main act to come.ย Here was a man with a mic, a few loops and pedals, a stomp-box and a (gasp) electric guitar.ย Over just six or seven songs, he easily won over the audience with a wide variety of songs, ranging from full-on loud, almost screaming anguish, through to some really thoughtful and tender material.ย With an easy, comfortable, personality he fully engaged the audience.ย The loud applause and the long queue at his merch desk at the end were both fully deserved.ย A worthy support to the main act for the night.
After a somewhat over-long interval, during which we were able to โenjoyโ the Corn Exchangeโs excuse-for-a-bar, it was time for the main act. With beer, cider and (cans of) Guinness at ยฃ6/ pint, served in plastic glasses by less-than-friendly staff, this is the venueโs Achilles heel. The offering is so limited, depressing and expensive. Such a shame, when the overall surroundings of the hall are great, the entertainment was top-notch, and the sound quality delivered from stage was clear and crisp. Pity they canโt offer music fans something better. However, I digress.
King King are a British blues rock group, formed in in Glasgow back in 2008 by Alan Nimmo and Lindsay Coulson, both formerly of The Nimmo Brothers. The band has released five studio albums and two live albums. The current line-up features Alan Nimmo (guitar and lead vocals), Stevie Nimmo (guitar and vocals), and Jonny Dyke (keyboards). In this acoustic-only line-up, there was no room (or need) for bass and drums. Back in 2014 British Blues Awards, the group won five awards including the Best Band and Best Album Awards. Normally, in their full electric line-up, theyโre widely praised as one of the UKโs premier blues-rock bands, and known for their high-energy live performances.
Full disclosure: Iโd never seen King King before, so Iโd no idea what to expect. However, I quickly gathered that the almost-full hall of the Corn Exchange was well packed with plenty of their fans. By the time I took my seat Iโd already had several fanboy conversations with folks I knew, and seen plenty of King King t-shirts. The merch desk was also pretty busy. So I was coming at this with a completely open mind and open ears. โCome on,โ I thought, โshow me what you can do!โ Suffice to say, dear readers, I was not to be disappointed.
So not a full-on blues/ rock band then, but an acoustic version of that band. Last night, which Alan introduced as โan experimentโ, was all about keeping things much more stripped back, intimate (compared to their usual format), and with a strong focus on the quality of, and the stories behind, the songs themselves.
For the next ninety minutes, through a flowing single set, they demonstrated very clearly their superb musicianship, vocal harmonies and song-writing skills. There was plenty of inter-song chat, building up a picture of their back catalogue, but never straying into that tedious trap of doing more talking than singing. There was plenty of cheeky humour, music business anecdotes, and an easy patter and interplay with the audience. The songs really spoke for themselves. Hauled up from various parts of their back catalogue the two Nimmo brothers, both seated with acoustic guitar, introduced songs of great power. The acoustic format allowed the vocals to really shine through, but never at the expense of some great work from the guitars and keyboard.
There were some nice riffs, some great choruses, plenty of audience participation. Most of the audience didnโt need much winning over in the first place, but as a newbie I was fairly quickly convinced too. Gotta say that I really loved it, and now feel prompted to go and see the band in their more โnormalโ full electric format. Another time, another date โ but hopefully not on a Tuesday!
Itโs nice to hear when our features attract attention. Salisburyโs Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil andโฆ
In thanking everyone who supported this year’s Wiltshire Music Awards, Eddie Prestidge of Stone Circle Music Events revealed his intentions of continuing with the awardsโฆ
Featured Image: Lillie Eiger Frome Festival is launching itsย โ25 for 25โย fundraising campaign with a very special concert featuring three locally based acts:ย Tom Mothย โ best knownโฆ
Iโve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโฆ
Rolling out a Barrelhouse of fun, you can have blues on the run, tomorrow (7th November) when Marlborough’s finest groovy vintage blues virtuosos Barrelhouse releaseโฆ
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Have you got an empty weekend coming? Fancy a last minute, first field festival of the year? Donโt want to travel far? Then fill your boots with BecFest2, this Saturday, with camping available for those that want to over imbibe or just get into the festival groove around a late-night campfire.
The brainchild of Sarah Bec and following the huge success of her first foray into low key affordable festivals last year, BecFest2 promises all the festival fun to kick the festival season off in style, with great independent bands, great food, great drink, great merch and a chilled vibe without having to deal with tens of thousands of others. Think of it more as a family gathering, of like-minded souls, rather than a field of strangers. And the weather is looking FABULOUS BABY!!!
The line-up features fully independent musicians โ no covers bands here folks โ and the day headlines with the phenomenal Revelation Roots, the energetic reggae, ska and dub band from the South-West, more than ably aided and abetted by
James Harriman, a Bristolian performing a Brit-Pop, folk-rock inspired sound
Plot 32, a party ska band from Leeds
Tabitha Wild, a mischievous singer-song writer with a sparkle in her eyes and a ukulele in her hands,
Mexican Dave, all the way from Swindon with his whacky approach to music, fun and drinking games
F.M.I. Clatters, who likes Cornish pasties amongst other hilarious musical offerings
Andras Droppa, delivering a hard rock blues style set
Dub Catalyst, with a reggae/dub/hip hop feel also from then South-West
with Ed Liner as compere and DJ throughout the festival.
The music stage is in a barn, but the weather is looking fine anyway, and camping is available from Friday 2th April through to Sunday 26th. For post music festivities thereโs a campfire for a jam session and chat with new found friends including undoubtedly many of the musicians – no “green room” away from the fans here at BecFest2!
Food is provided by the fantastic festival feeders Events Horizon with breakfast and all-day menus with snacks and spuds, chips, burgers, nachos, curry, pies and toasted sandwiches, with carnivore, vegetarian and vegan options amongst those.
Tickets are priced from ยฃ40 for Saturday, through to ยฃ70 with Saturday camping and Friday camping an additional ยฃ22, which in effect is for the campsite itself. And the best bit โ kids go free, with just a small fee for camping, and pre-schoolers not even that! Thereโs even bell tent glamping options fo0r extra โ truly a festival catering for everybody.
So, grab a ticket, and your tent or live-in vehicle – or glamp! – and get down to Stonehenge campsite for a wonderful weekend of music, meals and madnessย
Excitement for the rebirth of The Fold music venue at The Lamb in Devizes is building. As youโve probably seen me posting on social media, Devizine presents two astounding Wiltshire singer-songwriters, M3G and Seren to Devizes this Friday (24th April,) and Gaz Brookfield with JP Oldfield in support has only gone and sold out for the 5th June, but between them we have something else to announceโฆ..
Trowbridgeโs hardest working musician Phil Cooper says heโs โmega-excitedโ to bring his show to the Fold on Friday 22nd May. With him he brings a Canadian friend, multi-instrumentalist singer-songwriter, arranger and producer LG Breton. Phil explained, โLG told me he was coming from Canada to the UK for a holiday, and asked if there was a chance we could share a stage once again. I jumped at the chance!โ
And if thatโs not enough for you, the other two original members of The Lost Trades, Jamie R Hawkins and Tamsin Quin will be doing solo support slots, before LG and Jamie join Phil for a Phil Cooper Trio show; I haven’t seen Tamsin for sooo long, and Devizine was the Tamsin Quin fanzine too!
The Lost Trades original line up with Tamsin Quin
Again the event is “pay what you can afford,” and here’s the link to reserve your spot. Phil is such a wonderful musician in whatever guise he delivers, be it The Lost Trades, solo, as The Slight Band or the experimental project BCC, but the best thing about this talented and kind fellow, is either him standing in for missing band members for too many groups to name, or, most importantly, his production and engineering wizardry which has blessed so many artists as well as himself, including our M3G, of whom Phil has produced her last few singles; welcome to the small world of Wiltshire live music!
So, I hope to see you at The Fold on Friday, please bring some cash to donate if possible. The success of these early gigs for the new Fold really will be critical to our ability to put on more, so I hope you can make it, because there’s plenty of other brilliant local acts I’ve discovered on my journeys yet to showcase here in Devizes, and theyโre queuing up, waiting for the green light!
And don’t forget, there’s an open mic up there every first Tuesday of the month.
A huge thanks then must go out to JP Oldfield who has masterminded the project and Sally at The Lamb. We’re so excited at Devizine we’ve a whole page dedicated to it, which I’m off to next to update with this news!
Bradford on Avonโs Live Music Festival returns from Friday 29th May to Sunday 31st May; three days of live music from outstanding bands and artists happening across the town…..
BOA Live has grown year on year, offering everything from indie and rock to pop, jazz and blues kickstarting the summer for music lovers in the town.
They’re kicking things off on Friday night with a launch party at the Wiltshire Music Centre, featuring DJ sets, local musical talent, food trucks, cocktails and plenty of good conversation.
On Friday there will also be music at The Castle Inn โ headlined by local favourites, The Karport Collective.
On Saturday, head over to Westbury Garden where Bruce Juice will be bringing the best of The Boss to life with a set packed full of Springsteen and the E Street Band favourites.
The bandโs passion for Springsteen has even received recognised by E Street guitarist and Sopranos star Steve van Zandt, who said: โCongratulations on all the early 70s stuff โ it is fun. Youโve got that stuff down!โ
On top of that, there will be incredible performances from local acts in Westbury Garden, Lamb Yard, The Castle Inn and the acoustic stage at Timbrellโs Yard.
The stage at Westbury Garden will come alive again on Sunday 31st May for a special set of Open Mic performances.
They’re currently booking local acts to perform on the stage from 12 noon to 4pm. If youโre interested in performing on the stage, please head over to the website to complete the form.
Then to round the festival off in style, the Britpop Boys will take to the stage with the biggest hits and fan favourites from the bands that defined the 90s and that unmistakable Cool Britannia sound. There’s a limited number of tickets available at the early bird price of ยฃ12 (usual price ยฃ15.)
Below is the full line up for the BOA Live Music Festival:
Friday
Van De Graaf Generator singer-songwriter and Peter Hamill, live in conversation with Daniel Clark, Wiltshire Music Centreโs Artistic Director
by Ian Diddamsimages by Ben Swann and Ian Diddams Self-appointed โMoroseโ Mark Harrison was once again on totally top form at Komedia last Sunday entertainingโฆ
Wiltshire Council confirmed Blue Badge holders can park freely in council-operated car parks again, following a vote at the Full Council meeting on Tuesday 21โฆ
Featured Image Credit: Jamie Carter Special guests Lightning Seeds to Support Forest Live, Forestry Englandโs summer concert series presented with Cuffe & Taylor, has announcedโฆ
Wiltshire country singer-songwriter Kirsty Clinch released a Christmas song only yesterday, raising funds for the Caenhill Countryside Centre near Devizes, and itโs already racing upโฆ
It was never just the fervent ambience created which made me go tingly with excitement about Melkshamโs young indie band Between The Linesโ demo singleโฆ
A second track from local anonymous songwriter Joyrobber has mysteriously appeared online, and heโs bitter about not getting his dream jobโฆ.. If this mysterious dudeโsโฆ
Itโs not Christmas until the choir sings, and Devizes Chamber Choir intend to do precisely this by announcing their Christmas Concert, as they have doneโฆ
‘Devizes & Beyond’ is a collection of original poems in traditional forms and digital photography, inspired by life in Devizes and the occasional foray into the world outside. The exhibition covers eight areas of life from shopping to spirituality and is a colourful and poignant snapshot of what it is to be human in this beautiful place and brief moment of time, and the physical and metaphysical journeys we take on different forms of transport and through life itself. (Gail Foster)
Those are Gailโs own words in her description of her exhibition this week at St. Maryโs; she has become a well known poet and photographic artist in our town, and it is a joy to behold this body of work on public display. There are various sections to peruse and ponder over, smile, weep and reflect upon, from “Shopping” and “Spirituality”, as Gail mentions already, to “Community”, “People”, “Transport”, “Creatures” and “Landscapes”. And the eponymous section โDevizes & Beyondโ.
Some areas unsurprisingly cross over โฆ โCommunityโ and โPeopleโ, โDevizes & Beyondโ and โLandscapesโ, but that is no criticismโฆ such is the breadth of Gailโs work and interests this is probably to be expected. What is presented is certainly worthy of at least thirty minutes of anybodyโs time, and the calm, serene surroundings of St. Maryโs permits us all to take a while to sit and reflect on what we are witnessing and cerebrally imbibing.
We are treated to some two hundred and eighty two photographs, and eight poems within those eight sections. In the vein of the crossovers mentioned above, some poems lend themselves to being a sisterhood together : The beautiful, heart rendingly poignant โChildren of the Avenuesโ reflecting upon the lives past and future of the offspring of The Avenues, especially the September 2019, immediately pre-Covid, schoolsโ intakes holds the same gentle and reflective space as โBlink ~ Seven Stanzas for the Seven Ages of Manโ harnessing the concepts within Shakespeareโs monologue in โAs You Like Itโ. Similarly โSinging Riverโ and โThis Barrow Strewn Landโ share a love for the Wiltshire great outdoors and its magical and wistfully timeless beauty.
Treat yourself to an indulgence with the exhibition of photographs of all sections and youโll undoubtedly spot someone you know, a beloved place, something or somewhere to make you laugh, smile, weep โ or even halt you with a jolt. Gail is not shy to show warts and all eitherโฆ we live in such a beautiful part of the world and her wonderful photographic eye captures so many shots that are truly stunning, worthy of any great exhibitionโฆ but she also grabs the mundane parts of everyday life that are the reality of living in a small town. For every framed shot of a church yard entrance, a shaft of light in the Ginnel, thereโs the kebab shop building site, a hearse, a crowded bus.
All of these display Gailโs wonderful eye, and patience, and her lifetime of living in, and love of, Devizes, but if there is one section that truly encapsulates the author and artist that is Gail Foster it is that of spiritualityโฆ her inner peace and connections with an ancient land, and organised religion, of ancient chalk-lands, stones and timeless vistas, and pagan and church ceremonies.
This exhibition covers so much, it is impossible to encapsulate it all in mere words. One will still be taking it all in for some while afterwards โ Iโve been mulling over this piece for almost two days and I should probably take longer but I am mindful that we need to all experience this display so its imperative I publish this as soon as possible. To paraphrase Peter Quince, a Shakespearean character from โA Midsummer Nightโs Dreamโโฆ.
I entreat you, desire you, and require you to visit Gailโs exhibition this week. Entry is free, open daily 10.00am to 3 p.m. until Sunday 26th April, plus an evening opening opn Friday 24th April from 6pm to 8pm.
And finallyโฆ to enjoy Gailโs eight poems from this exhibition in perpetuity, they are included in her next book, โ”Singing River – a book of poetry”, which can be bought from Devizes Books from Friday 24th. Get it early on Friday and you may be able to meet the author over the weekend to have it signed!
A sad state of affairs and reflection on the era, to see village pubs dilapidated and closed, once thriving hubs of a community. I thought this as I drove past Bottlesford’s Seven Stars just the other day, for it was the last pub standing within the Woodborough area, aside from a hike into Pewsey or Honeystreet. Fear not helpless peasant drinkers, as the Gazelle & Herod reports, the billionaires fly in to save us!
Is it a bird? No. Is it a plane? No. Gawd bless yer Lady Loretta Rothschild, trouble n strife of financier Lord Nathaniel Rothschild, for according to the rag, she’s only dun gone brought the gaff, n saved a community from remaining sober!
A spokesperson for Lord Rothschild told the Financial Times, “the pub is a critical part of the local community, and it was on Lady Rothschild’s initiative that the decision was taken to save it.”
Interestingly, the article points out only a fraction of rural pubs are being brought out by โWiltshire’s ultra-wealthy,โ but points to Ramsbury’s Bell, owned now by H&M shareholder Stefan Persson, with a $25 billion fortune and American Center Parks VP Chad Pike, who bagged the The Lamb at Edington, and turned it into the Three Daggers.
The fate of other failing pubs may not be so secure. Ours is now a shop, welcomed by villagers despite the fact we already had a community shop which failed, attached to the once pub, which also failed. I figured it was a shame, though I might poke my snozzle in, might not, but upon a Facebook post stating it had a โbeer caveโ I was there in 30 seconds; at least I can drink at home. One nil to affordability over social interaction.
Some pubs remain lost causes, empty shells of what they once were, some converted to flats, many ironically turned into antique shops. They can often start bringing in antiques before you’ve had time to finish up your pint! What a shabby state of affairs and I suppose I should welcome โthe Clarkson syndromeโ of billionaire buyouts, but do we know whose mouths are we feeding when we buy a drink in our local pub? Ones whose plates are already stacked?
Oh no, herein strides another socialist wordsmith in his work boots, dribbling a peasant’s revolt rant; more Snot Tyler than Wat.
Us hoi polloi must accept we’re nourishing the already bulging wallet of a nationalist tyrant when we drink at โSpoons, but do it anyway to save ourselves a penny. Are these billionaire buyouts going to likewise offer cheap booze, when they’re located in affluent areas and alone in the market? Doubtful, even though they could potentially afford to. And if they don’t, is it fair to question their real motives for buying the places?
Are they really the heroes here? Or are they merely profiteering, extending their already plentiful wealth? Spreading their assets for tax purposes, perhaps? Don’t ask me, do I look like Mr Monopoly? I can barely afford half a soda water in these places, let alone buy the gaff!
But souls will be watered, I guess. It’s good news pubs return and that’s all we need to know. Billionaire’s would buy their way into heaven, if Mark hadn’t said โit is easier for a camel to go through the eye of a needle than for a rich person to enter the kingdom of God.โ stop on, Mark, just because it’s your round!!
Some four years since his last release under his own name, Lavingtonโs electronica composer Moray McDonald presents a soundtrack; the music he wrote and produced for Devizesโ Wharf Theatre’s production of Kit Marloweโs Doctor Faustus, which was performed back in Januaryโฆ..
It was one of those rare occasions I stepped in to cover the dress rehearsal as our regular theatre critic Ian, was busy, stuffing a bucketload of Rice Krispies in the play! And Iโm glad I did. I was uncertain if Iโd take to director Liz Seabourneโs recreation of this Elizabethan gothic black comedy, but came out of there thoroughly enthralled. The composition of the playโs many components made it one of the best plays Iโve seen; the script, acting and production, yet it wouldnโt have been half as spookily ambient if it wasnโt for Morayโs soundtrack.ย
Image:@jenimeadephotography
They may only be nine snippets of sound, but with the music on Bandcamp at name your price, listening to it took me back to the play, and reminiscing at just how brilliantly sinister it was. Acts of Black Magic starts us off, an eerie soundscape, with harpsichord strings and jingling foolโs caps, Somewhat to Delight has an unnerving medieval court jester feel to it, grinning devilishly, and then weโre back on soundscapes, and Mendelssohn’s Wedding March gets a spooky underscore.
We swap from a soundscape to orchestral with each brief track, The Seven Deadly Sins nods playfully to Celtic folk dance, whereas the following Devilโs Attack lends more to Buranaโs O Fortuna, but all are equally unsettlingly devilish or scary faerie. If anything it displays the diversity at Morayโs skilled hands, being his concentration has recently been on his Cephid project, a ground-breaking album of electronica,Sparks in the Darkness, which we fondly reviewed in 2023, and enjoyed a rare and intimate live performance of at Bath’s Rondo Theatre.
If Devizesโ celebrated FullTone Festival is to relocate to Whistley Roadโs Park Farm for next summerโs extravaganza, what better way to give it the rusticโฆ
This afternoon sees the inaugural grand ceremony of Stone Circle Music Eventsโ Wiltshire Music Awards taking place at the Devizes Corn Exchange. Itโs a selloutโฆ
In association with PF Events, Devizes Outdoor Celebratory Arts introduces a Young Urban Digitals course in video mapping and projection mapping for sixteen to twentyโฆ
Can we please draw a red line under Pewsey’s Moonrakers St George’s Cross facade fiasco now Wiltshire Council has u-turned on a proposal forcing landlord Jerry Kunkler to paint over it? Providing we don’t draw a vertical red line at its centre-point, yes!!
Locally It’s created divided opinion, but reaching national media has wonked the entire narrative, in which many passing causal comments are either sadly misinformed, triggered, or both. For what it’s worth, far from being a patriotic flagshagger, I support Jerry,ย the โMoonies,โ and their flag motif, but to understand why is to understand Pewsey, its manner, and the pub’s reasoning for doing it in the first place. Unfortunately nationwide few do, or even care to. All they see is their polarised falsehood that someone somewhere is attempting to take away their national pride; it’s pretty pathetic when you stop to think about it.
I profess this storm in a teacup really projects an equally bad look for leftwingers as well as the far right, and that’s what troubles me most. Understanding the difference between patriotism and nationalism is crucial. Holding a love and pride in oneโs country is fair game, shared values, and the desire to improve it is never an issue. Nationalism, however, is a fervent, often exclusionary devotion to the nation, frequently asserting its superiority over others. To make this pride into aggression against others is the drive to xenophobia. But the bottom line is, that’s not what’s happened here and if you think it is, you’ve been hoodwinked by propaganda. I’m not even here to patronise you if you have, a lot of money has been put into it to make it powerfully persuasive.
The only defence you can reasonably put up, in my opinion, is that the pub is a listed building, and Jerry didn’t have permission to make such an alteration, for this is the only reason why it became an issue with Wiltshire Council. I get this, and sympathise, it was a bit naughty, but this is Pewsey, in the nicest of ways it’s a law unto itself, and that’s part of its charm! I really don’t differentiate between this and when Just Stop Oil harmlessly threw some red powder at Stonehenge; no permanent damage done, just paint, it’s reversible.
Justifiable I say, considering our loss of so many village pubs in this current financial hole, a landlord must do whatever they can to stay afloat, and Jerry’s had some publicity over this, hopefully The Moonrakers will prevail because of it. It has always been dubbed โthe Moonies fun pub,โ by locals, and the boot fits. It is, as Pewsey resident lefty vegan Pants’ guitarist Fal Carmicheal suggested in probably the most surprisingly supportive and informative Facebook comment on the matter, โit’s just a pub in a village where people go to watch sports on a big TV. He may be a Tory Councillor (has been for years) but he’s not a fascist, his pub isn’t a hive of NF goons.โ
Providing some history and a few expletives to enhance his anger, Fal expressed Jerry’s family are firmly rooted in Pewsey, that โhis father flew Spitfires during the siege of Malta.โ And continued to explain the faรงade was painted a decade ago, in support of Pewsey’s Shelley Rudman in the 2013 Winter Olympics. โIt was done purely as a mark of support for various sporting events, all of which he plays on his big TV in the bar. Nobody here fucking cares that his pub has a poorly-painted red cross on it. It’s just Jerry’s pub.โ And that, my friends, is the Pewsey spirit in a nutshell!!
Wiltshire Council announced, โThe Eastern Area Planning Committee has granted listed building consent for the retention of painted England flag decoration on the front of The Moonrakers Inn in Pewsey.
The decision was made despite the planning officerโs report, which recommended the committee refuse the application on the grounds that the painting of the front of the pub fails to preserve its special interest as a Grade II listed building and its setting in the Pewsey Conservation Area.
However, after considering the officer report, planning policy, and all material considerations, the committee resolved to grant consent.โ
Landlord Jerry Kunkler thanked all for โthe support you have given me relating to the painted George Cross on the front of the Moonrakers. Permission was granted this afternoon to allow it to stay.โ
Context is everything. This was never an intended affiliation with the far right, and after all, how is the decoration any different from a mainstream shop altering a building to advertise itself? I say common sense prevailed and wish Jerry and all at The Moonrakers the very best.
If not too distracted when bumping into townsfolk and village friends, you might remember to get more of a cheese you liked or that essential part for the vacuum cleaner…..
As regular readers of Devizine will know, one of the understated pleasures of Devizes is having a wander around on market days. From the listed buildings to the independent shops, our market day wanderings are significantly enhanced by the character of the townโs historic environment, and an enduring community spirit enriches the charming thoroughfares and myriad of routeways to and from the Market Place.
Farmers & Artisan Market
In 1724 the famous antiquary William Stukeley believed Devizes hosted โone of the best weekly markets in Englandโ. In the previous century the Wiltshire born antiquary John Aubrey thought Devizes hosted the best fish market in Wiltshire, and in the early 16th century that father of English history, John Leland, stated the โmarket is very celebrateโ. The townโs Thursday market dates to at least 1609, a regular potter around market stalls in Devizes dates to at least 1228 and around the stalls at fairs even earlier that century.
Hence, those visiting the Thursday market in the present are directly linking with a tradition that has periodically been celebrated as noteworthy and has survived hundreds of years of change. And because of this, your present day experience of the cultural footprint could prove influential.
The Brittox: Devizes Jubilee Morris celebrate 2021’s ‘Devizes is Open’ event following the Covid restrictions, and Daddy Longlegs entertain on Easter Monday 2026.
A Town of Culture?
Having been ranked third among the countryโs most quintessential market towns in 2025, Devizes is now bidding to become the U.K. Town of Culture 2028, which offers a top prize of ยฃ3 million as just one of a rollout of substantial financial awards. Towns must at this stage hope to have matched the relevant competition criteria to make the shortlist, which would elicit a ยฃ60,000 grant to support the development of a full application.
In addition to a famous flight of Georgian canal locks and a globally important collection in the Wiltshire Museum on Long Street, Devizes also has a reputation for a busy seasonal programme of festivals, markets and other social and educational events in addition to many places of worship, cultural hubs and active clubs. The lengthy list of cultural happenings covers anything from wildlife to nightlife and every experience from a punishing Westminster canoe race to tinsel tractor runs. The flip side is potentially overlooking something each of us does with regularity without ever thinking how rich and diverse it is in terms of a cultural experience.
Stalls in The Shambles
What might a Town of Culture look, sound and smell like?
If you are familiar with the sights, sounds and smells of a market day mooch, then you may no longer notice the familiar market day hubbub: a soundtrack punctuated by the calls, banter and chats with market traders. You may not give a second thought to the welcome and directions you offered a newbie visitor. You will though notice the music, dance and drama brought by street entertainers, and the art that may be encountered in many forms from the stalls to the windows and interiors of independent shops.
The Ginnel
โTell us about the unique story and culture of your town.โ
Few will have heard of the once legally renowned court case โThe Mayor and Burgesses of Devizes v. Clark,โ that established the right of a jury to find a general verdict. The unique precedent from 1835 is possibly overlooked now and the butcher Jacob Clark of Maryport Street is entirely forgotten.
The gist of this court case was that Clark sold meat from his home on two successive Thursdays in 1833, when the Corporation held the right to charge butchers to sell to the public from their market stalls.
What interests us with the Town of Culture bid in mind, is not only that the Corporation established in law that their market and right to charge for stalls was ancient, but the arguments that were detailed about the civil authority customarily maintaining a safe adequate โknownโ environment, where โlarge assemblagesโ of the public can bear witness to transactions and events without travelling any great distance. It could have been written with the criteria set by the Town of Culture in mind.
The official Town of Culture requirements include a safe, supportive, nonโdiscriminatory environment accessible to all ages – a programme that reaches multiple audiences and offers opportunities for creative content – evidence of capacity, capability, and effective processes to deliver the programme successfully – strengthening or rejuvenating cultural and heritage infrastructure with realistic expectations. The history and modern day experience of the market in Devizes delivers all this and more.
Lilly waits in anticipation outside the bakery.
โCulture is for Everyoneโ
We may never stop to think about it, but a magnificent cross section of local, regional and distant communities are represented on market days. From villagers to townsfolk and tourists threading their way around, to street performers, grassroots artists and other creatively active innovators; market days welcomes them all.
Every decade within living memory is represented on the townโs pavements, and anyone and everyone that isnโt housebound is unconsciously participating in a market day pageant. From prams and pushchairs to rollator walkers, wheelchairs and mobility scooters; these enabling wheeled wonders of our age are everywhere to be witnessed, as are many a responsible human with their pet dog on a lead.
Just sit on any bench in the Brittox and witness how many times you are lapped by elderly phone scrollers, middle age headphone wearers and teenage skateboarders. They are not all in their own world of course: a street performer recently remarked how young people engage with the informal music in the Brittox, stopping to listen and throwing coins into a hat or guitar case.
As outlandish as it may seem then, your wanderings on a Thursday could bear witness to an experience that ticks all the criteria boxes to underpin a bid to become the U.K. Town of Culture 2028. There is surely nothing that is more inclusive, culturally rich and diverse in our lives than a weekly market day dawdle in Devizes. This cultural experience is for everyone from their pram to their very last leg and it is entirely free at the point of delivery.
Acknowledgements
Many thanks to our friends โshop indie InDevizesโ for both the excellent map and much encouragement https://www.indevizes.org.uk/
Many thanks also to David Dawson, Devizes Jubilee Morris and Daddy Longlegs for their assistance. Many thanks also to all the wonderful dogs and humans that featured in doodles which were redrawn and moved around to work up the final sketches.
Brian Edwards is a Visiting Research Fellow at The Regional History Centre, UWE Bristol.
by Ian Diddamsimages by Penny Clegg and Shakespeare Live โAntony & Cleopatraโ is one of Shakespeareโs four โRoman Playsโ, and chronologically is set after โJuliusโฆ
Unlike Buck Rogers, who made it to the 25th century six hundred years early, Devizesโ most modest acoustic virtuoso arrives at the 21st just shortโฆ
by Ian Diddamsimages by Chris Watkins Media and Ian Diddams Whilst probably best known for his editorship of โPrivate Eyeโ magazine and thirty-five years asโฆ
I mean, Devizes own contemporary blues throwback, JP is getting bookings, and rightly so. He’s off to Trowbridgeโs Lamb next Saturday for a double-bill withโฆ
The award-winning film, โThe voice of Hind Rajabโ will be shown for one night only on Monday 18th May at 7pm at Swindon Arts Centre…..
In January 2024, 6 year old Hind was killed along with her cousins, aunt, uncle and two paramedics from The Palestinian Red Crescent who came to their aid after their car was fired on by Israeli forces in Gaza City. Hosted by the Arts Centre and Create Studios, this is your chance to bear witness to the events depicted in this heartbreaking film.
This film, which uses the actual voice of Hind from recordings made of her phone calls, received a 23 minute standing ovation at the Venice Film Festival. Ticket prices have been kept low at ยฃ3 to encourage people to come along. Itโs important that the voice of Hind is heard. There will be an opportunity on the night to make a donation to support the people living in Gaza via the British Red Cross Gaza appeal.
There will be an introduction before the film by a Swindon based British Red Cross employee, followed by an opportunity to ask questions and share your thoughts after the screening.
As the excitement continues to detonate to an exploding point for our very first Stone Circle Music Events Wiltshire Music Awards on 25th October, weโฆ
by Mick Brianimages from Lauren Arena-McCann The playwright Tom Stoppard is probably best known for his work โRosencrantz and Guildenstern Are Deadโ, his absurdist comedyโฆ
You might think it’s a laryngologist’s dream come true, this Lewis Capaldi-led decade’s penchant for the blue-eyed soul singersโ melismatic strain to cause Mick Hucknallโฆ
Nothing cruel about our George Wilding; with his perfect match and another local legend of local music, Jolyon Dixon, they’re knocking out great singles likeโฆ
If options for urbanites seeking experiential or themed dining experiences are boundless, theyโre lesser so in our rural backwaters. Yet, weโve returned from a delicious and most memorable Sunday lunch at The Water Gypsy, a working longboat pop-up licensed restaurant cruising the Kennet & Avon Canal; itโs the unique and enjoyable experience you really need to sample for yourselfโฆ..
In order to do so you can either check their website or social media for availability and mooring in your area, as they stop at various locations throughout the summer, autumn and Christmas seasonโฆ. but chase them up and book you must! This spring season has started their third year, and its popularity is such it gets booked quickly. Until your lucky occasion, I can only try to express in words just how scrumptious and wonderful our experience of it was, and boy, it was!
Drawn to The Shed at Dulwich social experiment, where pranksters tricked TripAdvisor into ranking their shed #1 restaurant in London, to the โmiddle ageโ scene in Monty Pythonโs Meaning of Life, where Idle and Jones play an American couple dining in a torture chamber, some quirky dining enterprises can be unnecessarily extreme, some exploit desire to discover unique dining experiences rather than conform to parochial restaurant culture. Howbeit, if seeking such experiences you must, The Water Gypsy presents a most honourable, comforting and hospitable repast; Polly and Hank run the show, balance cooking with being perfect hosts, and stop at nothing to ensure youโre fed in finest fettle.
Being theyโre currently moored in Devizes, it was a short appetite-boosting walk along the towpath and we boarded this beautifully decorated and pristine boat, warmed by a log burner, welcomed affectionately and seated on the only communal table set for twelve guests. You could liken the reception, and the whole occasion, more to a dinner party than sitting alone in a restaurant.
Life on the canal may not always be the romantic setting of freedom preconceived, but The Water Gypsy hones on that idyllic image, glimpses into the fantastical.
Drinks are served, and you are not rushed here. Itโs all finest ingredients, homemade and using local produce, which they proudly transform into tapas-style plates that celebrate sharing and connection. A grazing board, chockfull of dips and tapenade arrived, with pesto topped crostini, charcuterie skewers antipastisti with melon, avocado & prawns, Moroccan carrot puff pastry with orange and thyme syrup, and harissa tahini yoghurt, and, and, oh, look Iโm no Jay Rayner, donโt even sport a goatee, Iโm only now aware how my tastebuds will love me forevermore!
Pescatarian and vegan are catered for, but our main courses were beef estofado, a scrummy slow-cooked Peruvian stew, and delicately sliced hasselback potatoes, sticky pork glazed in garlic and ginger, with spicy Asian broccoli, and chicken tikka skewers with tomato saladโฆ.need I say more for clues to the way to my heart? Food heaven in gypsy ornamentation charm, canalside!
A perfectly baked brownie with strawberries and ice cream polished me off, though the other choice was a rather smashing looking cheese board, which Newsquest reporter Jamie opted for, and while tempted to nick his grapes, such was the hospitable atmosphere and such was the gorgeous food so beautifully presented, I thought Iโd best behave!
Herein arrives the time when, in a typical restaurant, youโre encouraged to get your coat, but Iโve already observed a washtub and broomhandle propped up in the corner, and identified their owners; weโre in for some entertainment, and I couldnโt think of anyone more apt for the occasion.
Polly wants Sunday afternoons to have an additional live music finale, and while weโve pondered some alternatives, boaters themselves, Nipper and Jellylegs Johnson drop in to tantalise us audibly the same way and with the same proficiency Polly has done with our palate. Itโs a show you could never tire from, nor find fault with. The Devilโs Doorbell, cheeky, quirky duo passionately recreating jazz and blues roots with homemade instruments, skiffle, bucketloads of charisma and more double entendres than Finbar Saunders remaking the entire backlog of Carry-On films.
There was an encore singalong, and with conversation and wine flowing, the atmosphere was unlike anything youโd find at a restaurant. The Water Gypsy is, by very definition, the most pleasant and divine, not to mention scrummy, dining experience this side of Milliways, Douglas Adams’ Restaurant at the End of the Universe, only this one is a bit closer, just along the towpath!
