Dope Wiltshire Council keepin’ it realz n ting, piloting a new legal art wall in Melksham to give artists the opportunity to showcase their talent without vandalising property; have we entered a new era for the county council, or a parallel universe?! Did they sustain a head injury breakdancing at County Hall?! Like, whatever, it’s both surprising and welcome news….
Perhaps they’ve looked at Swindon Paint Fest and seen how our nearest neighbour are decorating their town so wonderfully. The new art wall will be situated at the underpass on the A350 Bath Road in the town, and while it will continue to be managed and monitored by Wiltshire Council, a local community arts group will take on the day-to-day running of the wall, including the maintenance and cleaning of the artwork.
It will be the responsibility of all the users to ensure they keep to the specified area and adhere to the code of conduct, which includes no offensive tags and respecting all users of the underpass. All materials, such as paint and other art supplies, will be provided by the wall users, and the council will step in to remove any inappropriate artwork if required.
While this sounds subjective and restrictive towards freedom to express discontent in art, as street art often does, it’s a promising start we hope will expand into other towns. I guess we simply have to accept that the Council will be judge and jury on what constitutes “offensive.”” Not excluding, of course, the notion if they are to push too strictly on this, graffiti artists will simply go elsewhere, illegally, and the whole scheme is at risk of failure.
Image taken from this year’s Swindon Paint Fest
Cllr Nick Holder, Cabinet Member for Highways and Street Scene, said, “Graffiti is a longstanding antisocial issue across the country, and so we’re pleased to be able to trial this legal art wall in Melksham, with the hope it can be a success to roll out into other areas of the county.“
“We’ve spoken to other authorities, mostly in urban areas, that have trialled similar projects, and they have seen a fall in illegal graffiti, along with increased engagement with the community, and we hope we can do the same here in Wiltshire.“
I believe, and hope, they will be pleasantly surprised by the results, artistically, but the divide between what constitutes art and what constitutes vandalism is subjective and open to debate. Yet Mr Holder says, “We hope to see some fantastic artwork showcased on the wall once it launches later this year – along with a decrease in illegal graffiti in Melksham during the coming months.“ And I have to tip my hat to that, for while it’s too late for me and my spray paint days are over, it is the art movement of today, and like it or loathe it, it’s here to stay.
It’s the second exhibition at Chippenham pop artist Si Griffiths’s Forbidden Carnival gallery, and if the previous was an overall of the curiosities of alternative art we can expect to see there, this has a more specific theme of street art and graffiti….
It’s been a long rocky road for graffiti to be accepted by the art world, and while in the UK Banksy’s popularity has swayed opinion, the legalities of the practice hinders the gap from walls to gallery, as much as renowned street artists are celebrated. Yet graffiti has a solid history, from slogans on ancient civilisations to the competitive nature of New York gangland borders blossoming into wild-style typographic designs at the dawn of hip hop culture. Such was the vying essence of an emerging scene which took dadaism to the next level, questioning where art should be rather than what art is, artistic flare took the movement away from typography to complex “burners,” or depictions influenced by pop art and underground comix artists such as Vaughn Bode.
Still, Si seemed a tad scuppered when I met with him, with attempts to engage local street artists to contribute. An underlying fear of identification and cred may well be the cogitate pattern, though while their concerns are understandable, Si wants to encourage and work with street artists, as it functioned party to Swindon’s inaugural Paint Fest last year. For it’s the very model for the alternative ethos The Forbidden Carnival is about; quirky, unorthodox and counter-culture. For this much, the exhibit fits like a glove, though it is largely works by Si’s circle of artist associates inspired by the street art movement.
For a taste of something different this exhibit is still worth your while, there’s some amazing pieces on show here. Artists Rae Melody, Sarah Christie and of course Si himself contribute some zany compositions in their own style, some of which are printed, some of which are hand-painted onto skateboards for purchase. Not for me, with no sense of balance, but I would undoubtedly have the coolest board around!
One particularly interesting artist on display here is Dave E See, aka Guts, with the freaky surreal comix style you could scan forever and still miss something, there’s clear influences from S Clay Wilson, Victor Moscoso and Rick Griffin, to Dr Adolf Steg and Jamie Smart, yet with a defined and distinctive graffiti-fashioned line they’re likely the artist who most fits the bill for this particular show, if it wasn’t, perhaps, for Jimmer Willmott.
Beyond the Streets has Jimmer’s name all over it, bristol-based artist who borders street and gallery, and goes the extra mile to mischievously perpetuate his work into unsuspecting places. Here’s the artist’s answer to Simon Brodkin, who hilariously defaces Tony Blair’s face on the cover of his autobiography and slips on a primely located window display at his local waterstones. An artist who depicts American cops with donuts-for-heads and hidden messages in alphabetti spaghetti, and front-of-centre of this exhibit there’s an example of Jimmer’s sully men-at-work signs, which he often puts back into society.
In my opinion Jimmer’s work is precisely the kick in the backside the art establishment needs to note street art’s value and place as a contemporary movement. It leaps off from the groundwork of Banky with mirth and comical impishness. Putting such works which espouses the outdoor tenet of street art in a gallery is a bold move for a city gallery, to have this in Chippenham is simply exciting and enthrallingly different.
The Forbidden Carnival is open to view over weekends from 10am to 3pm, or you can request a private view by contacting the studio. Beyond the Streets runs until 27th August, but Si has plans for more thrilling exhibits in the future, including a Halloween themed one, which I hope to tell you more about nearer the time. For now, go check this out…..
