Big, Music, Family, Fun @ Wiltshire Music Centre this Saturday

Kids banging their drum set upstairs, would-be guitar hero strumming in the lounge? Want to encourage them, don’t need the headache? I might have the answer to all your problems. This Saturday (22nd June) you need to get down to the Wiltshire Music Centre in Bradford on Avon, as it’s a Big Family Music Day over there, and for only £6, or £3 for under 18s and students.

What promises to be “a jam-packed day of fun for all the family,” The Music Centre invites you along to experience something new. There’s music and activities for all the family, including these varied workshops and things to do:


Discover / Learn / Perform with Wiltshire Young Musicians:

Come and learn a new instrument with our friends at Wiltshire Young Musicians! Discover brass, strings, wind or percussion before learning with outstanding teachers to prepare for a big performance in the Auditorium.


Bath Youth Folk Band:

Experience toe tapping reels and exciting jigs in this open rehearsal with Bath Youth Folk Band and get involved by singing, clapping or dancing!


Jazz Factory Workshop:

Learn how to swing and play the blues with Ross Hughes of Jazz Factory.


Drum West: African Percussion:

Tap away with Victoria and Chris from Drum West and discover the exciting music of West Africa.


Uke Lift: Ukulele Workshop:

Join Danielle from Uke Lift and pluck away in a large ukulele ensemble!


Free Stage: St Laurence School & Zone Club:

Sit back and enjoy performances from young musicians based across Wiltshire, including Wiltshire Young Musicians, St Laurence School and Zone Club.


WEYO Screening: West of England Youth Orchestra

Enjoy a recording of the West of England Youth Orchestra performing a recent new commission and find out more about the flagship orchestra.


Crafts & Activities:

Get creative making instruments for the Junk Band, get your face painted and enjoy fun outdoor activities in our family zone!


Food & Drink:

Bring a packed lunch or enjoy delicious pizza from Bianco Rosso Pizza or artisan coffee from The Coffee Girl.


Buy tickets here. For any other queries about the day, please contact Adam at adam.laughton@wiltshiremusic.org.uk

 

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REVIEW –Devizes Arts Festival Fringe – The Hot Club – 16th June @ Three Crowns, Devizes

Hot Club, Cool Atmosphere!

Andy Fawthrop

 

The final day of Devizes Arts Festival, and a day that featured some of the Free Fringe Events.

Seems like a long time ago (was it only last Summer?) that I was in the rather pleasant courtyard of The Three Crowns listening to some good music on a lazy Sunday afternoon. But here I was again, and it all came flooding back in an instant.

Founded and led by guitarist Alex Bishop, The Hot Club consists of various combinations of musicians in various formats, ranging from a simple two-guitar set-up, all the way up to a full six-piece. They meet up at The Pound Arts Centre in Corsham, where Alex is usually based. Alex also has a local folk trio called Effra.

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Our roving reporter Andy caught on camera! Image by Gail Foster

Anyhow, the music for today’s occasion was provided by a trio of instrumentalists (two guitars and double bass), three very relaxed guys knocking out some classic 1930s gypsy jazz tunes in the style of Django Reinhardt. This style of music was born in the pavement cafes of Paris, so I suppose a courtyard of a pub in Devizes is a pretty close match, right? Anyhow, the atmosphere was swinging and relaxed (chilled? yes- even in the welcome sunshine!). The packed crowd loved it, and even the (well-behaved) dogs were barking in appreciation. The wind occasionally tried to lift the small marquee, but no-one was going to let the elements spoil what was a thoroughly enjoyable afternoon.

If you want to know more about The Hot Club head over to www.hotclubjazz.co.uk . They seem to be very popular for weddings, parties and private functions!

I’m sure there’ll be more Sunday afternoon gigs in this great venue over the Summer, so watch out for announcements from The Three Crowns on Facebook.

And well done (yet again) to Devizes Arts Festival for putting this on as a Free Fringe event.

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Diversity at MF Dance’s Showcase

Diversity will be joining MF Dance for hometown show in Swindon.