Thereโs a new single from Bristol-based Nothing Rhymes With Orange out tomorrow (Saturday 20th September) which takes the band to a whole new level, andโฆ
The Wiltshire Music Awards are delighted to confirm a new headline partnership with Stone Circle Music Events, who will sponsor the Awards for 2025 andโฆ
Following the excitement and success of the first meeting of โYour Partyโ in Swindon, a second meeting has been arranged for 18th September 7.30 -โฆ
It’s been six months since Devizes-based young blues crooner JP Oldfield released his poignant kazoo-blowing debut EP Bouffon. He’s made numerous appearances across the circuitโฆ
There’s something to be said for the function duo route with universal appeal, you could be working somewhere hot! Powerhouse vocal harmony duo Reflections areโฆ
Thereโs a cold remote ambience of burrowing doubt in the opening of Westburyโs singer-songwriter Serenโs debut song, in which, as the title suggests, she uses a worm analogy to convey shadows of diffidence. Yet, it is a breath of fresh air of resilience, and an exhaustive equilibrium in which to express sorrow and build from a simple honest riff to a sublime and encapsulating stentorianโฆ..
Worm, released today, is impressive. Itโs a richly layered spring-like emerge, a hedgehog poking his nose out of his winter nest. If isolation is a trap, Serenโs uplifting vocals are the escape route, and in this itโs a message to herself which will profoundly convex to others through association; the key to good folk music. Though, it is an urban myth that you can cut an earthworm into two and both parts will live, Seren uses the comparison to the numbness of her mood, not for dividing or multiplying herself, rather to โsee if I feel a thing.โ
A reflection on a burrowing exercise from emotional blunting, then, hiding, and waiting for a storm to emerge; this song should be that onset squall, for whilst it uses classic singer-songwriter folk hinting towards Sandy Denny or Maddy Prior influences, the beauty of Serenโs vocal range melancholically penetrates through the numbness of its subject; the formula of an experienced artist, of how Tammy Wynette could woo an audience. Though Worms equally captures, it depends more on mood observation than the literal narrative of the likes of Wynette.
โI wrote the song when I was sixteen, in October, a few months into starting my first year at college,โ Seren explained, โthe song was linked to struggles with mental health that I have had around that time and before, and how it was making me feel. Itโs a song that was very personal and something that will forever hold meaning for me.โ
So, Iโve not had the pleasure of meeting Seren yet, nor seen her perform. I booked her for our double-bill with M3G for our first evening at the newly opened Fold in The Lamb, Devizes based on the strength of the few social media videos she has posted and M3Gโs recommendation; theyโve worked together before. This song strengthens my faith that this will be an amazing night, for, like M3G, Seren holds a rare skill to encapsulate through honesty and fidelity to her music. You need to listen to Worm, and if you do, Iโll see you on Friday 24th April; yeah you got me, itโs a gig plug, but even if it wasnโt, in writing and acoustic combo, Worm is this prodigious and breathtaking!
Formerly known as Judas Goat and the Bellwether, the now renamed band have announced the release of their latest single, โDrill Baby Drillโ (coming outโฆ
Photograph byย Simon Folkard It’s been a rocky road for Devizes Outdoor Celebratory Arts (DOCA) these last few years, and I didn’t mean the crushed biscuitsโฆ
What, again?! Another article about Talk in Code?! Haven’t they had enough Devizine-styled publicity?! Are their heads swelling?!ย Didn’t that crazy toothless editor catch themโฆ
Devizes Music Academy is set to bring joy, energy and a whole lot of sparkle to the stage with its latest musical theatre production,ย Sister Actย later this week…..ย
Following the outstanding success of previous productionsย SIXย andย Everybodyโs Talking About Jamie, the Academy continues its run of ambitious, high-quality youth theatre with this feel-good favourite, based on the much-loved film.
Sister Act tells the story of Deloris Van Cartier, a nightclub singer who is placed in protective custody in a convent after witnessing a crime. What unfolds is a heartwarming and often hilarious journey of friendship, transformation and finding your voice – all set to a vibrant score inspired by disco, gospel and Motown.
Directed by Jemma Brown, with her team Sarah Davies and Teresa Isaacson, the production showcases a cast of talented young performers who have taken on an extraordinary challenge – learning their lines, music and choreography in advance, and bringing the entire show together in just five days. They are performing the show in the round – where the audience surround the stage – itโs a truly exciting project.
Jemma said, โThis show is just full of joy. Itโs bold, uplifting and all about finding your place and your voice, which feels incredibly important for young people. What always amazes me is what this group achieves in such a short space of time – the commitment, the teamwork, the energy. Itโs genuinely quite special to watch it all come together.โ
Ruby Phipps, who plays Deloris and previously appeared inย SIXย andย Everybodyโs Talking About Jamie, said, โIโm absolutely loving being part ofย Sister Act. Deloris is such a fun role to play, and the music is just incredible. What makes it really special though is doing it with this group – everyone works so hard and supports each other, and it all comes together so quickly. Itโs such a great experience.โ
At its heart, Sister Act is a story about community, acceptance and individuality – themes that resonate strongly both on and off the stage.
The production also highlights the powerful role the arts can play in young peopleโs lives, helping to build confidence, resilience and a strong sense of belonging.
โIn a world where it can sometimes be hard to see the positives, this show is a reminder of what young people can achieve when they are given encouragement, belief and the chance to shine,โ Jemma added.
With a brilliant cast, an infectious soundtrack and a huge sense of fun,ย Sister Actย promises an uplifting night of theatre for audiences of all ages. And the Academy is already looking ahead, with plans to take on the iconicย Les Misรฉrablesย next year.
Sister Act Jnr is at Devizes Corn Exchange on Friday 10th and Saturday 11th April. Tickets: www.ticketsource.co.uk/dma or from Devizes Books.
Valedictorian graduate of Bates College in Maine, and with a PhD in neuroscience from Harvard, neuroscientist Lisa Genova self-published her debut novel, Still Alice inโฆ
Swindon’s annual colossal fundraising event The Shuffle is a testament to local live music, which raises funds for Prospect Hospice. If you’re ever going toโฆ
There was a geographical population imbalance this bank holiday Monday in Devizes which risked the entire town conically sloping into the back of Morrisons; noโฆ
Easter 2026: I could speculate The Three Crowns was still the place to be in Devizes, but thought it best to check! I’m not the gathering-shit-from-Facebook type journalist, pal, I’m the milkman who needs an unwinding cider or six on a Saturday. I took matters into my own hands; things I must endure for the cause of investigative journalism!
Three-piece Trowbridge punkers Marty’s Fake Family were second on the new south-facing stage, The Reason rocked it first, on Friday. Landlord Simon explained the sound now projects into the carpark causing it to be less of a neighbourly nuance, but, while the space might be more confined, it gives lift and stance to the performers, and marks a boundary so equipment isn’t at risk. Waddies are spending money on this establishment, there is no reason to wonder why when you attend.
Marty’s Fake Family know which buttons to press; they’ve played here before, and what they do fits like a glove. They kick off as they mean to go on, fiery rock with embers of their metal and punk roots, and giving it 200%. Though, they mellow early for Snow Patrol’s Chasing Cars, jesting it’s the only ballad they do. If we’re being eased in gently it remains loud and proud, though the crowd is slighter, and older; the age demographic dips at 10pm and the pub fills to bursting point. Millennials and Gen Z are economically conditioned, I guesstimate taking advantage of Spoons’ prices and moving on to where the action is when sufficiently wobbly.
And The Three Crowns know exactly how to play it. A young friend of my family perfectly summarised; “there’s nowhere else to go in Devizes.” Technically there is, yet the Crowns appease them with an efficient cashless bar, and comfort food, appetising burgers and wings. But the central attraction is a lively covers band to which they can sing along to timeless pop classics, loudly, and party surprisingly civilly compared to youths of previous generations. Some take Scissor Sisters’ advice and take their mammas out all night, but age is meaningless for Three Crowns regulars, the vibe fits all.
Marty’s Fake Family absolutely rocked the crowd with bells on. They’ve been doing similarly proficient shows locally for eight years. If you want your venue/event to be a library-esque original music appreciation society, avoid them as theyโre living and loving it in the cover band moment, and Martyโs Fake Family needs 1.21 gigawatts of electricity to operate their flux capacitor; great Scotts, what a night; The Three Crowns can produce the power requirement!
Like Busted and McFly, bassist Dan confirmed their namesake relates to Back to the Future, and explained they started with metal intentions but, tongue in cheek, wanted to do Abba songs. โThe rest of the band thought it was a shit idea, but it stuck,โ he told me… before running off to the loo at breaktime.
Their repertoire spans like the Tardis, anything from any era crowd-pleasingly loud, and they do it with zest and punk passion. So, tunes like American Idiot and Teenage Dirtbag need no adaptation, Blur’s Song Two, All Sit Down by James, and The Cranberries’ Zombie guaranteed to excite, alongside eighties rock, ZZ Top, Sumner of โ69, et al. But they’ve rabbits in their hats as the evening progresses; punky versions of Abba, Eurythmics meld into Noah Kahan’s Stick Season, and return to Sweet Caroline proclaiming to walk 500 miles and every other crowd-pleaser youโve no need to request; there’s even a rock n roll medley finale. They tick every cover band box, stamp their authority, and certainly seal my approval.
Seems the Three Crowns retains their everyday staple entertainment status quo in Devizes, has been top of their game for some time, and show no sign of letting up. Perhaps we need to award at least one more crown to its name for sustaining this dominion; four, five or even six Crowns maybe?!!
Whilst dispersing highly flammable hydrocarbon gases into the atmosphere is not advisory, Butane Skies is a name increasingly exploding on local circuits. The young andโฆ
The excitement and hope generated by Jeremy Corbyn and Zarah Sultana announcing a new political party has reached Swindonโฆ.. A broad range of people haveโฆ
If I was bowled over backwards by Rubyโs teaser single last week, its title, Crowned Lightbringer, now also belongs to this five-track EP, released today,โฆ
Thimbles on standby, Devizes Outdoor Celebratory Arts are calling all creative craftspeople and makers to their new project, The Makers Exchange. Itโs a new craft market celebrating the South Westโs most skilled makers, and it will take place at the historic Devizes Corn Exchange on the 23rd and 24th Mayโฆ..
The event offers visitors the chance to explore a vibrant marketplace of contemporary craft, meet the makers behind the work, and experience live demonstrations and workshops.
Across the weekend, the Corn Exchange will be filled with beautifully presented stalls featuring ceramics, textiles, woodwork, jewellery, clothing, and homewares, all designed and made by the makers themselves.
Highlights include live demonstrations by Marion Wright, renowned for traditional signwriting and decorative painting, and Amy Whittingham, whose bold, chunky glass chains feature separate, moving links, cast individually through a fascinating process.
The weekend begins on Friday 22nd May with The Ideas Exchange, an informative evening gathering for creative people featuring a talk and demonstration by knitwear designer and farmer Katie Allen of Cotmarsh Farm, followed by drinks and conversation.
Visitors will also have the chance to engage in hands-on experiences, including a drop-in cyanotype printing area by Bloemen & Blue, with proceeds supporting the marine conservation charity Surfers Against Sewage.
On a crafty mission to bring high-quality, community-focused arts to Devizes and the surrounding area, DOCA presents professional indoor and outdoor arts experiences, creating participatory opportunities working with local, national and international artists.ย
The Makers Exchange is a celebration of contemporary craft in the South West, bringing together the regionโs finest designer-makers. The event is designed to connect makers and the public, offering an immersive experience where visitors can see skills in action, try their hand at creative techniques, and take home beautifully made, unique pieces.
Rowde’s printmaker Hannah Cantellow
The makers include, Marlborough knitwear designer Katie Allen, Plymouth glass artist Amy Whittingham, signwriter Marion Wright, Bath Sashiko tutor Jessica Way, Bristol woodworker Geoff Hannis, Bromhamโs cyanotype artist Libby Mornement of Bloemen & Blue, Wiltshire Spinners, Weavers and Dyers Guild, and members of the Guild of Traditional Upholsterers.
But, whoโd thought it, Rowde is the creative cradle, with three makers featured in the event?! Rowde’s printmaker Hannah Cantellow, lampshade maker Aimรฉe Alice Payton, and cabinet maker Thorn Smith. Seriously, I better polish up on my Fuzzy Felts!
The Ideas Exchange on Friday 22nd May runs from 6:30-9pm at The Peppermill Hotel, and is ยฃ10. The Makers Exchange is at Devizes Corn Exchange from the 23rd and the 24th May from 10:30 to 4:30pm, and costs just two pounds, with children going free.
For full details, workshop bookings, and tickets, visit:
Fromeโs Cheese & Grain will host a celebration of the life of local music promoter Phil Moakes, who sadly passed away last July, aged just 66โฆ
Party at the End of the World will be on Sunday 10th May and will be a special event in celebration of Philโs life, alongside his family and friends. The evening features a fantastic line-up, including The Utopia Strong, Arch Garrison, Richard, Chantelle & Amy, Kavus Torabi, Thee Jolly Rotter, Hodmadoddery, and Sara Vian, and will be hosted by Martin Dimery.
Kavus Torabi fronted Gong, one of Philโs favourite bands, The Utopia Strong are from Glastonbury with professional snooker player Steve Davis, and Sara Vian was one of many presenters at Philโs Visual Radio Arts project.
Phil Moakes was a keen musician, and played keys in local bands throughout the seventies and eighties, including The Replacements and Wasted Space. For Frome he would become not only a legendary music promoter and media broadcaster, but a prominent community leader advocating the arts. He served as a Somerset County Councillor, founded Frome FM, and was a former Chair of the Cheese and Grain Board of Trustees.
โPhil played a pivotal role in the development of the Cheese and Grain,โ a spokesperson for the Cheese & Grain said, โand was instrumental in securing the venueโs long-term future during some of its most challenging years. His dedication, leadership, and belief in the venue and its staff helped shape it into the vibrant cultural hub it is today.โ
Phil Moakesโ last vision was a project called Visual Radio Arts, which started as a Frome FM project in 2016, and independently branched out to create promotional gig videos for artists from Fromeโs Old Fire Station. It was in 2021 when I first met Phil, having relocated with his family to Royal Wotton Bassett, he had moved the studio to Bath Road in Devizes.
In the lockdown era musicians took to streaming gigs from their homes, often amateurly and with varying results. Visual Radio Arts offered a professional option, to capture bands live, akin to The Old Grey Whistle Test, and many artists took up the offer to perform.ย
Being new to the area, I think Phil wanted me to suggest local acts who might like to be hosted on Visual Radio Arts. Anyone I namedropped were already on Philโs radar, but it didnโt stop us having a passionate and lengthy chat about the local music scene. Questioning Phil on the financial structure of Visual Radio Arts was all quite vague; it seemed his only motivation was the promotion of the musicians.
โWe remain profoundly grateful for Philโs vision, support,โ The Cheese & Grain continued, โand the lasting legacy he leaves behind, not only within the Cheese and Grain, but across the wider Frome community. In celebration of his life and in honour of this legacy, all funds raised from the event will be donated to support the vital work of Fair Frome.โ
Fair Frome is a foodbank charity offering sustainable services and support, raising awareness of the issues of poverty across Frome.ย
Whether you’ve a bizarre inclination to meet the Addams Family in the flesh and figure this might be your closest opportunity, you couldn’t think of anything worse, or you’ve absolutely no opinion on the matter whatsoever, Devizes Musical Theatre’s Addams Family Musical is a must-see!
Invited to the dress rehearsal yesterday, The Addams Family Musical opens tonight, Wednesday 1st, and runs to Saturday 4th April, at Dauntseyโs School, and I can confirm it’s creepy, kooky, mysterious, spooky and absolutely brilliant. I left delighted and more charmed than spooked.ย
The Addams Family began as a panel in the New Yorker by Charles Addams, a cartoonist alleged to be nearly as weird as the characters he created, but it was the gothic sitcom of the sixties which most will fondly recall, and Barry Sonnenfeldโs nineties movie adaptations brought them into contemporary culture.
The popularity of a recent television spinoff about the family’s daughter Wednesday fares well with the timeliness of this production, especially being the story of this musical centres around Wednesday coming of age too. Within the beloved setting of the Addams Family franchise, it follows a classic musical plot of forbidden love with a happy ending.
It tells of losing inhibitions and that love is calmly discussing your differences. But, no more spoilers from me! Rest assured you’re in capable hands, because the casting on this is impeccable, and its appearance is the best weโve seen so far from Devizes Musical Theatre; itโs a ghoulish visual feast.
I couldnโt pick a favourite part, they were all exceptional. Gary Robson makes a convincing Gomez, the father, but Dolly May was born for the part of his wife Morticia, it would seem, and the chemistry between them was magnetic. Likewise for Wednesday, played so utterly wonderfully by Grace Sheridan, and the object of her desires, Lucas, in which Oscar Thorley played with superb ease; if Oscar is his name, well, he should win one!
In contrast to the family traits, Lucasโ parents Lucy Burgess and Simon Hoy presented them with professional quality, particularly when their influences are altered by the course of the narrative. Then you have the steadfast extra family members, pouring the comedy into it, such as the Grandma, Debby Wilkinson, whose haunting cackle alone would be plentiful for comic effect, without the need for her grinning smirks and ambling around the stage.
Cameron Williams plays Frankensteinโs Prometheus butler Lurch, who is still amazing, despite having nothing but a growl, because thereโs a twist, at the end, and Iโll say no more. The troubled son Pugsley, played with magic by Georgia Saunders is key to a plot twist, and is so convincing in the relationship with his sister, she may as well be a sibling to Grace.ย
Attending a dress rehearsal has slight differences to the actual show, one thing you wouldnโt see at the show was when, at the interval, Ben Griffiths-Mills, who plays the disturbingly innocent Uncle Fester, came to address the director Lyn Taylor, who happened to be sitting beside me. The Addams Family is more music and fun than spooky, the most shocking part of my evening was not in the show, rather when Ben spoke in his normal voice to Lyn, as I was so utterly convinced by his sublime performance as Fester, I expected him to speak with the quirky high-pitched accent of Fester! And this sums the experience up, so credible it is, I had to remind myself these were actors in character; in that, Thing wasn’t wandering around the school at night, and if forced to pick a favourite, Uncle Ben Fester would probably be it!
Such is the attention to detail, I reveal thereโs not just a random collective of excellent dancers too, but theyโre separate characters of the ghostly ancestors the Addams have venerated, and each dances around their crypts according to their back stories and fate; the program identifies them, and the cast highlight the show.
Iโve mentioned the dubious double-meaning of the word โamateurโ used in the term โamateur dramaticsโ before, being a noun for โunprofessionalโ doesnโt necessarily mean the subject it refers to is โrubbish,โ as second definitions suggest. I did so in a review of a Devizes Musical Theatre production, because, while everyone volunteers, the standard, attention to detail, and production values are so high you could assume youโre at the West End. This notion has never been more relevant than with their latest production, The Addams Family Musical; if youโre going, youโre in for a treatโฆand definitely not a trick.
When people come to see ’em, They really are a scream, The Addams Family may not have the same box office clout as Devizes Musical Theatre producing a Disney fairy-tale; thereโs a few tickets left for a performance which usually sells out. Do not be distracted by the quirky choice of production, as this was DMT at their very best.
Image: John Kisch Legendary songwriter and original Stranglers frontman Hugh Cornwell has announced a run of UK dates this November, accompanied by special guests Theโฆ
Atmospherically anthemic and reinforced with that infectious rhythmic groove weโve come to love Talk in Code for, More Than Friends is chockfull of it, andโฆ
by Mick Brian With Sandcastles Productions marking its debut production with Charlie McGuireโs original play Glass House, the cast and crew behind this production are clearlyโฆ
Wiltshire Music announces a new season for Autumn Winter: and the first under the new leadership of Daniel Clark, Artistic Director and Sarah Robertson, Executiveโฆ
If youโve seen Jess Self performing at the Wharf Theatre, singing at the FullTone Festival or elsewhere Iโm certain youโll agree with us; Jess hasโฆ
Picturedrone, the new owners of the old Palace Cinema in Devizes announced today that the cinema will have a grand reopening as early as May, and media personality turned controversial comedian Katie Hopkins has accepted an invitation to cut the ribbon on the newly renovated establishmentโฆ.
May is set to be an exciting time in Devizes, when the cinema will finally be reopened. We are told the work is near complete and the company plans to reopen in May, though an exact date remains unconfirmed. The townโs only cinema closed in July 2021, with broken promises to reopen under new management. But the new owners, Picturedrone Cinemas, met spiralling costs with the extensive refurbishment. The good news is, The Wiltshire Reform Party has stepped in to help fund the project.
Aiming for a traditional, multi-use, Roman Colosseum styled venue, the cinema will also house the Wiltshire Reform headquarters and provide them with a space to hold popular conferences and rallies. Flagpoles will align the Market Place outside, restoring pride in our country and providing dogs and drunks with somewhere to relieve themselves. They really have thought of everything, even the reintroduction of white dog shit.
Harmless and loved by all, Katie Hopkins is expected to deliver one of her hilarious hate speech comedy routines before she cuts the ribbon and Devizes cinema will be open once again, to patriots and Brexiteers only. Then there will be a screening of โMein Kampf: The Movie,โ an animated cartoon adaptation of Reform’s beloved bible, aimed at children.
โWe’re eternally grateful to the Wiltshire Reform party for their donation,โ a spokesperson for Picturedrone said, โI mean, who needs equality, basic morals, Trowbridge’s Oden, or a health service, when you can stuff hotdogs while watching โ1000 Men and Me: The Bonnie Blue Storyโ on the big screen, in the comfort of your own town, yell abusive gibberish and puke Wetherspoons lager into your popcorn?โ
A spokesperson for Wiltshire Reform said, โwe’re making cinema great again. It will be like the good old days of British cinema, Zulu, Dad’s Army and The Black and White Minstrel Show. There will be snogging and fingering in the back row, and chewing gum will be squashed into every chair. Their springs will jut out of the material piercing every bottom; just as uncomfortable as our make-it-up-as-we-go manifesto. And of course, you will be allowed to smoke cigarettes inside, in fact, that’s compulsory.โ
โIf you visit the cinema in Devizes you can rest assured your family will not be exposed to dangerous leftie woke films. They will not be shown. No films of forced diversity, gendered power shifts, anything by Mark Ruffalo, or any containing boats, save perhaps โTitanicโ; just films with good old traditional family values, like โShowgirlsโ and โLolita.โ
The Ivana Trump biopic The Apprentice will be the first film screened at the reopened cinema, and is expected to attract huge interest.
A spokesperson for Devizes Town Council told Devizine they think this is, โa great initiative and an asset to our town.โ They continued to express their delight and said, โI’m looking forward to the cinema reopening and inviting Danny Kruger back to Devizes so I can kiss the hem of his petticoat in the dark. We’re grateful for Reform’s contribution. I think all Devizes Town Councillors should show their gratitude by switching their chosen party affiliation to Reform, and if they don’t, I’ll ban them from my popular Facebook page, or call Donald to carpet bomb the town, thus liberating our people from the oppressive regime of The Devizes Gardens, or Guardians, or whatever stupid name they call themselves.โ
Devizes wet wipe residents active on the Devizes Tissues (but bitter) Facebook group are said to have โshot their loadโ upon hearing the news about โsexyโ Katie Hopkinsโ appearance, as excitement builds for the town’s many gammon flagshaggers. Bert, a local fake profile, deliberately provoking poll maker and anchor with a capital W is said to be โbesides himself,โ likely because no one else would.ย
Hopefully, by next April Fools Day a visit to the cinema in Devizes will be a usual occurrence, and we will all be marching there in Nigel Faragรผhrer football kit uniform. Thank you, Reform, and the Russian oligarchs who are gaslighting your fascist propaganda. I’m so happy about the cinema and its โfree fagsโ policy, and, being as thick as a Hungry Horse’s Big Plate Special slice of gammon with the political awareness of a small pickled egg, I’m voting for you now.
It’s been a wonderful summer’s weekend, in which I endeavoured to at least poke my nose into the fabulous FullTone Festival, despite being invited toโฆ
Devizes annual orchestral festival, FullTone got underway yesterday afternoon with a showcase of local talent from Devizes Music Academy,ย and finalised Friday night with theirโฆ
A feast of Salisbury musicians have recorded the single Edge of Reason, a powerful tribute to the irreplaceable ThomโฏBelk, a champion of Salisburyโs music sceneโฆ
Devizes Food & Drink Festival launched their 2025 programme of events today. Running from Saturday 20th to the 28th September, the Box Office opens onlineโฆ
With your standard festivals two-to-a-penny, some consisting of not much more than a bloke with a guitar in a pub selling undercooked and overpriced hotdogs,โฆ
Itโs a question Iโve asked Chippenham singer-songwriter Harmony Asia on each rare occasion I catch her for a chat; if sheโs planning to capture a slice of her wonderful performances on record. I guess I will have to find a new request now, but judging by her debut single released today, I Could Do This, it will probably be, when is the next one coming out?!
Yeah, itโs as moreish as Maltesers, deliciously soulful and simply sublime. Whilst I had high expectations it would be no less, the anticipation didnโt falter my delight upon hearing it. The presumption was Harmony Asia can do this, do this with distinction, and she did. I Could Do This is jazzy piano and feathering drum neo soul, and with Harmonyโs soothing vocals causally tingling the coolest feelgood romance theme, itโs commercially viable contemporary pop; top marks from me!
Thereโs technical mastery which seems to come naturally to Harmony; the defined range of emotional depth, and raw passion akin to soul legends, yet retaining the coolness of artists like Sade or Sharon Woolf and Macy Gray. And while this single is on that level too, itโs written with equal skill. Listen to it, youโll hear what I mean and your ears will love you forevermoreโฆ. ย
Itโs a Friday, just polishing off a big boy breakfast at New Society. Got the window seat; I ponder how beautiful Devizes Market Place looks from up here, and how we often take it for granted. Thereโs Ben Reed, Wiltshire Councillor for Devizes North, waving at me from below; heโs coming up for carrot cake, and to chew the fat over the first year with the Liberal Democrats at the helm of Wiltshire Councilโฆ. priorities; not till Iโve finished my sausages!
There was minimal bumps driving here, in comparison to how it has been. The Council are slowly playing catch up with our dilapidated roads, but potholes remains firm on my agenda, because while the main roads are getting TLC, it feels like Devizes is being left out. Despite a lesser public issue visibly, isnโt the spiralling costs of social care more important than potholes, or are the two holistically connected, if these potholes drive us to insanity?! Ben? He starts talking pubs; Iโve made a friend!
Far from being something Ben has researched, โbut,โ he started, โI think thirteen pubs might be the most of any council division in Wiltshire. It’s nice to have places to stop when you’re out and about delivering and canvassing.โ For the record, it was relevant. I was praising the cafรฉ.
It also served as an introduction to Benโs enthusiastic bearing on the area he manages, explaining its diversity he continued, โthere’s quite a lot of social housing, retirement complexes, and all the businesses. So, quite a lot going on.โ
It is through this enthusiasm Iโll acknowledge while the public are keen to pick easy targets, like potholes, thereโs so many other duties to being a Councillor we rarely contemplate. Ben told me he was due to meet an elderly lady straight after this who lives in Long Street and finds it difficult getting around town. โI’m going to try and work out what her routes are,โ he said, โand maybe look at whether there are things I can report on the My Wilts app.โ Pausing to consider pedestrians navigating our wobbly pavements might better take their chances on the dodgy roads, Iโm determined to turn him to the subject of potholes! Is Devizes being left out?!
โIt does feel a bit like that,โ Ben agreed. โfrankly, it’s going to be a problem for a while because the backlog is huge.โ I will, later in our chat, praise Ben for his Councillor Facebook page, where, unlike others, thereโs no negativity bashing the opposition, just feelgood posts, but sometimes fact is fact, the previous Conservative Wiltshire Council seriously neglected road repairs, leaving us in this state and passing the buck.
โI’ll try to steer away from being too tribal,โ Ben affirmed, โbecause I don’t think it’s very helpful, but as I understand it, there was quite a bow wave of funding in the last couple of years as the election approached. I don’t know whether there was a realisation that this was a problem, but if you go back further than that, and this isn’t this isn’t particularly a Wiltshire problem, going back to 2010, when the Conservative government first came in, local authority funding across the board was really slashed. And highways were one of the things that councils chose to take the money away from. So there was a period where we fell behind with those preventative jobs. And now we’re chasing our tails. It’s a never-ending problem, and when you get a winter like we’ve just had with so much rain and then that freezesโฆ.โ
As it being a national issue, Iโve seen better roads in other counties. Yet, we may believe Wiltshire hits the hotlist for the worst roads, probably because we use them regularly. But research suggests Derbyshire, Northamptonshire, Lincolnshire, and others, long before Wiltshire gets a mention.
I could scrutinise the previous Conservative-led Wiltshire Council until suppertime, and Iโm pleased someone else now has a stab at it. But, councillors on the opposition and ex-councillors who lost their seats, are quick to raise issues visible to the public, like the pothole debacle, whereas they wouldโve avoided the subject when The Conservatives were in charge.
In considering the often unmentioned tasks, such as social care costs, exampling the Trowbridge car park fiasco, which I talked to Taylor Wright about, I worry thereโs too much time taken up with political point scoring, and the council is far more disputative and argumentative now that the Tories are on the back foot and Reform makes their impact, against all common sense. To summarise, Iโm gonna ask Ben how a council is supposed to find solutions to important and pressing countywide problems, when they spend months bickering about a carpark!
โYeah,โ Ben nods, Iโm onto something! โI found probably the least enjoyable element so far has been those council meetings. It’s difficult to see some of the tactics as anything other than obstructive, unfortunately. The way funding is and the way policies get brought forward is the council officers look at our manifesto and make suggestions and then the administration says yes, or, can we tweak this, and quite often the things we end up doing are probably the things, to be completely honest, that the Conservatives would have done if they’d if they’d still been in power, and yet they end up opposing what often are, as far as I can see, the most the most sensible measures, and the carpark is a good example, I think.โ
โIt’s a strange situation,โ Ben justifies the carpark fiasco thus, โhaving to provide free parking, and this covenant. But you’ll see this week, NCP, the big carpark developer, have gone into administration. So, if they’re not making money on carparks that they can actually charge people to park in, then you can see what a liability a carpark that we’re not allowed to charge for is. And it’s got to be rebuilt. And it’s going to cost us far more now than it would have been to incentivise the developer to knock it down and, you know, build something nice for Trowbridge.โ
I can play โrealโ journalist, try to gauge Ben for marketable controversy by name-dropping troublesome local political busybodies, but he’s not taking the bait! I’m unconcerned, for that’s never my objective. New to politics, Ben was keen to express he’d never been the opposition, so doesnโt know what it feels like. Though, he comes across as genuine, an earnest and honest guy, tucking into his carrot cake.
There’s a phrase, โa week is a long time in politics,โ maybe it’s the opposite for local politics; it’s early days for this new Wiltshire Council and perhaps, optimistically, we need to be patient to see any fruition at base level.
The carpark was only an example, I was more after dirt on the bickering. Issues regarding waste, reducing the bin collections, and Reformโs pathetic failed bid to end net zero were all hitting points for the opposition, that we discussed later in our chat. I suggested we need some education on how to reduce waste, not just waste being collected, to which he agreed.
Disappointed by the reaction from the opposition and that โthe petition that’s running doesn’t really go into detail,โ Ben was keen to talk bins, and to defend the motion. โYour black bin collections are being reduced from two weekly to three weekly,โ Ben said, but expressed, โalongside that, a weekly food waste collection is being introduced. So if you look at a six week period, people will actually be getting more for their money. There will be more collections over the year, just different collections, and hopefully there should be a lot less in the residual waste when the food waste comes out.โ Besides, he pointed out, it’s a government requirement, โwe have to we have to do it.โ
For the opposition itโs a soundbite, easy to highlight your waste collection wonโt be as regular under the Lib Dems, ย but Ben explained, โit’s just not true. One type of bin collection has been reduced, but you’ve got a new one which is a lot more frequent.Sadly, there is a bit of game playing.โ
On the general bickering, โI do find that very energy-sapping,โ Ben replied. โI try and stay away from it as much as I can. I think for the Conservative group, it’s a real change for them. It’s a period of adjustment. They’ve been in charge of Wiltshire Council pretty much from the outset. And I think, well, I hope they’ll find a bit of a friendlier way of conducting themselves. Because opposition is about fair criticism, it’s about scrutiny. They’re perfectly entitled to raise complaints. The roads, you know, it’s difficult to see how we can be criticised too much on those at the moment. Up until last month, we were working on the old Conservative budget. We’ve allocated some additional capital spend for the next few years. Hopefully we can get away from kind of reactive maintenance.โ
โJanuary, there were 2,700 pothole repairs, which is a record month ever. It’s an unwanted record, but, I think up to mid-March, they did about 5,000. And there’s normally, I think about 15,000 done a year. That’s quite a lot ahead of schedule. They’ll be concentrating on repairs until June and then hopefully they’ll get to a place where they can look at preventative maintenance. Station Road is a case in point. It’s been due for a proper resurfacing, but you can’t do that while Northgate Street is still closed. So as soon as that’s open, I’ll be pushing for Station Road to have its resurfacing, and they’ll come to Northgate Street later.โ
It makes me wonder, that they created a road repair taskforce, if the workers are allowed to think for themselves and bypass the red tape, because thatโs what appears to delay the process. You download the app, report one pothole at a time in a road of thousands, which goes through evaluation processes, paperwork, venturing out to spray-paint a square around it, or pop a cone in there. Whereas a taskforce could deal with it immediately. Because I see a repaired stretch of road, and often thereโs potholes centimetres after it! Are they restricted to deal with what it says on a piece of paperwork, and not permitted to think, โhey, we’ve got a bit of spare tarmac, we could just carry on a wee bit, and cover that trench too?!โ
โI’m told that there is a bit of leeway for that,โ Ben stressed. โPotholes get prioritised, a defect or a pothole gets categorised. So, if it’s in a particularly dangerous area, or of a particular size or depth, then it gets a P1, and it’s supposed to be repaired within 24 hours. If there’s a crew going around doing those, they probably will ignore some smaller ones and just get the ones on their list ticked off. So that’s probably why that arises. But I think in practice, if there’s a massive priority one pothole and then some quite big ones obviously visible nearby, they probably would repair those before they move on, I’d like to think. But it depends how busy they are and what they’ve got on their list for that day.โ
I canโt really argue with that, state of our roads, they must be busy bees! Ben also suggested technical issues with the MyWilts app needs reviewing, that issues raised by the public can be marked as closed even if the issue hasnโt been resolved. โI don’t think they should be closed until they’re repaired,โ he said, โwe’ll see what the review of the app comes up with, in terms of improvements.โ
Itโs not the roads though taking up the budget, annoying as it is to hit a pothole, the bigger picture is knowing vulnerable people are safely cared for. โPeople often don’t realise that the bulk of our funding, whether that’s from government or from council tax payments, is pretty much spent before we even decide what to do with it. And social care takes up a really big chunk of that. So, children’s and adults, vulnerable people’s services is, I forget the exact percentage, but it’s certainly over 60% of all Wiltshire Council’s expenditure.โ
โThat’s an ever-increasing chunk,โ Benjustified, โwhich makes it really difficult to find money for other statutory services, like library services are statutory, highways too, obviously. Once you get beyond that, you’re really having to find pennies to do things. Leisure, for instance, is not a statutory service, but Wiltshire’s managed to keep a reasonable number of leisure centres. I think, compared to some local authorities, we’ve done quite well there, building a new leisure centre in Trowbridge, which is coming on very well.โ
โBut yeah, social care is the headline thing, I think, for councils. And it’s very important to look after people who need help. I’m recently been added to the Children’s Select Committee, which is the main scrutiny committee for all the children’s services. They look at how schools are performing, school attendance, and the leisure and youth services we offer. I’m really enjoying that actually. I don’t have children, so I thought, well, maybe this isn’t the right committee for me. But no, of all the committees I’m on, I think I get most out of that. So yeah, it’s been good.โ
We talked for some time on MPs, praising Brian Matthew, and we agreed switching parties, as Danny Kruger recently did in Marlborough should meet with a by-election. But the focus needed shifting back to council level, so I asked Ben what he thought the biggest changes at Wiltshire Council has been, and how transparent they are.
