Shakespeare Live – devizine.com

“Antony and Cleopatra” at the Rondo Theatre, Larkhall, Bath, October 18th 2025.

by Ian Diddams
images by Penny Clegg and Shakespeare Live

“Antony & Cleopatra” is one of Shakespeare’s four “Roman Plays”, and chronologically is set after “Julius Caesar” as the new triumvirs Mark Antony, Octavius and Lepidus between them oversee the Roman Empire. Basically we start with Mark Antony all loved up, and avoiding his duties until recalled to Rome by Octavius to help fight pirates whilst playing down their distrust of each other. The rest of the play concerns itself with political chicanery egged along by the inevitable soothsayer complete with prophecies of doom and gloom … Our eponymous hero should have considered Julius Caesar’s similar warnings – but this is Shakespeare so why would he do that? Keen eyed readers may already have spotted a pattern with Shakespeare and prophecies of course… He makes some pretty dashed poor tactical mistakes over battles and ends up killing himself, leaving Cleopatra to similarly despatch herself in grief … keen eyed readers may already have spotted another pattern with Shakespeare and lovers killing themselves over misunderstandings… Shakespeare Live bring this Shakespearian tragedy to life on tour, opening at the Rondo.

The play takes anything up to three hours to normally complete – but director Jacky Crosher has superbly trimmed the text to just a hundred minutes, concentrating on the juicier scenes and real plot developments while using extraneous introduced Greek chorus style narrators to fill in the more prosaic plot areas. The result is a rollocking production that keeps the audience entranced but her directorial influences don’t stop there. The great naval battles on which Mark Antony’s fate resides rather than being glossed over as per the text are brought to the fore in riveting scenes of their own, played out with two full navies on a tempestuous sea via choreography and music. Similarly the land battle is performed in stylised choreography quite superbly.

All of this also wrapped with various well known musical items from Rodriguez to Black Sabbath. Full kudos to Jacky for creating such a wonderful melange of art styles to tell this tragedy.

The cast are no less excellent. When you portray a pair of lovers it is important to have on stage chemistry – a belief that the two characters are into each other, so how better to cast such a couple than with a real life couple; so step forward Mr. & Mrs. Finlay, Rob and Maria as the wonderfully played eponymous pairing. Andy Cork’s Enobarbus is sublime, Lucy Upward’s deferential yet sister-like Charmian delightful while Naomi Miller as Iras shines alongside her as Cleopatra’s companions.

Liz Hollis cameos her way almost sprite like as the inevitable Shakespearian soothsayer, all melodramatic cloak waving, and as a messenger and finally as Eros, squire to Mark Antony. Jeremy Reece advises Mark Antony smoothly while many of the already mentioned also then wade in as a clown, Egyptian and soldier.

Naledi Withers almost surpasses her excellent role of Octavius Caesar in her presentation – its that narrator thing – of a newspaper reporter, while in her main role in Rome she is excellently supported by Jeremy Reece (again!) as Lepidus, the far more sensible member of the Triumvirate! Naomi Miller also doubles up just as splendidly as Octavia, Octavius’ sister who gets married off to Mark Antony, while the stalwarts of Shakespeare Live Gill Morell and Graham Paton as ever shone in their roles as Dolabella and Thidias, and Agrippa respectively.

Tech as ever is delivered by the ever dependable Alex Latham, with more back stage stalwarts of James Dennis and Connor Palmer stage managing it all. The costumes are sumptuous, the set perfectly simple… a black box with a settee, easy to tour with and never distracting on the eye.

For a roller-coaster ride through post Julius Caesar Roman history, a love story, political chicanery and a tragedy you can do WAY worse than catch Shakespeare Live on tour – tickets available at

https://www.ticketsource.co.uk/shakespearelive

“Much Ado About Nothing” at Cleeve House, Seend, July 7th-12th 2025.