 
Red Sky Promotions are proud to announce that they will be bringing the awesome street dance troupe and Britain’s Got Talent winners Diversity to The Oasis, Swindon, on Sunday 1st December as the headline act at MF Dance’s hometown show.

MF Dance provide students with enhanced confidence, discipline, fitness and focus through the medium of Street Dance and for this special show case they will be delivering two shows as the main feature. These shows bring together performers of all ages from both Swindon and Oxford in a celebration of Street and Contemporary Dance.

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The event will be headlined by an exclusive, 30 minute set from Diversity. This world famous street dance outfit have completed eight sell-out UK tours so far in their career. Their latest tour, Ignite, saw them combine the world of street dance with the world of circus. The Swindon show comes hot on the heels of Born Ready – The 10 Year Anniversary Tour which marks a decade since the dance troupe won Britain’s Got Talent. Diversity continue to inspire the next generation of dancers and are about to launch their brand new online dance classes with 20DV.

Not only the best of local and regional contemporary dance but a special, one-off show from the hottest dance troupe in the country.
https://www.redskypromotions.co.uk/product/diversity-and-mf-dance-show/

 

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Grupo Lokito Brings a Cuban-Congolese Fusion to Devizes Arts Festival

Images by Gail Foster

 

Can’t come out to play today, despite the finale of Devizes Arts Festival is all totally free. Three fringe events across town; The Hot Club (opps, nearly typed hot-tub then) at the Three Crowns at 1pm, Josephine Corcoran reading her poems and an open-mike session at the Vaults at 5pm and last, but not least, they’ve Circu5 closing the festival at the Cellar Bar, Bear Hotel at 8pm.

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For me, what’s been the best Devizes Arts Festival line-up ever, came to an explosive and marvellous conclusion last night when the Corn Exchange filled with the absolutely unique and gorgeous sound of Grupo Lokito. A packed Saturday night of the widest demographic you’d expect in Devizes, proves word is out; they’ve made a fool of anyone who attains this pompous, straitlaced pigeonhole they’ve so wrongly picked up. It has been a surfeit of talented and quality entertainment, amazingly diverse, and something our town should be very proud of.

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My thanks and praises go to all the organisers, who’ve worked their socks off but retained a smile and positive attitude throughout. So as the band members of Grupo Lokito mingled in the foyer, there was an atmosphere of delight for if this sundry group blend into a city’s world music setting, they were certainly a breath of fresh air in Devizes.

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The further away our ears travel from our perceived impressions of music, taken from what we’re exposed to at home, the harder it is, I think, to pinpoint and define the variety of styles. That’s what makes world music so fascinating. But, without recognisable covers or pastiches, and such a free-flowing sound, it does make a review somewhat tricky to write. Not helped by our brilliantly informative interview with Grupo’s keyboardist and manager Sara McGuiness, who outlined the nature of the band’s style.

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It intrigued me, Sara labelling the sound of the Buena Vista Social Club nostalgic and polarized, despite its positive effect in spreading Cuban music, to just how this night was going to go down. Indeed, Salsa dance classes had congregated, with their magnificently sassy style and gracefully romantic moves, yet I questioned if the music fitted. Salsa dancing tends to make use of traditional Rhumba, this was definably not. It was contemporary dance, do-what-ever-you-like dance, so while the salsa dancers didn’t look out of place, some arbitrarily bobbed along (myself included) and others tried to mimic the frontmen’s choregraphed hip movements, like guests on the Generation Game, none of it mattered. The concentration was on pure enjoyment of this glorious and peripheral style of music and it was thus.

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Evenly paced throughout, I observed this Cuban-Congolese fusion ecstatically. Noticing African sounds, like township jive in a particular tune, only for the next to be decidedly Cuban, and what followed them, a curiously exciting blend of the two to the point it neither mattered nor favoured one over the other; it’s just marvellous music without labels.

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I tingled when popping back to the foyer to ensure Devizes Market Place still existed and I wasn’t at Womad, informing photographer Gail it felt like I was on was holiday, a holiday I couldn’t actually afford!