โWe certainly want it to feel people are closer to their council,โ Ben responded. โThey can ask questions and get answers, and then we will be, transparent with people. Yeah, there’s criticism been levelled about, some meetings go into part two, which is confidential business. And, like the carpark, we were accused of doing things behind closed doors. But this is completely standard stuff that happened under the last administration. If there’s commercial sensitive information, then it doesn’t, or personal; if individuals are being spoken about, that isn’t going to be in the public domain. And that’s the same everywhere.โ
The opposition play on this, and it reflects badly?
โWell, it does,โ Ben agreed. โThere’s no reason why people shouldn’t take what they’re reading from them at face value. But to be honest, I wish more people would tune in to the council meetings on YouTube. Because to me, If you watch a bit of that, then it’s pretty clear, to me at least, who’s trying to get things done, and who’s trying to stop things moving forward.โ
With public engagement, prior to the meeting, Ben stressed surgeries arenโt popular. I said he shouldnโt take it personally, as they often happen during the working day, and supposed many of us, myself guilty too, prefer to have a whinge on Facebook rather than address the councillors in person!
โProbably, yeah,โ he figured.โ I want to make sure if someone does want to get in touch with me, they can. So the more channels and opportunities there are for that, the better. And that’s partly on me to go out to events and knock on people’s doors and sort my focused newsletters out three or four times a year. But, it does need someone to make the effort to drop me a line. It can be a phone call, an e-mail, a Facebook message. They can come and see me at a surgery. I am trying to do the surgeries evenings or weekends, so hopefully a bit friendlier times for people.โ
โI’ll answer comments on Facebook if I think I sensibly can. Sometimes people make comments, and you can understand why, people let off steam, but maybe they donโt know the full facts of what the issue is. And sometimes it’s complex to explain that. So it’s difficult on a Facebook message.โ
And people can take it the wrong way. It’s just words. Herein I raised the Kebab Shop fire as an example, an issue Ben confirmed had been his most pressing, and being such a complex one, has learned not to โover promise.โ He originally said the site will be demolished in February, weโre moving into April. Devizes is a lovely place, but it’s easy to think the town’s in a state, and everything that’s promised is just pie in the sky.
โWhat would be a worry for a town is if there wasn’t these developments happening,โ Ben replied, โif it wasn’t a place where developers wanted to invest and create new facilities and new homes.โ
โDevizes, seems to be moving in the right direction, and I know it’s frustrating with the delays, but I think there’s so much light at the end of the tunnel. Northgate Street, the kebab house, there’s been a perfect storm, but itโs really unfortunate in terms of the location, the type of building and the damage that was done, ended up being propped up like it was.โ
โQuite apart from the human aspect of it and the loss of business and livelihoods, and the neighbouring properties are both quite badly damaged as well. Hopefully they can get on and get it repaired. And it has dragged. If I’d been able to hire a wrecking ball and pitch up there myself, I would have done it!โ
โIt was not the easiest thing to inherit. It was six months after the fire that I won the election, and at that stage, I don’t think the owner had worked through all the insurance issues. But eventually the demolition application went in. They were supposed to do it in February, as you say. They hadn’t finalised the partition wall agreement, because they need to make sure when they knock it down that they don’t do more damage to number one and number three. And then the contractor wasn’t available until April. So we are where we are.โ
Our chat continued onto Station Roadโs resurface and its traffic flow. Ben agreed lessons needed learning between the Highway’s team and Building control team, and he raised other issues, such as the condemned old Royal Oak building.
โThey’re converting it into apartments,โ he said. โIt was a terrible state, but it’s a listed building, so it’s really good to see it getting back into use. Unfortunately, they’re going to need to close half of New Park Street to sort out the water and electricity connections. So, I’ve been talking with the traffic team at Wiltshire Council, about when is a good time; there’s no good time! I think the offer they’ve made to the developer is do it overnight, so there won’t be any closures in the day. So, we’re waiting for that to be scheduled.โ
โItโs only a short closure, but what we don’t want is any overlap with Northgate Street still being closed. So, the highways team are always balancing these things against each other.โ
It was great to meet and chat with Ben, for thereโs many issues which need clarification. Short newspaper articles on a relative single subject cannot provide as much information, and being surgeries arenโt popular and the public tend to need matchsticks to keep their eyes open watching a video of council meetings, it is all too easy to be misinformed about Wiltshire Council! I believe social media posts from the opposition parties should be taken with a pinch of salt, and while criticism is fair game, things are looking positive a year into the newly elected Lib Dem council.
Contemplated headlining this โClash of the Titans,โ but that evokes the idea of a dramatic power struggle with fierce consequences rather than proof Devizes canโฆ
Popular award-winning artisan chocolate business Hollychocs has announced that its Beanery Cafรฉ will close on Saturday 23rd August, marking exactly two years since its openingโฆ
by Ian Diddamsimages by Sandcastle Productions A very new addition to Bath based theatre companies, Sandcastles Productions brings their self penned piece of theatre toโฆ
by Ian Diddamsimages by Ian Diddams, Next Stage Theatre Company and Mike Stevens Florian Zeller is a contemporary French playwright and screenwriter, who received criticalโฆ
Rude to walk into an event sporting another event wristband but the welcome was friendly as ever at the Three Crowns in Devizes. It’s mid-afternoon,โฆ
The first time I heard the name Bluebeard and the Desperate Hours, I presumed their sound might be folk or blues inspired. Judging a book by its cover, because while this Wiltshire collective’s debut single How it Feels might pertain such elements, I was pleasantly surprised to find it also jumping with feelgood soul….
Taken from an upcoming album of the same name, How it Feels is brass-blowing, high energy, sunny side of the street music, and I’d wager we all need a bit of that these days.
Piano-driven rock, gripping onto early Springsteen, or Elton John even, uptempo yet melodic, with an instant and irresistible hook. Yet when I listened, I was filled with imaginations of later new wave mod, when it became the staple pop of the eighties; this wouldn’t look out of place on a Style Council album. I’ll tell you how How itFeels feels; it feels alive and kicking!
Bluebeard and the Desperate Hours are quite the expert collective. Dave Turner is the bluebearded frontman pianist, Helen Robertson plays cello and adds those soulful backing vocals with Phil Cooper, who is also on bass.
All backed by guitarist Rich Godfrey and drummer Coby Franklin-Turner. The brass section knocking the energy into this song is provided by trumpeter and flugel horn player John Hare.
Shame I missed them at 7 Hills last weekend now I’ve heard this cracking single, but made up they’ll be at our newly opened The Fold this Friday, 27th March, at The Lamb in Devizes, with JP Oldfield in support. It’s free, hope to see you there?!
To clear up any confusion, Trowbridgeโs old town hall is no longer the town hall, but The Old Town Hall. I have no idea, nor care to know if there’s a new town hall; that’s irrelevant. Whilst still owned by thecouncil, it was refurbished and reopened as a charity funded arts centre and cultural hub last Octoberโฆ..
I met a great bloke there called Tom, he used to run Bath’s venue Moles, now he’s steering events at this glorious grade II listed building, originally opened in 1889 to commemorate Queen Victoria’s Golden Jubilee. It is an utterly stunning space of Victorian splendour with acoustics from the heavens; nice to note it’s in good hands.
In equal splendour was the reason I’m here, for the 10 Hills Spring Music Festival. Congrats if you spotted the deliberate mistake, there were only ever seven hills; I’m rounding it up as if it’s a score out of ten, perhaps I should add an extra hill or five onto that for good measure!
If forced to find a nick-picking fault with this event, I could suggest a lack of chairs inside the hall, considering the higher end of the age demographic in attendance. But the concentration was on the music, an elaborate concert-festival, and the quality and quantity of this was absolutely mindblowing, if not particularly diverse.
7 Hills regularly organise music events at The Night Jar in Bath, including an annual festival. Chris Hoar of Courting Ghosts explained he, โreached out to them initially to say I was planning a festival in the newly renovated Old Town Hall, just to check it didnโt clash with them, and Matt said letโs do it together in Trowbridge as a spring festival.โ And here we are finally in spring, I’ve been looking forward to this.
Americana, folk-rock was the order of the day, everything uniformed to the influences of Courting Ghosts. So if you wanted to go looking for a dance tent, this wasn’t for you. But the standard of music was sublime throughout the day and into the evening, and that’s what made 7 Hills so spectacular.
Best festival of the year I could jest, because it’s my first, still, I believe I’m going to be hard pressed to find a lineup as good as this, and the craziest element was, while I knew most of the local acts booked for the afternoon, I was in the dark about the later ones, but far from disappointed.
Jess Chivers
Perhaps the only one I saw to deviate from Americana was Jess Chivers, who delivered a great set on an acoustic stage adjacent to the main one, as this had subtle elements of punk. This second stage assured consistent entertainment whilst bands prepped on the main stage. I believe because I needed sustenance I missed Phil Cooper’s set, drafted in due to a cancellation, and a few others before my arrival, but Leander Morales polished off the acoustic stage with an energetic and poignant set.
Thieves
Sadly I missed Fly Yeti Fly, meeting Darren on the stairs as I came in. Love this duo too, they remind me of Christopher Atkins and Brooke Shields in the Blue Lagoon! My arrival, I hoped, would be timed for Concrete Prairie, as it was, lovable bluegrass collective Thieves were doing their wonderful thing on the second stage, while the prairie tuned on the main, under the stained glassed lancet; confirming I’m going to love this event.
Concrete Prairie
Make no mistake, Concrete Prairie was on fire, I expected no less. Undeniably the liveliest set at the festival, they gave us the classics from their 2022 self titled debut album, finishing on their magnum-opus, the incredible crescendo-hugging Devil Dealt The Deck, but between them blessed our ears with some new songs from their forthcoming album. While Joe set no date for its release, the songs came across livelier than the sombre mood of the debut album. Theyโre perfectionists, providing me with faith there will be no sophomore slump.
The band were incomplete too, Phil Cooper taking bass, and original fiddler in the band, Georgia, filling in for her replacement. Still they rocked it, and Iโd have been content if I had to go home straight after them!
Courting Ghosts
Obviously with Chris Hoar at the helm, Courting Ghosts would play, and I could imagine no other following the Prairie, even if their overall mood is more sombre; this is music for the soul. Counting Ghosts surely set the mood for the remaining acts, this smooth Americania with influences from both country folk and jazzy soul. They gifted us a new song, to be the title track of their next EP, Baby, I Bleed for you, and sparks flew.
Orla
Everything chronologically from now on would be new to me, but all of it flying miles above my expectations. A great example came from the acoustic stage immediately after the Ghosts. Orla is a young singer-songwriter from Bath, and clearly one to watch. With crystal vocals she gave us some divine originals, including a particularly poignant one called Mouthwash, and made Crowded Houseโs principal her own.
Matt Owens & The Delusional Vanity Project
Former Noah and the Whale, Matt Owens & The Delusional Vanity Project followed with a dynamite set. As evening set in a professional precedence, I figured this was going to get continuously better. Multiple AMA UK Award winner Hannah White, the best yet, intertwined devout stage presence with a heartfelt singalong, she captivated, projecting her pure lyricism like dripping honey. I especially liked the tune with the reggae offbeat, but overall, I left wondering if, or how it could possibly get any better.
Hannah White
If Iโm now a Hannah White fan, and all presented before us was of a quality so high it would be impossible to fault, it should be no negative reflection in comparison to suggest something here wasnโt entirely my cuppa. No doubt, any Ohio artist signed by Peter Gabriel is going to be of an excellent standard, and soloist and loop pedal god, Joseph Arthur certainly is, it was just the bar was set so high by Hannah it levelled off here somewhat.
Joseph Arthur
So, despite the highest of qualities, I wondered now if, for my personal tastes, anything could possibly top Hannah, and casted a preconceiving critical eye over Our Man in The Field as they set up. They certainly had an impressive ensemble, seven piece with an upright bassist, organist and everything. The lead guitarist had something of a Bill Wyman debonair, while the frontman presented himself as a funky truckstop dweller. Grasping tight to my newfound adoration of Hannah, this would be interesting, if nothing more.
Thatโs when the vibe hits you best, when itโs a surprise! Our Man in The Field has the perfect Americana balance, components of country, but with such soulful jazzy swagger, they had me off-guard and now totally hooked, the first to entrance me wholly. Our Man in The Field is sublimely captivating.
Our Man in The Field
Shit, I realise now I shouldโve put more trust in Chrisโs knowledge! He has presented a lineup which, despite me thinking at numerous intervals, heโs not going to top this, he somehow did! I made up my mind then, I had to witness the final act even if an asteroid hit The Shires shopping centre.
The Delines, self-labelled as โretro country soulโ from Portland, Oregon headlined. With everything previous so hyped in the hamster wheel of my mind, it mattered not if this suited me, I could leave now, more than content. I couldnโt leave. I imagined myself off the lines, driving one of those poetic American roads, planning to stop off to drink my soul away at a roadside bar, but when you walk in a band playing in a back room is so inspiring you figure life is too short as they blissfully cure your blues.
The Delines
This was gorgeous. Utterly brilliantly steady, smooth with no need to fire up, just drifting with narratives akin to Guthrie, jazzy and soulful as Springsteenโs early recordings and the Asbury Park scene, on a Gil Scott-Heron level, and topped with the honest banter of a band in their prime; there was no need for them to apologise for Trump, thereโs two bridges between us, they can break the political one, but cannot ever do the same to the creative arts one. I wished my friend Chrissy could see this, this is what her band Burn the Midnight Oil should attain to, this was blended bliss, American music without borders.
Impossible for me to compare what Queen Victoria’s Golden Jubilee was like at Trowbridge Town Hall with the events now being run at it, but 7 Hills felt like it couldโve matched it, even without cherries cooked in flaming brandy, and the range of community events at the venue breathes positive new light into Trowbridge town centre.
If youโve popped into Wiltshire Music Centre recently; for a concert, workshop, screening orย even a meeting, you might have noticedโฏchanges in the foyer: recorded music,โฆ
Photo credit: David Leigh Dodd Pioneers of the indie-rock sound which would lead us into the nineties, Transvision Vamp lead singer Wendy James has announcedโฆ
By Ian DiddamsImages by Luke Ashley Tame of Acadia Creative Around 2 million women are victims of violence perpetrated by men every year, thatโs 3,000โฆ
Family run premier auctioneers of antiques and collector’s items, Henry Aldridge and Son announced a move into The Old Town Hall on Wine Street, Devizes;โฆ
By Ian DiddamsImages by Ian Diddams and Shakespeare Live Is it post watershed? Then I shall beginโฆ The etymology of the word โNothingโ is quiteโฆ โฆ
Amidst another packed summer weekend’s schedule laid that lovable large village Pewseyโs turn to shine; always a law unto itself, things went off; if itโsโฆ
Britpop icons Supergrass will headline Frome Festival as a fundraising event for grassroots community action group โPeople for Packsaddleโ who are fighting to save aโฆ
It was back in October when we revealed CrownFest at The Crown in Bishopโs Cannings was returning this summer, and January when we last mentioned it, because the organisers Stone Circle announced that its proceeds will be donated to Wiltshire Hope & Harmonyโs Dementia Choir. I like to tease you during those cold winter months, and get us looking forward to warmer days coming…..
Now the time is nearly upon us; frosty starts but some glorious sunshine brings a sigh of relief, as spring has sprung. Time to remind ourselves of some of the local festivals on our horizon, but this isnโt about simply regurgitating what weโve already said about CrownFest, because thereโs been a few updates since, worthy of your attentionโฆ..
What is new, is that the music will be presented over two stages rather than the single stage. Acoustic acts will be in the marquee, while bigger bands will be soundchecking and warming up on the main stage. This is great news, for continuous entertainment, and youโd have to wonder otherwise, just how theyโd squeeze so many acts into just one day.
And, before I waffle too far, that one day is the 4th July 2026; closer than you might think!
Tickets available HERE. A standard adult is only ยฃ32, children are ยฃ10, and thereโs a ยฃ75 family bundle option too.
So, what Iโve already told you: Kinishaโs renowned Simply the Best Tina Turner Tribute and Adam & The Ants tribute Ant Trouble headline, closely followed by Wiltshireโs premier indie-pop favourites and winners of six Wiltshire Music Awards, Talk in Code. Purveyors of Irish & Celtic folk The Publicans will also be playing, along with Salisburyโs rock cover band Innovator, rock covers band Tipsy Gypsies, the one and only George Wilding, Mother Ukes, and the blooming marvelous Lucas Hardy.
And if all that isnโt already enough, what you might not have noticed, is some fantastic additional acts recently added. Firstly, the sublime Ruby Darbyshire is now on the lineup, who is worth the ticket price alone! Young Calne singer-songwriter, Braydon Lee, is a name on everyoneโs lips right now, we fondly reviewed his latest single, and heโs coming too. Eighteen-year-old singer-songwriter, guitarist and pianist Dylan Bratley also made the team; a new name to us but Iโve just checked out his rather cool Noah Kahan cover on TikTok, looking forward to hearing him live.
Lastly, is an upcoming Salisbury sixth form band, organiser Eddie Prestidge likened to Nothing Rhymes With Orange, called Five Nights at Adyans. The Salisbury Journal recently mentioned them playing Wiltshire Creativeโs โGlow with the Flowโ event for young musicians at Salisbury Art Centre. They revealed โthe band is composed of four boys, Jasper Hill, Owen Morgan, Thomas Clark, and Toby Allen, who are all currently in Lower Sixth at Bishop Wordsworthโs school, and have been friends since they were in Year Seven. The influence behind their name is a play on the famous video game โFive Nights at Freddyโsโ, combined with the influence from their classmate called Adyan, whom they often bring up on stage.โย
This kind of leaves me wondering what Adyan does, if heโs like a young Bez from the Happy Mondays, and if he will show up at CrownFest! Adyan or no Adyan, CrownFest is getting better and better, the latest poster unusually puts the lesser-known acts above the headliners, showing a real dedication to upcoming performers, and thatโs a great look! All roads lead to Bishops Cannings this coming 4th July…. get on one of them!
The difference between punk and goth is that as a punk you reject society, as a goth society rejects you. Being society lives mostly online today, that’s probably why my spam filter assumes proposals from exiled middle eastern princes to deposit bitcoin into my bank, and machines to extend oneโs manhood are of interest to a regional entertainment blog, but a local goth duo’s new album should be hidden in a spam folder.
Algorithms now pressure me into having to rush this out, despite noting on social media, Deadlight Dance are releasing their third album, Vox Populi tomorrow (Friday 20th March), which they launched at The White Bear in Devizes last Sunday. Have Nick and Tim got in the humph with me?!
They are Eurythmics-covering retro goths after all, who seem to be dealing with the apocalypse with new songs and a spot of gardening. I’ve always been nice about what they do and thought the feeling was mutual! Not at all; seems after a quick Facebook message, the glitch is real, and the email was discovered; and just like the issues Nick and Tim describe, โthe populist rhetoric, the age of the oligarch where the rapid development of A.I. and deepfakery is upending reality, and โstraight-talkingโ chancers who claim to represent the majority are stoking the smouldering embers of fascism,โ these are the depressing first world problems which need addressing, and with them in mind, isnโt it overdue to rekindle the era of the goth spirit?
Recorded as usual at Mooncalf Studio with legendary purple-bearded producer Nick Beere, it feels at times as if Deadlight Dance are canvassing for compassion as humanity gears up to vote for the collapse of civilised society. โItโs dark,โ agrees Nick Fletcher, โbut there is hope there. You donโt talk about these things unless you want to do something about it.โ
โLight and shade,โ says his partner in sound, Tim Emery. โHopefully thereโs something forย everyone. For some people, everything will be for them.โ
With all edgy synths blazing, Gloss opens Vox Populi, dramatically and attacking the beauty industry, its harmful lies and unrealistic standards in an era most pop stars are encouraging them. We reviewed this as a single last October, where I vowed to shave my eyebrows off and draw them back on with a Sharpie. The exploitative nature of the cosmetics industry, the first deep and eerie original song of eight, which speak of algorithmic existences; gaslighting by the elite, the paradox of โhumaneโ food production, identities and the preconceptions that can shape them, the corporatisation of the militaryโฆ and gardening.
โThere are some important horticultural and botanical references,โ says Nick, reassuringly. The poisonous evergreen shrub Daphne odora, being an example, as the second tune, a poignant plodding shoegazer and followed by a surprisingly jocund ballad which gracefully reminds of the playful moments of The Cure.
Red Flags warns of danger, but takes no prisoners, Lachrymal is as dismayed as Fields of the Nephilim, Glass Walls is uptempo, furious and robust by design, an enclosed space frameless and seamless, but perhaps not maximising natural light, for thatโs simply not goth!
The Theatre of Absurd thuds us back into the dark, with anticipatory anxiety and New Order beats. Followed by the first of two cover songs, Eurythmicsโ Sweet Dreams. Deadlight Dance comforts you here with familiarity and reminiscence, but stamp their own authoritative pounce on this, and the second, Princeโs When You Were Mine, both of which feature guest vocalist Sian and drummer Mike Dymond, the latter of whom first played with Nick and Tim when they were sixth formers.
Thereโs an underlying retro sensation with all that Deadlight Dance produces, that not all electronica was lost to Stock Aitken Waterman, and neither will it be with smug grinned Simon Cowell. And something wholly satisfying that post punk artists of yore inspired Nick and Tim to form a band, and, acne replaced by wrinkles, thirty years later, amidst a global pandemic and a growing whirlwind of social and political chaos, they felt that the time was right to continue the journey. But what is more, is that younger punk bands, like those gravitating towards DIY labels like Sketchbook, are continuing the theme, and, I reckon, would take Deadlight Dance with similar respect to the aforementioned post-punk artists who inspired Nick and Tim. At least they should if or when they hear this album.
While there is always a coherent thought process behind them all, their previous releases, 2024โs acoustic covers album The Wiltshire Gothic, and the literature-themed EP Chapter & Verse of the same year, held a running theme more rigidly. The dystopian or unnerving observations of the modern era subjects behind Vox Populi is subtler, and this feels like the fashion of their debut Beyond Reverence, only with the natural progression, experience and diligence of those three years. And it shows, this is a most excellent album, once again.
Vox Populi is released worldwide to stream, and own as a CD, vinyl LP and download,ย through Ray Records on Friday 20th March. Check out details on their website HERE.
Another Triumph for WHO Andy Fawthrop Following the excellent recent production of La Belle Helene at Devizesโ Wharf Theatre back in March (see here), Whiteโฆ
Five Have An Out-of-town Experience You canโt always get that live music experience you crave by simply staying within the walls of D-Town.ย Sometimes, andโฆ
By Ian DiddamsImages by Josie Mae-Ross and Charlotte Emily Shakespeare wrote several plays that were termed in the late nineteenth century โProblem Playsโ. These wereโฆ
Together in Electric Dreamsโฆ. at The Corn Exchange Fashionably late for Devizes Arts Festival, I’d like to thank Andy and Ian for informative coverage ofโฆ
Youโre young, stars in your eyes, and you live in Swindon; you are not alone, but you are, unfortunately, up against Kate X! Kate is independently producing contemporary pop RnB of international quality, and sheโs riding it. Kate X should, and I hope and strongly predict she will be, a global success storyโฆ..
James Threlfall spins her tunes on BBC Introducing, comparing her with Sabrina Carpenter and Zara Larson, and I respect his professional judgement. Her singles No Tears and Touch have amassed over nine thousand streams on Spotify and her latest, fifth single, For One Night had over a thousand plays in the four days after its recent release.ย ย
Itโs easy to understand why once youโve listened. Every element to a viable contemporary pop song is evident in Kate Xโs tunes. Theyโre sassy without being coarse, her mezzo-soprano vocals perfectly fit pop, and Kate has a natural flair for bringing acute hooks to the bridge. For One Night, in particular, has that driving RnB bassline, but as a collection, all of Kate Xโs singles to date make for an impressive portfolio.
Iโve been hooked on Touch since Peggy-Sue Ford introduced it to me on her Donโt Stop the Music show on Swindon 105.5 last year, and it hasnโt left my head yet! For One Night clearly shows a natural progression, with a familiar and timeless clandestine lover theme, akin to Dusty Springfieldโs popular cover choice Breakfast in Bed, but a contemporary soul feel more Beyonce than Kylie.
She has 670 monthly listeners on Spotify, which for a local indie artist is impressive. She might suggest she can be the object of her desireโs โbest kept secret,โ but in my opinion, she should no longer be secret to mainstream media and a worldwide fanbase.
Okay, so there are occasions, and more often than not, when an aspiring wannabe’s judgement obscures the probable reality that theyโre the needle in the haystack and unlikely to progress to stardom in the competitive music business. And someone has the unfortunate task of tying their feet back to the floor. It’s sad, but a common stipulation, and often manipulated by television talent shows for ratings. But when I listen to Kate X’s tunes, compare them to what the mainstream is putting out, and consider she’s independently creating and marketing, this is clearly not the case here. Kate has something really rather special, which is on par with the mainstream commercial output.
All it takes is for word to spread, and maybe some crossed fingers and toes, but Kate X seems determined, and unquestionably has the potential to be the next big pop star.
Kate, your songs are simply brilliant, remain steadfast to your goal, mentally prepare for setbacks, obviously, but I reckon, judging on this latest single, youโve got it in the pocket girl! And we wish you all best of luck with this positively facing journey.ย Follow her journey on Instagram, TikTok, or Facebook.
by Ian Diddamsimages by Ian Diddams, Play on Words Theatre, and Devizes Arts Festival Who was paying attention in history at school when they covered the Tudors? Hmmm? Anyone? Yes โ you at the back โ you did? Swot! I have a vague recollection of a thirteen-year-old me, pre O-Level options, quasi snoozing through somethingโฆ
Nice place.ย Nice music. Nice. Andy Fawthrop The Devizes Arts Festival has almost run its course, with only a couple of days to go, but still seven events left.ย But itโs not going quietly, and last night in the Town Hallโs Assembly Room was no exception…… British jazz saxophonist Julian Costello, a superbly gifted musician,โฆ
Poulshot’s Award-winning chocolate studio Hollychocs is proud to launch a heartfelt charity campaign in support of the Cystic Fibrosis Trust UK, with a charming chocolate duck leading the way….. The star of the campaign is Henry Duck โ a handmade chocolate duck crafted from Hollychocsโ signature 45% cocoa milk chocolate and decorated in yellow andโฆ
Just who is Theodore Thump? A wise pet rabbit? The mysterious sixth Beach Boy? This album newly released from Shedric, Swindon soloist and groovist of Thud, reveals nothing, but makes for a diverse and interesting listenโฆ.
The Misadventures of Theodore Thump was unwittingly released unto the cosmos earlier this month, and through title and cover art you might preconceive some psychedelic surreal nonsensical comedy akin to the Bonzo Dog Doo-Dah Band, and in a way thereโs sombre and subtle nods to this direction, but thereโs more than meets the eye to this masterwork of audio art.
With wailing guitar it opens unexpectedly, plodding cosmic blues fashion. This swaps to a drifting jazzy folk with smooth Nick Drake styled vocals for the second song, and back to cosmic wah-wah for the intro and chorus for the third, while it settles for a jazz piano core. Still, fusions know no bounds here. Immediately Iโve the notion that this melting pot isnโt by chance, and the experimentation is purposeful, played out by a genius of many influences and with the ability to cherry-pick and compose them in such a way you are on the edge of your seat, captivated, intrigued, and thoroughly entertained.
It may all have been done before, but unlike this. Four tunes into this seven track marvel, Rosalie is a two-minute ethereal drumbeat and piano instrumental. Drifting lounge style, Scum is contradictory from subject to sound, whereas Lock & Key drives melodically classic RnB, Robert Palmer, and is likely the most commercially viable on this most excellent album. Thereโs a finale, wonderfully written of feelgood sentiment.
Shedric said, โThe Misadventures of Theodore Thump has taken me an insane amount of time to make. The levels of procrastination have been almost as epic as the hours spent at my kitchen table mixing and tweaking.โ The dedication and effort shows. It has the experimental quality of Sgt Pepper or Pet Sounds, the coolness of Bookends, its jazzy elements range from Blue Note to prototypical Mark’s Keyboard Repair. At times itโs blues, at others itโs folk, but it always leaves you guessing, and certainly is one to dive into, discovering more intricate details you might have previously missed before; marvellous!
Events with diversity, be they ethnic, cultural, or life choices, must be welcomed, encouraged and viewed positively as assets offering variety in our local calendarโฆ
Swindon Palestine Solidarity continues to call for a ceasefire in Gaza and for aid to be allowed to enter Gazaโฆ.. Their three recent roadside signโฆ
Buzzwords, like โturbo,โ or โsonicโ are cliche, overused trends which gain popularity because they sound impressive, even if they are empty of meaning. I avoid them, but you cannot call Chandraโs releases just plain indie-pop; theyโre turbo-charged sonic boom spearheaded empowerments of synergy indie-pop songs which prolifically arrive with an explosive boom! And, coincidentally, Boom is the new oneโฆ..
Seriously, thereโs a glorious feelgood summer energy to this. You’d have to be having a really bad day to find fault with it. Love the bongo intro, and the subtle, tongue-in-cheek doowop backing, and the guitar riff bridge sits perfectly amidst the positive vibes the subject evokes in the singer.ย ย
โThis song is a bit of a departure from the norm,โ lovable showman Chandra says, โover the past two and half years we’ve never once written a song about love. We’ve always written about topics such as inclusivity, tolerance, compassion, faith and self confidence, but the one thing that ties it all together is we want to write songs that are upbeat, hopeful and empowering. We hope that this song does exactly that.โ
Observation double underlined, and box triple ticked.
โBoom is a very spiritual song about love,โ Bristolโs power indie-pop virtuoso continues, โsoul-mates and the miracle of finding that special someone in a vast universe full of empty space. It may take a moment; it may take a lifetime, but when you find that special person who makes you whole, the explosion is as powerful as the Big Bang. And yes… sometimes it’s really scary to open yourself up to the possibility of being hurt, especially if you’ve experienced something bad previously; something is coming, everything will be alright.โ
And thatโs about as reassuring as the nature of the song too!ย Boom launches into the universe on Friday 20th March. Thereโs a BOOM Single Launch Party on Saturday 28th March, at The Queen’s Head in Box. Doors 7.30pm.
Find all stuff you need to know about Chandra HERE
Itโs always nice to hear when an inaugural local event is successful, especially one as unique and original as Marlborough School of Languagesโ annual Fiesta. Triple so when being bilingual to me means I can switch between English and gibberish!
Marlborough School of Languages offers a range of services to suit language development at any age and stage, in small groups or one-to-one at their school on Marlborough High Street, and online. With regular Spanish, English, French and Italian lessons, bespoke workshops, exciting conversation, film, food and book clubs and sociable cultural drinks evenings, last year founder Maria Gonzalez decided to create their first language summer festival; conveniently the school abbreviates to SOL,the personification of the Sun in ancient Rome!
โWe are beyond excited to be launching the second edition of our Languages’ Summer School: Fiesta 2026,โ Maria explained. โLast year we wanted to end the summer term with a special event that would inspire our students to continue their learning journey with us in September, and create something appealing for potential new learners.โ
โDespite the heatwave, we delivered 15 hours of Spanish, Italian and EFL lessons, served five wonderful meals at La Bobina, The Marlborough Pub and at our High Street premises, and organised five afternoon activities, including Chinese calligraphy and a wine tasting led by some of the areaโs most talented professionals from Thames Valley Wines.โ
This yearโs Marlborough School of Languages Fiesta will take place on the 6th to 10th of July. Building on last yearโs success, Fiesta 2026 promises another vibrant celebration of language, culture and community.
Guests can look forward to a programme of engaging Spanish, Italian and EFL sessions in the morning, delicious meals shared in great company, at the best Marlborough High Street eateries, and a selection of inspiring afternoon activities led by talented local professionals.
Above all, Fiesta is designed to bring people together in a relaxed, friendly atmosphere where learning, conversation and cultural discovery go hand in hand.
Tutors in both Italian, Claudia Marin and Spanish, Maria Gonzalez along with English as a foreign language tutor Matt Gow, will take classes from 9:00 am to 12 pm, followed by lunch, and workshops in the afternoon. Some details still need confirming at this stage, but they anticipate the paella making workshops will be back, and there will be a theatre workshop where the three language groups will each prepare and perform the same short play in their respective languages.
I want Devizine to be primarily about arts and entertainment, but Iโm often pathetically persuaded by bickering political factions to pass opinion on local politicsโฆ
Photo credit: ยฉ Rondo Theatre Company / Jazz Hazelwood A gender-queered production of William Shakespeareโs classic play, โThe Taming of the Shrewโ, will be performedโฆ
The first full album by Wiltshireโs finest purveyors of psychedelic indie shenanigans, Clock Radio, was knocked out to an unsuspecting world last week. Itโs calledโฆ
Bradford-on-Avon Town Councilโs annual festival, aptly titled The Bradford on Avon Live Music Festival is back this weekend, championing local talent with an eclectic line-upโฆ
by Ian Diddamsimages by Chris Watkins Performing Sondheim isnโt the simplest of tasks. Or, rather, singing Sondheim isnโt the simplest of tasks. With his dissonantโฆ
The phenomenally talented Ruby Darbyshire is performing at Silverwood School in Rowde on 27th June. Ruby has kindly offered to support Silverwood Schoolโs open evening…..โฆ
Right here, right now in Devizes, Palooza spawned and has become the fast-growing house music event brand in Wiltshire. They’ve beenย invited backย to perform atย Fatboy Slimโs All Back To Minehead 2026, following a standout appearance at last yearโs event. The highly anticipated festival takes placeย 6โ9 November 2026ย and brings together some of the biggest names in dance music for a full weekend of music, energy and unforgettable moments…..
Joining an exceptional lineup that includesย DJ EZ, Erol Alkan, Horse Meat Disco, Simon Pegg, Sarah Story, Darren Emerson, Eats Everything, Kirollus, Olive F, Woody Cook, Elliot Schooling, Liam Palmer, Krafty Kuts, Dr Banana, Arielle Freeย and many more, Palooza will once again bring its signature blend ofย house, classics, anthems and underground soundsย to the iconic Minehead weekender.
