Beyond Chippenham Streets

It’s the second exhibition at Chippenham pop artist Si Griffiths’s Forbidden Carnival gallery, and if the previous was an overall of the curiosities of alternative art we can expect to see there, this has a more specific theme of street art and graffiti….

It’s been a long rocky road for graffiti to be accepted by the art world, and while in the UK Banksy’s popularity has swayed opinion, the legalities of the practice hinders the gap from walls to gallery, as much as renowned street artists are celebrated. Yet graffiti has a solid history, from slogans on ancient civilisations to the competitive nature of New York gangland borders blossoming into wild-style typographic designs at the dawn of hip hop culture. Such was the vying essence of an emerging scene which took dadaism to the next level, questioning where art should be rather than what art is, artistic flare took the movement away from typography to complex “burners,” or depictions influenced by pop art and underground comix artists such as Vaughn Bode.    

Still, Si seemed a tad scuppered when I met with him, with attempts to engage local street artists to contribute. An underlying fear of identification and cred may well be the cogitate pattern, though while their concerns are understandable, Si wants to encourage and work with street artists, as it functioned party to Swindon’s inaugural Paint Fest last year. For it’s the very model for the alternative ethos The Forbidden Carnival is about; quirky, unorthodox and counter-culture. For this much, the exhibit fits like a glove, though it is largely works by Si’s circle of artist associates inspired by the street art movement.

For a taste of something different this exhibit is still worth your while, there’s some amazing pieces on show here. Artists Rae Melody, Sarah Christie and of course Si himself contribute some zany compositions in their own style, some of which are printed, some of which are hand-painted onto skateboards for purchase. Not for me, with no sense of balance, but I would undoubtedly have the coolest board around!

One particularly interesting artist on display here is Dave E See, aka Guts, with the freaky surreal comix style you could scan forever and still miss something, there’s clear influences from S Clay Wilson, Victor Moscoso and Rick Griffin, to Dr Adolf Steg and Jamie Smart, yet with a defined and distinctive graffiti-fashioned line they’re likely the artist who most fits the bill for this particular show, if it wasn’t, perhaps, for Jimmer Willmott.

Beyond the Streets has Jimmer’s name all over it, bristol-based artist who borders street and gallery, and goes the extra mile to mischievously perpetuate his work into unsuspecting places. Here’s the artist’s answer to Simon Brodkin, who hilariously defaces Tony Blair’s face on the cover of his autobiography and slips on a primely located window display at his local waterstones. An artist who depicts American cops with donuts-for-heads and hidden messages in alphabetti spaghetti, and front-of-centre of this exhibit there’s an example of Jimmer’s sully men-at-work signs, which he often puts back into society.

In my opinion Jimmer’s work is precisely the kick in the backside the art establishment needs to note street art’s value and place as a contemporary movement. It leaps off from the groundwork of Banky with mirth and comical impishness. Putting such works which espouses the outdoor tenet of street art in a gallery is a bold move for a city gallery, to have this in Chippenham is simply exciting and enthrallingly different. 

The Forbidden Carnival is open to view over weekends from 10am to 3pm, or you can request a private view by contacting the studio. Beyond the Streets runs until 27th August, but Si has plans for more thrilling exhibits in the future, including a Halloween themed one, which I hope to tell you more about nearer the time. For now, go check this out…..


Trending……

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes…

Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over £500 (at the last count) for His Grace Children’s Centre in…

For Now, Anyway; Gus White’s Debut Album

Featured Image: Barbora Mrazkova My apologies, for Marlborough’s singer-songwriter Gus White’s debut album For Now, Anyway has been sitting on the backburner, and it’s more…

Up to Trowbridge for Some Miller-Art

Halfway up the grand staircase of Trowbridge Town Hall, where it splits into left or right, my daughter, permanently two paces ahead of me, asked me which way now. I’d noted a sign to the art exhibit I’ve been aching to check out, so I called it. Problem was, the show is called “Up,” to which her only rejoinder could’ve been, “yes, I know it’s up, but which way?!!”

