If Iโm majorly disappointed by all the planned events and gigs this year done gone cancelled, probably the biggest of all was when I badgered Devizes Arts Festival into booking Limerickโs folk singer-songwriter Emma Langford. It didnโt take much convincing, just a song or two, and if you hear her new album Sowing Acorns, released yesterday, I guarantee your arm will be twisted too.
Sowing Acorns is everything Iโd expect and much more. A spellbinding composition of intelligent lyrics reflecting on past, a place or observation, Emmaโs mellifluous vocals and enchanting folk melodies. A magnum opus for this award-winning emerging artist who Iโve followed the progress of for many years.
Itโs an album which will transport you to an Irish coastal path, a gentle zephyr as you peer out to the ocean. Port Na bPรบcaรญ perhaps the prime example, with its chilling cello merging into the drifting poetic title track. Itโs a whisk of untamed Andrea Corr blending Clannad to Mari Boine, yet somehow completely inimitable. Yet thereโs astute honesty within these pieces of musical jigsaw, tales of family woe or enriching scrutiny of a lifecycle. Thereโs enough going on here to pull to pieces and discover alternative angles with each listen, but allowing it to drift over you is recommended, like waves upon said ocean.

But while Sowing Acorns opens acapella and drifts into traditional acoustic folk, it doesnโt rest, rather merges styles, and by the time you get to Ready Oh some nine tracks in, thereโs a blithe soul pop feel, teetering do-wop, similarly the Latino marketable feel of Goodbye Hawaii. Towards the end it returns to the thoughtful prose of Emmaโs sublime acoustic and feelgood Irish charm, and it ends with an ambient trance remix of the title track by Avro Party. But each and every segment, every journey this album takes you on, darker or uplifting, is expressively awe-inspiring, as if Emma pushed everything she has into this release; the definitive Emma Langford.
It is, in a word, utterly gorgeous, a definite contender for album of my year, and one Iโll be submerged in its mesmerising portrayals for a long time yet.