Known for itsย high-energy dancefloors and community-driven atmosphere, Palooza has built a strong reputation on the UKโs underground scene, making its return to All Back To Minehead a significant milestone for the brand. The invitation back to the lineup reflects the impact of last yearโs performance and the growing recognition of Paloozaโs unique sound and vibe.
โWeโre buzzing to be invited back,โ said Greg Spencer from Palooza. โLast year was incredible, and to return alongside such a huge lineup is a real honour. Weโre bringing even more energy this time.โ
All Back To Minehead continues to be one of the UKโs most celebrated dance music weekends, combining world-class DJs with a unique holiday atmosphere and a packed schedule of activities across the resort.
Adam Woodhouse, Rory Coleman-Smith, Jo Deacon and Matt Hughes, aka Thieves, the wonderful local folk vocal harmony quartet of uplifting bluegrass into country-blues has aโฆ
This summer David is returning with a brand-new show “Historyโs Missing Chapters”, a show made to uncover why, throughout history, some people and events haveโฆ
Under the new management, live music will be making a triumphant return to The Boathouse in Bradford-on-Avon and that Cracking Pair, Claire and Chloe ofโฆ
Always a happy place, our traditional record shop Vinyl Realm in Northgate Street Devizes is back in the game of hosting some live music afternoons.โฆ
Spring is on its way, and we’re looking forward to a season of great live music across the county. You’ve only got to keep your best eye on our ever-updating event calendar to realise the vast and varying options open to you. But here, in Devizes, there’s one particular place I’m personally excited about, the return of The Foldโฆ.
Organised principally by JP Oldfield, the legendary Fold returns with open mic nights on the first Tuesday of each month, Bluebeard and the Desperate Hours headline a freebie with JP in support on Friday 27th March, and the one and only Gaz Brookfield returns to The Fold in a blaze of glory on the 5th June.
But with JPโs reputation spreading like wildfire, he cannot always be at The Fold; I mean, we were just chatting about him supporting Imarhan at Bristolโs The Fleece on Monday, and the many other gigs heโs getting in the area. So, between Bluebeard and Gaz, and not for my ego, well, not entirely, I’m delighted Devizine can be involved with this project.
A Devizine takeover at The Fold, on Friday 24th April, that’s what I’m here to tell you about; bung it your diary now! It’s been too long since we’ve put a gig on. This is happening, the only requirement needed from you is to please support it. In order to encourage your excitement to match my own, we’ve done two things.
Firstly, while we need to fund it somehow, we’re keeping ticket prices as low as possible. Just like it was 1979, this is a pay what you can gig, but I plead that you consider this at the door, that the more you can pay the more we can give you in return, rebuild the Fold, and provide Devizes with some great acts in a comfy, intimate venue and at affordable prices. Please, flash a little cash, not for me, but for our musicians.
My second objective, and I know JP and I are singing off the same songsheet on this even if his singing is ten thousand miles above my own breathtaking shower concertos, is to bring to Devizes the amazing acts we see elsewhere, who haven’t yet made a Devizes debut, or who have rarely played here before. Musicians and bands which I think, โthe good folk in Devizes would love this, they deserve to see this!โ And that’s precisely what we’ve done for our first Fold takeover.
We’re hosting two local upcoming singer-songwriters, firstly Meg, or M3G as she prefers, who I’ve been waffling on about for ages, with deserved praise, and my daughter scribbled a great interview with her some years ago.
M3G is an indie folk singer-songwriter from Chippenham. Her music mixes authentic lyrics with soaring vocals. Recently supporting the likes of Frank Turner, Jools Holland, Gaz Brookfield and The Lottery Winners. A regular at Trowbridgeโs Pump, the venue now run by Kieran J Moore, who created Sheer Music at this very venue, The Fold; small world.
Her bio also says she’s โdescribed as, โBeautiful and Captivatingโ by a local music magazine,โ which I’m suspicious was me! And โshe brings a unique perspective and humour to the stage,โ which sums it perfectly, if I do say so myself! Her recent singles, like โRooksโ , were produced by Phil Cooper, who you should know from The Lost Trades, and also will be at the Fold with Bluebeard on the 27th March; again, small world!
M3G’s style is uniquely wonderful and personal, something I advise you really need to see for yourself; hereโs your chance. I also introduce you to Take the Stage finalist Seren, a Warminster based young folk singer-songwriter with a voice you wonโt forget.ย
Seren performs a mixture of original songs and covers. โMy favourite covers to perform are Fast Car by Tracy Chapman, Unwritten by Natasha Bedingfield, and Black Star by Radiohead,โ she tells me. โI first started performing in May 2024, and since then I have performed at CorFest 2025, Swinterfest, and have supported Irish folk musicians in Salisbury including The Henry Girls, Daoirรญ Farrell, and Tim Eady and Mike McGoldrick. I am inspired by a mix of artists/musicians and genres such as folk, indie, pop, indie rock, and jazz.โ
Both of a similar age, M3G and Seren have worked together before, supporting each other, and after performing solo, promise to duet in a rare finale session. I canโt wait, I advised MantonFest to book Meg a couple of years ago, but I believe this will be both their Devizes debuts. I hope you can join me in bringing these two sublime performers to town and really give them the warmest of Devizes welcomes, on the 24th April; put it in your diaries now!!
Facebook event thingy, here, let us know you’re coming. If you are coming, I promise not to sing myself. Oh, and give the Facebook page a follow too, for updates there.
Hurrah, at last! Only The Brave is the debut song from Burn The Midnight Oilโs revised lineup; something Iโve been anticipating since watching them rehearse at Devizesโ HK Studios, just before last yearโs Awards. But if my expectations of a recording from this new Devizes based phenomenon was perched on the summit of the highest mountain, gaining a sneaky preview before its release on Friday (13th March) far from disappointed, in fact Iโm now soaring above cloudsโฆ.
I know pressing a CD is a financial risk for any upcoming band against bunging it on streaming platforms, but Iโd urge them to go for it. In the relatively short time Burn The Midnight Oil have been gigging under this current format, theyโve become the kind of band youโd see live and make haste for their merch stand in hope to return home grasping a piece of what you just experienced. Based on this first of a few singles coming out of Martin Spencerโs Badger Set Studio in Potterne, a compilation album would be a real keepsake.
Itโs hasty and gearing, a rich and refreshing design on a timeless formula; the folk-rock-blues combo conveying enduring, moreish and matured pop, with that driving beat, with that irresistible rolling guitar riff, and with the smooth-as-velvet female vocals soothing a biting narrative. Causal listening itโs feelgood, but in depth itโs fighting against the odds and rising above adversities.
Itโs the song for the comeback scene of an epic movie. Youโre on the edge of your seat, identifying with the character, either relating your own experiences, or more simply distinguishing their plight is their drive, but you cannot sympathise, because like Tina Turner, Gloria Gaynor, or Natasha Bedingfield, sheโs weaponised it, risen above it regardless, and taken control of her own destiny; Alanis Morissette of Devizes.
Yet the most marvellous thing about Only the Brave is, Chrissy โSteenโ Chapman can equally hold the vocal power of any of the aforementioned female big hitters, kick the meaning behind the song into touch, and her backing band accompanies her with such tight precision, itโs something to behold. In essence, it has the perfect combination for the memorable and relevant tune you wonโt mind having stuck in your head!
I cannot wait to hear the others, but for now, pre-save this beauty HERE. Find them rootin and tootin their thing live by following them on Facebook, HERE.ย Attend CapFest as seen below, for their next Devizes show.
One of Wiltshireโs Best by Andy Fawthrop Looking for something to do next weekend? One of Wiltshireโs biggest festivals is happening just up the roadโฆ
If weโve had a keen eye on Swindonโs Sienna Wilemanโs natural progression as an upcoming singer-songwriter since being introduced to her self-penned songs via herโฆ
One of Salisburyโs most celebrated acoustic folk-rock singer-songwriters Lucas Hardy teams up with the Wiltshire cityโs upcoming talent who’s name is on everyoneโs lips, Rosieโฆ
by Ian Diddamsimages byย Chris Watkins Media One could argue that Anne Frank is possibly the most well-known civilian of the WW2 years, and certainly ofโฆ
If, inspired by the likes of Ed Sheeran and James Arthur, the majority of Gen Z loves a good power ballad, the beginnings of the next generation, Alpha, seem to be following suit. And if thatโs the thing, fifteen-year-old Calne singer-songwriter Braydon Lee was already in the forefront locally, but in my unprofessional opinion, his second single newly released, Endless Summer, provides the truckload of potential necessary to make this a nationwide phenomenonโฆโฆ
Oi kids, we had heartbreakingly emotional roller-coaster power ballads in the eighties too, you know; practically invented โem?! Just with a lot more guitars and hairspray! Yet, Iโve been reconditioned by gigging with my daughter, where Noah Kahan at the O2 impressed me on a Springsteen level, into appreciating these soulful melodic beats, derived, debatably, of folktronica and contemporary RnB. If Iโve acclaimed anyone on the local scene for adopting this in a manner marketable on an international level, it has to be Swindonโs Brandon Clarke, aka Weather. It just so happens, Brandon has produced this track, and together, Braydon and Brandon, their dedication illuminates on this ingenious and poignantly buoyant love song.
This is an absolutely wonderful tune, a hefty guitar riff bassline drifting you along a crestfallen narrative with euphoric backing and Braydonโs eloquent vocals shining through. Braydon has penned a sublime anthem to pluck any heartstring, and he delivers it with the passion and emotion of a professional singer twenty years further down their line.
Itโs this bucketload of unpatronising top marks from me, which though I thought Iโd seen him before, searched my own blog and came up trumps, (I caught the end of his superb appearance at last yearโs FullTone Festival) I predict one day soon, no one will need to search for Braydon Lee; theyโll all know him, love him, and have brought his merch from the O2 shop!
โIt was my YouTube cover of Sam Barber’s Straight and Narrow that started getting me attention,โ Braydon explained. Now, I’m just a two-bit blogger not wishing to put stars in anyone’s eyes, but while running off a quick cover will gain attention, Braydon needs to concentrate on carving an original style, with the noticeable hook, and herein lies the groundbreaking moment, Endless Summer accomplishes this.
You can pen a thousand good songs, but finding that awakening hook is key. An Endless Summer, working outdoors through the night, I like this idea, although this is metaphorically akin to the Summer of โ69 when Bryan wished the season would go on forever, so Braydon might romantically hook his duck, I reckon. And on those levels this works, and will gain more than the attention of his heart’s desire. The first geezer I’m sending this review to will be Mr Threlfeall at BBC Introducing, hoping Braydon is already on his radar.
It comes with a professionally shot video created by Swindon’s 1988 Media, and as a package this has impressed me. I urge you to pay it some attention, or at least pass this message onto your offspring; Braydon is one to watchโฆ.
Trowbridge singer-songwriter and one third of The Lost Trades, Phil Cooper has actually been doing more than playing solitaire, heโs released a new solo albumโฆ
An effervescent musical, full of promising young talent Written by: Melissa Loveday Images by: Gail Foster After the success of SIX last year, Devizes Musicโฆ
A photo is circulating on X of Calne’s Reform UK candidate Violette Simpson, which for some reason doesn’t appear on her election campaign….I wonder why?โฆ
Big congratulations to Devizes DJ Greg Spencer this week, the creator of Palooza house nights at The Exchange nightclub, for he made the prestigious billโฆ
Leading Wiltshire digital entrepreneur Natalie Luckham, AI Educator and founder of award-winning Wiltshire social media consultancy Naturally Social is hosting a free โIntroduction to AIโ webinar this International Womenโs Day to help women across the county understand artificial intelligence – and ensure they are not left behind as the technology reshapes workplaces and homes….
The webinar event is aimed at women across Wiltshire, from business owners and freelancers to employees, returners to work, and those simply curious about AIโs growing influence in everyday life.
The one-hour online session, taking place at midday on International Womenโs Day (8 March), will offer a practical and accessible introduction to artificial intelligence. Titled around this yearโs International Womenโs Day theme, โGive to Gain,โ the webinar will demystify AI by covering:
ยท What AI actually is (and what it isnโt)
ยท How large language models are built
ยท The risks, bias and ethical considerations
ยท Real-life demonstrations of useful applications at work and home
ยท How to prompt AI tools effectively
ยท Where human judgment remains essential
The session will include live demonstrations and a Q&A, allowing attendees to ask questions in a supportive environment.
Artificial intelligence adoption is accelerating across industries, from marketing and finance to healthcare and education. Yet studies continue to show that women are underrepresented in AI development and adoption, raising concerns about a widening gender confidence and skills gap.
Natalie says the webinar is about empowerment, not hype. โSo many women I speak to have experimented with AI but say, โIโve played with it โ I just donโt really get it.โ
“If we donโt understand how these tools work – their strengths, their limitations, their risks – we risk stepping back from the conversation entirely. My goal is simple: to give women the knowledge and confidence to make informed decisions, ask better questions, and participate fully in the future of work.โ
The session aims to demonstrate the potential and the pitfalls of AI, helping women approach the technology critically and confidently rather than feeling overwhelmed or excluded.
The timing reflects growing national conversations around AI regulation, workplace transformation and digital skills development.
The webinar has been created in response to increasing local demand for clear, jargon-free guidance on AI. Natalie has spent the past year delivering AI training to businesses and organisations across the Southwest and says the same concern keeps emerging: people are experimenting, but without real understanding.
Registration is free but spaces are limited. Women can reserve their place HERE
If your average Tuesday night in Devizes might feel like The Day The Earth Stood Still, it certainly felt this way for me yesterday; I was at an open mic, down The Foldโฆ..
Yeah, you read that right, the back room of The Lamb which launched Kieranโs Sheer Music a decade or so ago, a Devizes to Trow-Vegas success story many hold fond memories of. Since then it seems itโs been rather dormant up there, so Iโm sure it will come as a delight to many to hear this once popular, intimate space is reopening, because this open mic night is only the beginning.
The open mic will continue, each first Tuesday of the month, and the weekends hopes to see regular affordable ticketed gigs. Iโve got to stop saying โTuesdayโ now, because in my mind Iโm voicing it as Miranda, probably because Iโm a smidgen over-excited to bring you this fantastic news!
The project has been masterminded by Sally at the Lamb, who has renovated the Fold, and Josh Oldfield, who will be running nights there. Furthermore, on occasions when Josh is gigging elsewhere, Devizine is allowed to use it, and in a joint venture, we hope to bring some great gigs to town.
The legend that is Gaz Brookfield returns to The Fold in a blaze of glory on the 5th June, with our faithful JP in support. But the Fold opens earlier; officially on Friday 27th March, when piano-driven pop-rock trio, Bluebeard and the Desperate Hours headline with JP again in support. This one is free, save a tip jar for the acts.
Devizineโs first night hosting there will be Friday 24th April.
Iโm sorting it out now, do not fear! My concept is to bring in some exciting new and original acts to Devizes, or at the very least ones who have rarely played here, despite me bashing on about them within the pages of Devizine! Starting with an acoustic folk night; save the date, for we have two of Chippenhamโs finest young singer-songwriters, Meg and Seren promising to play for us on the 24th April.
Meg, Image by Kiesha
Details on this and other gigs at the Fold will follow. For now letโs just say last night was a great start to reinventing the venue. A humble and hospitable evening, as most open mics are; shame I rarely get to attend any because they usually occur on weekday evenings.
With performers at opposite sides of the timeline, a promising acoustic guitar sporting Billy went first, followed by Ronnie unplugged with an electric. Eyebrows were raised further when young bassist, Meadow, backed Ed Dowdeswell, stepson of Jamie R Hawkins, who, though containing elements of brilliant songwriting and riffs clearly rubbed off from Jamie, is carving a name for himself independently, and quite rightly so.
A smidgen more mature musicians, Jim and Ray, blessed us with some folk-blues covers. And between them and our wonderful Sammi Evans, Sammiโs son Kristian also sang quite wonderfully for the very first time; the apple doesn’t fall far from the tree.
Sammi is always a delight to see live, but her set ended abruptly due to guitar string snap, and golden axeman Brian took his place and pumped some gorgeous blues covers our way; Big Mamma Thornton, though, nicely placed sir!
Young Amelia may have been penultimate on the roster, but was the ultimate voice, and known throughout the free world of Devizes, Gordy and Tim polished this fantastic inaugural reopening of The Fold off expertly. I left feeling this will be something very special added to our busy live music circuit here in Devizes, and I hope to see you there soon!
Grand opening with Bluebeard and the Desperate Hours and JP Oldfield will be free on 27th March. The next open mic is due April 2nd. We take over with Meg and Seren on 24th April, Gaz arrives on 5th June, and thereโs more to follow; exciting news!ย Open mics are just nice, aren’t they?!
Melksham & Devizes Conservatives released a statement on the 7th April explaining an internal audit revealed one of their candidates was โnot qualified by residenceโฆ
Last month we were pleased to announce our involvement with the new Wiltshire Music Awards in conjunction with Wiltshire Events UK, details of which areโฆ
And there was me thinking nothing good comes out of a Monday! Today local bistro Soupchick, popular in the Devizesโ Shambles opened their second branch,โฆ
Stuffed my dinner, scanned the brief, headlonged out the door, forgot about the road diversion into the Market Place, made a u-turn, arrived at Wiltshireโฆ
You’re a teenage Tom Cruise, at least you wish you were, but stay with me on this! Your parents are away, you’re home alone with dad’s liquor cabinet. For certain, you’re going to get into some risky business as the movie progresses, but your initial impulse is to dance around the house in a shirt and pants. I’ve no interest in seeing you in your pants, Tom, what makes the scene so iconic is surely the song choice. Because Bob Segar was bang on the money; experimentation in music is good, but the scene wouldn’t have the same impact if he was listening to Jean-Michel Jarre. Sometimes you do need some old time rock n rollโฆ..
Now, imagine Bob never recorded that song; what song would you pick instead? Options, people, options aplenty, but here, take the 49 to Swindon and try Dulcet Tones for size. Since a single from last May, they’ve a debut EP, Back To Bassett; okay, itโs got a few local references including, bizarrely, an Avebury-Chuck Berry link, but it’s old time rock n roll, at least โrockโ if youโre nitpicking, still, the kind of timeless music that soothes the soul.
A bit of delay in mentioning this, apologies to the band, frontman Andrew McLennan, lead guitarist Nick Osman, bassist Darryl Wilks and drummer Rob Cooper, but it makes for perfect air guitar practice from beginning to end! Embellished by wailing guitar riffs to make ZZ Top blush, driving drum rolls, and that archetypal hoarse vocal rebel yell, the opening tune, As I Am, doesnโt wait for you to adjust your funky pants, but being the simple premise is taking them as they are or not at all, the choice is a no brainer; this absolutely rocks!
In essence itโs โgood olโ boyโs music,โ windows down summery driving rock, wind in your beard, and itโs more fun than deeply meaningful. Hold On stomps with elements of Tom Petty, or maybe harder, think Aerosmith, Lynyrd Skynyrd, but has the on-the-road narrative to mirror what Iโm trying to say, I hope!
Three quid for four solid tunes means weโre driving to the halfway house. Dream Home soothes the tempo, thereโs notions of Guns & Roses at their most sentimental. Oh, this is cool; if dulcet tones implies sweet, melodious, and pleasing, this tune proves theyโve named themselves appropriately.
Title track comes last, does it need saying Back to Bassett has some local references? Not outright slating the town, nor as the concept extends to other local urban areas, like Swindonโs Old Town, rather it suggests theyโd prefer to chill out in a more rural and spiritual setting, an adventure citing our ancient stones and monuments. In subject itโs obviously not going to work well with the Americana of the previous tunes, making this one sound more akin to British psychedelic rock, weighty and significantly Levellers.
Back to Bassett as a track was a pleasant surprise, and proves Dulcet Tones are no one trick pony. Back to Bassett as an EP is loudly and proudly moreish, using the tried and tested formula of classic rock subgenres, like the California sound of Buffalo Springfield or Crosby, Stills, & Nash, and heaps of rock and roll revival, yet with the finale, thereโs adherents of neopagan rock.
Iโve seen their band name listed gigging about the circuit, Swindon Shuffle I think most, but now I need to grow some hair and make a beeline. You could, if you so wished, say I’m old-fashioned, say I’m over the hill. Iโd rebuke it without too much botheration, because I keep myself eclectic through personal want and need in writing this blog, but thereโs many occasions when I contemplate Bobโs words and agree; today’s music ain’t got the same soul, and go for that old-time rock ‘n’ roll. When I do, now thankfully I have Dulcet Tones; you should too, you old rocker!
Devizes Outdoor Celebratory Arts key into the town’s majority demographic for its first annual event of the year, mature couples, with an affection for sampling the widest varieties of beers and ales. In this The Winter of Festive Ales may function parochially, but is not only extremely popular and is revitalising from the torpor of winter, it also raises vital funds for DOCA to stage more family-driven events freely throughout the coming yearโฆ..
Cabaret and music acts usually perform, yet are secondary in importance to the sampling of the booze for the average amateur connoisseur attending; no issue there, because that’s the ethos of the event. In reviewing an event my top priority is awarded if it โdoes what it says on the tin.โ The Winter of Festive Ales at the Corn Exchange received top marks in that department, we tried maple syrup and blueberry stouts, mango cider and plenty of other interesting and delicious fusions selected by Stealth Brewery, The Southgate and The Pour House, and Padfield Porkies pies are undeniably knockout.
With cabaret it can therefore be quirky and perhaps out on a limb, which I’d consider a deliberately lethargic roller-skater, a ragamuffin Basil Brush styled wolf, and a chequered suit bloke putting four ping-pong balls in his mouth is; the drink influences greater belly laughs. But for the music, one might opt for the demographic’s preferred genres, of blues or roots driven prog rock.
Being honest the fact Talk in Code headlined this year surprised but delighted me, with their original eighties-nineties indie-pop fusion, but I didn’t need ponder if this was the best choice, because, yet again, Talk in Code proved they fit into any box, without even having to change their set to suit. They more simply, do what they do, and it’s infectious to all.
Said this before, where Talk in Code can charm a food festival, fete, or anywhere from a Pride festival to a bike meet. They come up trumps at FullTone, supporting an eighties tribute like The Pet Shop Boys Actually, and equally thrill at grassroots venues such as Bradford-on-Avon’s Three Horseshoes. Though I might advise it is best to see Talk in Code in Swindon where their fanbase is largest and the vibes alight most, for every random event across the nation they display their sublime sound, and forthcoming personas at, the positivity in their style rubs off, building to a phenomenon, known only too well by their adoring fanbase, the Talkers.
You can find the Talkers at any Talk in Code gig, they reside at the front attired in merch, encouraging other punters to dance. Else, afterwards they’ll chat with band members like family. Unlike a pop band who might hide in a green room, they mingle. Aside from the hive mind of their fans, though, there’s a dedicated corporate identity, a brand with clever marketing which supports the music. This completes the Talk in Code effect, displayed triumphantly, even here, at the Winter of Festive Ales in Devizes last night.
The event splits into two ticketed sessions, one quieter in the afternoon for the real ale connoisseurs to rap about body, fruitiness and alcohol content, the later evening session more lively and entertaining. Yep, Talk in Code will deliver this with bells on.
For the average punter whose kids have likely fled the nest, the early start time of the evening session might suit as more ale can, and will be consumed. For us with teenagers in need of picking up from Saturday jobs, feeding and watering, it unfortunately meant we missed The Wholesome Soul Duo and some cabaret. And I was looking forward to this soul duo, who often take the early Sunday gig at The Southgate, having yet to cross them off my must-see list. I know a raffle must come towards the end, but if I remain slightlyย dubious about the arrangement of acts, thinking Talk in Code could’ve finalised the evening, rather than winding it down too early, and The Wholesome Soul Duo be pushed to a later slot than 6pm, that’s only due to personal commitments. Itโs a quality, well-organised and enjoyable event with plenty of time for quantities of alcohol consumption, which confirms Devizes is a town of culture; drinking culture at least! Whatever the outcome of an award, residents here know it is.
And this is the just opening, the beginning of a year of seasonal events across the town, either blossoming or established, many of which, with a sprinkling of dedicated volunteers, DOCA will stage, host and gift to, not only the population, but attracting visitors from afar. For this alone, we love and thank everyone who comes together to make DOCA a thing. The Winter of Festive Ales is vital to the funding of it, and remains to be a fantastic, Devizes fashioned occasion worthy of your hard-earned cash.
It was a fantastically successful opening night for Devizes Musical Theatre at Dauntseyโs School for their latest show, Disneyโs Beauty and the Beast, and Iโฆ
Renowned Devizes auctioneers and valuers, Henry Aldridge and Son announced today they are relocating their auction rooms to The Old Emporium, a Grade II listedโฆ
by Ian Diddamsimages by Ann Ellison. What can possibly be better than watching a performance of โBlood Brothersโ by Willy Russell? Watching TWO performances ofโฆ
by Ian Diddamsimages by Josie Mae Ross and Richard Fletcher John Hodge is well known for his screenwriting of โShallow Graveโ, โThe Beachโ, โA Lifeโฆ
Well, I admit, the Black Dog Crossroads has reopened with shiny new traffic lights and looks pretty groovy, as far as road junctions look groovy. But I will forever be flabbergasted how the Wiltshire councillor for The Lavingtons, Dominic Muns, who signed off the project, concentrated his announcement of the project with political point-scoring rather than safetyโฆ.
Claiming this โwouldn’t have happenedโ with any other specific party at the helm of Wiltshire Council, particularly spatting The Greens with certain bitterness, was hearsay. The project was signed off prior to the Lib Dem takeover, so we can never be certain if it would or would not have been approved. This was a red light warning, altering me to the notion Dominic Muns enjoys stirring the pot, but whilst I respect that along with his motivation to respond, I remain sceptical the sauce in his pot is spiced with nothing more than bamboozlement.
A few other Wiltshire Councillors have got their knickers in a twist over the new council budget, and would-bes too, like lone ranger Devizes former Reform candidate Malcom Cupis, who loves spreading his verbal faeces on the Devizes Issue (But Bitter) Facebook group, and, reading between his lines of his recent nonsensical rant, seemed to approve fascism provided he could get his bins emptied weekly. But Muns, well, he called in AI and went to town on his Facebook page with a post yesterday which should come with a content warning; it reads like the boy who cried wolf is writing for the Daily Fail.
The question remains, how twisted can one’s knickers get before they ride up the bum crack with a plethora of brown stained untruths, or at the very least, skid-marked exaggerations?!
Omitting mentioning the ยฃ6 billion โsink holeโ the Liberal Democrat led council inherited County Hall with, and all its gubbings from decades of Tory reign, like, say, the worst social care provisions and roads which look like they belonged on a battlefield at the Somme, Muns said โWiltshire deserves better than this,โ and suggested their โalternative budget took on no debt and delivered a ยฃ20m better position over 3 years,โ adding emojis of a bar chart and suitcase for the benefit of, what I can only deem, his followers unable to read, or an imaginary artistic licence.
โCutting spending on our road networkโ and โhiking car parking charges, including a huge increase on Sundays,โ were on his hitlist, โcutting black bin collections to once every 3 weeks, cutting the Parish Steward Scheme,โ and โcutting the Parish Emergency Assistance Schemeโ were others he is disgruntled about.
But whoa there Munster, is it a random hike, or does the 4.99% rise include the 2% adult social care precept, which most councils are using because care costs are rising sharply?
Aren’t the three-weekly black bin collections part of a shift toward higher recycling rates, which many other councils have already adopted?
Is this really as unprecedented or uniquely reckless as you’re suggesting? On highways and the parish schemes, can you point to the specific budget lines showing outright removal rather than reprioritisation or consultation? This might help residents to see the details rather than broad claims.
And you couldn’t get broader than when he added in the cascading comments, โI use the term โIndependentโ loosely since theyโre actually all on the Lib Dem payroll and merely masquerading as independent councillors to win local votes.โ
Ooh, I had to ask for proof to this crazy accusation, with which he returned with, โyou can check the list of SRAs (Special Responsibility Allowances) and see which councillors are receiving additional money for certain roles. Itโs public record.โ
Big Rod Stewart sized butt; receiving a Special Responsibility Allowance as an independent councillor does not put them on a Lib Dem (or any specific party) payroll. SRAs are paid directly by Wiltshire Council based on recommendations from an independent panel for specific roles like committee chairs, regardless of political affiliation.
Another unfortunate visitor to his Facebook page asked on this thread, if he was โsaying my Wiltshire Councillor Ernie Clark – Independent in Hilperton is a LibDem?!โ
The Munster responded, โwe were made aware of a written contract drafted by the Lib Dem administration and Independent councillors which promised paid roles in exchange for support. Independent councillors are currently in those same paid roles. Make of that what you will.โ
Cllr Dominic Muns for The Lavingtons seems to be making quite a lot of “what you will” out of the Council budget, but still, failed to answer the question to his accusation, which comes over just a smidgen slanderous. He says Iโm confused, and โcertain roles are appointed directly by the Lib Dem administration, others by a vote of the committee which is apportioned to mirror overall political balance,โ perhaps heโs right; Iโm confused as to how this puts an independent councillor on a Lib Dem payroll.
If, as he said, the Conservativesโ alternative delivered a ยฃ20m better position over three years with no debt, where is that ยฃ20m coming from, and what assumptions were used, I wonder, but not enough to keep me up at night! For if itโs genuinely stronger, he could show the workings so residents can judge. Budgets are about trade-offs. If weโre going to criticise decisions, letโs do it with the full numbers on the table.
As I patiently wait for the green light at the shiny new Black Dog Crossroads which looks like it belongs in a different county, I think it’s best to wait for peace of mind, and perhaps we should wait for the effects of this budget too, before casting assumptions.
Face it, the only credible thing about his post of yesterday is that โWiltshire deserves better than this,โ yet, poop scooping the doggie doings of the previous council, did anyone expect a welcoming budget?
Yes, buddy, Wiltshire residents deserve better, they deserve transparency from everyone, not just slogans. Cool, you signed off Black Dog, but the campaign for this has taken decades, decades in which the Munster was but a mini-Munster, and The Conservatives had ample opportunity to make this Tory stronghold better, but failed, and that’s why the democratic system showed them the door. You’re a big boy now, so dry your eyes and accept that sometimes you win, sometimes you donโt and that’s the way it goes!
The Wiltshire Music Awards 2026 entered an exciting new era when Stone Circle Music Events announced was as official sponsor and organiser. Backed by their Galway, Ireland office, the company continues to grow as a major force in event production in the South West of England.…
Joining them are theย Kingston Group, bringing extensive industry experience within Wiltshire. Together the partnership will build on the success of 2025, and deliver an enhanced awards experience.
This yearโs Wiltshire Music Award ceremony will feature upgraded audio-visual production, large screens, professional camera coverage, an experienced compรจre, and a headline star appearance. A new county-wide marketing campaign will ensure the entire region is engaged.
Committed to rotating locations, The Wiltshire Music Awards 2026 ceremony will be held at White Horse View Events Centre, beneath the iconic Westbury White Horse, hosting up to 400 guests seated at tables.
Nominations open on the 1st May, and close 1st June 2026, with the Awards Ceremony due to take place on Saturday 26th September 2026.
Seeking Volunteers
The Wiltshire Music Awards are seeking volunteers, and invite anyone who cares about local artists, live venues, grassroots music, and giving people a platform to shine, to contact them. Together we wish to deliver the countyโs biggest celebration of live music and grassroots talent.
We would truly love to hear from you, whether you have experience in event planning or simply a passion and some time to give, your contribution could help make 2026 our most inclusive and inspiring year yet.
Please get in touch at: hello@wiltshiremusicevents.uk
Perform at the Wiltshire Music Awards Evening
We are now inviting talented artists from across Wiltshire to take the stage at our upcoming Awards Evening. This is a fantastic opportunity to showcase your music, celebrate the local scene, and perform in front of an engaged live audience.
If you perform anywhere in the county of Wiltshire and would like to be part of this special night, weโd love to hear from you.
To express your interest, please email: patrick@stonecirclemusicevents.uk
I confess my motivation to venture out this winter stagnated, like sludge in a drain. Akin to a hedgehog, I poked my twitching rhinarium out of my nest last Sunday, a mere pint down the Gate with Jon Amor. But what better way to cure my hibernation than a refreshing night at Trowbridgeโs tโrrific grassroots venue, The Pump?
Chatting with Kieran online prior I hoped Melkshamโs upcoming band Between The Lines were on his radar, cos theyโre blooming amazing, to which he replied coincidently they were playing there on Saturday with The Sunnies headlining and Meg also in support. How I missed listing this gig, being I run an event guide, remains a mystery, but it didnโt mean I should miss it physically; viva Trow Vegas!ย
Okay, itโs labelled a โstudent night,โ organised by small Trowbridge label Nova Sounds Records; Iโm young at heart and Gen Z donโt age discriminate. Theyโre there to party, support local acts they adore, none too fussed if a codger hides in the background. Bands invigoratingly fresh and hopeful, supplying a new scene with zest, but also a timeless punk lore of affordable and friendly gigs, which makes The Pump function successfully, bucking a tragic proneness era of grassroots venue closures.ย ย
Nick Harper comes to The Pump this Friday, Jah Wobble did a DJ set at the beginning of the month. These events are bound to sell well. What is more amazing is The Pump will sell out staging three young local acts, and their ethos trends on this. While other music venues strive to host the big names of now and yesteryear, The Pump stages the future ones, with triumphant pride. Itโs the most modest and humble place where dreams come true.
All three acts have presented their wares here before, and been subjects to Kieranโs Future Sound of Trowbridge project. Now they return in the present tense. I noticed in both Meg and Between The Lines, a vitalised sense of confidence in their breathtaking performances. One could rightfully mark this โpractice makes perfect.โ However, after congratulating them, I pondered if playing at The Pump, rather than the other places I last saw them, was also an element making them feel at ease. Describing The Pump like a sacred home, they unanimously agreed it did, and ultimately, how utterly fantastic is that in a largely rural area where most venues are pubs they cannot either play or invite their fanbase?!
As for The Sunnies headlining, I whisked into the end of their set at Bradford Roots Festival some years ago, but have never had the pleasure of witnessing them at full steam. And they were too, totally on fire. If youโre Devizes based itโs best to dub them Melkhamโs answer to Nothing Rhymes With Orange, as both formed as school bands based around a similar time, and both caused a phenomenon in their respective towns. If youโre Melksham based, youโll know, The Sunnies have a loyal teen fanbase, and frontman Jarret Brown loves nothing more than to leap offstage and join them! Youโll also be aware just why they rouse a crowd into a frenzy of joy.
They came out all guns firing, all fiery indie-punk pride, flavoured agreeably with soulful basslines breathing universally acceptable pop vibes. Yet initially it was when they chilled it with ballads of youthful desires I began to consider they were at their best. This is the opposite to the usual indie-punk band, which tends to thrive on the uptempo. Though I had to consider they like to warm up, because the finale saw them turning up the heat once more, sparks flew and encore demanded.
They played their breakthrough song of three years ago, Veridity, with equal gusto as some new tunes, which, returning to my point about these bands feeling comfy here with their fanbase, they pleaded for feedback and were welcomed rapturously.