If I had reservations about the unpredictably positive response in asking if she wanted to come, being sports is her thing and creativity perhaps not so much, it was only that she might drag me around Usain-Bolt-going-for-gold fashion. Key to my pitch was that, essentially, the most appropriate movement in which to pigeonhole artist Tom Miller was street art, secondarily only to the fact she was “bored, with nothing better to do anyway!”

But it’s not her incentive on entry which is important here, rather her reaction inside the exhibit, and if she enjoyed it, which she did, anyone with a mere slither of a passing interest in art will we wowed by this show. For me, it was up my street and knocking loudly on my door.

Native to Trowbridge, Tom Miller exhibits at his hometown until 20th August, not long left to pay it a worthy visit. For yeah, Miller typically uses spray paint as street artists do, but only as a base for these canvases. He thickly layers acrylics and oils over it, amalgamating mediums as much as influences, in explosions of colour and meticulous and intricate detail. The result is staggering.

Swirls of psychedelia snake your eyes across them, akin to underground comix or yore, and in particular S. Clay Wilson. They can be themed darkly, with elements of cyberpunk, or lighter, fine art, impressionism is at play too. Yet there’s a nod to pop art, capturing humorous elements, wide-ranging themes from flowers to ice creams, and contemporary cultural icons, such as The Simpsons can be discovered on closer examination. Then, as you pan out, you begin to focus on a central point, the composition vortexes into a subject, often random, but themed to suit the surroundings. It is also a clear running concept to repeat the central subject atop the first, but slightly smaller in scale, and perhaps the topper most of one below, larger, like a play with a hall of mirrors.

Apt to mention a hall of mirrors, as there’s generally something fairground going on here, if the repetition of the central subject is cubist, it would be like viewing cubist art whilst on the waltzer. On a few occasions the subject can feel tangible, as fine art, expressionism, but with Miller’s style brashly expanding the realms of normality, somewhere along the lines. For this, and the running theme of these scaled duplications, Edvard Munch meets Marcel Duchamp in Salvador Dali’s studio, as the lines of expressionism, futurism and surrealism blur into dada in such a way only pop artists could’ve dreamed of.

But, as I said, if your knowledge of art doesn’t stretch to the influences and movements I’ve cited, none of it really matters, as why I contemplated René Magritte, my daughter also examined the concepts and discovered subjects. Like a Where’s Wally book, you could circle this exhibit twenty times and still discover something you’d not noticed before in these canvases.

Added to the pieces, there’s some sublime charcoal sketches, showing his workings and thought process. There’s also a bio, with printed matter showing the various private commissions and frescos which obviously couldn’t come to the exhibit, for quintessentially, Miller is a street artist, and in Bristol and round and about Trowbridge there’s some excellent examples. The brilliant finale to this show is, once you’ve left, you can make a beeline to Stallard Street to find such a wall with Miller’s art displayed, and in the same ethos as what’s on display inside. This added an extra dimension to the enthralling exhibit.

Plus, I’m pleased to say, Usain-Bolt had no influence over my daughter’s pace through the show, she took her time, examined everything and came out with some exceptionally precise observations. This is ideal to enthuse a non-art lover equally as much as one who is, as good street art does, but with the extra dimension of this influx of various art movement influences. Go see it, but hurry; it’s only running until 20th August!

Not forgoing Trowbridge Town Hall is a friendly place, where I gossiped and namedropped to the man on reception. There’s a vast and amazing array of events planned over the coming months, from the yoga classes to the PSG Choir and from Moo Moo Music for little ones to an impressive gig line up from the likes of Will Lawton & the Alchemists on 11th September, Onika Venus on 18th, Juice Menace on 25th, and on the list goes on….


Trending….

One Of Us; New Single From Lady Nade

Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Lade’s latest offering of soulful pop. It’s timelessly cool and…

Large Unlicensed Music Event Alert!

On the first day of advent, a time of peace and joy to the world et al, Devizes Police report on a “large unlicenced music…

Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCA’s Winter Festival, and…

Devizes Winter Festival This Friday and More!

Who’s ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lantern…