Tag: movies

Supergrass Headline Frome Festival to Support Local Community Action Group

Britpop icons Supergrass will headline Frome Festival as a fundraising event for grassroots community action group ‘People for Packsaddle’ who are fighting to save a much-loved local green space from development…….

The Cheese and Grain made a last-minute announcement of the concert slated for Friday 11th July as part of the Festival, crashing their site with fans eager to find out more.

Toby Culff, spokesperson for ‘People for Packsaddle’ explained, “The proceeds from this event are being donated to our local community action group, People for Packsaddle, to support us in our ongoing battle to protect the area known as Packsaddle Community Fields, in Frome, from development. Despite hundreds of objections and the planning application being refused by Somerset Council, the developers are taking it to an Appeal. For us to fight the Appeal and be represented by a full legal team comes with a significant financial cost.”

Culff continued, “The fields are a designated Asset of Community Value and a crucial, irreplaceable resource for local people and wildlife, and for Frome as a whole. By coming along to this gig, people will be supporting positive community action whilst also helping to protect the environment.”

The drummer of Supergrass, Danny Goffey, who lives in Frome, is a big supporter of this initiative and this offers the perfect opportunity to give something back to the community.

The indie rock legends are celebrating the 30th anniversary of their seminal chart-topping debut album ‘I Should Coco’ by playing it in full and then drawing from their endless greatest hits, proving they’re still at the top of their game. Bursting onto the scene in the mid-90s and channelling their iconic energy, Supergrass shot to fame with anthems like Alright, Caught by the Fuzz and Mansize Rooster. Three decades on, their live shows are as cool as ever, and fans can expect an unforgettable night from a band who helped define an era.

Support comes from Lumley, who describe themselves as “lurking in the Indie pop bargain bin, Frome’s finest exponents of stealing all of your favourite hits and misses from the ‘90s”. Lead singer Micheal ‘Fordy’ Ford, who is also a concert promoter, stated, “First of all this show is for Frome and the ridiculous proposal to build at Packsaddle. We stand with our brothers and sisters of People for Packsaddle. Secondly, it’s just awesome! Supergrass at Bath Moles in 1994 changed everything for me and I finally found MY band!”

In true Frome community spirit, the Town Crier, Martin Scott, will be acting as Master of Ceremonies at this one-night-only benefit. Attendees can expect some of his trademark humorous rhyming couplets. Scott shared on social media, “We are young, we run green…and we’re running full speed towards a night of righteous revelry! Supported by the fabulous Lumley, it promises to be alright, alright, alright! So gather ye, good people of Frome – for common land, common good, and uncommon talent! Let the bell ring, the chords chime, and the wild ones ride again!”

People for Packsaddle’s Toby Culff expressed, “We are enormously grateful to Supergrass, the Cheese and Grain, local band Lumley and Frome Festival for their support in ensuring this crucial fundraiser can go ahead, as well as to everyone who comes along and enjoys the gig and helps us achieve our goal of saving the fields from development. We won’t stand by and let developers ride roughshod over democratic, locally made decisions – this fundraising event is going to really help us achieve this aim!”

Frome Festival Director, Adam Laughton, explained, “Supergrass headlining Frome Festival is further evidence of the cultural significance of this amazing town, continually punching well above its weight. Enormous thanks to the individuals who have made this happen, as well as Cheese & Grain and People for Packsaddle,” adding, “This event is the cherry on top of a sensational 10 days of activity kicking off on Friday 4th July. Over 280 events in over 50 venues – there’s truly something for everyone.”

FROME FESTIVAL is taking place from 4th to 13th July 2025 with its most ambitious and wide-ranging programme to date. This much-loved annual celebration of arts, culture, and community continues to grow in scope and imagination, bringing together world-class performers, local talent, and a wealth of unique experiences across the town.

Additional musical highlights this year include performances from the Ronnie Scott’s All Stars, acclaimed songwriter and producer Guy Chambers (most well-known for his work with Robbie Williams), Brodsky Quartet,  the Miki Berenyi Trio (formerly of Lush), Tom Moth (harpist with Florence + The Machine), Gary Stringer (Reef), Rokia Koné (from Les Amazones d’Afrique), and the dynamic Hackney Colliery Band.