It helps everyone greatly to be comfy, ergo, if you want to see these young bands at their best, here is where to do it. Between the Lines was the perfect example; loved their set at Swindon Shuffle, if they came across understandably nervy. Slightly younger than the Sunnies they live in their shadow across Melksham, but elusive manly dominance is filtered by the most wonderful female singer and bassist, Belle. Itโs breezier, subtle grunge with an acceptable alt-rock tinge, progressing nicely, and a pleasure to hear, especially their originals. Man, they do a sublime version of Tears for Fearsโ Mad World though, and in this and other covers project a timeless essence of classic rock in their performances.
And what a brilliant performance it was, tricky to rise after Chippenhamโs soloist M3G, with her unique heavenly acoustic style, her songs so personal you can see the claw reaching out to clutch your heartstrings. We love M3G here at Devizine, and as she played through three new songs she has worked with Phil Cooper on, I became eager to review them. Again, she weaved the crowd with audience participation, something she mayโve shied away from previously.ย
It was a pleasure to see both these supporting acts honing their style and abilities, in such an apt and welcoming place,with the bonus of finally appreciating the might of the Sunnies. If they all cut their teeth at Neeldโs Take the Stage, they thrive here at The Pump. And you need to be there to witness them.
Iโm not easy to please, grumpy old sausage that I am, yet twas a great night, but this was just another day at the office for them there lovelies at The Pump! I didnโt meet Simon from Sketchbook Records, which I had hoped to do. I was informed he had a blinder on Friday hosting an event there, and thereโs the thing; from their acoustic nights relished in the Village Pump folk roots of yore, to the Bar-Stewards Sons of Val Doonican and the metal hardcore of Broken Lungs, Avicide and Dead Society next month, thereโs something for you at The Pump, see here.ย
One of Swindon’s premier grunge pop-punkers, The Belladonna Treatment released their debut single, Bits of Elation, with London-based SODEH Records earlier this month. I spokeโฆ
A second single from Swindon Diva Chloe Hepburn, Situationships was released this week. With a deep rolling bassline, finger-click rhythm and silky soulful vocals, thisโฆ
I’m delighted to announce Devizine will be actively assisting to organise a new county-wide music awards administration, in conjunction with Wiltshire Music Events UK. Theโฆ
Can You Find The Wiltshire Potholes From The Moon Craters?! Now, at Devizine Towers we are far too mature and sensible to mock Wiltshire Councilโsโฆ
Yes! Wakemansโ Journey To The Centre of Devizes!
by Andy Fawthrop
Rumours are swirling round that D-Town is about to launch a bid to be named the UK Town of Culture, and you have to think that we have to be in with a chance. Letโs face it – any competition that doesnโt use the state of the local roads as one of its yardsticks has to be worth entering….
And, as if by magic, up pops an event that, once again, proves that weโre punching above our weight.ย Weโve already highlighted here in Devizine some of the amazing stuff thatโs coming up over the coming months that will put us in with a shout, but last night at the Corn Exchange just went to prove what we can do here in our little town if we put our mind to it.
Despite relatively little advertising of the event, over 400 people snapped up tickets to see the return of rock legend Rick Wakeman to the stage last night, in a one-off โwarm-upโ gig for his forthcoming US tour, this time accompanied by son Oliver.ย I guess it was a case of โIf You Knew, You Knewโ, and the event was a complete sell-out from weeks ago.ย The room was so packed that the sound guys had to set up shop in the hallโs kitchen area and to work their magic through the hatch.ย It was a bit tight in there, but we were all friends, so that didnโt matter one little bit.
The Wakemans are no strangers to this particular stage.ย Rick appeared here a couple of years back with his outfit KGB (another cracking night that was), and his other son Adam has twice appeared with his band Jazz Sabbath (also highly recommended).ย Looks like Longcroft Productions have got the inside track with the Wakeman family.
Rickman senior breezed onto the stage, belying his 76 years, and proceeded to wow the room with his first piece on the grand piano. He was shortly followed by elder son Oliver, and the two keyboard wizards then proceeded to deliver a two-hour plus show of absolutely stunning musicianship. Moving easily between the five different keyboards on stage, the two men played a wide range of pieces including both relatively recent compositions, as well a goodly smattering of block-busters from the huge back catalogue. And Rick told us that as a โwarm-upโ it was chance for them to experiment a little. โYouโre getting more here than the Americans are going to get. You deserve it more than they do!โ Cue rapturous applause.
Image: Oliver Wakeman
It wasnโt just the music though. Father and son are both born raconteurs, and interspersed the items on the set list with some wonderful anecdotes. We had stories of rescue dogs, marriages and weddings, of the Wakeman parents, of encounters with unwilling pub landlords, and even of previous encounters with our local Moonrakers. Some of which might help explain why โHow Much Is That Doggy In The Window?โ and โSweet Georgia Brownโ made short, yet unsurprising appearances in the set-list. There was a lovely running gag about the exact date of Oliverโs birth, and how old he was at various times in the stories. And it was great to see the obvious warmth and respect between the two men.
And of course there was plenty of time across the two hours (interrupted only by what Rick referred to as โthe Bladder Breakโ) to explore themes from their musical pasts. Both men have featured at various times in the different line-ups of Prog superstars Yes, from the 1970s onwards. So there was a mash-up arrangement named โThe Yes Suiteโ, followed by several of Rickโs solo ventures – โThe Six Wives of Henry VIIIโ, โMyths & Legends of King Arthurโ, and the stunning โJourney To The Centre Of The Earthโ. We also journeyed round some older stuff from The Strawbs and David Bowieโs โLife On Marsโ.
Musically it was an absolute master-class. To say that these guys know their way around a keyboard is to massively understate just how good they were. As a nightโs entertainment it was engrossing. Of course there was plenty of whooping and cheering, and a standing ovation. And of course there was a two-hander encore. Can I give it more than ten out of ten? I would if I could.
And before the Wakemans finally disappear into the night, swirling cloaks and hair about their persons, just a word about the back-room boys. You donโt get fabulous nights out like this without an enormous amount of background work and logistics. So hats off to Paul Chandler of Longcroft Productions for even daring to bring this one off show to D-Town. And hereโs also to the piano suppliers, to the piano-tuner, to the sound and light guys, to Wadworth for sponsoring, to the Corn Exchange staff and to the small army of volunteers. A true team effort to bring together a really amazingly good night. Bravo to all concerned.
Review by Pip Aldridge Last week, I had the privilege of seeing the Fulltone Orchestra perform at the beautiful Tewkesbury Abbey beneath the Peace Dovesโฆ
If many space-rock acts have more band member changes than most other musicians change their socks, Hawkwind are the exemplar of the tendency. There mightโฆ
The second single from Georgeโs sessions with Jolyon Dixon is out today, Isnโt She Lonely. With the vaudeville ambience of Queenโs later material and sprinklesโฆ
No one knows why, apparently, but fish are dying in our canal; everyone says wait for the EA report, except for the fish. A town full of road works, burnt out buildings and roads which look like weโve suffered a doodlebug air raid, but thereโs glitch in the Matrix; itโs temporarily stopped chucking it down with a perpetual drizzle of ice rain, and I saw a cold early-rising hedgehog this morning. When I see my first hedgehog I assume spring might yet be on its way; chin up.
The Government (should you wish to call it that) has launched the first ever UK Town of Culture competition, and Devizes Town Council thinks weโre in for a chance here; best of luck with that! Town Councillors are looking to collaborate with local groups, organisations and individuals in putting together an Expression of Interest that showcases our amazing community spirit and the rich story we have to tell as a Town; thereโs work to be done!
Councillors are holding an initial meeting on Thursday 26th February at 6pm in the Assembly Room at the Town Hall and it is open to everyone who is interested in collaborating on this project. A big yes to this, whatever we can do to help …..without having to attend a town council meeting, just ask!
Meanwhile, rather than fix their problems, other town councils, like Melksham’s, are making national news sellotaping pictures of the journalists they donโt like very much onto punchballs for embarrassingly pathetic potshots, namely Joe McCann of Melksham News.
We have a good relationship with Joe at Melksham News here at Devizine; the butt of a seriously pathetic joke at Melksham Town Council simply for doing his job has seriously backfired. Donโt mess with the press, we stand united. Could this become a trend? I wonder who’s face might get onto a punchball at Devizes Town Council?!
Moi? I’d be honoured, mโlord!!
No, look, honest guv, or .gov.uk, Iโm here to help. I don’t want a medal, but think we can PROVE Devizes is actually a great place to live, and deserves to be a Town of Culture. There’s lots going on culturally. Iโm only here to tell you what, donโt give me the third degree simply for doing it in a satirical way, because it only serves a purpose; making this an entertaining read rather than a list of events, which you can find anyway, on our event calendar. Iโm nice, no, really!
So, last week of February: DOCAโs Festival of Winter Ales is at The Corn Exchange on Saturday 28th. Weโve previewed it, read further here and hope to see you there for a beer!
March
March is a bit dry, to be honest. Wiltshire Museum, though, begins the exhibit John Piper in the South Country which opens on Saturday 7th March and runs until the 7th June. I hope to be at the opening ceremony and will report my findings.
Sir Alan Ayckbournโs How the Other Half Loves opens at The Wharf Theatre on Monday 16th March, running until the 21st. Thereโs a comedy night at the Corn Exchange on Friday 20th, and Jimmy Royal & the Regals play Long Street Blues Club on the 21st, so things are starting to look up.
The first โBig Oneโ in Devizes is at the end of March, when Kingston Media host The Bands By The Green, on the Saturday 28th. In support of Julianโs House, they promise a family afternoon of live music from 1:30pm, featuring Charlie Greenwood, Kelly Dale, This Way Up, Simplicity, Crackerjack, and Foo Lizzy. Tickets HERE.
Devizes to Westminster Canoe Race starts at the wharf on Friday 3rd, and someone was recently complaining this doesnโt attract much attention, so weโre mentioning it here, donโt blame me!!
By the 5th itโs Easter, find lots going on from our updating events calendar, but behold, an Easter Egg Hunt at Hillworth Park.
Friday 10th sees Devizes Music Academy present Sister Act at The Corn Exchange, which runs until the 12th.
Tuesday night out, anyone? Long Street Blues Club were instrumental in helping establish King King in their early days and this superb band is now firmly established as one of the premier Blues Rock acts in the country. They return to the Devizes Corn Exchange on Tuesday 21st.
May
The annual Cancer Research Car Boot Sale at Stert Country House starts off May, on Saturday 16th, unless thereโs anything Iโve missed? The event calendar updates, this will not, so please, bookmark it into your favourites and check in regularly, because the further we get into the year, the less events we currently know about. This is a teaser of whatโs to come, do not, I repeat, do not, get your summer dresses and sun hats on just yet!
Saturday 23rd sees two new DOCA events, Out & About, where they look at acts in the Community, and the DOCA Festival of Discovery. More to follow on these, but save the date.
Friday 29th sees The Wharf Acting Coโs Whoโs Play is it Anyway, the show theyโre taking to the Edinburgh Fringe; this is an exclusive sneaky peak. More on this HERE, plus Lou Coxโs Having a Baby and the Sh!t They Donโt Tell You in Books, also appearing at the Edinburgh Fringe, of which you can also catch at the Wharf Theatre on Saturday 30th.
The Devizes Arts Festival kicks off the same weekend, and it is Rowdefest on Saturday 30th; we had a great time with this last year, and this year looks to be just as great if not more. Barrelhouse headline, with the sublime Ruby Darbyshire; handpicked by me personally!
June
Devizes Arts Festival, runs until June 14th; hereโs everything we know so far, well nearly everything; thereโs a surprise Iโve been told to button my lip about. They trust me too much! Monday 1st June Anthony Horowitz: A Life in Murder, Tuesday 2nd, Patrick Grant in Conversation, Thursday 4th, Hot Mess, and Friday 5th sees the Robert Vincent Band, and Milton Jones on Friday 12th June; thatโs all we have for now, watch this space.
Saturday June 13th sees the Wiltshire Steam & Vintage Rally returning to Park Farm near Devizes. Sunday 14th is the Devizes Lions family funday and car show, Lions on The Green.
July
Ooh, got a big one here for you! July kicks off Saturday 4th with the awaited return of CrownFest at The Crown in Bishopโs Cannings, and this one looks unmissable, with more artists being added all the time. The current poster weโve got needs updating, I believe Ruby is coming and a host of others. Iโm looking forward to Ant Trouble, because I picked this one, Stand and Deliver, your ticket money or your life!!
But the month is jam-packed; Town of Culture, box ticked! Saturday 11th and it is the most unique festival around these parts; FullTone. If a sixty piece orchestra playing out of their new location on Park Farm doesnโt quite tempt you enough, The Wurzels and Jason Donovan might! Preview HERE; gorgeous, darling!
Friday 17th sees the Classic Ibiza thang at Bowood House. Saturday 18th and youโll find Devizes Vegan Market, aptly in the Market Place. Sunday 19th and abracadabra; DOCA will transform Hillworth Park into a Magic Garden.
But, hey, this one is going to be big and needs your attention! Park Farm Festival returns for it’s second year on Saturday 18th. Lovely as this was last time, it needs you. More universal and family appeal than last year, Jon Amor Trio is playing, with well, look at the poster, look, and read our preview!
Friday 24th, and itโs the legendary Devizes Scooter Rally– all weekend! A fantastic event, you donโt need a scooter, but some dancing shoes are essential footwear. You will love All That Soulโs sublime Motown makeovers, and thereโs a Blondie tribute, a separate venue for those talc dusters and lots of good time reggae and ska.
August
As I said earlier, weโve lots more to add and lots more to find out about, so keep this frequency clear, and love Devizine. You can go to a meeting to etch out a plan to make Devizes a town of culture, but itโs me here, on me tod, typing this out for your attention; donโt you forget about us!
So, letโs rush through what little we know about the later months; Saturday 29th August is Confetti Battle & Colour Rush. Monday 31st will, of course, be Black Rat Monday at The British Lion in which you are duty-bound to attend!
September
Saturday 5th is Devizes Carnival.
Devizes Food and Drink Festival is on from Saturday September 19th to Sunday Sept 27th. The festival is run and managed locally, entirely by volunteers and will offer 20+ original food and drink experiences, kicking off with an Artisan Producer Market in the Market Place on the 19th and finishing with the World Food Tasting Experience on Sunday 27th in the Corn Exchange.
The rest of our event calendar is looking blank. Help me fill them in as we go, and hereโs looking to a fantastic 2026, town of culture award, or not, we strive on, we know Devizes is great!
It seems Shrove Tuesday celebrations in Devizes have fallen as flat as aโฆ.well, you get the gagโฆ
Traditionally organised by Age Concern Wiltshire, and often supported by local partners like the Black Swan Hotel, which provided the pancakes, and the Devizes Rotary Club, pancake races in Devizes were an annual occasion, aptly on Pancake Day.
Originally held in the Market Place and shifted over to Hillworth Park in later years, you may have fond memories of trying to win a running race, giggling whilst tossing pancakes in frying pans, but these days it all seems to be lost; correct me if I’m wrong, you usually do!
What happened to pancake races in Devizes? Was it stopped during the lockdown? Seems not, the last one I can find evidence of was in 2015, and appeared on a now archived blog called Devizes Days.
Was it stopped because of health and safety reasons? Sounds possible, but other towns, such as Bradford-on-Avon, continue the tradition. Why not Devizes?
I mean, hey, if you want to get technical, the indulgence of Pancake Day is that final day of feasting before fasting for Lent, and being everyone stuffs pancakes but no one actually fasts, maybe the powers that be got a bit over zealous with punishment for our sins?!
Or, perhaps, and most likely, it’s just because everyone has too much to do in their daily rat race to organise a pancake race, which is a sad sign of the times. You know, kids don’t know how to play conkers anymore? Could pancake races be just as obsolete? Or could we revive it? I’d be happy to help, provided there’s sugar and lemon juice.
I feel sorry for the kids today; “No, you can’t have social media!”
“Can we run around tossing pancakes then?”
“Absolutely no chance!!”
I mean, we’d probably have to have frying pans made from foam and a soft landing surface. Pancakes would probably need to be dairy free, and disclaimers would need parent signatures, and failing to find a location to do this might result in the whole thing being played out in Minecraft, but still, it’s a thought. Do let me know yoursโฆ..who stopped pancake races, and why?!
The mighty mighty Minety Music Festival announced The Bluetones as their Sunday headliner at their Eames Laurie Main Stage, and The Dub Pistols on the Saturday…..
It’s not unspoken, weLOVE Minety Music Festival here at Devizine and don’t care who knows! It never fails to attract with some superb renowned names, and then throws in a plethora of local acts either established or upcoming, and in doing so creates a marvellous atmosphere where local music is supported via the followings of international headliners.
Formed in London in 1996 byย Barry Ashworth, the Dub Pistols are a renowned British collective fusing dub, reggae, ska, hip-hop, and electronic music, and the party rockers will be headlining the Saturday.
“We’re super excited and have wanted to bring The Dub Pistols to Minety for around three years,” chief organiser Rich Swatton tells us, “and this time, the stars have finally aligned. If you know, you know, and if you don’t know… speak to someone who knows. You’re going to love this!”
The Bluetones first came to prominence in 1995, when their debut release โAre You Blue Or Are You Blind?โ broke into the top 40. The single proved to be the launching pad for a run that saw 14 hit singles and 6 albums follow on from it. They headline Sunday.
The Bluetones, formed in Hounslow, are made up of brothers Mark & Scott Morriss, alongside Adam Devlin and Eds Chesters, enjoyed considerable UK and Ireland successes, extending out across into Europe and Japan, before taking a hiatus in 2011 that lasted for 4 years. Since then they have re-established themselves as one of the UKโs most consistently entertaining live acts, regularly touring their extensive catalogue to their army of devoted fans.
2024 saw the release of the first new Bluetones material in 14 years; a renaissance that saw the four original band members take in the summer festivals, before a full UK tour in the autumn/winter of 2024.
The release of ‘London Weekend Television’ in 2025 saw them reaffirm themselves as indie-pop royalty, and 2026 sees the band celebrate the 30th anniversary of Platinum selling album โExpecting To Flyโ, famed for hit singles, such as โBluetonicโ, โSlight Returnโ and Cut Some Rugโ.
“We can’t wait to welcome them to Minety Music Festival, for the very first time,” Rich said, “you’re in for a real treat!”
Minety is near Malmesbury, Wiltshire, and is happening from 2nd-5th July 2026. Tickets only available from: www.minetyfestival.co.uk/buy-tickets
The celebrated Shindig Festival at Malmesbury’s Charton Park announced their headline act for May bank holiday 2026, and being that it’s Bob Vylan, it is bound to open debateโฆ.
London based grime rappers Bob Vylan are no strangers to controversy through their criticisms of the establishment and calling out inequalities. Whilst they were one of many acts at last year’s Glastonbury to make statements condemning the genocide in Palestine, they seemed to take the brunt of the rightwing media assault.
Online opinions from Shindig’s announcement are already strongly divided, but mostly positive from the devoted regular attendees of this marvellous festival. Some suggest it will be great to see them live and away from media exposure, others state otherwise. One said it’s an โembarrassing choice. Heโll make it political and a hate filled performance.โ But hey, who wants to party with those in support of such barbarism?
Another suggests there’s plenty of other things they could be doing at the festival, and they need not attend this particular performance if they disagree with the social statements the band make; now there’s an idea!
The Shindig team said they are โvery excited to announce one of the most vital, fearless and electrifying live acts in the UK right now. Expect high-energy, sharp lyricism and a reputation for using music as a force for conversation and change. We believe art should challenge as well as unite.โย
I find myself wondering what would become of punk if it suddenly stopped campaigning for righteousness, or what these triggered objectors would say if it was the seventies and John Lennon or Bob Marley was booked, for music has always had political or social motivations, and to censor it for the purposes of propaganda or ignorance would be sacrilegious. Well done, Shindig pose, it’s a seriously important booking.
Now, you know when you see a fundraising advert and think, I’d like to raise some wonga for this or that cause, but further reading reveals you’re expected to take on an extreme mission like trekking the Great Wall on a unicycle made from coat hangers, or scaling Everest in just clogs and your wife’s undercrackers? Well, this one is a smidgen easier, and it’s something Devizions take great pride in accomplishingโฆ..
Yes, the end of February is nigh, when Devizes Outdoor Celebratory Arts asks the good folk of Devizes to raise some needed funds, which they inevitably pump back into a system supplying said good folk with a year of free events such as carnival and the Winter Festival, so it’s for their own benefit. And all they need to do to help is drink fine ale and enjoy some quality entertainment. Throw down the gauntlet, why don’t you DOCA, and roll out the barrel, for this is a challenge I’m confident both you and I can really get behind!
This happens annually at The Corn Exchange, and this year’s is on Saturday 28th February. I’m told a fair amount of tickets are still up for grabs, so after reading this don’t vegetate playing Royal Match on your phone, put it to good use and buy yourself a pass to The Festival of Winter Ales. And here’s seven darn good (or at least reasonable) reasons why I think you should:
As usual the event is divided into two sessions, one of quieter reflection for the true ale connoisseur in the afternoon, and the evening more lively session, for the party people; how amicable and considerate.
Equifinal, though, is pies, and the extensive range of booze, from the dark ales experts of The Southgate and Stealth Brew Co, to IPAs, American pale ales, ciders, perry, and, if you donโt mind handing your hard-earned cash to TVโs tax-avoiding billionaire gammon, Clarkson, the Pour House brings Hawkstone Lager!
Also predetermined whatever session you rock up to, is a raffle, and Social Club Cabaret starring puppeteer and self-acclaimed all-round nutter Dik Downey, some aerialโfusion salsa with Amy G, and The Amazing Malcolm, who may or may not be the same amazing Malcolm who runs Stealth Brewery, but if it is, I want at least half of my money back; bless him!
Everyone’s favourites, and who certainly gets my seal of approval, Talk in Code are headlining the evening session, with their unique take on indie-pop originals, although I’m informed they recently took vow of beverage abstinence and said I could drink all their beer.
Those immortalised in Lego lads, Talk in Code are supported by The Wholesome Soul Trio, regulars at The Southgate, and though Iโve yet to tick them off my must-see list, Iโve heard nothing but good things about their classic playlist of soul and funk with improvised solos.
Even the afternoon session looks intriguing, as Iโve not heard of either act, but singer Amy Irvine is accompanied by local legend John E. Wright, so must be doing something Wright! And A Call from Tomorrow are a young indie covers duo from Wiltshire we wish the very best of luck.
And the last good reason is that physical tickets are available to purchase at Devizes Books; so you could treat yourself to a copy of my outrageous murder-mystery whodunnit-whocares novel while youโre there!!
A gameshow unlike any other is set to take local actors to the world stage. The Wharf Theatre is proud to present the debut of a brand-new show, “Whose Play is it Anyway?”
Set to enjoy a week-long run at the Edinburgh Fringe Festival 2026 from August 17th to the 22nd, this innovative original production offers a fresh perspective on contemporary storytelling, using a gameshow format to explore a range of devised, scripted and improvised pieces, many created by the talented cast themselves. As part of the game, each performance order will be left to chance, creating a unique experience every time.
Join your host, Barry Ruffles and his glamorous assistant, Jenny Flannel as they present 18 pieces of theatre in 50 minutes; all you have to do is guess the genre, playwright or year to win a speedboat, cuddly toy or a holiday for two on the Isle of Fernando!
Prior to the Fringe, the show will preview at the Wharf Theatre, Devizes, running from 29th to the 30th May, Bristolโs Alma Tavern and the Shaftesbury Art Centre; giving West Country audiences an opportunity to experience the production ahead of its official festival run.
Whether youโre a seasoned Fringe attendee or a first-time visitor, Whose Play Is It Anyway promises to entertain. The show will be performed at the SpaceUK, located at the heart of Edinburghโs bustling festival district. Tickets are available from [Ticket Provider] and can be purchased online or at the venue box office.
Lou Cox, director of The Wharf Acting Company, who perform & devised this show, is also taking her solo show, Having a Baby and The Sh!t They Donโt Tell You in Books, for a week at the Edinburgh Fringe. Inspired by the loss of her baby girl, Lou described the play as a โcomedic and brutally honest one-woman show which gifts audiences an emotional, and at times highly entertaining, whirlwind of witty anecdotes and graphic storytelling, with an ending no mother could ever imagine.โ And this one too will be performed at The Wharf Theatre, also running from 29th to the 30th May, of which the previous run was reviewed by Helen, HERE.
We don’t like many thieves here at Devizine, but we do love Thieves the band! Well, those Thieves have an interesting next gig it’s worthwhile mentioningโฆ..
The first time I saw these Thieves it was a paradox of coincidences. I was hiding in the back of the Wild & Wooley room of Bradford Roots Festival at The Wiltshire Music Centre, and I was suitably wowed by their Americana/UK folk harmonies. I likened them to The Lost Trades at the time, and told the person next to me, only to realise it was Phil Cooper, one third of the Lost Trades! I then proceeded to vocalise my observation that the guy on the banjo looked uncannily like soloist Adam Woodhouse, only for Phil to sigh, โit is Adam Woodhouse!โ Should have gone to Specsavers.
Since, the collective of Adam with Rory Coleman-Smith, Jo Deacon and Matt Hughes have gone from strength to strength, regularly gigging, you might have seen them; consider yourself lucky. They gained me enormous kudos when they played so beautifully at Rowdefest last year, it was uplifting and toe-tapping goodness. Oh, and, we fondly reviewed their debut EP.
They’reย excited to announce a headline appearance at Brokerswood’s Tin Church, near Westbury, on the 28th February, with support from the amazing Feral Beryl. Though the Thieves explained, โwe were lucky enough to perform in this wonderful venue last year as a supporting act,โ it’s the first I’ve heard of a gig there, ‘cos no one tells me nuthin’, but I do recall sitting with the kids on the miniature train!
As an outdoor pursuit area, Brokerswood has been a popular attraction for families and campers since 1968, now in an effort to preserve the land, it’s converted into a holiday park.
With no electricity, The Tin Church is a beautifully unique venue where the musicians are lit solely by candlelight and the original paraffin lamps and perform completely unplugged, taking advantage of the wonderful acoustics of the space. The band say, โitโs an experience like no other and an evening of music not to be missed!โ
Sounds good to me; who needs electricity when youโve got beautiful music?! Priced at ยฃ18, it gets even better because it includes canapรฉs, with tickets available from The Cheese & Gain website. But, if you happen to miss this, as it’s a busy weekend what with The Festival of Winter Ales in Devizes and much more, Thieves will be playing this spring festival in March at Trowbridge Town Hall.
Are you sitting down, as this may come as a shock? Residents of the Springfield Road estate in Rowde should be feeling rather privileged at the moment, as bucking the countywide trend of having roads which look like Mars has suffered a doodlebug air-raid, it’s actually been resurfaced!
Not all of them seem satisfied they’ve the only road in the county which is, comparatively, as smooth as a baby’s botty though, and have taken to their local Facebook group, Rowde all About it, to whinge about the inconvenience of waiting an extra day before work could commence due to poor weather, as they probably would’ve whinged about the state of the road beforehand! Awl, that’s Facebook for you; an adult’s playground for venting Karen’s petty fury.
The operation has run just as smooth, with jolly-faced roadworkers jumping at the opportunity to move some cones and allow residents access; it breaks up the monotonous teabreaks. One resident lightened the mood on the Facebook group by suggesting offering them tea and chocolate digestives was key to their friendly attitude, though we’ve no proof of this because I’m keeping all my biscuits for myself.
It is, though, quite a delight to drive on a road in Wiltshire without worrying for your wheel alignment and suspension, if a smidgen eerie. And, of course, once you’ve got to the main road it’s back to the usual sensation of cycling a penny-farthing over a lunar landscape, but hey, for a moment there it’s driving heaven.
Okay, so a few motorist residents didn’t read the social media posts nor see the cones and massive signs stating no parking for the duration of the repair, leaving sweeping gaps untreated, but they finally caught on, moved them, and the roadworkers are rubbing their hands together for a Sunday bonus; all is well.
Residents are advised to drive slowly across the new tarmac, to delay in its inevitable dilapidation. It’s a flipping housing estate, for crying out loud! An estate with the rare blessing in modern times, whereby children can still play relatively safely outside, so it’s in everyone’s best interests to drive through it with caution in the first bloody place!
Bearing in mind this is a busy estate, where some residents are in the habit of parking wherever the hell they fancy, despite the inconvenience it may cause for other residents, and those headless chicken non-residents swerving through, using it as a short cut to avoid Marsh Lane.
Thereโs an ever- increasing population using Springfield Road, accumulating by the questionable requirements of gradually extending the estate with further Lego houses, when it would’ve been far better to accept the expansion was inevitable years ago, and build it a new access road from the other side of the school; but planning is for other counties.
Not forgoing the colossal construction traffic used to bring these part-built monstrosities past the school gates and playpark without pavements, and through the already busy estate, leaving people wondering how the area obtained such dilapidated roads in the first place!
But not only is the road smooth, for a moment in time, there’s the additional Facebook group story of a rogue โcarerโ who apparently โdrives like a maniac,โ revealing their misdoings by apparently telling the road workers to โf-off,โ which kind of makes it all worthwhile being in the group, and should remain as a stern message to all roadworkers not to piss off carers, because theyโve got caring to do, god dammit, and if anyone gets in their way of caring, wellโฆ.
Yay! We made it to Feb, in one piece, just! I might even be persuaded to break out of hibernation. If youโve been hibernating too, maybe itโs time to throw caution to the wind, poke your twitching snout from your cubbyhole and have a nose about. If you do, hereโs some special recommendations of things to engage you, shake you up, and possibly warm you up for spring, but there will be much more on our ever-updating event calendar, so keep it on your browser, you lovely little hedgehogsโฆ..
Get your shoes on, because as we speak, Sunday 1st, it’s the Jon Amor Trio monthly residency at the Southgate, with guest Gary Cain.
Monday 2nd has the regular Book Club from 7pm at The Pour House; great books, great chat, great people!
Wednesday 4th and it’s Acoustic Jam night at The Southgate.
Thursday 5th, please note the Supporting Menโs Mental Health group now meet in Sidmouth Street. Devizes Film Club is at The Wharf Theatre, presenting Limbo, a stirring drama, laced with deadpan humour, about Syrian refugees, stuck on a remote Scottish island while they await the results of their asylum claims.
The Mayor’s Charity Ball is at The Corn Exchange, with a delicious three-course meal, dancing to live entertainment, raffle, and your formal photograph taken by a professional photographer to remember the evening, supporting three wonderful local charities: Devizes Opendoors, Devizes Foodbank, and the Devizes & District MS Society. Oh, and there’s a Bingo and Adult Cabaret in Potterne.
Oooh, Friday 13th and everyone over the age of 55 can dance the day away at a Wiltshire Age UK Daytime Disco at the Devizes Corn Exchange, a fun, friendly afternoon filled with classic hits from the 50s, 60s, 70s & 80s, Or choc-out with The Rocher Experience at Hollychocs in Poulshot!
Find the wonderful voice of Kate at the Pelican, of whom I’ve likened to Alison Moyet in the past.
Saturday 14th, find a Half Term Chocolate Experience for one adult & child or teenat Hollychocs in Poulshot. Menopause Cafe at The Pour House from 10.30am – coffee & chat about all things menopause.
Funked Up are getting, well, funked up for Valentines at The Three Crowns, and Doctor Doctor plays The Southgate. Del-Boy sings his heart out for a Valentines special at the Pelican. Aaron Garrett as seen on The Voice comes to Devizes Conservative Club for a night of Soul in Motion, and they’ll be Painting Get Together in Urchfont.
Sunday 15th finds Will Edmunds from 5pm at The Southgate.
Tuesday 17th and Potterne Pantomime opens Sleeping Beauty at Potterne Village Hall, which runs up to Saturday 21st.
Wednesday 18th and it’s Acoustic Jam night at The Southgate.
The Wharf Theatre has Chicago – Teen Edition, a dazzling adaptation of the iconic Broadway musical tailored for teenage performers, which runs a matinee and evening performance on Saturday too.
Roll over Beethoven, because the greatest tribute to Jeff Lynneโs Electric Light Orchestra is at Devizes Corn Exchange; Blue Sky Tour present ELO Encounter.
Oh, and please find the amazing Vince Bell at the Crown, Bishop’s Cannings.
Saturday 21st sees Sad Dad Club making their debut at The Three Crowns, should be good, Last Train Smokinโ plays The Southgate and John E Wright is at the Pelican.
For the first time ever, Rick Wakeman will tour with his son, Oliver, in their brand-new WAKEMAN & SON show! Although the pair have shared the stage on special occasionsโincluding the unforgettable Myths And Legends of King Arthur performance at Londonโs O2โthey have never toured togetherโฆ until now……
Saturday 28th and what a finale to the month; DOCA’s Devizes Festival of Winter Ales is at the C0rn Exchange. In collaboration with The Pourhouse, The Southgate Inn and Stealth Brewery, expect a huge selection of wintery ales, craft beer and ciders from the countryโs best independent breweries. DOCA adds great music and cabaret into the mix, with โA Call from Tomorrowโ, โWholesome Trioโ and โTalk in Codeโ already confirmed. With a quieter session in the afternoon and something a little more upbeat in the evening, you can choose either a relaxed or more lively experience.
Festival of Winter Ales is a key fundraising event, supporting DOCAโs free programme of events. Come along and support us, snap up a fantastic raffle prize and have some quality time with friends.
The event will run in two sessions across the day: Early (11am-5pm) and Late (5:30-11pm), with a tasty selection of hot pies and savouries provided by local suppliers. Physical tickets available to purchase at Devizes Books.
And that’s all we’ve found for February in Devizes, so far. But updates will happen on our event calendar, so keep your best eye on that. And if you’re not in Devizes, our event calendar covers all Wiltshire from Bath to Marlborough and Swindon to Salisbury, so check in with us too, but I’m sorry I can’t do all this for every town; Don’t cha wish your gig guide was hot like ours? Don’t cha wish your gig guide was a freak like ours?! Don’t cha? Don’t cha?!
Do you live in Devizes? Are you sure? Sure sure? Sure sure sure?! You could actually be living under the oppressive regime of Bishop’s Cannings Parish Council and not even know about it! But fear not blinkered comrades, an elite task force from Devizes Town Council is coming to liberate you!
The border between Devizes and Bishop’s Cannings extends the Cannings side into the parts of the north-east of the town. Other than historic squabbles over who owns the Moonrakers fable, it has been pretty much alright and no one really gave a toss about it since it was first established around 1080, when Osmund, Bishop of Salisbury, built the castle.
Suddenly, nine hundred and forty-six years later, it’s not, apparently. Devizes Town councillors are so furious about redirecting emails sent to them from folk unaware they come under Bishopโs Cannings Parish Council, like copy and paste was never invented, they’re plotting to invade and conquer the Devizes area of Bishop’s Canningsโ parish, best guess, for national security! If, bizarrely, it sounds textbook Trump, perhaps it is, perhaps it’s not, and that all depends on who you talk to; sort it out, Osmund!