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And that, in a nutshell, is the indication of a quality and exotic night. A big group hug for the Devizes Arts Festival, what a super conclusion…. Can we book Ziggy Marley next year, otherwise how are you going to top that?!

 

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Vinyl Realm Hosts New Stage at DOCA Street Festival

Yeah, it’s a toasty secret I’ve been busting to spill the beans on for eons; and we’re gathered here today to announce the line-up!

Sometime ago I suggested a local affair for DOCA’s amazing street festival on 26th August, just a small marquee-fashioned area, I imagined, set aside to highlight our local acoustic musicians. Like most of my ideas though, I throw away all practicalities and left it up to a fellow worker to causally whisper it’s a Monday and I’d be working in the morning!

Similarly, though, Pete of Vinyl Realm wanted to do something along these lines, and I’m delighted to announce he has taken the project under his wing and only gone done it, with bells on. The idea has expanded to a full-sized stage, with a great line-up that I’m here today to tell you about.

So, well done to Pete, Loz, et all, who’ve worked tirelessly to sort this out. Next week I’ll be chatting with Loz of DOCA about carnival and the street festival in general, but for now, all eyes on this, set to be the loudest alternative corner of the street festival, ever!

At this point, times of the bands performing are unconfirmed, as it needs to coincide with acts on the main stage. While DOCA’s booking of some fantastic international acts each year, it leaves us eager to know what they’ve in store for August; it’s secret left for you to buy a programme. But do save some room in your wandering for the Vinyl Realm Presents stage at the corner St Johns and Long Street, bang outside the shop.

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Ah, the new four-piece indie-rock band I’ve been harking on about recently, Daydream Runaways will be playing. Wiltshire-based Ben Heathcote on vocals, Cam Bianchi on Guitar, Nath Heathcote on Bass and drummer, Brad Kinsey. Citing influences from the likes of The Killers, The Strokes and Sam Fender, Airborne, they also praise Fleetwood Mac, The Stones and Talking Heads. We reviewed their excellent single Light the Spark a few months ago, and have high hopes for this youthful bunch.

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Whisked away on one awesome, blissful journey through sound after just one listen of their debut album, I, Cosmonaut, Cracked Machine have been mentioned and rightfully praised on Devizine over the last year. Formed in Wiltshire also, in 2015, local space-rock hypnotists, weaving “mesmerising grooves, infectious riffs and layers of sonic texture to create compelling and original soundscapes which take fellow cosmic explorers on an exhilarating trip through the cosmos.” This is Pink Floyd likened space-rock, meeting ambient trance for a new generation, yet their second album, The Call Of The Void, reflects a harder, rock edge, we’re talking Hawkwind here, and it’s reverie style will hold you spellbound.

 

Deemed the headline act, Cracked Machine is a quartet of experienced musicians, brought together in a quest for aural mayhem; Bill Denton on guitar, Clive Noyes on keys samples and vocals, Chris Sutton on bass and Blazej Gradziel on drums. They play the Southgate today, and are a welcome blessing to our local scene.

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Vibrant retro-rock fusion with folk and neo-gothic, Somerset/Hampshire’s Strange Folk UK is one I’ve not heard of, and look forward to. The band’s roots are in folk, and distinct rock aspirations are tempered by a recognisable folk vein running through their songs to varying degrees. Dark impressive vocals ride the crest of a truly great sound that transports the listener to another time.

Quoting their influences may divulge that time; sixties psychedelic legends such as Dylan, Janis Joplin, T-Rex, The Doors, Free, Hendrix, and Jethro Tull, there’s mod influences too like The Who, and Genesis, and harder rock like Zeppelin and Judas Priest.

Between bands, we announce acoustic artists, Devizes singer-songwriters, Marland favourite Tom Littlefair and the brilliant Ben Borrill, topped off with a local funky soul DJ set from Usaf. I’m truly delighted to bring you this news, reckoning this is addition is going to really add a whole new musical dimension to this already fantastic gem on Devizes event calendar. As well as all of DOCA’s exciting circus, street theatre side stalls, rides and games, it now stands at two stages large, double the fun!