The comedy line-up features some of the UK’s most distinctive voices, with headline sets from Lou Sanders, Andy Zaltzman, and the return of firm favourites Jarred Christmas’ Pop-Up Comedy. Lou Sanders, Andy Zaltzman, and the return of firm favourites Jarred Christmas’ Pop-Up Comedy.

This year’s Bob Morris Lecture will be presented by historian, author and broadcaster Professor Kate Williams, offering fresh insight into a thousand years of Britain’s palaces, monarchs – and all the royal secrets.

The family-friendly programme includes free events for children, funded by Frome Town Council. Festival-goers can also enjoy the return of cherished community events such as the Hidden Gardens, the Frome Open Art Trail, and the Food Feast, featuring live music from up-and-coming indie rock band Nothing Rhymes With Orange, bluegrass with percussive step dance from Buffalo Gals, and soul collective Kaleida Wild. Entrance to the Food Feast on Saturday 5th July is free.

The theme for 2025, Frome’s historic textile industry, is woven through the festival’s branding, artwork, and a variety of textile-inspired events that pay tribute to the town’s rich industrial heritage. These range from the traditional, for example weaving and woad dyeing workshops, to the contemporary, such as a themed AR (Augmented Reality) history quest and a silent disco comedy walk. The yarn bombing competition ‘Make Frome Knit Again!’ seeks to decorate the public spaces of Frome for the duration of the Festival.

A free printed festival brochure is available from the Cheese & Grain and other local outlets. The full programme and ticket information can also be found online at www.fromefestival.co.uk

https://www.cheeseandgrain.com/events/supergrass/

REVIEW – Devizes Arts Festival– Mark Watson – Corn Exchange – Friday 13th June 2025

Welsh Favourite Comes to Devizes

Andy Fawthrop

The Devizes Arts Festival came up with another of its heavy hitters last night with a packed house at The Corn Exchange, all ready to welcome comedian Mark Watson to the town.

Mark Watson is an English comedian, novelist and producer.  Born in Bristol of a Welsh mother and English father, he has adopted a somewhat Welsh lilt in his delivery.  He’s won a number of comedy awards and is well known from his frequent appearances on TV, as well as being a Radio 4 regular.

Introducing himself, Mark climbed on stage to do an introductory 10-15 minutes before bringing on his support act for the night – Vicky Slater.  Projecting a slightly larger-than-life persona, Vicky delivered her material well, but I’m not sure that quite all of it landed.  Her tales of coming out as gay were delightful and amusing, rather than particularly hilarious.  She at least avoided the current lazy habit some up-and-coming comedians have of trying to pick on audience members in order to prompt some witty improv, and instead stuck to her own original material.  Respect for that. She was slightly rambling and incoherent in places, but she gradually won the audience over.

After a slightly short first half and an early interval, the main man was back to deliver his set.  Mark kicked off with comparing how difficult it was being a stand-up comedian versus, say, being a brain surgeon or, prompted by an audience member, a menopause therapist.  His key criteria for the comparisons were, aside from the training and basic aptitude, the amount of sheer stress and anxiety that such an activity could induce.

This was all by way of introduction to his first main theme – stressful situations in ordinary life.  But this was no feeble Michael Macintyre “observational comedy”, laughing at “isn’t it funny when…?” type comments.  This was full of little anecdotes of his own personal experience that everyone could easily relate to – flying with a small airline, getting into a car thinking it was an Uber (when it wasn’t), asking for help in Tesco (from someone who wasn’t even an employee), dealing with a homeless man (who began to take advantage), interacting with chat-bots online (who seemed very concerned for his continued welfare after once buying some towels a few years previously), and coping with his son whose only apparent language capability seemed to be through frequent WhatsApp messages.  The situations were carefully crafted and set up before the always droll and almost exasperated punchlines.

His second “theme” (if I can call it that) was around the “corporate” gigs he’s sometimes had to do, particularly the waste-processing and meat-processing industries.  The latter’s “Meat Management Awards” provided a rich vein that he mined repeatedly for jokes about sausages and how he’d become “an advocate for natural casings”.