Needless to suggest, Bishop’s Cannings Parish Council are unhappy, and say no, you can take our ScrewFix but you’ll never take our Lidl! So, if you live in North Fields, Cannings Hill, Corn Croft, Laywood, Wellington Drive or Marlborough Close, you could be moving to either North Fields, Cannings Hill, Corn Croft, Laywood, Wellington Drive or Marlborough Close soon whilst remaining exactly where you currently are, whether you like it or not; breaking news!
It may seem like a storm in a teacup, a petty spaff between councils, but what does it really mean for the residents of those areas? Again, this largely depends on who you speak to about it.
Community Governance Review, happens every five years or so, apparently, whereby a town or parish council can whimper like Oliver Twist to Wiltshire Council, requesting they shift a border to better financially aid themselves, and I’m sorry to Devizes Town Council, for the want to remain impartial, but it does look this way from where I’m standing. Even the trusty Gazelle and Herod reported it as an โunsolicited and brazen land grab.โ
Those residents on Facebook are being told by the Devizes Town Council task force, that it’s nothing to worry about, it happens all the time. But hang on a cotton-picking minute, the moving of this particular boundary has not happened before, has it? Not since 1080! And, if you’re not in a certain Facebook group with a bad habit of banning folk, youโve probably been left totally in the dark about the whole shebang.
Even the Bishop’s Cannings Parish Council themselves were NOT informed, until one councillor happened to stumble across it on Facebook, apparently. A spokesperson for the parish council told me, โwe saw this agenda on Facebook at Thursday lunchtime. Thank the lord I looked otherwise we still wouldn’t know. Devizes Town Council met with Wiltshire Council on the 10th December. They’ve had plenty of time to chat to us about their intentions. They formed their task group on the 8th January, releasing a four page report on Thursday.โ
You’d have thought it would be basic etiquette and good manners to have at least dropped them a line, though a spokesperson from Devizes Town Council, not involved with the task force, was surprised to hear they had not been informed. They assured me no malice is intended and they’d support a good working relationship, but Devizes Town Council voted to ask Wiltshire Council to redraw the boundaries on Tuesday, an emergency meeting of Bishop’s Cannings Parish Council was held Thursday; it’s all up in the air and reactions appear quite understandably handbags raised at dawn.
Wiltshire Times reporting the issue, at least I think this was the right post!!
The task force, we are told, consists of two Conservative councillors; Iain Wallis, who as he is desperately holding onto a Devizes North seat, would benefit from the extra residencies, especially being geographically the further the border is moved outward from town the more affluent residents tend to be, and more likely to vote Conservative. And Richard Oliver, no stranger to landgrabs; taking over Roundway in the 2017 Community Governance Review, where Roundway civil parish was abolished and became a ward of Devizes parish. Thereโs a third councillor on the task force, Guardian, Andy Geddes, maybe just there to even up the parties, who knows?!
โIt makes sense for this urbanised part of the parish of Bishops Cannings to be in Devizes,โ Iain is reported to have said, and there’s reasoning in this, I believe, I mean, these aforementioned areas are in Devizes town, after all, just. He continued to say โthey also access services in the town centre, such as the Leisure Centre, which is subsidised by Devizes Town Council rate payers.โ And, whamo! There it is!
These areas have been fortunate enough to pay a lower council tax rate, but still have access to the services of the town. Yet, for the Leisure Centre, for example, weโre all paying customers, arenโt we? And able to access this facility even if we live under a parish council outside of town, or are those from Potterne, Rowde, Chirton or the many other villages surrounding Devizes going to be taken over, otherwise they cannot dip a little toe in the Devizes pool?! Living on the outskirts of town, in these areas mentioned, youโre not much closer to town then if you live in Rowde or Poulshot.
โYou cannot use the increase in council tax as a reason not to move the boundary. It all has to be around governance and how being with Devizes Town Council will improve the lives of the residents,” my Bishopโs Cannings Parish Council spokesperson laughed, exampling a Band D rate under Devizes Town Council would be ยฃ228, whereas the same band under Bishopโs Cannings would only be ยฃ67. โI’d want to see a ton of improvements for that increase!โ
They pointed out playparks, telling me Bishopโs Cannings Parish Council has invested over ยฃ50K in Le Marchant Park, but Devizes Town Council, โclosed Brickley Park for over a year.โ Thereโs also been much discussion over catchment areas for schools, and that residents in those areas could find it more difficult to obtain places at schools such as Lavington. Our spokesperson for Devizes Town Council deflected this as false; again, โdepending on who you talk toโ is the running theme throughout the early stages of this proposal, but we are certain their council tax will be upped considerably, for questionably the same services.
โBishops Cannings Parish Council would strongly oppose such an attempt,โ they told the Gazette. โIn our view, this would be a retrograde step, with adverse implications for all residents living within those areas.โ
So, the jury is out on the implications for the residents, and while Iโm trying to piece this together impartially, I cannot help think it was irresponsible for the village council not to be informed, and the lack of communication between these two councils. But the bottom line is, if the implications for the residents of these areas are to be as adverse as the parish council suggest they will, surely those residents should have their say by the way of a referendum? Or are Devizes Town Council going to storm militarily into Bishopโs Cannings with a Devizes ICE, “De-Ice” squad, and kidnap the parish clerk?! Then we really have a story!!
Just another rainy Saturday afternoon in Devizes, whereby I watched a profound fellow dramatically sacrifice himself to the devil, then popped to Morrisons for a Toblerone! The supermarket felt insignificant and plastic after the epic conclusion of Doctor Faustus at the Wharf Theatre, which opens on Monday 26th and runs until Saturday 31st Januaryโฆ..
Treated to the final dress rehearsal, as our regular theatrical scribe Ian Diddams is stuffing a bucketload of Rice Krispies in this one, of which one couldnโt fail to notice! Marvellous as it is to pay Devizesโ one and only cosy theatre a visit, it leaves me in the dilemma that Iโve not the extensive theatre knowledge which Ian has, therefore, you have to make do with me simply saying what I like, or donโt.
Image @jenimeadephotography
In this case itโs the former. My mind is, with its lack of education for classic theatre, still contemplating exactly how fantastic director Liz Seabourne and her team has presented this astounding play, and the more it boggles the greater the levels of fantastic I unearth, converting me to thespian; hand me some white tights! Even though the character Dr Faustus is damned, this is another damn fine production from our wonderful theatre, rich in lighting effects, amazing costumes and makeup, and a sublime original soundtrack from our master of electronica, Moray McDonald.
Image @jenimeadephotography
Born Catholic, English sixteenth century playwright Christopher โKitโ Marlowe, of whom scholars suggest greatly influenced Shakespeare, was reputed to be an atheist and thereโs a lot in the content of Dr Faustus which implies this. Whilst it doesnโt criticise religion outright in the modern sense, it certainly lampoons it, with the Pope getting a kick up the backside, for example.
Dr John Faustus condemns the academics of the science and philosophy of his era and justifies turning his hand to the dark arts, but religion he cannot escape from. Played with certain perfection by Pete Wallis, Faustus is tricky to relate to, a Renaissance egotistical Germanic tyrant, characteristics usually reserved for an antagonist; I wondered if Trump might identify with him better than I. Yet, there’s something humble about his yearning, in his curious nature for the unorthodox, to fulfil a quest of celebrity status, like a sixteenth century Vanilla Ice. Still, I couldnโt help feeling the ponce made his bedโฆ.
Image @jenimeadephotography
Bit dodgy, he summons a human-despising conceited demon, Mephistopheles, played with absolute magnificence by Charlotte Howard. Mephistopheles acts as a kind of Cruella de Vil agent to the devil, who encourages Faustus to sign a contract with his blood; his soul for unlimited magic, which he treks the known world with, entertaining Kings and Emperors like Paul Daniels discovered voodoo. Though Mephistopheles is no Debbie McGee. Without too many spoilers, it doesn’t end well for Faustus, who learns thereโs only one way out, once his twenty-four year contract with the devil expires, and itโs not a gold watch.ย
Image @jenimeadephotography
If this Elizabethan forbidden thrill-seeker, overloaded with as many theatrical tricks as devils and demons, sounds seriously dark and gothic, it certainly is, but not without hilariously timeless comedy, brilliantly diluting the tragedy. Thereโs occasions when itโs virtually pantomime, when the devil, played with radiant vaudeville evilness by Oli Beech, a far cry from the panto dameโs sidekick at Christmas, personifies the seven deadly sins as a circus cabaret to tempt the Doc, and upon the thievery of one of Faustusโ spell books by two commoners, played side-splittingly like stereotypical moonrakers by Jessica Phillips and Ian Diddams. It is these elements which brings the archaic seriousness down a peg and makes this play equally suitable for those, like me, not so clued up on classic plays.
Image: Mij Hazel
As the many earthbound or spiritual side-characters come and go with pace, the thirteen strong performers cover various parts, and those unmentioned so far, Chris Smith, Alison Andre, Emma Comfort, Cathay Chappell, Julie Baker, Paul Snook, Sam Burrows and Amy Chappelle also require the highest of praise; there is so much work put into this, the mind, as I stated earlier, is still boggling. It entertained me, and I strongly suspect it will be some significant time before my mind stops boggling about it, way past the lifespan of the Toblerone!
Bag yourself some tickets for this HERE, unless you’re a demon!
A new music festival is coming to Devizes this July. Organisers of the long-running Marlborough based festival MantonFest are shifting west across the downs andโฆ
All images: ยฉ๏ธ JS Terry Photography An awards ceremony to celebrate the outstanding musical talent within the city, aptly titled The 2024 Salisbury Music Awards,โฆ
Monsieur, with these Exchange Comedy night you are really spoiling us, for usually comedy in Devizes is just what we make ourselves; laughing at visitorsโฆ
A drone operated by Wiltshire Hunt Sabs was attacked by a second drone, twice, while surveying The Beaufort Hunt, after it recorded them illegally huntingโฆ
Without sounding like a stuck record, itโs the same unfortunate news for Devizes Street Festival as it was last year; Arts Council England has notโฆ
Being a singer in a tribute or covers band is nerve-wracking. Though tributes can hide behind a mask, a cover band frontperson can be reassured only by the notion that friends are backing them; blame the drummer! But a soloist, singing their mind acoustically is in another ballpark. Stripped back, alone, exposing your innermost thoughts, desires or even personal issues to an audience takes some bottle. It’s a test of courage for the most egotistical, the mental equivalent of standing naked. Yet a majority of those who do, I find, are actually modest and reserved.
In an interview with Peggy-Sue Ford last year, Aberystwyth born now Devizes-based singer-songwriter, Sammi Evans, expressed both her excitement and terror at playing live on the show, opened up about her troubled childhood, ADHD, and being a self-certified โscatter-brain,โ and in doing so created one of the most interesting and touching of Peggy’s Don’t Stop The Music shows on Swindon 105.5.ย
The last time I met Sammi she was showing me the artwork of her upcoming debut single, explaining how the purple background and gothic font gave it a sense of corporate identity, as well, holding her phone with a subtle tremble, telling me how anxious she was about releasing it. That single, TheShadow, came out a couple of days ago, and thus, Sammi has traversed the local open mic nights, jams at the Southgate, and pub gig circuit, to a recording artist; that thought alone would goosebump the least nervous!
The song’s subject reflects this anxiety, it drags you into a dark closet, and hauntingly honest, questions the listener if they experience similar ghostly fears. Sammiโs vocals are academia aesthetic, rich with a focused ethereal and melancholic soundscape. But it is through an impressive arrangement by Martin Spencer of Potterne’s Badger Set studio, which adds to the other-worldly ambience, with a tinkering piano breathing a touch of gothic horror film score, even subtle classical crossover about the otherwise poignant acoustic guitar marvel.ย
Hey look, Iโve been to art college and know about light and shadow. If the shadow depicted in this song is metaphorically actualising foreboding as shadows and monsters lurking within them, the quality of the song contravenes its subject, upon its release. It might have felt that way in Sammiโs mind at the time of writing it, but releasing it mightโve been that face your fear moment of diving off the top board into the pool. And now itโs out there, perhaps more art for artโs sake and prosperity than fame and fortune, she should consider it an exhilaration of accomplishment, because it’s really rather wonderful.
It should then act as the opposite to shadow. This debut single is a light source, beaming directly above Sammi Evans, which casts only a minimal shadow at her footprint, if at all, and, I hope, reduces any seeds of doubt that she can write thought-provoking lyrics and compose them into songs with illuminating results. I look forward to hearing more, Sammi! x
Peter Gabriel – โLive At WOMAD 1982โ will be released on 8th May 2026.It was a simple idea; to create a festival out of all the brilliant music and art made all over the world, stuff made outside of the mainstream โ music that wasnโt getting on the radio and was even harder to find in record storesโฆ
The very first WOMAD Festival took place at the 240-acre Bath and West Showground, Somerset over the weekend of 16โ18 July, 1982. With the dream โnot to sprinkle world music around a rock festival, but to prove that these great artists could be headliners in their own rightโ,ย the three days and five stages played host to 60 bands from over 20 countries; a line-up that included The Drummers of Burundi, Pigbag, Salsa de Hoy, Simple Minds, Musicians of the Nile, Echo and the Bunnymen, Prince Nico Mbarga, Rip, Rig and Panic, The Beat and many more.
โI remember this gig well,โ says Peter Gabriel. โWe played a mix of old and brand-new material. I would normally be very nervous about playing some of this stuff for the first time, however my mind was very preoccupied with the running of our very first WOMAD festival and the potential financial disaster that it was heading towards.
Because WOMAD was unique in its focus on music and art from around the world, and mixing it up with rock and jazz, no-one knew how many people might turn up and we had seriously overestimated our appeal. But those that had decided to check out WOMAD and its weird and wonderful lineup were open-minded, bold and curious – a great audience.
It was a landmark and edgy gig for me both personally and musically and brings back lots of memories.โ
Across the three days โan evening concert seriesโ took place in the Showering Pavilion on the festival site. On the Friday night that concert featured Tian Jin (a song and dance troupe from China), Simple Minds and, with a โspecial festival set of non-album materialโ, Peter Gabriel.
Live at WOMAD 1982 is a recording of that Friday night concert. The non-album material in question are seven of the eight songs that would make up the album Peter Gabriel 4. An album that wouldnโt be released for a further two months.
On-stage, Peter is joined by David Rhodes (guitar), John Giblin (bass), Larry Fast (synthesisers). Jerry Marotta (drums), Peter Hammill (vocals) and โthe wonderful Bristol-based drum and dance group,โ Ekomรฉ (drums, percussion).
โWe wanted to show that wherever you were born, whatever colour or language, whatever religious or sexual persuasion, powerful passionate and joyful work would have a warm welcome in WOMAD.
At the beginning, most music industry professionals told us that we had no chance of making this dream work, we had all the wonderful naรฏve misguided optimism of the young, and were convinced that we would prove all the cynics wrong.However, at the end of the first festival, it was clear we had an artistic success, but not a financial oneโฆ but thatโs for another story.โ
Peter Gabrielโsย Live a WOMAD 1982ย takes us back to not only the birth of a festival โ one that has now hosted more than 160 editions in 27 countries – but also to the premiere of an album with songs, like The Rhythm of the Heat, San Jacinto and Shock the Monkey, that have become central to the Gabriel canon. More than just a live album,ย Live at WOMAD 1982ย is a pivotal moment, available now for the very first time as a double LP 180g black vinyl, in gatefold jacket with Side D etching and high-res download code, or a single CD in mini-vinyl style gatefold packaging.
Now in its seventh year, and at its new and better venue, Park Farm on the edge of Devizes, itโs full steam ahead for The Fulltone Festival โ26. From the 11thโ12th July Fulltone is set to ignite Wiltshire with an epic weekend of live musicโฆ..
Promising a โspectacular, joy-filled weekend of live music which brings together orchestral power, iconic artists and a true summer festival atmosphere in the heart of the Wiltshire countryside,โ The Fulltone Festival is a uniquely magnificent show. Presented by The Fulltone Orchestra, the festival features a fifty-piece live orchestra, major guest performers, celebrated tribute acts and genre-spanning concerts, from cinematic classical masterpieces and symphonic rock to dance anthems, Motown classics and sing-along crowd favourites.
Designed as a family-friendly, inclusive festival, Fulltone โ26 offers free entry for children under 14, accessible ticket pricing, on-site camping and a relaxed, welcoming environment that encourages audiences of all ages to experience live music together. The event arena is packed full of great food and drink stalls, as well as allowing picnics. Thereโsย parking on site and a shuttle bus taking people from the town to the event. Itโs exceptionally well organised, with Event Director Tanya Earley at the helm of the eventโs operations again.
Image: Gail Foster
The weekend begins for campers on Friday evening with a campsite DJ warming them up. Saturday and Sunday are packed with unmissable performances across the weekend. Audiences can enjoy an electrifying programme including orchestral performances of Holstโs The Planets paired with the Star Wars Suite and Symphonic Queen, featuring Ricardo Afonso who is back by popular demand, as featured in The Voice.
The guests this year are particularly special. West Country legends The Wurzels gives Fulltone the key to their combine harvester, and Jemma virtually yelped down the phone at me at the thought international pop icon Jason Donovan headlining a huge Sunday night eighties spectacular finale; thereโs going to be too many broken hearts in Devizes that weekend (okay, youโve got to be of a certain age to get that gag!)
Thereโs also some ska madness with nutty boys tribute Mainly Madness, and Seriously Collins, celebrating the music of Phil Collins and Genesis. Special guests are expected with a Best of Motown show, and everybody will officially be free to feel good when Devizesโ very own BBC Introducing DJ James Threlfall teams with nineties singer Rozalla, for some dance anthem floorfillers. Even the poster has more colourful zap and zest to it than ever before, and conveys Fulltone 26 will be one youโll never forget!
Conductor and founder Anthony Brown said, โFulltone is all about the thrill of live music and the magic that happens when people experience it together. For 2026, weโre bringing an extraordinary mix of sounds and styles to Park Farm, from breathtaking orchestralย moments to songs people know and love. Our aim is simple: for everyone who comes to feel uplifted, connected and part of something special.โ
Tickets are on sale now. Early Bird tickets are available until 28 February 2026. Weekend and day tickets are on sale now, with under-14s attending free when accompanied by a paying adult. Weekend passes offer the best value.
You can find full details and tickets here: www.fto.org.uk/events and theyโre Especially for You; see what I did there?!
Stone Circle Music Events announced today that all proceeds of CrownFest will be donated to Wiltshire Hope & Harmonyโs Dementia Choir. CrownFest is an all-day family festival, happening on 4th July 2026 at The Crown, Bishops Cannings, Devizes…..
Due to perform over two stages will be Kinishaโs renowned Simply the Best Tina Turner Tribute, Adam & The Ants tribute Ant Trouble, Wiltshireโs premier indie-pop favourites and winners of six Wiltshire Music Awards , Talk in Code, purveyors of Irish & Celtic folk The Publicans, Salisburyโs rock cover band Innovator, rock covers band Tipsy Gypsies, George Wilding, Ruby Darbyshire, Mother Ukes, and Lucas Hardy, with more acts to be confirmed.
Stone Circle Music Events connects the timeless energy of live music with the rich landscapes of Wiltshire and Galway, and specialise in events which feel local, authentic, and unforgettable. There will be a selection of food, stalls, and camping is provided for an additional ยฃ15. Early bird tickets are already available for purchase.
Founder of Stone Circle Music Events, Patrick OโSullivan said, โwe are delighted to announce the proceeds of CrownFest will go towards Wiltshire Hope and Harmony. The charity won a special award at the Wiltshire Music Awards, and we continue to support them.โ
Devizine is so happy to see the return of this marvellous local festival, but even more excited to see it grow through Stone Circle’s expertise, and this announcement is surely the icing on the cake. So many families are affected by dementia, Wiltshire Hope and Harmony is such a great and worthy cause.
Wiltshire Hope and Harmony is a community-focused organisation in Wiltshire which uses the power of music therapy to bring people together and improve wellbeing. Their work centres on inclusive, therapeutic music-based groups and activities designed to support individuals and families from various backgrounds.ย Their passion and commitment drive their mission, to create a harmonious environment for All Together, and they inspire change and hope in our community.
Their Community Music Therapy Groups run free, therapeutic music sessions led by registered and trained music therapists, supported by volunteers.
Tunes Chill and Chat sessions are stay-and-play groups aimed at families with babies or children who have special educational needs (SEN) or additional needs.
The Dementia Choir & Cafรฉ is a weekly choir and social cafรฉ designed for people living with dementia, along with their carers, families, and support staff; helping participants connect and express themselves through song.
Founder member of Wiltshire Hope and Harmony, Lisa Williams was fortunate to discover firsthand the transformational power of music therapy whilst training for her Masterโs Degree in Music Therapy in 2018. Lisa was privileged to train with the visionary team at the University of the West of England and their Aphasia Choir. Determined to form a local choir and cafรฉ, Lisa founded The Royal Wootton Bassett Dementia Choir & Cafรฉ after her graduation in 2020. ย
The Covid pandemic slowed the project, but in 2023 the Royal Wootton Bassett Dementia Choir and Cafe was formed. The Choir has since worked with hundreds of people living with dementia and associated conditions, and currently meets weekly, either at their ‘home’ in St Bartholomewโs Church hall, or else on ‘tour’ visiting local care homes, community venues and churches.
Wiltshire Hope and Harmony also supply support for other groups, tailoring them for people with various needs, including sensory impairments or English as an additional language. They offer volunteering and engagement opportunities, from musicians and singers, to support roles and trustees, helping expand their reach and impact in the community.
Out of my comfort zone on this one; being aging punk-ish, emo is a subgenre post my better days. Though the ever-reliable Wikipedia suggests, as a term, it was coined in the late eighties. It either travelled leisurely by airship across the pond, or Iโve had my head up my arseโฆ.
If Iโm probably best left in a dark corner, crying about my lack of knowledge on the subject, that creates many reasons for me not to like Sketchbook Records latest cassette or digital download release, which is an EP by Chasing Dolls. It begs me to don my flatcap and yell red-faced at youngsters about the volume of this noise, and many other age-defining protestations, but they can all be cancelled out by the more straightforward observation, it absolutely rocks!
My adventures with hardcore punk, blowing eardrums to bands like The Dead Kennedys, Black Flag, Bad Brains and Butthole Surfers was adolescent and relatively short-lived. Yet if emo is a shortening for โemotive,โ Iโd squabble that all music should evoke emotion, otherwise itโs elevator muzak.
The thrash of hardcore debatably constitutes the least emotional genre of pop, only championed perhaps, by techno. Perhaps emo adds the element back into the rock melting pot. In which case, how does it differ from goth or grunge, for theyโre both filled with emotion? These Chasing Dolls songs are massively better composed, with the rising and falling of emotion, than the aforementioned hardcore bands of yore, by a country mile, yet equal to the goth and grunge subgenres Iโve acquired to appreciate through the local bands producing it, like I See Orange and The Belladonna Treatment.
But this EP is growing on me as fast as bacteria multiplies; Iโd be more complimentary if I reviewed this in a week, but I wanted to get it out there. From first impressions, its raw energy, a sublime cry of woe, and it fits.
What also fascinates me about Chasing Dolls, is that thereโs no uniform, each tune holds its own, and differs in style and ambience. Cobweb and Blood Moon are the standout tunes, and with a slash make the title of the album. Cobweb comes in first with heavy guitar after a delicately placed riff, as Iโd expect, and itโs certainly rinsed with emotion, as described by its pigeonhole.
Blood Moon is more me, of greater ambience and mood, it drifts in layers like oil finding its way down a congregated surface. The howls of emotion, the sublimely placed breaks. Iโm none too fussed by pigeonholing, if only to describe something to you, if they say itโs emo, then Iโm converted, feels like a natural punk progression through gothic and grunge. I may not be an expert on this, but I know what I like.
Step on My Shadow has a sprinkle of more universal indie-pop with an irresistible drum roll, and in part Iโd imagine our favourite lads Nothing Rhymes With Orange might feel comfortable putting something out like this. Then thereโs this live track, yet if Closest Thing to Heaven sounds like theyโre going to get slushy, Hell is in brackets to ensure thereโs controversy in the romantic topic, and it comes over a smidgen shoegaze. Love, it hurts most punk genres, emo takes no exceptions, in fact, going on this, exemplifies the anguish and pain of it, rolls it into a dramatic outpouring without boundaries, and for this, I now love Chasing Dolls.
Chasing Dolls are Hayden, Munch, Theo, Will and Jasmin, and long may they continue. As with many upcoming bands, thereโs a notion in the ether theyโve yet to make that magnum opus, but this EP suggests theyโre aching for it and will accomplish something progressively superior. For now though, Cobweb/Blood Moon throws everything you wanted to hate in your face, and turns it into something thorough, bold and challenging; top marks for that.
Thank you Sketchbook Records, you are opening an old manโs eyes to emerging local artists with an alternative edge, and now Iโm hooked! Oh, and you can find Chasing Dolls at Swinterfest, headlining the Saturday (31st Jan) at The Castle.
If Devizes Scooter Rally has already established its base at Whistley Roadโs Park Farm and Full-Tone are moving to these new pastures, last year the site saw a superb inaugural festival of its own making, Park Farm Music Festival, with the expert knowledge of the good folk who brought us Mantonfest. Itโs happening again this year and looks set to be even better than last year; I kid you not! Early bird tickets went on sale today, and the lineup has been revealed; letโs poke our noses in and pretend summer is on its way, shall we?!
Starter for ten, Mantonfest is a longstanding cherished gem on Marlborough’s event calendar, a family friendly festival which has stood the test of time, and folk return annually like itโs a pilgrimage; you can rest assured youโre in good hands. I hailed Mantonfest as โthe friendliest festival youโre ever likely to attend.โย
While Park Farm Music Festival may yet have to establish itself to the same level of excellence, last yearโs first time was an absolute blinder, bringing a taste of Mantonfest to Devizes and leaving folk hanging on the hope this would become a regular extravaganza.
This year the stage is set again for Mantonfestโs house band, the awesome groovy vintage blues boys, Barrelhouse, but in essence the organisers are keen not to present something completely Marlborough; weโre in Devizes now, mucker, if weโre going to have blues we NEED Jon Amor to come along too! And theyโve answered this call, The Jon Amor Trio need no introduction to Devizes; Iโm glad to see their name on the lineup, Iโm certain all of the town will be too.
Onto the headliners, yes, it is tribute act top heavy, which works a treat for Mantonfest. In this you should note, the organisers do not skip on quality when it comes to tributes, all are tried and tested. Iโve bore witness to most of them, and will bet my pet budgerigarโs life that youโre in for a wonderful day. Last year there was an emphasis on hard rock, with astounding AC/DC and Nirvana tributes, while this year looks to have more universal appeal.
If Queen tributes are two to a penny, despite being a tricky act to replicate, and some Iโve seen were great, One Vision played Mantonfest two years ago, and, just, wow, Iโve never seen it done with such quality, attention to detail and finesse as this one. I could definitely call this the best Queen tribute Iโve seen, perhaps in my top five of all the tributes Iโve seen.
Inferno, an Abba tribute Iโve not seen before, but itโs Abba, what could possibly go wrong? As I said, the organisers take no compromise when it comes to booking only the very best tributes, so, dancing queens, have no concern. The next two I have seen, Madness and Bad Manners tribute, Badness, and Slyde, as you might’ve guessed, a tribute to Slade, are both brilliant, for precisely similar reasons.
Slyde played a Christmas do at Marlborough College Memorial Hall, where support Barrelhouse were on fire, and Sylde polished off the evening with a plethora of, not only Slade hits but just about every seventies singalong pop hit I could imagine, with the sprinkling of glam only Noddy Holder couldโve brought to each classic. And it was Christmas, so he aptly called it, and yes, it was something to behold. If One Vision is on my top five, Slyde must also be.
Now, Badness, ironic name, thereโs nothing bad about the performance, but only, perhaps in the way they will totally and utterly rule the audience with a spellbinding show of their own. They do not attempt to mimic Madness, like Slyde they offer a repertoire of classic hits from the era their homage was in their prime, only this time itโs obviously Two-Tone ska and new wave, and you will be skanking. Furthermore, youโll be under no illusion Badness are attempting to precisely mimic Madness, they only pay homage to them, and are uniquely themselves, add their own spin to it, particularly with the most hilarious stage banter youโre ever likely to witness.
Has that tempted you? Because Iโm getting excited just typing this recommendation! Theyโll have a big outdoor stage, brilliant sound and lighting, plenty of room to dance, lots of trade stalls, a range of food and drink outlets and showers for those camping. Theyโll be running a FREE shuttle bus to and from the The Bear Hotel hourly, gazebos and picnics are welcome, so too are campervans, caravans, and tents.
Early bird tickets are up for grabs: Adults – ยฃ30. Youth (Age 13-17) – ยฃ20. Child (Age 7-12) – ยฃ10. Under 7’s – Free. Campervans/Caravans – ยฃ30. Camping – ยฃ20. Itโs on Saturday 18th July. Book HERE.
Swindonโs finest Chicago and Texas blues covers band Last Train Smokinโ are also on the fantastic roster, along with rock covers band Strange Horizons. Is it summer yet?!
Bussing into Devizes Saturday evening, a gaggle (I believe is the appropriate collective noun) of twenty-something girls from Bath already on-board, disembark at Theโฆ
Once the demonic entity Spring-Heeled Jack entered folklore it became subject to many books and plays, diluting the once real threat of this Victorianโฆ
Devizes singer-songwriter Jamie Hawkins, famed for poignant narrative in his songs and one-third Lost Trade, has always had a passion for filmmaking; Teeth isโฆ
Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Great War โLord Kitchener Wants Youโ recruitment poster by Alfred Leete to plead for volunteer moderators; jump to it, comrades!
Why? Wouldnโt a picture of some Care Bears, or an AI image of some mugs with frustrated expressions be more suitable? Meanwhile, admins of the alternative group, Devizes Issues (but bitter) are asking, โerm, any1 no like what is, a, like, moderator?โย
Tragically, it’s estimated 900,000 British lives were lost during the first world war, and the poster played its part in convincing young people to sign their own death warrants. To pastiche it for such a petty purpose is disturbing, or at least extremely dark humour. Though it proves either the admin hasnโt lost his unsettling sense of humour under all the pressure, or heโs flipped on a Trump level and intends to invade the Potterne Pages Facebook page for reasons of national security!
You might think youโre only signing up to delete the occasional lefty meme, but youโll be handed a tin hat and rifle, and be ordered to march towards The Patch, just you wait and see!
Coincidently the town councillor admin of Devizes Issues has banned a similar number, simply for having a differing opinion on a subject, or using vulgar words, like poo, Gary Lineker, or Devizine. Face it, your king, country and local Facebook group needs youโฆ.to ban your besties; do your duty and enlist now!
I’ve been banned, you’ve been banned, we’ve all been triggered by the obsessive Conservative propaganda on the group at least once, which resulted in the chip on the shoulder unashamedly displayed herein, and a lifetime ban; he thrives on the power trip like General Ludendorff inhaling his super-strength gas in the Wonder Woman movie. Haven’t seen it yet? Thatโs because you spend too much time sucking up to admin on local Facebook groups, you fascist booklicker!
Occasionally, it’s an urban myth that someone will hand him a little bag of Haribo, he’ll cheer up for a whole three seconds and invite the odd Facebook user back in; โvewy well. I shall welease… Wodewick!โ If you’ve been bestowed this honour you’ll know how exciting it feels to be suddenly wanted again. I congratulate you, suggest you’re ideal for the important role, though I fear there’s little chance of it ever happening to me; ashamed I hold my head in my hands, cry here in my own little corner of freedom.
But I don’t envy him for running a group akin to a Devizes GB News, it canโt be an easy task, bless his cotton socks. If it were me I’d be sorry I started the fiasco now, do the right thing and archive the virulent exercise. Especially being the group isn’t as labelled. It’s not a local issues group at all, rather the prime issue in Devizes itself, a not very cleverly disguised conflict of interests and only a platform for Conservative campaigning. Perhaps if it labelled itself appropriately people wouldnโt mock it so, and he might not need recruits to moderate it; vicious circle, but the best laugh today on an otherwise toxic social media platform.
Poor Joyrobber, got his car broken into, on his birthday too, but avenged them in song! Requiem for my Car Window is this mysterious characterโs third single to date. I loved the first couple for some strange reason, no point in changing my mind nowโฆ..
โHave you ever had a really terrible birthday?โ Joyrobber asks, presuming none could be as catastrophic as his 25th, in which the back window of his Ford KA was smashed in, and all his possessions taken. In the song he includes the itinerary; chocolates, birthday cake and cards, and the thug even popped his birthday balloon; who does that? Heโs the joy robber, Joyrobber, not you!
Or maybe you too, as by the finale, despite it hiking up his insurance, he wagers they have loads in common. Itโs this dry sense of self-deprecating humour which throttles Joyrobber and drives him to the edge of sanity within the simple grievances, and provides it with originality, like The Divine Comedy went sour.
Personally, Iโd say Iโve had my car broken into, and had some pretty rubbish birthdays, but never together. And if I had and felt driven to scribe a song about it, it wouldnโt be the ultimate power-ballad of towering rock we have here, blessed with twinkling pianos, a huge chorus and some crunchy Weezeresque. The kind of anti-birthday song to make Clare Grogan shudder, upset and vengeful where he rightfully hopes when the culprit needs the toilet, there’s a massive queue!
With production by Sugarpill Productions and the vocal engineering skills of Jolyon Dixon once more, weโve still not unmasked Joyrobberโs alter ego, but would we reveal his true identity if we did?!
Probably not, ruin the mystery, wouldnโt it? But clues are building with each new song, heโs Pewsey based, has an abhor for Jeremy Kyle, with poor interview skills, and now we know he drives a Ka, all of which stand to reason! Cool song, though; fun in tragedy, and original, keep the unfortunate incidents coming, Joyrobber, hereโs wishing you inconveniences for the new year, that you might pen some more marvellous reactions to!!
โIt’s not all that glitter is gold,โ Bob Marley sung, โhalf the story has never been told.โ Okay, he was referring to 400 years of institutionalised slave trading on an international and industrial scale, whereas weโre on about a Trowbridge multistorey carparkโฆ..
And anyway, the story is there for all to see; Wiltshire Council meetings are videoed and published on YouTube. If youโve not the time to lodge two matchsticks into your eyes and strain for an epic four hours, you might rely on wonky social media opinion, where Iโd favour itโs not really about a carpark, rather political point-scoring from some still bitter that they lost their control of County Hall.
If we were positively peddling towards fresh notions from a LibDem headed Wiltshire Council, a full council meeting on Tuesday 7th January jabbed a stick into the spokes. Despite both Conservatives and Reform nationally criticising each other, when they locally gang up they can sway the vote. The meeting took on two major issues, the first was increasing council tax on second homes, where Conservative and Reform councillors voted against, and, in his oversized suit, ex-Wiltshire Council leader Richard Clewer contemptuously scoffed at the poor on a Marie Antoinette level.
Using the analogy, โif youโve got one car, and you buy another, should you pay extra tax because youโve got two cars?โ Councillor Clewer arrogantly justified voting it down. Not in a financially stable economy, no, but our reality differs, and whoโs fault is that?!