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Though Ken White’s murals have been seen across Swindon for decades, particularly his Golden Lion at the Whale Bridge roundabout on Fleming Way, contemporary street art in Swindon lives in the shadow of neighbouring city Bristol, where the legend of Banksy is crowned. But all that could be set to change, as the Wiltshire town is to get it’s inaugural street art festival, Swindon Paint Fest…..
Saturday 15th and Sunday 16th of October sets the date, Swindon Paint Fest takes place at the Wharf Green in the centre of town, has a GoFundMe, and been organised by an artist collective, Artsite the Post Moden, who provide studio space at the Post Modern in Theatre Square.
It’s free, and promises an array of works and live demonstrations from some six breathtaking artists nationwide and some Wiltshire born, like Inca Mole and Tim Carroll.
With a BA in Fine Art from Leeds University, Tim has completed several local projects, the documentation and renovation of public art for Swindon Borough Council, and an extremely well-received series of paintings, ‘100 Views of Swindon’, now available as a book.
Inca spent time in Greece working as a tattooist where his abilities and potential were encouraged and further inspired in the art world.
Peter Cowdy, will be working with a few youths to create his piece.
British painter and sculptor, Jenna Fox also features. With an MA from the Royal College of Art and currently researching fine art for a PhD, Jenna’s work reflects interactions with people about shared life experiences and journeys. She was selected for Wells Contemporary 2022 and shortlisted for the High prize 2021. Her work has been shown at The Sunbury Gallery, The National Trust, The RSPB, Earley Station, Trowbridge Town Hall, Cromwell Place Gallery and The Crypt Gallery London, and is on permanent display at South Western Rail, The Sculpture Park Farnham, The War Horse memorial at Royal Ascot and Frimley Park Hospital. She has had two residencies at Stand Point Gallery, London, and stills finds time to edit a zine called Haus-a-rest.
Predominantly a spray painter, painting as Lost Dogs for fun and trading as You Pay I Spray, we find another featured artist with a love for sci-fi, comic books and bright colours.
Unless my maths is as wonky as my own typography, I count five featured creatives, who’ve been gradually introduced on the Swindon Paint Fest Facebook page, so we await the final announcement. Until then, stick the date in your diary, favourably in a large colourful graffiti font!
Halfway up the grand staircase of Trowbridge Town Hall, where it splits into left or right, my daughter, permanently two paces ahead of me, asked me which way now. I’d noted a sign to the art exhibit I’ve been aching to check out, so I called it. Problem was, the show is called “Up,” to which her only rejoinder could’ve been, “yes, I know it’s up, but which way?!!”
If I had reservations about the unpredictably positive response in asking if she wanted to come, being sports is her thing and creativity perhaps not so much, it was only that she might drag me around Usain-Bolt-going-for-gold fashion. Key to my pitch was that, essentially, the most appropriate movement in which to pigeonhole artist Tom Miller was street art, secondarily only to the fact she was “bored, with nothing better to do anyway!”
But it’s not her incentive on entry which is important here, rather her reaction inside the exhibit, and if she enjoyed it, which she did, anyone with a mere slither of a passing interest in art will we wowed by this show. For me, it was up my street and knocking loudly on my door.
Native to Trowbridge, Tom Miller exhibits at his hometown until 20th August, not long left to pay it a worthy visit. For yeah, Miller typically uses spray paint as street artists do, but only as a base for these canvases. He thickly layers acrylics and oils over it, amalgamating mediums as much as influences, in explosions of colour and meticulous and intricate detail. The result is staggering.
Swirls of psychedelia snake your eyes across them, akin to underground comix or yore, and in particular S. Clay Wilson. They can be themed darkly, with elements of cyberpunk, or lighter, fine art, impressionism is at play too. Yet there’s a nod to pop art, capturing humorous elements, wide-ranging themes from flowers to ice creams, and contemporary cultural icons, such as The Simpsons can be discovered on closer examination. Then, as you pan out, you begin to focus on a central point, the composition vortexes into a subject, often random, but themed to suit the surroundings. It is also a clear running concept to repeat the central subject atop the first, but slightly smaller in scale, and perhaps the topper most of one below, larger, like a play with a hall of mirrors.
Apt to mention a hall of mirrors, as there’s generally something fairground going on here, if the repetition of the central subject is cubist, it would be like viewing cubist art whilst on the waltzer. On a few occasions the subject can feel tangible, as fine art, expressionism, but with Miller’s style brashly expanding the realms of normality, somewhere along the lines. For this, and the running theme of these scaled duplications, Edvard Munch meets Marcel Duchamp in Salvador Dali’s studio, as the lines of expressionism, futurism and surrealism blur into dada in such a way only pop artists could’ve dreamed of.
But, as I said, if your knowledge of art doesn’t stretch to the influences and movements I’ve cited, none of it really matters, as why I contemplated René Magritte, my daughter also examined the concepts and discovered subjects. Like a Where’s Wally book, you could circle this exhibit twenty times and still discover something you’d not noticed before in these canvases.
Added to the pieces, there’s some sublime charcoal sketches, showing his workings and thought process. There’s also a bio, with printed matter showing the various private commissions and frescos which obviously couldn’t come to the exhibit, for quintessentially, Miller is a street artist, and in Bristol and round and about Trowbridge there’s some excellent examples. The brilliant finale to this show is, once you’ve left, you can make a beeline to Stallard Street to find such a wall with Miller’s art displayed, and in the same ethos as what’s on display inside. This added an extra dimension to the enthralling exhibit.
Plus, I’m pleased to say, Usain-Bolt had no influence over my daughter’s pace through the show, she took her time, examined everything and came out with some exceptionally precise observations. This is ideal to enthuse a non-art lover equally as much as one who is, as good street art does, but with the extra dimension of this influx of various art movement influences. Go see it, but hurry; it’s only running until 20th August!
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