By Ian Diddams
Images by Ian Diddams and Shakespeare Live

Is it post watershed? Then I shall begin… The etymology of the word “Nothing” is quite… interesting… aside from meaning “zero” such as is today, historically it has had other meanings and pronunciations including “noting,” the writing down of musical notes… and in Shakespeare’s era it had another totally different meaning, that being a slang term for female genitalia. So, with this in mind, Will’s comedy about the pursuit of female companionship and the alleged capriciousness of the distaff members of the human species, “Much Ado About Nothing” takes on a somewhat slightly different nuance …

Trawling the web for relative popularity of Shakespeare’s plays holds few surprises with regards which gets performed the most etc. Unsurprisingly maybe “Romeo & Juliet”, “Macbeth” and “Midsummer Night’s Dream” feature highest (google is your friend here), and that trend continues with other “obvious” plays until we reach number seven in the list and “Much Ado About Nothing”, his tale of marital pursuit, deceit, jealousy and spurned love that all comes good in the end. The plot of such a Shakespeare standard needs no explanation here and YouTube can easily fill in the blanks for you, and so we move onto the beautiful background of Cleeve House, Seend, for this week’s performances by “Shakespeare Live.”

Directed by Gill Morell, her vision has set the play in pre–English Civil war times where tensions were rising and families’ split along royalist and parliamentarian lines. This is wonderfully portrayed here with the family’s soldier’s clearly cavaliers, with the opposing Don John and his entourage as parliamentarians. This is perfectly and simply set by some sumptuous costumes revelling in the brightness and pageantry of the Royalists, and the simplistic, wide collared black clothing of the Roundheads. The physical setting is regal too – with Cleeve House as a backdrop to the stage area we feel we really could be back in time, including use of the house’s own windows for the bedroom scene.

The entire play of course is premised on spying and eavesdropping – some for comedic value of course as both Beatrice and Benedick are spoon fed falsehoods as they eavesdrop on the knowing conspirators, but also surreptitious spying in the bedroom scene which in itself is a subterfuge akin to the likes of “Operation Mincemeat”. After all, the first casualty of war is truth.

There are three basic groups of characters in Much Ado – the family, the soldiers, the villagers. The family is portrayed by Alison Paine as a strong Leonata, the matriarch, Jeremy Reece as her brother, Antonio, Sarah Horrex superb as Hero, Leonata’s daughter, the wonderfully tempestuous and feisty niece Beatrice by Phobe Fung, and Kerensa McCondach as Margaret the gentlewoman and erstwhile friend to Hero.

The soldiers are more than well provided by Laurie Parnell as Don Pedro the prince, Peter Emuss as lovestruck Claudio, Oli Beech as Claudio’s best friend and Beatrice’s sparring partner and love-hate interest, Adam Sturges as Balthasar and Napoleon as the sneaky, jealous and conniving Don John, aided and abetted in his fifth column activities by Roger Hames as Borachio and Lucy Perry as Conrad.

That just leaves the villagers made up of the unflappable Simon Reeves as the equally unflappable Father Francis, and of course, the best part of the show (personal opinion here! ) the Watch consisting of Paul Batson as Dogberry, Graham Paton as Verges, Penny Clegg as Seacole, Caroline Emuss as Pyke, and David Morrell as Oatcake,

Tech is provided by the ever resourceful Rich Carter, Alex Latham and Ellen Read, the previously mentioned wonderful costumes by Hermione Skrine, Caren Felton, Helen Holliday and Ellen Williamson, Music by Laurie Parnell. This was all kept running smoothly by the dream team of stage management James Dennis and Connor Palmer.

The play finishes with all loose ends neatly tied up and for those that don’t know the plot, no particular spoilers here though following a brief discourse at the eventual wedding scene I was reminded that as Tina Turner once sang… “We Don’t Need another Hero“

This is a well delivered rendition of Much Ado in a stunning setting – it really doesn’t get any better than this. The show runs all week until July 12^th, including a Saturday matinee, and tickets are available from https://www.ticketsource.co.uk/shakespearelive

“Macbeth” at Cleeve House, Seend, July 1st-6th 2024

By Mick Brian
Photos by cast and arenaphotography

William Shakespeare’s tragedy, inspired by real life eleventh century Scottish kings, is well known by anybody that’s done GCSE (or even O-Level!) English I am sure, and Wikipedia can fill in the gaps, so I won’t bore you with the storyline… other than to say as AC/DC would have it “If You Want Blood, You’ve Got It” as Macbeth is enticed by three witches to pursue the throne of Scotland, and in so doing murders Duncan the king, then sees off his best chum Banquo, though fails to also finish Fleance, Banquo’s son who the witches also suggest may become king one day. Lady Macbeth is his conniving ball breaking wife, and eventually Macduff, the ultimate C-section delivery sees him off to bring Duncan’s son Malcolm to the throne.