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Oh, and I do believe Devizine has the exclusive on this one; expect a plagiarising Gazelle or Herod along any moment. Please feel free to share our posts, but if republishing them observe copyright and quote Devizine as the source; basic etiquette, thanks!

 

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She Robot Assimilates the British

Images used with kind permission of

Gail Foster.

 

Summer Sunday afternoons in the beer garden of the British; it’s a Devizes thing, a ritual stretching back long before I anchored on these shores. Yet it’s unusual for an android to be found there. In all truth, if any kind of automaton did start socialising on the pub scene, the British Lion would probably be bottom of the list. There’s nothing modern or chic about this favoured watering hole, no ultramodern silver-plated décor, just a good bunch of humans, the odd canine, a happy atmosphere and casks of affordable drinks.

The name of this Devizes Arts Festival free fringe event somewhat misleading, I expected She-Robot to be mysteriously mechanical, and gregariously unresponsive, akin to a robot, even if it was to be that she wasn’t really a robot. I suspected weirdness, machinelike repartee, as the name suggests. Instead, Suzy Condrad is most definitely human, affable, humoured and inspired, wearing her heart on her sleeve regarding her art, and modest with her talent.

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Queen of the Boss loop station, this multi-instrumentalist, one-woman band interlaces, effects and autoharp, glockenspiel, thumb piano and random objects to produce a unique sound, reflecting synth-pop and electro of yore, yet with a twist of contemporary ambient house like a strong bassline, and perhaps most poignant, her echoing voice and beatboxing.

She Robots hails from Bristol, her loose, avant-garde repertories remind me of Portishead, least the Bristol techno downtempo scene, to an extent, yet it’s more inimitable and individual. Captivating the audience to silence as she glides through her own compositions, and discretely reassigned covers like Kate Bush’s Running up that Hill, and one I virtually missed the source of through her own take, KRS-1’s Sound of the Police.

So yep, there’s something unquestionably electro-80s about Suzy, archiving influences I suspect from Depeche Mode, Joy Division and Yazoo, to perhaps the Art of Noise. Yet, here’s the thing, the style, the namesake gave me this preconception it’d be Kraftwerk-stiff and structured, Art of Nose secretive, but the sound flowed stunningly, ambiently and she spoke with poise and ease during prolonged breaks as she aligned her technology and instruments to perfection; far more down-to-earth than your typical robot.

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She jested, with accounts of previous gigs, such as excusing malfunctions in her loop-pedal as mud from a festival, or recounting an amusing episode gigging in Camden where the sound of an ambulance siren got caught in the loop-pedal. See, robots don’t do that, they cannot articulate socially, joke and frantically dance like a raver, with all the joy of presenting her music unto us, and that, was the most appealing part of She-Robot’s show.

So, I could argue her one-woman-band was not the master of a particular instrument, more so, the skill is the precise timing, using that loop-pedal like an instrument all of its own. I pondered what atrocity of unorganised clamour I’d create given half a turn on the thing! Yet to turn away, you’d be forgiven for thinking there was a full band up there.

Aptly, and prior to her encore, Suzy finished on Blue Monday, pure and effective nod to her principle influences, and doubtlessly as it’s an irresistible foot-tapper. But along with her genial charisma, and immense skill, it was the individuality which allured me, and her use of the ukulele, in particular, to bless the otherwise electro-synth pop sound with a reggae skank; trust me to pick up on that!

If I was informed in the past, the free fringe events of Devizes Arts Festival often failed to attract attention, it was not the case here. I hope I’m getting through those who may wear this out-of-date typecast of what the Arts Festival is about, because let’s not name and shame, I’ll admit I was once like you, but now I’ve seen the light.

 

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Billy Green 3; Should not be Moved

On my holibobs last week, local Geordie Britpop/mod musician Bill Green of trio Billy Green 3, (not to be confused with the British-Upper Canadian scout who saw victory at the Battle of Stoney Creek, naturally) messaged a YouTube link to his debut single, “I Should be Moved.” Promised to get on it this week, finally made it; procrastination rules, but glad I did.