If you want a car analogy, Richard, try this sucker for size; โif I buy a car from a mate I thought was trustworthy, and it broke down three miles down the road, should he pay for the repair?!โ Fourteen years of Conservative austerity focussed entirely on the working class; they did this, they caused the deficit, and refuse to contribute to fix it.
Taylor Wright, Wiltshire Councillor for Devizes East called the meeting โa deeply disappointing moment for Wiltshire.โ I love this guy- not like that, you filthy sort; heโs a young family man with fresh ideas of equality! In voting it down, Taylor stated, โthey chose to prioritise, in their own words, โthe 0.5% of householdsโ in Wiltshire who can afford a second property over the needs of the remaining 99.5% of residents.โ
Taylor mentioned struggling families, the cost of living, โyoung people locked out of the housing market,โ and โcommunities crying out for investment in services,โ hailing the decision swayed by this Conservative and Reform swarming โa missed opportunity to make a small but meaningful step towards fairness.โ Tempting me to originally concentrate on this issue rather than the second major issue raised, the future of a dilapidating Trowbridge carpark, because that felt like a storm in a teacup, I needed a bath, and whatโs that got do with Devizes anyway?!
Cue Devizes town councillor and ex-Wiltshire one, Iain Wallis, who posted on his dubiously bias Facebook group Devizes Issues that โLib Dem administration plan to gift a developer and carpark and ยฃ2.5m of our money defeated,โ in glorious jubilation. In it he stated โthis overturns the cabinetโs wishes which were largely discussed in secret and once again prioritises us in the rest of Wiltshire rather than subsiding Trowbridge.โ
While deliberately newspeak, itโs not entirely false, save it being far from a โgift,โ and I donโt get how it was all secret if videos are published, but again, Taylor Wright explained โplainlyโ why he voted in favour of disposing of the asset, even though, he said, โI know the headline figure of ยฃ2.5 million sounds shocking at first glance.โ Through this source we see how misleading Mr Wallisโs post is; bearing in mind he lost his county council seat, itโs a shame thereโs a bitterness projected in his tone, persuading him to miss half the story.
โThe car park itself is in serious disrepair. Independent assessments show that within the next ten years it is highly likely to require full demolition and rebuild. The estimated cost of that work is up to ยฃ8 million,โ Taylor fills in the gaps. โIf Wiltshire Council keeps the car park, that ยฃ8 million bill will fall on all Wiltshire taxpayers โ including residents in Devizes, who gain no benefit from free parking in Trowbridge.โ
So yeah, the price tag to solve this might be ยฃ2.5m, but the option suggested by the Cons and Reform would be significantly higher, something Mr Wallis omitted from his post. I think a chat with Taylor is as overdue as my bathโฆโฆ
Our chat didnโt dwell on Mr Wallisโs post, it only serves to illustrate how bending the truth to suit a narrative is misleading. I wanted to discover the options presented to the councillors, and why some favoured dishing out ยฃ8million of taxpayerโs dosh to save a dysfunctional and dilapidated carpark. โI cannot believe itโs as controversial as it is,โ Taylor agreed, and with a heavy sigh explained how Iain had posted again, accusing him of lying.
I put this concept to Taylor, that rather than it being about a carpark, it was bitterness or even a punishment for the change in control of the council. โYeah, thereโs a lot of that,โ he concurred. You may recall a day when St Stephenโs free carpark fed into a busy shopping centre, but that era is sadly all gone. โBecause of a legal covenant tied to the shopping centre, parking must remain free. That means the site cannot generate any income, now or in the future, no matter who owns it,โ Taylor explained.
โitโs dilapidated,โ he said, โso the benefits of having free parking for it are slim. I think people are frustrated, in Trowbridge specifically, of the ability to park free, but that doesnโt benefit anyone in Devizes, unless you occasionally visit Trowbridge, but it shouldnโt come from our council tax. Calne has free parking, but the town council pay that, as do other townโs councils pay for their parking, so if Trowbridge are willing to pay to continue that is beside the point. Itโs Trowbridge paying for Trowbridge, and I donโt have a problem with that.โ
โBut my logic on paying the ยฃ2.5 million to dispose of that asset, I understand the headline โCouncillors Giving ย half a million and a carpark to a developerโ sounds horrendous, but when look into the detail, which I donโt believe some of my Conservative colleagues have, theyโve heard Lib Dems are proposing something, letโs oppose it; the building is coming down, itโs crumbling, weโre doing patchwork jobs, including one for half a million recently to try to keep it going for a few more years and for safety concerns, but we need to get rid of this asset, because itโs not an asset, itโs a major liability. Commercial properties can have ย a negative value, in this case itโs been assessed independently, and it has negative value because of the liability. The only value it has to anyone would be the owner of the other half of the covenant, which is the shop centre owner.โ
โThere are other options,โ Taylor expressed, โbut not good ones. The other would be to fully develop the site at a cost, estimated to be in the region of ยฃ8 million. Iโm not suggesting the Conservatives are pushing for that, but if the building gets to a point where itโs so dilapidated weโre instructed to rebuild it, which we could be, that will be the cost. The other option is to find another developer to take on the site and pay us, but theyโd be paying us for a site which is falling apart and in need of a rebuild, and by law cannot make any money. So, why anyone would buy it from usโฆcommercially it makes no sense.โ
On the idea of the council buying the site despite itโs negative value , Taylor explained, โwe did explore the possibility of changeling the convent in court, but were given a 60% chance of success and a highly placed judge in this field recommended we donโt do this, because if we lose the shopping centre owner could counteract us, claiming because itโs in such a shoddy state, we do need to completely rebuild it. So, whilst the initial cost ย for the legal action might be low, what follows from it could be extremely expensive, and us being immediately forced to demolish and rebuild the carpark, hence we saw that option as too high risk.โ
So, once the free parking scheme was an asset, and we all thought we were parking for free, now whimpering itโs unfair for one town to have free parking when others donโt seems superfluous; itโs a burden or curse, weโre paying for in the end. The issue only remaining is how to solve it cost effectively; an issue not caused by the new council, but one they inherited. Leaving me confused still as to the opposition to demolish it.
โIt was their business to pursue the other two options,โ Taylor explained, โthey wanted to seek other developers who might be interested in purchasing the property, but as I said, theyโre going to come with the same caveats, the covenant prevents it making money, and it needs to be rebuilt, so the idea of another developer paying us for something which is a liability is laughable from a commercial sense. They might find a another developer who will take it for the ยฃ2.5 million contribution to redevelopment, but again, theyโll still be subject to the covenant so weโd be paying for it to be redeveloped for a developer whoโs not going to make any money from it. So, again, it doesnโt make commercial sense, but the large proportion of conservative councillors were looking at challenging it in court, and yes, itโs possible it could win, but is unlikely. And also, if we lose we face our costs and the other sideโs too, and, potentially, accountancy on the basis of dilapidation and having to rebuild the whole thing immediately. All options are risky. As much as ยฃ2.5 million is a huge amount, and I take no pleasure in signing off on spending it, for this purpose I think itโs a terrible way to spend money, but, at least to my mind, we donโt have any other sensible option.โ
Not to end this on a sour note, I did joke the Reform councillors probably wanted to keep it to hang flags off of, and Taylor expressed the opinion of one, Chris Brautigam, who has been โreally pushing to hold onto the site, as heโs a Trowbridge councillor, and I can understand his reasoning. Itโs based on wanting to keep the carpark free for the residents of Trowbridge, which is a valid objective, and one of the most respectable reasons to want to hold onto it; heโs doing it for his residents, and has campaigned hard and respectfully for that, and I congratulate him, but I donโt think itโs the right move, for my residents.โ
How what seemed like an open and shut case became such a major issue is concerning evidence petty bitterness and political point-scoring is consuming the council, where time could be better spent on solving issues. โWe were floored when this became controversial,โ Taylor said, โweโd a pre-meeting, where this was one where we said this will be fine, itโs obvious this is right path, and there was no way to disagree with it. There might be a couple of Trowbridge councillors who might disagree, but all in, itโs probably go through quite easily. And then, all of a sudden, Armageddon kicked off! It took us all by surprise.โ
It all left me pondering more generally, on if the objections was driven by traditionalism, that there was hope high street shopping would return in a trend rebelling from internet shopping. โThere was an option to buy the shopping centre,โ Taylor revealed, โwhich as weโve seen with other councils up and down the country,โ and he exampled his hometown of Woking, whoโs council purchased the shopping centre and โare now in a billion pounds worth of debt over the building costs and lack of revenue it generates. I donโt think councils have an business owning shopping centres.โ
The biting reality is that all towns are unfortunately losing shops, but if you visit a town like Devizes, where many will complain weโre losing shops, itโs still relatively busy because the trend has changed and we adopt now a cafรฉ culture where visiting town is a treat; you buy a light lunch or coffee, and browse, less everyday functionally for goods, but more ascetically, and a crumbling seventies Bauhaus carpark, once functional, is not ascetically pleasing, perhaps more an eyesore, and discouraging people to visit.
I thank Taylor Wright for his time, and enlightening us. Itโs best to take social media posts with a pinch of salt, especially when they come with political bias; itโs been reported comments with opinions differing from that given by the admin on the aforementioned Devizes Issues one, have been deleted and persons have faced being banned from the group. We always must dig a little deeper to find the truth.
We are saddened to hear Westbury Town Council had to make the difficult decision to postpone the Westbury White Horse Soap Box Derby this week. Planned for May, the decision follows careful and detailed consideration of public safety, regulatory obligations, and the long-term sustainability of this much-valued community eventโฆ.
Since the first Soap Box Derby in 2022, visitor numbers have increased year on year by approximately 1,000 to 2,000 people. While this growth reflects the eventโs popularity and success, the scale now projected for 2026 has outpaced the capacity of its current location and supporting infrastructure. The existing site, while offering an exceptional setting for the racing itself, presents significant challenges in safely managing pedestrian and visitor access, alongside transport and traffic flow. Protecting the safety of pedestrians, visitors, participants, volunteers, and residents remains paramount for the Council.
Following discussions with the Highways Authority and Wiltshire Police, the Town Council has been advised that a licence for the 2026 event cannot be issued without fundamental changes to address these safety concerns.
Based on this advice, the Council accepts that the Soap Box Derby cannot be delivered safely or lawfully in its current format in 2026. Attempting to proceed under the existing arrangements would create unacceptable levels of risk for the Town Council, volunteers and the wider community.
The Council has therefore designated 2026 as a fallow year. This will provide officers with the necessary time to undertake a full and careful review of alternative options, including potential new locations and revised event management arrangements, to support the planned relaunch of the Soap Box Derby in 2027 in a way that is safe, sustainable, and fit for the future. We hope this is successful and we will see the return of this popular event.
Westbury Town Council remains committed to the Soap Box Derby and the value it brings to the town. Working with partners, stakeholders and the community, the Council will focus over the coming year on ensuring the event is well placed to return in a safe and sustainable manner.
If past years seem to be racing by me on roller-skates, now theyโre in Formula 1 cars! 2025, in a word, was โaverage,โ though the Devizine annual stats fell for a second year, at 6% lower than 2024; you lot still here?!
Iโm not concerned about that, you filthy traitors; youโve been digesting the clickbait of that Gazelle & Herod again, havenโt you?!! Ah, truth is I have been staying home, hibernating a lot like a lightweight couch potato; probably an age thing, most likely a financial thing too; weโve got hyperinflation to make Robert Mugabe envious. But we keep a stiff upper lip as the world plummets into chaos, our little corner of it remains a pretty nice place to live (if a bit Tory,) where you can block pavements with hoarding or nick a cardboard sheep from a church and get away with it. None of which we are here to highlight, we focus on the best bits, and slag off the worst with a sprinkling of satire; if you donโt like it, you know where to go!
Hits took a hit because I bit my tongue on many local political or social issues this year, to concentrate more on arts and entertainment, but folk love a good shit stir rather than being told about some talented locals doing good. Plus, Iโm sick to the back teeth with any dependence on Facebook shares, itโs become a toxic playground for so-called adults and AI bots pretending to be human to boost propaganda. I think Iโm going to be one of those smiling insanely old men, content to feed the ducks in the park, rather than ranting at anyone younger than me within range, but Iโve the right to change my mind on this!
They also took a hit because Iโve been actively engaged in two fantastic major events, RowdeFest and The Wiltshire Music Awards. The latter in particular used up much of my time, but hey, I think they were worth it. The Awards really brought together a wealth of people involved in the Wiltshire music scene, caused me to wear a suit, and we hope to build on this with future years.
The other contributing factor to the downfall of hits to the website might have been me writing a new book, something I rarely get the time for, but was certain I wanted it published by Christmas. I made that deadline and Murder at the Scribbling Horse is officially out; you read it yet? No, didn’t think so!
But lots more happened in 2025, and those we featured are briefed below; we couldโve done more but I think we put out a lot of content; you have to give me some time to play pointless block puzzle games on my phone. Thank you to all our contributors, Ian, Andy, Lois and the few guest writers who have submitted this year. We always need more writers to make this as comprehensive as possible; it is about as flexible as it can possibly be, you can be a fruitcake, we donโt mind, so do get in touch if you can help.
Please continue to support us, we thank you all for your dedication to Devizine; hereโs to 2026; try best to avoid the fascist division, millionaires triggered by being disallowed to rip wild animals to death, the US or Russian bombs heading our way, the complete disregard for funding environmental projects while they spend billions fighting for the last scraps of oil, any world leader kidnapping, painting roundabouts, and the usage of anti-terror laws to arrest pensioners peacefully campaigning against genocide.
Just follow us instead, enjoying a pint in a pub and listening to live music, played by real people, focus on youth projects rather than fables of hooliganism, focus on talented individuals doing good rather than bitter clickbait and national headlines, and be here, in the warm and truth, with Devizine; we tell it like it is, and donโt purvey bullshit!
January
Just as this year starts with a review of the last, so did 2025, but not before I took a visit to the Swindon Story Shed. Forestry England invited dog walkers to Nightingale Wood, apparently to celebrate Walk Your Dog Month; surely every month is walk your dog month?! The second feature film for director Keith Wilhelm Kopp and writer Laurence Guy, First Christmas entered development. We covered how My Dadโs Bigger Than Your Dad Festival raised ยฃ11,500 for Prospect Hospice, and thereโs moreโฆ.
Jamsters began at Devizes Southgate, an initiative to provide a Friday night platform for loose groupings and associations created at their regular jam sessions each Wednesday. We announced The Beat were to headline Devizes Scooter Rally, that Nick Hodgson formerly of the Kaiser Chiefsโ new band, Everyone Says Hi had an instore at Marlboroughโs Sound Knowledge, and we unfortunately said goodbye to the now disbanded People Like Us; sorely missed.
The original line up of People Like Us
We had new singles from Nothing Rhymes With Orange, a new album from Illingworth, and fuller sessions from Kaya Street. Andy reviewed the first Devizes International Blues Festival, Ian covered Jerusalem at the Mission Theatre, and Veronicaโs Room at The Wharf Theatre.
We previewed OakFest at the Royal Oak in Pewsey, La Belle Hรฉlรจne, White Horse Operaโs Debut at The Wharf Theatre, Devizes Musical Theatreโs Beauty & The Beast, Henge at The Cheese & Grain, and Bradford-on-Avon Green Man Festival which unfortunately this year is in jeopardy, and we welcomed Caffe Vialottie to Devizes, our most popular article of the year.
Februaryย
It may be topical now, but weโve always been supporting the hunting ban, and in February reported how Beaufort Hunters attacked Wiltshire Hunt Sabsโ drone. We sadly confirmed Devizes Street Festival was cancelled for the second year in a row, and The Emporium in Devizes was to close, but Devizes would get a new youth centre.
Previews included, Marlborough School of Languagesโ Summer Fiesta, Jazz Sabbath at the Corn Exchange. We announced The Brand New Heavies were to headline Minety, tickets for DOCAโs Winter Ales were running out, and that I was to organise the music for Rowdefest in May, probably my favourite memory of 2025.
We featured Melkshamโs teen band Between the Lines, reviewed JP Oldfieldโs debut EP Bouffon, Jamie Hawkinsโ short film Teeth, and new singles from I See Orange and Sam Bishop. Swinterfest broke me out of my hibernation, and I also got out to see the fantastic Static Moves at the Three Crowns, plus Cephidโs Sparks in the Darkness at The Rondo, which was mindblowing!
March
We announced that Devizes auctioneers Henry Aldridge & Son were relocating to the Old Emporium, Soupchick was to take over The Hillworth Park Cafe, that after the fire in Northgate Street Devizes Kebab Van successfully relocated to Folly Road, that Devizes was to have a new festival, Park Farm Festival, and of course the very first Wiltshire Music Awards.
We featured the Belladonna Treatment, had a wonderful local reflection on the Trump & Zelenskiy meeting from a Ukrainian living in Wiltshire, and it was one of my all-time favourite interviews with eighties legend Owen Paul ahead of a Devizes gig.
We reviewed The Killer & The Catalyst, Devizes author Dave McKennaโs novelette, Geckoโs new album, and singles by Chloe Hepburn and George Wilding.
Previewed Devizes Arts Festival, Exchange Comedy in Devizes, Swindon Palestine Solidarityโs Charity Iftar, CUDSโ Devizes Town Litter Pick for GB Spring Clean, and Hells Bells AC/DC tribute coming to Devizes! We listed the results of Salisbury Music Awards.
I managed to make it out to see The Devilโs Doorbell and JP Oldfield at the Cellar Bar, Ruby Darbyshire at the Southgate, and Cracked Machine with Tom Harris in support, too. Ian gave us Blood Brothers at The Mission Theatre and Flatpack at The Rondo, and Pip Aldridge reviewed our Fulltone Orchestra at Tewkesbury Abbey.
I ranted on the state of the roads, and for fun ran a Take Our Wiltshire Pothole or Moon Crater Quiz Challenge!!
April
Ah, All Fools Day, a golden opportunity for us, in which last year we told the fib that funk godfather George Clinton was exiled to the Wiltshire village of Urchfont, created funk music there and it was covered up by their parish council! You might assume it was hardly viable, but some fell for it, and messaged in their outraged reports of โfake news!โ
We looked into DOCAโs new youth initiative Yea Devizes, and while we published our usual extensive list of Easter holiday activities, we also previewed DOCAโs Junk Street drumming workshop.
I visited The Hillworth Park Cafe, where Soupchick took over, hailed Devizes DJ Greg Spencer, the creator of Palooza house nights, who made the prestigious bill of Fatboy Slimโs All Back to Minehead festival, and reviewed the now sadly defunct No Alarms No Devizes playing at the Three Crowns. Discovered Fran Daisy at Swindonโs Plough, and Henge at the Cheese & Grain was a high contender for my gig of the year; out of this world!
We had a guest review from Melissa Loveday on Devizes Music Academyโs Something About Jamie, which though Iโm sorry to have missed, I did catch them playing it out at FullTone Festival in the summer. I did attend Devizes Musical Theatreโs Beauty & the Beast at Dauntseyโs School and the opening of Un/Common People, Folk Culture in Wessex, a fascinating exhibition at Wiltshire Museum.
Everybody’s Talking About Jamie
Reviewed Hannah Rose Plattโs album Fragile Creatures, probably the best album we covered last year. The website for Wiltshire Music Awards went live and people held on to cast their votes in May.
We exposed Reform candidate Calne Violette Simpson for her Facebook profile picture showing her hunting antelope in South Africa, and Devizes South Conservative candidate Sarah Batchelor, who committed election fraud, up and left with her tail between her legs and almost running Bishops Canningโs Crown into the ground. Thankfully it seems the new owners are turning it around and recreating the village hub it once was.
May
I was honoured and delighted to organise the music for our village fete, which has in the last few years been run by a lovely independent committee, safe from a questionable parish council. It was a wonderful sunny day and the highlight of my year. I called in some favours and presented an amazing lineup for a free fete, featuring, in order of appearance, The Jubilee Morris Dancers, Andrew Hurst who brought bassist Lucianne Worthy with him, Talk in Code, The Sarah C Ryan Band, Thieves, and Burn The Midnight Oil. Being it was the last day of the month, I didnโt write about it until June.
I paid a Sunday afternoon visit to Devizes amazing record shop Vinyl Realm, when Deadlight Dance were attacked by wasps and still managed an amazing unplugged acoustic set. Ben Niamor reviewed Jake Martin at Swindonโs Castle with SOP, and Ian gave us his views on Sweeney Todd at St. Augustineโs Catholic College in Trowbridge, and the Diary of Anne Frank at The Wharf Theatre in Devizes, which was so good I had to go myself. Lois covered newcomers Kingston Mediaโs Bands at the Bridge in Horton.
I previewed the Bradford-on-Avon Live Music Festival, despite it clashing with our Rowdefest! Also, Ruby Darbyshire who performed at Silverwood Schoolโs open evening. Andy provided a preview of Chippenham Folk Festival, and Lois provided us with previews of Australian Folk singer Ernest Aines at Swindonโs Deanery Theatre and David Olusoga at the Cheese & Grain.
Announced the opening of voting for Wiltshire Music Awards, that Devizes-based The Big Sound Choir was to perform with Aled Jones at St Georgeโs in Bristol, and that Bird is The Word were taking over music organisation at Bradford-on-Avonโs Boathouse.
We featured how Lucas Hardy was collaborating with Rosie Jay, and Fromeโs James Hollingsworth, who was bringing his solo recreation of Pink Floydโs Wish You Were Here album to the Devizes Southgate and elsewhere, and reviewed his album with Griffiths, Lost in the Winds of Time.
I reviewed Clock Radioโs album Turfing out the Maniacs, Ruzz Guitarโs Between Two Worlds album, Playing Solitaire; Phil Cooperโs first solo album for five years, Thievesโ debut EP, a new single from George Wilding, and one from Auralcandy featuring vocals from Sienna Wileman. A feature of a Melksham marketing expert launching AI training courses was met with controversy, yeah, I get that!
June
If we were all busy with the Devizes Arts Festival, we were previwing summer events like a new festival for Devizes, Park Farm, clashing with an amazing day at the Three Crowns for an air ambulance fundraiser, and I finalyy got over my hangover and ego, and gave coverage of Rowdefest; highlight of my year!ย
Andy reviewed White Horse Operaโs Cosi Fan Tutte and The Lost Trades at the Piggybank, Ian did The Mikado at the Mission, The Taming of the Shrew at the Rondo, and of course we all did our bit for the Devizes Arts Festival. Andy also covered an extensive weekend when The Lions were on the Green in Devizes, we had Crammer Watch Day too, and Devizes Arts Festival did a fringe gig at the British Lion; summer lovinโ. The highlight of this had to be Whereโs the Cat, the Wharf Theatreโs writing groupโs hilarious reenactment of the Moonrakers fable at the Crammer, which I felt obliged to cover too.
Eddie and I were guests on Peggy-Sueโs Donโt Stop the Music show on Swindon 105.5, chatting about the awards. We met Henry the chocolate duck raising funds for cystic fibrosis at HollyChocs, previewed Supergrass headlining Frome Festival, a genderqueered Shakespearean performance at Bathโs Rondo, and Swindon Palestine Solidarity events. Lois did Idles at Bristolโs Block Party.
I reviewed The Hotcakes of Wildfireโs album Shoes & Acid, ranted on vocal minorities triggered by events of cultural diversity, and did a No Surprises column promising to return the feature, but promises are made to be broken! Thereโs simply too much to whinge about, and for my health, I need to see the glass half-full.
Bands at The Bridge
Thatโs all for now, folks. Do not fear, itโs still summer in our minds, and weโll kick off in July for the second part. I know, our goldfish attention spans cannot take in a whole year in one article, what with so much brilliant stuff which happened over the year, so come back when Iโve officially emptied the Quality Street tin and completed the last half of this review of 2025; but I must say, I think the first half was better!!
Oramics and its Place in the Progression of Electronic Music
In 1997 I was a 24 year-old factory worker, keen to learn all tasks on the production line to work my way up, but suddenly the run of the ladder was pulled too high for me to reach. Shift managers who had were axed, were replaced by โteam leaders,โ that of precisely the same duties and responsibilities, though you needed a diploma to apply.
The government tried to thwart my only other life objective three years past, to party; they had failed. I worked in the factory now for one reason, to fund this escapism. Once free, the Criminal Justice Bill ensured someone profited from our jollity, as rave culture was pushed into nightclubs and legal paid events.
If The Prodigy were right, this was music for the jilted generation, perhaps so too was Luigi Russolo in his 1913 futurist manifesto L’arte dei Rumori (The Art of Noises,) when he argued that the ear would become accustomed to a new sonic palette of industrial soundscapes, and musicians would require a new approach to instrumentation and composition. Though Iโd not have contemplated the noises of the factory manipulating my music perceptions at the time, I was aware of how Kraftwerk were influenced by the sounds of traffic for Autobahn.
Neither would I have given much thought to the development of electronic music; my time with analogue pop of punk and Two-Tone was short-lived. Through new wave post-punk and electronica to American hip hop and electro, and the rebellion from the hit factories exploiting it; rave culture, I had grown up with electronics as a staple to music and knew no different.
Pre-internet research on the subject wouldโve been a needle in a haystack, even if Iโd the motivation to study it. In my naivety I assumed one thing, that Kraftwerk created electronic music, because Iโd seen a clip of them on the BBC program Tomorrow’s World. Though the show made no claim to this, I was only two on the 25th September 1975, when it originally aired.
Ralf Hรผtter and Florian Schneiderโs Kraftwerk were certainly pioneers who popularised the krautrock genre worldwide. The industrial links between Dusseldorf and Detroit and creative ones between Berlin and New York were influences reflected, which turned the cogs of hip hop and house. And now, here I was, in a meadow near Luton, at Universeโs Tribal Gathering, where I figured weโd come full circle.
Kraftwerk played their one and only festival, it was monumental. The once monocultured rave phenomenon had divided into copious subgenres, Universe were the first to fully embrace this with a tent dedicated to each division. Yet from each tent masses united at the main stage, some DJs refusing to play their set because theyโd miss this performance. Reflecting back on it now, I cannot deny it was something to behold, but Iโve since discovered they wasnโt the complete roots to electronic music I assumed they were. Its complex international evolution includes too many names to mention, but this fascinating insight has been encouraged by my study into one important innovator largely uncredited, born here in Devizes, Daphne Oram.
We outlined her work briefly in the introduction to this series of articles, and with help from Daphneโs niece, Carolyn Scales, we delved into her upbringing in Devizes, and how influences in engineering meshed with her love of music. Now we need to fit her role into this vast evolution of electronic music, by looking at Oramics, discovering how that influenced the progression, and why it is not as well documented and I believe it should be.
Once Daphne left the BBC Radiophonic Workshop in 1959, she coined the term Oramics, a name for her studio in Tower Folly, a converted oast house at Fairseat in Kent, her technique for creating graphical sound, and the Oramics Machine which spawned from it.
Carolyn described The Oramics Machine as, โan early synthesiser,โ but as with Russian engineer Evgeny Murzin who created photoelectronic instrument the ANS synthesizer, historical records rarely reference them. The first commercial synthesizer is credited to American engineer Robert Moog a few years later in 1964. Precursors to Moog mentions Harald Bode who laid the groundwork for separate sound-modifying modules used in the Moog design, the Hammond Organ Companyโs Novachord in the late 1930s, Canadian engineer Hugh Le Caineโs Electronic Sackbut, Herbert Belar and Harry Olsonโs RCA Mark I and II Sound Synthesizers, and some cite Thaddeus Cahillโs Telharmonium, an electromechanical sound generator from 1897, which weighed in over two-hundred tons.
The original Oramics Machine was the size of an office photocopier, so was also too cumbersome for the average musician. By its definition, itโs a synthesiser but worked differently; the composer/musician drew onto a set of 35mm film strips which ran past a series of photo-electric cells, generating electrical signals to control amplitude, timbre, frequency and duration.
The reason for the omission, Carolyn suggested, was because The Oramics Machine was lost after her passing. โDr Mick Griersonโs team tracked it down to France in 2008. Working with the Science Museum. Griersonโs study provided the first full contextualisation of the machine, an assessment of its historical importance, and a detailed description of its workings. The machine became a central part of the Science Museum exhibition Oramics to Electronica, originally planned to run for six months in 2011. The showโs press and public uptake saw it extended a further four years.โ
Perhaps inspired by Moogโs development of the Minimoog, Daphne worked on a Mini-Oramics, but never completed a prototype. Goldsmiths’ PhD student Tom Richards, who pored over the unfinished project and built it over forty years later, suggested โthere were a lot of reasons why she didnโt launch Mini-Oramics. She was working on her own, and wasnโt affiliated to a large organisation or university.ย She had ups and downs in her life, and at the time she was working on Mini-Oramics, she also worried that her approach to musical research was out of fashion when compared to chance-based and computerised techniques. She was unable to secure the further funding she needed and she eventually moved on to other research.โ
If funding and the ferocity of music technologyโs progression at this time surpassed Daphne, both her music and written works were visionary. If you thought Pete Tongโs Heritage Orchestra was pushing new boundaries in 2004, Carolyn noted, โin 1948, Daphne created a piece for double orchestra, turntable and live electronics called Still Point, long thought of as the earliest composition to include real-time electronic transformation of instrumental sounds.โ Again, Still Point was never performed and was considered lost. โDr James Bulley found fragments in the Oram archive,โ she continued, โand working collaboratively with Dr Shiva Feshareki, began a reconstruction, later finding the full score in the belongings of composer Hugh Davies.โ
โA performance was commissioned by BBC Proms and performed by turntablist Shiva Feshareki, Bulley, and the London Contemporary Orchestra in 2018 at the Royal Albert Hall, reaching a substantial audience live and via BBC Radio 3,โ Carolyn explained. โThe reaction was one of awe, with the piece described as โthrillingโ. Critical responses suggested that this realisation of Oramโs previously untested ideas represented a challenge to electronic musicโs received history.โ
The more I research the more I find examples suggesting Daphneโs work was so avant-garde, abstract or insistent on anthropological creativity against trending dehumanised mathematical methods, she was set apart from the contemporary canon of self-generating computer music, positioning her work in a kind of unique scientific-spiritual space, combining technical rigor with a romantic model of artistic expression. This would frustrate her, when projects were either underfunded or too radical for others to follow, and they were consequently lost in time.
In 1971 she authored a book titled An Individual Note of Music, Sound and Electronics, wherein lies a quote often cited in discussions about music technology: โWe will be entering a strange world where composers will be mingling with capacitors, computers will be controlling crotchets and, maybe, memory, music and magnetism will lead us towards metaphysics.โ
Daphne visiting her parents in Devizes
It was also her dedication to authorial control, while cybernetic-influenced composers embraced self-generating systems with indeterminacy, which caused Oram’s approach to differ from the era’s prevailing trends, despite this cybernetic orientation. Exemplifying the generosity of her father, James, Mayor of Devizes, Daphne actively supported composersโ rights to royalties while she was a Trustee of The Performing Rights Society in the 1970s.
Daphne Oram suffered two strokes during the nineties, and passed away in Maidstone on the 5th January 2003. Yet on Daphneโs centenary, where much of the world remains dubious about the ethics of artificial intelligence, we must debate her legacy, for my final part of the series.
Oh, and if you were wondering, all I saw of Kraftwerk at Tribal Gathering was the fluorescent outlines of their boilersuits!
Chippenham folk singer-songwriter, M3G (because she likes a backward โEโ) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes on hold for a moment, because this is a beautiful, epic journeyโฆ.
M3Gโs seventh release, Rooks, poignantly pulls on the heartstrings when presented by the rise and fall of a romance, rooks often being a slang for cheating someone. It runs into six minutes, and reflecting the heartbreak of the subject, the song rises and falls accordingly. It creates a spellbinding ambience of both hope and worry equally, and is of magical vocal and acoustic guitar composition, with a gentle cajon drum subtly placed.
Inspired by the likes of Florence Welch and AURORA, Meg was open about her autism in our interview from 2023, and claimed it as the backbone to her creativity. In this, what she creates is completely original, unique, and unequivocally personal. Meg doesnโt just sing, she projects her innermost thoughts and expresses them, angelically. In Rooks, you can literally feel the characterโs heart breaking, causing yours to inevitably go with it.
The hyphen in the term singer-songwriter has never been so apt with another. Sure, I hear lots of brilliant expressive singers and lots of songwriters who can pen a marvel, but no one merges them so seamlessly and forgoes any fear theyโre exposing too much of their innermost thoughts, dreams or desires. You only need to venture ten seconds into Rooks to observe what I mean, and if Meg constantly strives for improvement, causing me to say this is her best song yet each time, here we go again; this is awe-inspiring, her magnum opus to date.
Recorded and mixed by Phil Cooper, his genius registers on it, yet still, itโs Just M3G; layering her backing chants over her main vocals like choral had a singular tense, and who even designed the cover. She says working with Phil is โa massive step above my other releases. I am so proud of it.โ It is on a next level, Iโm uncertain what she could do to top it, but assured she will, and Iโm certain Rooks will appease her fans and make her find new ones.
There are only a few tickets left for this yearโs Devizes Festival of Winter Ales, an important fundraiser for DOCAโฆ.. This year DOCA has teamedโฆ
A sublime evening of electronic elegance was had at Bathโs humble Rondo Theatre last night, where Cephidโs album, Sparks in The Darkness, was played outโฆ
I caught up with an excited Jonathan Hunter, leader of Devizes Town Councilโs independent party The Guardians, and local loyal youth worker Steve Dewar toโฆ
Experience the Bradford on Avon Green Man Festival, a vibrant, family-friendly community gathering featuring traditional dance, music, song, and folklore throughout the town centre onโฆ
If Iโm considering reviewing worldwide music again, why stop with this planet?! Though Iโve reasoned two tenacious links to mention this madcap Scottish interstellar outfit;โฆ
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing their classical music talents…..
Wiltshire Music Centre announces new Spring season with some extraordinary listening experiences on offer in the new year.Wiltshire Music Centre is a unique and contemporary 300-seated concert hall in Bradford on Avon.ย In the heart of rural Wiltshire, the venue’s built an enviable reputation over the years as a professional concert hall of exceptional quality, rooted in community participation and involvement.ย The Centre also provides a permanent home for local orchestras, choirs and music groups, and works extensively with young people locally through a vibrant and varied Creative Learning Programme in Wiltshire and beyond.
Since first opening in 1997, Wiltshire Music Centre has been a musical hub, bringing the best in live performances to the area as well as providing a home for local orchestras, choirs and music groups. Recently appointed Executive Director, Sarah Robertson and Artistic Director, Daniel Clark have a renewed commitment to creating a space for people to gather and connect through a shared love of music โ a space to celebrate the past, present and future of music-making and to nurture a spirit of musical curiosity.
Audiences can look forward to an exceptional lineup of artists, including first-ever WMC appearances by leading pianist Angela Hewitt (30 Jan 2026), opera virtuoso Sir Willard White performing with WMC favourites The Brodsky Quartet (20 Mar 2026), BBC Big Band (17 Apr 2026) showcasing the musical genius of George Gershwin, international cabaret star Ute Lemper (8 Mar 2026), blues legend Eric Bibb (27 Mar 2026) touring his new album, and a WMC debut by the Neil Cowley Trio (11 Apr 2026) who bring their inventive show inspired by Baroque genius, J.S Bach, to the Centre. Meanwhile, Jamie Woon (8 Apr 2026), British R & B and electronica singer/producer returns to the stage after a 10-year break.