The cast of “Shakespeare Live”, a Wiltshire/Bath based company, bring this tale of blood and sweat if not tears to life at Cleeve House which itself “hath a pleasant seat”, near Seend this week in their traditional summer outdoor production. Bring a picnic, sit beneath cover for the show lest it rains or on a blanket as a groundling, and watch this talented cast do dastardly deeds and much plotting, set against the beautiful Wiltshire countryside as a background. Directed by John Jameson Davis, he brings this four hundred year old play to vibrant life. The tech team of Alex Latham, Oscar Davis, Richard Carter and Martin Moffat produce such atmosphere especially in Act 2 as darkness descends… Macbeth as a play is set mainly at night-time, so the sun disappearing right on cue as the west yet glimmers with some streaks of day is sublime.

The set is simple yet effective – that Wiltshire backdrop provides everything that’s needed, with hints of Wiltshire presented in one corner that tie in with the witches perfectly – you’ll need to come and watch it to see what that is 😊

Our main man is superbly played by Laurie Parnell, brilliantly combining with Stephanie Richards as Lady Macbeth. The two of course see off Duncan, imperiously played by Gill Morrell. Faithful, then not so faithful thanes are provided by Simon Reeves as Lennox, Taruna Nalini as Ross, Bryce Collishaw as Monteith and Graham Paton as Caithness, aided and abetted by Josh Phillips as Macduff, and Francis Holmes as old Angus. Somebody has to do all the sundry stabbing and Ian Diddams as Seyton and Bryce Collishaw as accompanying ne’er do well provide the means to a sticky end seeing off Oli Beech as Banquo, Charlie Aldred as Young Macduff and Kerensa McCondach as Lady Macduff. Centre stage of proceedings of course are three witches… suitably manically presented by Phoebe Fung, Penny Clegg and Andy Cork. Gentlewoman Lydia Harman-Verrell and Doctor Roger Hames provide for Lady Macbeth’s wellbeing, and it’s all mopped up in time for Sarah Horrex as Malcolm to finish it all of with a rousing speech… though Fleance – Charlie Aldred again – is never far away… Its not all darkness, blood and tragedy of course – Graham Paton wades in with some welcome comic relief and the obligatory Shakespearian knob-gags as the philosophical and equivocating Porter.

Costumes are sublime – Hermione Skrine, Caren Felton and Helen Holliday have superbly dressed the cast in “borrowed robes”, and there are no “strange garments” to be seen!

So dust off your O-Levels and GCSEs, grab a friend or three, a blanket, a picnic, and come and enjoy a well presented tale of power, greed and witchy shenanigans in the beauty of the Wiltshire countryside.

“Macbeth” is performed at Cleeve house, Seend from July 1^st to July 6^th at 8pm, as well as a Saturday matinee at 2pm.

Tickets are available from https://www.ticketsource.co.uk/shakespearelive

Shakespeare Live – Autumn Tour

An early and rarely-performed play, ‘Two Gentlemen of Verona’ has feisty heroines, lovelorn & bickering young men, dictatorial parents, foolish suitors, cross-dressing, letters galore, wild outlaws, witty servants, a big fight, and a lugubrious clown with a dog, and Shakespeare Live are touring Wiltshire with it, So buyeth thy ticket f’r the p’rf’rmance….

Shakespeare Live, best known for over 30 years of outdoor productions in Wiltshire, have been touring their popular annual autumn show for several years, focusing on plays less often performed or on original Shakespeare-based pieces. This year, as often before the pandemic, the production was picked by the RSC for performance at their open-air Dell space in Stratford upon Avon in August.

Directed by Gill Morrell. featuring well-known Shakespeare Live actors together with some talented newcomers, including Bernard the golden retriever, and featuring fabulous medieval costumes and live original music, Shakespeare Live promises ninety minutes of fast, furious, and very, very funny entertainment.

The autumn tour starts on Saturday 14th October at The Cause in Chippenham, then The Merlin in Frome on Sunday 15th, two nights at The Mission (Tuesday 17th and Wednesday 18th), The Town Hall in Corsham on Thursday 19th, and the final show at The Marden House Centre in Calne on Friday 20th. All shows start at 8pm and tickets are £14 from www.shakespearelive.com.