Impartial towards Britpop, it’s not Marmite, I take it or leave it. In my defence, during the era rave was the thing, Madchester just a slice and not a principally progressive slice when compared with breakbeat. To shock horror of Oasis fans, I sauntered past them on the NME Stage at Glasto 94; never heard of them, never cared to; I was hunting hi-tech party vibes, not a Beatles tribute.

I try to decipher if my appreciation of the genre has matured, or if it’s the forceful sixties-mod element which, while present in Britpop generally, seems particularly prominent in Billy Green 3’s style. The words and riff echo a Britpop classic for catchiness, studio noise and tambourine intro and, especially, the chorus though, rings the simplicity of sixties mod. With the modern component of a perfectly placed sample, the circle is complete, Samuel L Jackson’s one-liner as Pulp Fiction’s Jules Winnfield completes it. “Sounds great, Bill,” I replied after a tinny listen on my phone’s speaker, because it does. Grown on me more, now I’ve got it on loud.

If anything, the magnitude of this slick three-minute ride spurs me bookmark Billy Green’s next local gig, though none listed yet; watch this space. Meanwhile I wanted to gage Billy about what the recording side equates to. “I assume it’s an original song,” I asked, “written by you?” and fired several other minor questions all at once, at least England was one-nil up…. at that point.

“First recording with the new project, me and a young lad called Harvey Schorah on drums, backing Vox and all-round vibes,” Bill replied. “I wrote the words and music, played guitar, bass and sang lead and backing vocals. Martin Spencer [The Badger Set, Potterne] produced. He’s a magician, essentially, he took the song in my head and made it come out of the speakers; just love this creative process in addition to the recent live shows.”

On what this will spur, Billy explained, “second song in mixing as we speak, and then hopefully will work out how to put them out as a mini EP.” Posted on their Facebook page today, we may get a listen to it, Lose Our Way, at 7pm.

Drafting my next question, for the review lead us onto football, I mouthed my thoughts that England are sitting back on a 1-0 and then, oh dear (or words to that effect!)

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“Brilliant,” Billy added, “the review, not the football, they were poor on the first half apart from the penalty, still time though; being a Newcastle fan sometimes optimism is all you have!”

This fell appropriately onto my last question; does Bill think Newcastle had a scene during the Britpop era to rival Manchester?

“Prior to Britpop I think,” He suggested, “later 80s, there was a label called Woosh, my mate’s band, the Nivens were on there and ran on Flexi discs. There’s a retrospective out called C87 which was named after the NMEs C86, but a couple of decades later, they’re on there, so jangly guitar pop; the Nivens actually opened for the Smiths. Club nights at the Broken Doll and the Riverside, basically was my musical apprenticeship, introduced me to so many great bands. Moving into the 90s, there was more of a grunge scene with Cranes etc, now there is a resurgent drone scene with a hotel in Byker putting on Japanese noise artists, it’s a bit bonkers.”

“Bonkers could describe any current pop scene in the UK though,” I scoffed.

“Fair point,” Bill nodded, “Alan McGee doing his bit for guitar bands with the Creation23 label, and This Feeling are putting on some good nights. I work in London a bit, so have been to a few of their club nights. Met up with the now defunct the Shimmer Band from Bristol, who I thought were destined for great things. DMAs came out of that scene, from Australia, and are now heading festivals, think Shame came up through there, my mate’s band Free Money are booked in, they even did the last Lexus ad, which is a bit mad. I guess I’ll always be a fan of the get a group of mates together and play in a garage until someone notices you route.”

Well, that’s been the ethos for many a decade and never did the garage scene of the sixties any harm. Stuff the Simon Cowell karaoke TV show fiasco, Billy Green 3 is archaic in fashion, just enough to know the score, yet fledgling to fit into the burgeoning music scene here; I think “I Should be Moved,” puts a stamp on that; take a listen and decide for yourself.

 

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