Classical and jazz season highlights include โtrumpeter extraordinaireโ (BBC Music Magazine) Matilda Lloyd performing with the Goldmund Quartet (7 Feb 2026); Nikki Iles and Claire Martinโs new project IG4 (7 Mar 2026); evocative choral works from The Gesualdo Six (28 Mar 2026); stunning vocals from the Grammy-nominated British vocal ensemble VOCES8 (26 Apr 2026); and exciting new jazz sounds from Jazz FM Instrumentalist of the Year Mark Kavuma (28 Mar 2026) and London-based saxophonist Camilla George (22 May 2026), whose music blends Afrofuturism, hip-hop, and jazz.
For blues, folk, and roots fans, thereโs a packed programme of must-see gigs featuring both established and emerging favourites, including the powerful fatherโdaughter duo Martin and Eliza Carthy (3 Apr 2026), much-loved folk singer Cara Dillon (8 May 2026), Jon Bodenโs project The Remnant Kings (15 May 2026), and Josienne Clarkeโs homage to Sandy Denny of Fairport Convention (6 Mar 2026).
Families can look forward to a musical retelling of Benji Daviesโs childrenโs book The Storm Whale with Music in the Round (14 Feb 2026), and the film classic Wallace & Gromit: The Wrong Trousers on the big screen with live music performed by WMCโs flagship West of England Youth Orchestra (10 Apr 2026).
The eclectic programming extends beyond the music alone. Former Royal Harpist Catrin Finch (15 Mar 2026) comes to the Centre with Notes to Self, an evening of music and conservation, while master impressionist Alistair McGowan (12 Apr 2026) and sharp-witted comedian Chris Addison (14 Feb 2026) bring comedy and music with their respective shows. There will also be a series of monthly screenings with the newly launched Adventurers Film Club, featuring Becoming Led Zeppelin (28 Jan 2026), Set the Piano Stool on Fire (25 Feb 2026) โ the acclaimed documentary about legendary pianist Alfred Brendel and his protรฉgรฉ Kit Armstrongโand more.
Introducing the new season, Daniel Clark says โHere youโll find a wide-ranging series of concerts from some of the most exciting voices of the past, present and future of music. From great legends of music-making to rising stars, weโre committed to bringing the best music we can to our special venue, and hope youโll find something that will transport, inspire and delight you.โ
Highlights:
Angela Hewitt: one of the worldโs greatest living interpreters of Bachโs music and recipient of the City of Leipzig Bach Medal in 2020 will make her WMC debut. (30 Jan 2026)
Angela Hewitt
London 2016
Chris Addisonโs Incomplete Guide to Chamber Music: Chris Addison brings to life the rich, vibrant โ and sometimes bizarre โ history of classical chamber music. A musical journey from baroque courts and European revolutions to todayโs contemporary composers with some of the UKโs finest musicians and Chrisโ brilliant and original facts and insight. (14 Feb 2026)
Eric Bibb: Three-time Grammy nominee and blues legend with a career spanning over five decades tours brand new album, One Mississippi blending blues, folk, soul, and Americana. (27 Mar 2026)
Ute Lemper: International cabaret star brings her show telling the story of Hollywood legend Marlene Dietrich through songs and stories: from the Berlin Cabaret years to her Burt Bacharach collaborations. (8 Mar 2026)
Lau Noah: Beautiful, innovative and evocative vocal and guitar harmonies from self-taught Catalan composer and songwriter who has supported Chris Thile, Ben Folds and Jacob Collier on tour over the past two years. (3 May 2026)
The team behind popular all-day music extravaganza, My Dadโs Bigger Than Your Dad Festival, can now reveal that nearly ยฃ11,500 was raised for Prospect Hospiceโฆ
By Ian DiddamsImages by Jeni Meade No aficionado of 1960s and 1970s horror films would have missed seeing โRosemaryโs Babyโ, a story of Satanic pregnancy,โฆ
In November last year I was mightily impressed with Bristol soul-reggae producer Kaya Street, and reviewed their EP The Soul Sessions, read it here forโฆ
Another Stunning Week-End For Live Music Andy Fawthrop Normally Iโd be raving about just how good the live music was at The Southgate on Sundayย afternoon.โฆ
Developed in Devizes, blossoming in Bristol, as well as a snazzy new website, indie-punk phenomenon Nothing Rhymes with Orange released their next single, and itโsโฆ
Daphneโs Family & Childhood Connection to Devizes
Celebrations of Daphne Oram have been building in London since the beginning of December, for those in the sphere of electronic music and music technology. On the first Thursday of the month The Barbican held a concert commemorating Daphne’s centenary, where sound and music fair access partner, Nonclassical, in partnership with The Oram Trust and Oram Awards played commissioned reimagined works from various contemporary electronic artists, inspired from tapes in Daphne’s archive. This has been released as the album, Vari/ations: An Ode To Oram.
London university Goldsmiths acquired Daphneโs archive in 2006, bringing her work into the wider public domain, after decades of relative obscurity. In the male dominated realm of electronic music, this has presented a better understanding of Daphne as a visionary in the early development of the genre, and in turn inspired female musicians and producers.
But our story begins rather differently, in the late nineteen-twenties, at Belle Vue House, Devizes, where a much younger Daphne is caught trying to climb inside the family piano! Daphne’s niece Carolyn Scales explained, โshe was asked โwhy are you doing that?โ and Daphne replied, she wanted the piano to make a sound between the notes on the keyboard.โ
Daphne with brother John
Iโm grateful to Carolyn for providing some fascinating background into Daphneโs family and childhood in Devizes, something overlooked by the insurmountable information available regarding her work.
โAll the siblings enjoyed listening to classical music but only Daphne had the ability to create music,โ she told me. โIdaโs sisters often joined her to play trios and quartets at Belle Vue House while James did learn to play the cello but was happy to stand aside for more competent players. In his defence Jamesโs fatherโs diaries only mention one musical instrument at their home, a piano declared by a piano tuner as not worthy of tuning. Maybe we underestimate the strength of our Oram artistic genes.โ
Daphne at five months, with mother, Ida, brothers Arthur and John
Daphne Blake Oram was born on the 31st December 1925, to James Oram (1890-1964) and Ida nee Talbot (1887-1972.) โIda ,โ Carolyn explained, โwho at heart seems to have been a natural party goer, was plagued by ill health. Daphne was born in Ivy House Nursing Home not because of a fear of losing Daphne but because of Idaโs problems with her legs. In the first photograph of Daphne she is being held by Ida who is sitting in a wicker bath chair with Arthur and John in front of their new home of Belle Vue House.โ
โIda was born in Braintree, Essex into a family of drapers,โ Carolyn said, โwho soon moved to a shop on Maryport Street, Devizes, opposite the top of The Brittox, which they ran from 1888 until 1914. Unfortunately Idaโs father Alfred died in 1896 leaving her mother Alice nee Blake to run the business.โ She continued to describe Aliceโs six children helping at the shop, and its failure, though Ida was in charge of the millinery department, and how later there was a room in Belle Vue House devoted to her hats. Carolyn told of Idaโs painting hobby, in watercolours, oils and other mediums.
Talbot family with parents. Ida on swing with her twin
Daphneโs father, James, was known in Devizes as โJimโ or โJimmy.โ He was not Irish but proud of his upbringing off the coast of County Mayo, and โnever lost his soft Irish brogue.โ His father Arthur Oram was a farmer and land agent in one of the most deprived parts of rural Ireland, hit hard by the famines of the early 1800s, and as such it was a natural breeding ground for agrarian discontent, later producing some prominent members of the IRA. This caused James to be keenly aware of local injustices.
โIn 1961, when James took us to see where he was born,โ Carolyn expressed, โhe told us he was upset that he was not allowed to go to school with his friends. They were Catholic and he was a Protestant and to highlight the differences James and his siblings had to travel to school in Newport by pony and trap, rather than walk to the local school.โ
โI feel sure that our father John was correct in saying that if James had stayed in Ireland he would have become a renowned barrister. Unfortunately, just as James left school there was a change in the familyโs fortunes as The Congested Districts Board on behalf of the British Government were, quite rightly buying estates and redistributing the land among farmers living on tenanted, uneconomic smallholdings.โ
Therefore, instead of attending university at sixteen James travelled to Devizes, to help his uncle (by marriage,) Alfred Hinxman, the manager of the Devizes branch of a Salisbury coal merchant. James lived in Devizes for the rest his life, managing the coal merchant until his retirement. Overseeing the distribution of coal in the southwest during the Second World War, James was so horrified by the profiteering he didnโt take a penny for his efforts and received a MBE.
James Oram, Devizes Mayor
โJames soon became a trusted member of the community,โ Carolyn said, โactive in its civic life, as a magistrate and a school governor. This included being Mayor of Devizes during The Abdication and coronation of George VI.โ
โJames also successfully became involved in many businesses including The Devizes Brick and Tile Co. Somehow James also found time for his interest in local history and was a member of various local societies. He could have become wealthy but instead gave away his excess income after ensuring that his family lived in a comfortable style. Every Sunday dinner during the depression of the 1930s they would discuss the families that the brickworks supported, carefully working out if they would have the money to feed their children. The discussion would end by choosing someone who was struggling to hire to cut the Belle Vue House lawn during the following week.โ
The Devizes Brick and Tile Co. Photograph by HR Edmonds
Jamesโ generous nature rubbed off on his children. Daphne actively supported composersโ rights to royalties while she was a Trustee of The Performing Rights Society in the 1970s. โIn particular,โ Carolyn noted, โDaphne helped to set up the PRS Membersโ Fund that continues to support those registered with the PRS and their families when they are in need of financial help. During the 1980s Daphne arranged Christmas hampers for these families.โ
Before Daphne was born the family lived in rooms above the coal merchantโs office at 7 High Street, Devizes. James wanted Belle Vue House, empty at the time but out of his price range, until the state of dilapidation dropped far enough, which was just as Daphne was being born. The house would have been at the end of Belle Vue Road, now replaced by Waiblingen Way housing estate.
Retired designer Paul Bryant, who still resides locally told me he grew up close to Belle Vue House, and recalled her returning to the family home and, โthe excitement that was generated when she was awarded grants from the Gulbenkian Foundation.โ Paul expressed โit is heartening to see the ancient horse chestnut tree, then at the end of the Oram’s garden, still surviving in Waiblingen Way.โ Meanwhile, local musician Peter Easton has written in request for a blue plaque to be erected in Daphneโs honour.
Daphne, with the grass roller at Belle Vue House, Devizes
Carolyn explained how the siblingโs engineering abilities can also be traced to the Oram side of the family. โTheir great uncle John had designed machinery to make barrels for Rockefellerโs oil, and their uncle Arthur oversaw many civil engineering projects in the Indus Valley, now in Pakistan.โ
โArthur, aged 9 and John, aged 5 were to share a bedroom with an adjoining dressing room that James agreed they would turn into a workshop,โ Carolyn said. โThey had already started their own tool kits and Arthur was delighted when James added a foot controlled fret saw.โ
In a letter to John dated April 2003, Arthur wrote it would be the 77th anniversary of their move from the High Street to Belle Vue House: โEvery 20th April was the day of an annual fair on the Green, and Hitlerโs birthday. That one in 1926 was a very special wet Tuesday for us. Our mother was taken the half-mile in a big closed Bath Chair drawn by a man holding the long handle in front, because of her illness with a bad knee. She was helped into their old oak bed in the drawing room, on the right of the door towards the fireplace. In that room there was placed, near the door, the old radio that our mother had bought some years before from proceeds of her Barbola work, with its two bright emitter valves and six volt battery, from which we had news through the general strike of 1926.โ
โLater the workshop became home to Johnโs lathe and of great interest to Daphne. John told me that he was sometimes very mean to Daphne when she came to the workshop. At first she had to stay outside the open door and be silent, if she passed that test she was allowed to stand just inside the door for a while before coming closer to John and even helping when possible. John taught Daphne to use a lathe and she had one of his old lathes at Tower Folly, albeit by then worn and no longer a precision tool. John also admitted to teasing Daphne over his Meccano set that she wanted to play with. Daphne had to watch John make, say a crane ,then he would tighten all the nuts and bolts before walking away leaving Daphne to dismantle his work.โ
Daphne visits her parents in Devizes
Carolyn said, โthere were three main early influences on Arthur, John and Daphne namely their father James, mother Ida and their home which gave them space to both work together and follow their own particular interests.โ
Iโm eternally grateful to Carolyn Scales, Daphne’s niece, for a fascinating insight into Daphneโs early years and family life, and for the photographs too. It seems her curious childhood nature was focused on what makes music, and her engineering skills were honed early, enhanced by her intrigue and not being allowed to assist by her elder brothers. This led her to create the Oramics Machine, her early synthesiser, built in the 1960s, but lost after her death. We should concentrate our efforts on Daphneโs work in the third part, and how it shaped modern music……
All images are taken with permission from the personal collection of Carolyn Scales with thanks. ยฉ2025 Carolyn Scales. Please ask permission before use.
Yesterday Wiltshire Council published an โupdateโ on the lane closure on Northgate Street in Devizes as the fire which caused it reaches its first anniversary. Only, it’s more a โreminderโ than an โupdate!โ
It begins, โthe fire, in November 2024, caused significant damage to the Grade II-listed property and since then the council has had to install a single lane closure to keep people safe. The council recognises the inconvenience this is causing and is committed to reopening the road as soon as possible.โย Yeah, knew that bit already.
It continued justifiable, stating โthe council has no legal powers to compel the building owner to take further action.โ Then the Deputy Leader of Wiltshire Council, Mel Jacob, said how frustrating it all was, and how they were โkeen to get the road reopened as soon as we can.โ Knew that bit as well.
Fair enough, red tape and all that baloney I get, but the remainder of the information simply says what an inconvenience it’s been, and its impact on the community; who knew that bit?!
ย It suggests they’re in talks, but pledges โmore positive news on the road early in the new year.โ If the word โupdateโ needs replacing with โreminder,โ the word โmoreโ here should be swapped out for โsome,โ for as of yet it seems there isn’t any news about it at all, let alone โpositiveโ news; just some chatting, possibly over tea and cake. Youโve got a new bus shelter, be happy!
But hey, even if I cannot confirm about the tea and cake, it’s 14 sleeps until Santa, so let’s keep our glasses half-full, and hope he miraculously brings a resolution in his sack. For there’s been a few advantages, such as free town centre parking for the most daring and cheeky!
And think of it this way, the serious risk of turning right into Station Road from the mini-roundabout has been lessened by its more consistent usage; it seems now the occasional driver coming from the town direction acknowledges it as a roundabout, actually observes and obeys that technical hitch in the highway code known to others as โthe right of way!โ
Before all this a right turn there was a white-knuckle ride only for the daredevil stuntman or those on the school run; there were more bumps there than on the road to Potterne.
But one roundabout up into town, immortalised as โThe Brewery Roundabout,โ has been a fascinating study into levels of human kindness in Devizes. As whilst drivers can exit the Market Place there, there’s no traffic crossing the roundabout in which to allow them their right of way. At peak times this can be challenging and a smidgen annoying. My last count of human kindness, as traffic flows at a snail’s pace from the congested New Park Street, was a fantastic new record of eighteen inconsiderate to one thoughtful driver!
Those in the know about levels of human kindness in Devizes will nip down the Station Road junction from the Market Place, if they wish to ever exit the town westward, and being this road is narrow with parking spaces, it’s become a two-way rat run, whereby the 20mph limit is considered only for “snowflakes.”ย
All of which could’ve been avoided if there was a thing called โplanning,โ whereby Station Road couldโve been reduced to one way coming out of the Market Place, and the single lane from the Brewery roundabout was used for coming into the Market Place. But no worries, because Wiltshire Council are talking about it. It’s not progress, is it? It’s more like poking a dead dog with a stick, hoping it might get up and run.
Is it time to start thinking about spring? I think so! Bath music promoters 7 Hills are moving their annual spring festival from the city to Trowbridgeโs Old Town Hall. If youโre already buzzing for the 2026 festival season to arrive, check this March offeringโฆ..
7 Hills regularly organise music events at The Night Jar in Bath, a glorious bar upstairs at the Bath Pizza Company, part of the hip Green Park Brasserie close to the railway station. Many gigs there have a โpay if canโ policy, and present the likes of Luke De-Sciscio, Elles Bailey and Steve Cradock of Ocean Colour Scene. Their festivals are also usually held in Bath, but this coming year a spring one comes to Trowbridge.
Chris Hoar of Courting Ghosts explained he, โreached out to them initially to say I was planning a festival in the newly renovated Old Town Hall, just to check it didn’t clash with them, and Matt said let’s do it together in Trowbridge as a spring festival.โ
Concrete Prairie
Itโs an all day folk-rock festival, happening on Saturday 21st March, tickets are on sale now at ยฃ39.50. Thereโs a number of acts new to me on the lineup, which is good; The Delines, Our Man In The Field, Joseph Arthur, Hannah White, Leander Morales Music, Chris Greenhalgh, Bluebeard and the Desperate Hours and Biff Country. Some to tick off my must see list, like AQABA, and others which I will never tire of witnessing, particularly Concrete Prairie, Thieves, Fly Yeti Fly and Matt Owens, with Chrisโs band Courting Ghosts, of course!
Courting Ghosts
Following an extensive and transformative refurbishment, the historic Old Town Hall will host this inaugural 7 Hills Spring Festival, a landmark cultural event marking a renewed era of artistic ambition for the region. Conceived as a celebration of world-class songwriting and contemporary creative excellence, the festival assembles an exceptional line-up of internationally esteemed performers and compelling new voices.
The Delines headline, widely regarded as one of the most evocative and accomplished bands of their generation. Praised for their cinematic soul, lush arrangements and profoundly humane storytelling, critics have called The Delines โone of the finest Americana acts working todayโ and hailed their work as โexquisite, elegant and utterly transportive.โ Their appearance at 7 Hills Spring Festival promises a rare opportunity to witness a band consistently described as โamong the very best songwriters and performers on either side of the Atlantic.โ
They are joined by Our Man in the Field, whose transatlantic Americana and increasingly acclaimed live performances have captured audiences across Europe and beyond; the distinguished American singer-songwriter Joseph Arthur, celebrated for his poetic intensity; Matt Owens & The DVP, whose dynamic blend of modern folk, rock, and richly crafted lyricism promises one of the nightโs most electrifying sets; and multiple AMA UK Award Winner, Hannah White, widely recognised as one of Britainโs most profound contemporary songwriters. Rounding out the bill are Courting Ghosts, an emerging band whose growing reputation reflects a bold and distinctive artistic voice.
Fly Yeti Fly
Showcasing newly enhanced performance spaces, architectural restoration, and a revitalised artistic vision, the renewed Old Town Hall stands as a major cultural milestone. 7 Hills Spring Festival will not merely highlight the buildingโs transformation, but also usher in a bold new chapter for Trowbridgeโs cultural landscape.
With the absence of Bradford Roots Festival this coming year, usually in Feb at The Wiltshire Music Centre, I think I can pad it out until then; maybe go into hibernation until March!
Seems odd the perfect combination between Devizesโ only theatre, The Wharf, and one of the longest-running performance group, White Horse Opera hasnโt linked before, butโฆ
Featured Image Credit: Stewart Baxter Riot predictor Nick Hodgson formerly of the Kaiser Chiefs has a new band, the charmingly named Everyone Says Hi, andโฆ
Bob Marley sang โjamminโ โtil the jam is through,โ Jimmy Cricketโs catchphrase was โcomeโere, thereโs more,โ but it looks like The Southgate in Devizes isโฆ
The second feature film for director Keith Wilhelm Kopp and writer Laurence Guy, First Christmas enters development, to be produced by Shropshire-based production company, Askโฆ
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Join the St Johnโs Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th December at 7.30pm…..
The spectacular, and oldest church in Devizes, St Johnโs Church has a Christmas Concert on Friday with All proceeds go to Juliaโs House and St John’s Church.
Tickets are ยฃ10 for adults, free for accompanied children. Tickets are available via Ticketsource, Devizes Books, or by scanning the QR code in the poster below.
This afternoon I find myself contemplating what the future holds for historical discovery and learning for all ages, fun and educational exhibits and events in Wiltshire; and it looks positive! Devizes is blessed to have Wiltshire Museum already, but the future looks even better, the future isโฆ. Assizes!
Wiltshire Museum announced today, The National Lottery Heritage Fund has awarded ยฃ8.5 million towards the ยฃ14.8 million Assizes for Devizes project to transform the derelict Assize Court building into a spectacular new home for the Museum. Derelict for decades, the once huge court house of architectural distinction, on the Heritage At Risk register, The Assize Court has been a sour issue for too long, and in its current condition is sadly an eyesore. The project will restore its historic features, and breathe new life into the building; Wiltshire Museum and in turn, Devizes will thrive.
Since 1874 The Wiltshire Museum has been delighting visitors at Long Street in Devizes, and is home to nationally important designated collections, including stunning treasures from the Stonehenge and Avebury World Heritage Site landscape. It also hosts many exhibits, educational events and lectures for all ages, childrenโs craft workshops and so much more.
Director of Wiltshire Museum David Dawson said, “we are delighted that the Heritage Fund has demonstrated its confidence in our plans to transform the former Devizes Assize Court into the new home for a reimagined Wiltshire Museum. At last we will be able to give the museumโs internationally significant collections a fitting home, while rescuing an important at-risk listed building and providing a focal point for town centre renewal. We are grateful to National Lottery players, our loyal members and our other funders, existing and future, for their commitment and support.โ
Peter Troughton, CVO CBE, Chair of Devizes Assize Court Trust, which initially saved the building by purchasing it in 2018 with the support of generous donors, said, โthe National Lottery Heritage Fund award to the Wiltshire Museum is fantastic news! It will transform the museum, save the historic Assize Court building and give the people of Devizes a community hub like no other. It will be an enormous help to the campaign to achieve the vision for the award-winning museum, already supported by the town, Wiltshire County Council and leading charitable foundations.โ
My apologies, for Marlboroughโs singer-songwriter Gus Whiteโs debut album For Now, Anyway has been sitting on the backburner, and itโs more than worth a quick mentionโฆ..
Gus White is a respected folk musician, record producer, festival organiser, and community maker with a deep love for the rooted and the heartfelt. His production credits are the string that ties together an emerging scene that refers to itself as Third Wave Folk, involving a collective of artists which record with Gus at his Wiltshire studio. This includes microtonal and genre-fluid rising-star Maddie Ashman, folk singer Minna, and UK folk-charting artist Ann Liu Cannon. The latter is our connection, fondly reviewing Ann Liuโs album Clever Rabbits back in July.ย
Though, in the short wintery month this album has been simmering itโs made number twenty-six on the Official Folk Album Charts, making Gus rightfully charting too. An initial listen from yours truly and I can understand why. I do declare it as instant as Douwe Egbertsโ Pure Gold, only in rapture rather than coffee! Itโs chock full of cool vibes, that breezy feelgood Sunday morning acoustic which is too darn soothing itโs impossible to criticise. As for Gusโs barista skills, Iโve no confirmation, but going on his music, I could take a wild guess heโs a tea fellow.
Eleven songs strong, put the kettle on yourself, and allow Gus to get on doing his sublime thing! Thereโs no rise and fall, the melodies flow like the Iguazu Falls. If I pick out individual elements into Gusโs melting pot, like the doo-wop-ish structure of middle-track Terrible Things, the bluesy guitar picking in the following song, Head Held High, or jazz drum percolate in Please, Forgive Me, theyโre all so subtly placed. If Gus defines it Third Wave Folk, thatโs what it is; a composition borrowing from Americana and English folk, but neither whole; a gorgeous cherrypick from both. It has the universal folk-rock feel of Goerge Harrison and Cat Stevens, and is equally as uplifting.
Though some themes are negative, the overall ambience is pessimistic; if youโve a bad day, so what? Watch the rain trickle down the window outside with that lukewarm brew in a slightly stained chipped mug, listen to this and contemplate, life goes on, youโre rising above it.
If the penultimate song on For Now, Anyway, After So Long is rinsed in a dejected romantic memory, Gus carries it as skilled as Tom Petty, and the final song Still Learning lifts the spirit one final time like a contemporary Dr Hook, with that beguiling cheerful chorus. It departs your ears leaving you aching for more; a beautifully and skilled production from someone who comes across as a modest genius tea-drinker. Gus produced, mixed and mastered For Now, Anyway, a defining statement as a songwriter and a prime example of his meticulous production work.
Image: Jeremey Prout
Authentic too; recorded in 2021, with a live band of friends and local musicians, Gus White approached this stunning album like any other project, stating he was โtrying to capture the magic, and the essence, of the song in a single live performance, in the way real instruments and human voices blend when left to their own devices.โ
Gus, also a member of folk band Dead Pages, is co-organiser of Late Spring Folk Festival, which celebrated its third iteration this summer at Dummer Down Brewery near Micheldever, since forming at a Wiltshire pub venue. This yearโs is Saturday 23rd May. If he showcases this album there itโs worth the reasonable ticket stub alone.
For Now, Anyway is out now on Man Made Tigers. Available to buy on CD & vinyl exclusively from Sound Knowledge in Marlborough and is available across streaming platforms. Donโt procrastinate like me, as Iโm sorry I did now Iโve heard it.
Image credit: Forestry England/Crown copyright. Forestry England Nightingale Wood invites dog owners to celebrate Walk Your Dog Month this January….. Walk Your Dog Monthโฆ
No, I didnโt imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their second song, but itโs not a Christmas song, noโฆ.
If youโve had enough debating if Die Hard is a Christmas film with the family, when obviously nothing says Christmas like Hanz Gruber falling from the Nakatomi Plaza, maybe try this stocking filler for size; Not a Christmas Song isnโt a Christmas song, not a jingle bell or a Noddy Holder to hear here. I didnโt ask Santa for a Christmas song anyway.
It is, though, marvellously negative about the commercialisation and the absence of snow, wrapped wonderfully in a theme of seasonal romantic disruption. Oh, but it has the subtlest hints of Yule in reference; folky and in the odd twinkling piano riff, so not entirely a thrashed punk anti-Christmas feel neither. As ironically as Alanis Morissette, and as proficient as her too.
If The Pouges & Kirstyโs seasonal offering was subtle but pimped somewhere along the lines by commercial radio, Butane Skies takes the disguised holly and mistletoe to another level. You could listen to this in June without being told off; clever concept, but then, the composition of the song is equally a stroke of genius and it rolls out all rather wonderfully. Take a listen, thereโs no partridges in pear trees yet.
Salisbury acoustic singer-songwriter Rosie Jay released her debut EP today, taking its title from her first single from June this year, I Donโt Give aโฆ
On the first day of advent, a time of peace and joy to the world et al, Devizes Police report on a โlarge unlicenced music eventโ at the weekend, (spelling mistake included) in Great Cheverell. Am I the only fifty-something who’s thinking โgreat, let them be?!โ Not according to Facebook commentsโฆ..
UME they called it. UME? It was a rave, wasn’t it?! Perish the thought calling it a rave might encourage a resurgence of nineties skullduggery, when we partied without a care in the fields of England. Freedom of expression and the need to take a moment to enjoy life I favour to deem it, during an era of hyperinflation, playing the blame game after committing financial suicide, with media promoting a facist uprising, and a government labelling anyone who campaigns against genocide a terrorist. Can we let our hair down here, mate? Not on your Nelly, I’m confiscating your hi-fi!
โOfficers were called to reports of the event at approximately 12.50am on November 30th,โ they said. In other words, some comfortable living, curtain-twitching huckmucker got their knickers in a twist that they might not be able to hear a pin drop in their chocolate box village, for one lone night out of a kazillion.ย
โThere were approximately 100-150 people present and a moderately advanced set up with generators, large speakers and stage area,โ the Devizes Police report informed Facebook users,ย and G&H reporter Jason jumped the bandwagon for further hopeful outcry and clickbait. Hold on a cotton-picking minute;ย didn’t they call it โlarge?โ At the summit of the rave era in 1992, 40,000 revellers attended Castlemorton; let’s keep this in perspective, eh? It wasn’t a rave or a โlarge UME,โ it was some friends throwing a party, wasn’t it?! You can fit more people into the Devizes Conservative Club!
Sensationalism continued upon the announcement, โthree people have been arrested for drug related offences.โ Hold the front page. Police could make more arrests for drugs on a single night in any of our town centres, and you know this.
Though it is with great respect for the police, we gratefully hear externally that they turned up three times but the event was allowed to continue. โDue to the event taking place on MOD land, officers liaised with the military, and an effective plan was put in place to minimise the disruption to the local community and address the illegal gathering,โ the Police continued.
And that’s the correct action to take in my honest and experienced opinion. Police providing a presence is usually welcomed for the need of safety and advice. No one really wants to piss off the neighbours, they just want to party.
โOn this occasion, we seized a large amount of sound equipment and generators from the site,โ they also said, which is a shame, because such equipment is expensive and it undermines the motivation to put such events on. Do police confiscate the horns and hounds of the Beaufort Hunt as they rampage across the countryside slaughtering wildlife for kicks?
I raved through acid house and into jungle, and no matter how many years rack up between those happy daze and now, I can never comprehend how or why the authorities concluded we were doing as much harm as they claimed we were. Sure, it was rebellious, it was unlicensed, and uncontrolled, but we policed ourselves, we tided up afterwards, we respected the land and the residents too.
It was only later, post Castlemorton, when the government clamped down, restricted us, and forcibly closed down parties that anarchy and anger against the system ensued, just as did in the early eighties with the free festival scene. Let’s learn from our mistakes and prevent history repeating, again.
The trick surely is then, to call a compromise, accept that people want to party and not all can afford festival tickets, and allow these events some leeway. For there’s a lot worse they could be doing. Judging by the positive comments on these reportsโ shares on Facebook, I’m not alone in that notion.
Being honest with myself though, I’m unsure if I’m more hacked off with police confiscating the equipment or the fact I didn’t go myself, but really, who needs an Uncle Albert in the corner, reciting his memories of parties of yore?!!ย
Ohโฆa slice of onion from my bratwurst plopped into my mulled wine; where does one go to complain about this?! Other than that, Devizes Town Council and DOCA’s Winter Festival was the best one for many years, officially opening yuletide in Devizesโฆ..
Over time the simple premise of switching the Christmas tree lights on has become a large-scale event which differs in traditions from town to town, possibly competitive even. Some here envy the Sham’s monstrosity of an electronic tree sculpture, others favour our real tree. Wotton Bassett hosts great lively rock bands, like Barrelhouse this year. But while I love those guys, nothing says Christmas to me more than Devizes Town Band brassing off the seasonal Shakin Stevens classic. And, face it, Trowbridgeโs lantern parade was an idea they nicked from us, which we may/may not have pinched from Chinese New Year, but who’s splitting hairs?!
In the modern era I’ve no experience of other town’s shenanigans in which to compare Devizesโ efforts with. I just know and am more than content with the spectacular show we stage here. A massive well done and thanks to all involved, it was a magnificent occasion, much better than last and other previous years.
To start at the end, fireworks were welcomed back after last year’s dubious light show replacement. Despite them being dubbed โsilent fireworksโ the effect was near equally impressive. Perhaps Fantasy Radio blasting out the decibels made up for the lack of explosions, and everyone’s dogs could join in the fun. I thought the radio couldโve been turned down a notch, during intervals of the Devizes Town Band playing, to enhance them when they did, but thereโs no telling radio DJs!
And as for light shows, St John’s looked absolutely magnificent. It’s one thing to project images onto a wall, it’s another to use it to compliment a 900 year old beautiful church, where children and PTAs usually just collect their lanterns and wait in relative darkness!
The Market Place was also transformed into a visual feast, a bustling market with plenty of food and drink options. Devizes Town Band proudly showcased on a grand stage was a new great idea, and excited faces of all ages gathered to watch the lantern parade. It is a wonderful, popular family occasion, this year being one of the very best.
The town came out to play. Folk gathered at the end of the lantern parade by The Corn Exchange, though, were unfenced and naturally pushed forward so Santa’s sleigh on a trailer was forced to stop there and let the lantern bearers pass behind it, rather than park sensibly by the stage. This was the only technical error, as their view of the lanterns were now obscured by Father Christmas and the Mayor offloading with a stepladder! But Devizes is Devizes, and we retain our astute sense of humour regardless. As Santa dismounted and the lanterns passed behind, folk shouted in jest, โget out of the way Santa!โ โYou can’t park there!โ and โit’s not all about you!!โ
And from the basic children’s lanterns to the regular spaceman, chickens and even the odd Minecraft Ghast, the parade swept through the Market Place gloriously, and we cheered Father Christmas as we counted down the moment the tree lights would glitter and Christmas in Devizes begins for another year.
But it’s not just about wandering through the stalls, deciding what food and drink to treat yourself to and perhaps buying fudge, or auntie a jar of chilli jam, because while you did, entertaining street theatre and glittery ladies on stilts (who I failed to pick up the phone numbers of) bustled through.
The best had to be those giant stockings moving around and charming the kids with puppet bears chatting; that was a stroke of genius. I know if I was five and saw that I’d probably have wet myself with excitement, but now I’m fifty-somethingโฆwell, best check for a wet patch just to be certain!! No, that was a mulled wine spillage as a piece of onion plopped into it; thought I’d told you that?!
I did bump into Santa though who was off-duty and, at the time, mysteriously carrying a stepladder. Being as I’ve been good-ish all year, I acted like I’d met Mick Jagger and posed for a photo with him; a quality occurrence which made my night!
But it wasn’t any one element of the event which made it, it was the colossal show they staged, all the elements so well coordinated and coming together in unity which caused this to be so magical. The expressions of joy on children and drunkโs faces was priceless and from the maker’s market to the teacup rides, everyone seemed to be having fun, even the weather was agreeable!
If I was triggered in the week by Facebook whingers witch-hunting DOCA, the newspaper reporting it, or anyone else they could blame, (like, bizarrely, Americans) for their own agitations at the name of this event, for not, apparently, being religious enough, and I said I hope they donโt come if they were only to wine-hole, Iโve changed my mind. I wish they did come now. Theyโd have seen for themselves the evening had plenty of Christmas spirit and Christmassy elements to it, whilst embracing many other aspects of winter too, and nobody really gave thought or the slightest botheration to its name, they just wanted to enjoy the moment. And they did.
The work that went into this by all involved, mostly volunteers, was absolutely incredible, and I hope it will pave the way for a new chapter in the work of DOCA, of which Devizes should be grateful and proud.
So, until next year weโll be rockin’ around the Christmas tree, letting the Christmas spirit ring, having pumpkin pie, later, and possibly doing some caroling; if thatโs still not Christmassy enough for disgruntled keyboard warriors next year Iโll dress up as the Archangel Gabriel, if they so wish, so they can winch me up and suspend me across the Market Place where everyone below will see my Grinch boxersโฆ.donโt tempt me!!
Somewhere just outside Westbury a sizable barn hosted the most memorable new year’s eve raves in the mid-nineties, but Iโd never have imagined then,โฆ