Against his own better judgement, he’d been persuaded to use ChatGPT to create a self-description, and it had come up with “a breathless delivery by a neurotic personality”, and even he had to admit that it wasn’t too far from the truth.  And I’d agree.  Watson came across as genuinely curious about the world, bemused by modern technology, amazed by other people, and surprised by how much of modern life created stressful situations for him.  And out of this melting pot there came a genuinely funny man.  He was self-deprecating, very natural and – no doubt about it – absolutely hilarious.

Absolute top marks to Mr Watson and to the Devizes Arts Festival for booking him.  Top notch. Find  out more at www.markwatsonthecomedian.com/  

The Devizes Arts Festival continues until the night of Sunday 15th June at various venues around the town.  Tickets can be booked at Devizes Books or online at  www.devizesartsfestival.org.uk  

First Christmas: Kopp and Guy’s Second Feature Film Enters Development

The second feature film for director Keith Wilhelm Kopp and writer Laurence Guy, First Christmas enters development, to be produced by Shropshire-based production company, Ask Seek Knock. We sent our Helen to the press screening of their award-winning first film, Translations, here’s what she thought…..

First Christmas is set to be filmed in Shropshire, with a primarily West Midlands based crew. The film is to be associate produced by West Midlands-based Emily DeJesus and Adam Fray. The synopsis, “a widowed man invites his three grown up children and their families for Christmas, in the hope that they stitch their fractured family back together.”

Luke Allen is a renowned young producer with a solid track record of short form productions. He is the writer and executive producer of Something Sketchy, a sketch show pilot, having previously worked as production manager on the heavily anticipated pilot Henry House (starring Peter Purves, Annette Badland and Mark Lewis Jones) and in other production office roles on the upcoming features Bjorn of the Dead (dir. Sara Sugarman, starring Ralph Brown and Amelia Eve) and Reckless (dir. Elliott Montello, starring Scott Adkins & Vinnie Jones). Luke’s short form credits include the drama Weightless Words and the darkly comic Got Your Nose, which recently screened at Raindance Festival. 

Luke is set to make his feature film producing debut with First Christmas. He said, “when Keith approached me to produce this, it was an instant yes as I had so much fun working with him for a couple of days on Something Sketchy. Once I read Laurence’s beautiful script, I knew I had made the right decision – it’s an honour to be onboard and I can’t wait to bring this story to life!”

Laurence Guy is an award-winning Screenwriter, who has worked in collaboration with Keith Kopp on several films that have played in festivals around the world, as well as streaming online (SkyTV and Amazon Prime). Laurence’s play, ‘ZORIC’, was longlisted for the Bruntwood Prize in 2022, and his debut feature film ‘Translations’ won best screenplay at the Riverside International Film Festival, before gaining UK distribution in the summer of 2023. Laurence is represented by Steven Russell at Collective Talent.

Laurence stated that, “I’m really excited to be working with ASK on Keith and my second feature, First Christmas. After the success of Translations it felt like a natural step to bring this ensemble comedy drama to life in a way that I know audiences will love. It’s a real actor’s script, with character and heart at the centre of the story, that centres on a family brought together over Christmas after the death of the matriarch of the family.”

Keith Wilhelm Kopp is an award-winning film Director whose works have screened in festivals globally (Encounters FF, Belfast FF and Portland FF) and has had TV broadcast in the UK. His debut feature film Translations has received rave reviews and had a theatrical release in 20 UK cinemas. He is interested in films about redemption, transformation, and family dynamics. Keith is a BAFTA connect member. 

Kopp said, “I look forward to bringing First Christmas alive because of the universality of families coming together during the holidays, overcoming their hardships and rediscovering the joy of spending time with people who know the joy and complexity of each other. This film has a lot of humour and humanity and I know there is a wide audience who will really engage with the story. I am especially excited to shoot First Christmas in Shropshire, a location that is wealthy in history and picturesque landscapes.” 

First Christmas is currently in development and available for investment and sponsorship conversations. For more information, contact Luke on luke@askseekknock.co.uk

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It’s all about Picture-Drome

I’m leaning on the counter by the popcorn stand, not at The Palace to watch something on the big screen, rather the little screen of a phone. The clip shows how Picturedrome have transformed a previous cinema, and I’ve returned home to tell you, it’s impressive.

 
Some years ago, back writing the No Surprises Living in Devizes column for Index:Wiltshire, I used an episode to highlight the traditional side of Devizes, noting milk-floats and brewery drays, but focussing on the rarity of a town our size having a cinema, a lost-in-time cinema, reflecting a time of yore when attending a movie was an exciting treat akin to a theatre trip.

 
The response to the article was unexpected, my fuddy-duddy mind imagined everyone would agree and appreciate the Palace for its archaic character. Yet while the older of our population did, negative comments flowed, generally from younger ones. The seats were uncomfortable, there was a dank chill, the sound and screen outdated, and then there was always the chewing-gum covered seventies carpet.

 
I cannot blame anyone younger than I, who doesn’t get gooey-eyed over nostalgia, many admitted they’d rather travel and pay extra for a modern cinematic experience. Found this a hard pill to swallow at first, money is everything this day and age, multiplexes are over-priced, uninviting airport-styled zones for auditoriums, grey boxes for screens, absent of design, with extortionate merchandising thrust into your face on entry, and the overall sensation you’re being taken for a mug.

 
The more I contemplate it though, I’ve tendered a side to the notion; yeah, overlook my antiquated wistfulness, the Palace does need a lick of paint. Still, it’d be a horrific sight to behold if a makeover churned up a half-hearted attempt to replicate a city multiplex in our beautiful little town. At the breaking of the news that a new company was taking over the Palace, it’s only fair to worry it might go this way.

 
Step in Picturedrome, and after this brief encounter, I’m feeling extremely optimistic about the change. For starters, the young owners are keen and enthusiastic, they sing the praises of Picturedrome, a fair company it seems, who entrust the branches with the freedom to explore possibilities, and after all, have a wealth of experience in turning a cinema around.

bognor-picturedrome
PictureDrome’s Bognor Regis Cinema

Hum, did I say that, turning a cinema around is tricky, bit heavy?! Yet, all other Picturedrome’s branches are situated in similarly small towns, and were renovation projects. Newly appointed Devizes manager, Spencer, told of a success story in a Welsh town, where it’s elevated a community, bringing outlets such as Costa Coffee, with jobs and prosperity.

 
So, keen to hear what changes they planned, I fired only a few questions, I was content at what I’d already witnessed. There’s tins of paint and dust sheets in the bingo hall, the wall by the staircase is knocked through. “This only happened yesterday,” they laughed. The plan is in action and they’re hopeful it’ll be as early as March, but spring for sure. The first job is to update the main screen, whilst business continues.

 
Here’s the greatest thing though, combine my dilemma of traditional versus modernisation, seems Picturedrome will more than satisfy both sides of the argument. The new screen is to be moved forward, for effect, the sound will be equivalent of the large multiplexes, all the mod-cons will be installed, but in such a manner the building, and interior retains character.

 
Spencer, and Dorchester manager Karla, here to oversee the project, explained Picturedrome are keen to create a traditional cinema experience, to return it to that aforementioned time of yore, and they love curtains! The lighting and decor on the video of a probable scenario, creates an astatically pleasing experience, while the technology provides everything that you’d hope for in a modern cinema trip.

 
Keen too they were, to engage with the local community, and adhere to suggestions, in fact it was the first point they conveyed to me; intending to accommodate the long-standing Devizes Film Club, and even, when suggested, support local filmmakers. I mentioned my overlooked request to screen Swindon-made film, Follow the Crows, they gave an anecdote about a filmmaker who once manned the popcorn stand at the Palace, I was convinced they’d honour local projects.

 
Perhaps the development will make this easier, alas no bingo hall, but plentiful room left over for a fully-proposed second screen, perhaps, they added, a third. With this to their advantage, a greater variety will become available, and the chance to run film clubs and special events without interrupting major movie runs.

 
Does it sound all too good to be true? I know what you’re gonna ask. Shut it Jessie J, it is all about the price-tag, these days; another grand point to erm, point out. They intend to keep it affordable, cheaper than the big boys.

 
It’s ambitious, but the team are determined, and with such plans to impress either end of the tradition/modern debate, I’m certain the change is a positive move for Devizes, and a calling card to neighbouring towns and villages who’d previously drive to larger town’s multiplexes.

 
We await the opening, but until such time, the cinema continues to run, so support them and go see a film. I’ve updated the icon for the flicks on our homepage to send you to Picturedrome’s website, where you can book tickets online. Here’s the link anyhoo.

PicturedromeLogo.png

 

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