Killers, Catalysts and Devizes Author Dave McKenna’s New Novelette

On impulse I speculated, just short of a quarter way through this book and at the conjunction the format of the narrative is sussed, that if the author, Devizes’ Dave McKenna, has a favourite Quentin Tarantino film it might be my favourite too, the lesser acclaimed Jackie Brown. Not for its plagiarism of blaxploitation nor usage of derogatory slangs, rather for the multiple point-of-view conclusion, because The Killer & The Catalyst follows this formula throughout, and this is what makes it engaging….

This and breakneck volatility, conspiracy inducing, disloyal and sadistic action from nearly every character and the intense velocity it’s all delivered with. Coincidently, Dave cites Tarantino as an influence at the back matter, alongside Harlan Coben and Stephen King. Some of the book’s settings are drawn from actual features and places in Devizes. Most commonly the now closed and speculated as haunted Roundway psychiatric hospital, and an alley besides it in which Dave elucidates his inspiration for the story’s events set there were developed from a real incident at the location. It’s with these eerie settings, familiar if you’re local, I find understanding for citing King as an influence, especially to begin with; it feels like a horror, yet while the book has an unnerving ambience, a crime thriller might better pigeonhole it.

It’s causally written in a loose style with nothing academic about it, making it simple to digest, as if the narrator is on equal level to the characters, as if rambling the yarn to his mate in the pub. Breathes a sense of reality into it; the characters talk like you and I, therefore you identity, why not the narrator too? I like this relaxed and contemporary approach, particularly suits the plot and macho target audience; lads need to read more, and if that’s the case, this might be the book for them. Hyper popcorn-munching movie violence fashion this is.

Apostrophes are used instead of speech marks. This, and the abbreviation of okay to ‘OK’ out of speech makes the grammar police inside me cringe, to be honest. Such usages and the out of speech line, “That was a piece of piss,” implies this is hardly Dickens quality! But I’m willing to overlook and ignore these niggly criticisms for this book, because Dave McKenna can weave a story, dammit. He can evoke an appropriate mood within his readers, twist it, and he can suspend you on the edge of your seat. That makes him an author, not an ability to whisk long and misunderstood words (like wot I do to make me sound more intelligent than I is!)

Identifying the protagonist from the antagonist is questionable, when this periodic method of returning to the same opening scene with each point-of-view occurs, and that’s genius and a narrative difficult to construct. It conveys everything is not as it might seem from the angle of each individual and engages you into understanding the bigger picture. That is what makes The Killer & The Catalyst an absorbing and worthwhile read.

With the current state of the literature industry being it’s who you are rather than how good you can write, I wouldn’t imagine finding this on a supermarket shelf alongside ghost-written celebrity autobiographies. This is an example proving the asset of self-publishing, that which a mainstream publisher wouldn’t touch, doesn’t mean a person hasn’t got an exceptional story to tell and the ability in which to write it, it simply means it’s not commercially viable.

People merely need to be brave and take a lucky dip on a rising author, rather than accept what Waterstones throw at them. The Killer & The Catalyst is the good example of this, should you wish to be held in suspense and driven to question which characters were right and which were wrong, not forgoing indulging in some nasty scenes of violence to boot!

You can get The Killer & The Catalyst as paperback or Kindle on Amazon, or pop into Devizes Books for this page-turner, and you’ll look forward to reading future yarns of Dave McKenna, of that I’m certain.


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Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy…

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Broken Shadows; New Novel from Wiltshire Author Sorrel Pitts

I arrived in a Wiltshire village aged fourteen from suburban Essex, anxious this was my new home. While my parents awaited keys from the estate agent, they sent my elder brother and I to the shop for milk. Wandering the lane an elderly gent wished us the customary “mornin’.” It left me bewildered; why was he talking to us, he couldn’t possibly know us?! This amusing archived memory of an introduction to the way of life in rural Wiltshire popped into my tiny mind recently, jogged by a book I’ve been reading……

You may’ve seen it on social media ahead of its release on 6th Feb. If you’re active on our music scene you may know the author, Sorrel Pitts, often found at open mics, accompanied by Vince Bell. I caught her at one in Great Cheverell’s Bell and was astounded by her songwriting ability; now I realise I was only skimming the surface.

Sorrel is undoubtedly well travelled but raised in Wiltshire, though if it’s not the picture-painting words describing our landscapes, culture and mannerisms giving this game away, it’s the characters reflecting on foreign lives they’ve built for themselves in comparison to the sensations of a homecoming which illustrates Wiltshire life so vividly, hence my jogged recollection.

The village in Broken Shadows is fictional, but believably set in the Marlborough Downs, west of the town; if you know the area you could hazard a guess to the inspiration. Sorrel was born here, and from the tracks to the primary school and pub, to sacred neolithic stones, and down to the wildlife and weeds defining a scene around a dilapidated barn, her remarkable proficiency of illustrative writing is abounded.

As Steinbeck paints an image of rural Oklahoma to the point you can smell the cotton on the drylands, Sorrel equals in building a visual environment we’re familiar with. Perhaps Hardy would therefore be a better geographical comparison, and like him, Sorrel exemplifies subtle differences between rural working class and the affluence of classic Brontë characters. Though this is modern, mentioning a lack of internet connection, covid tests, or housing developments in the village, as two characters return to the village they grew up in, to recollect their rural upbringings.

With the scene set superbly, you’re in a picture frame, prepped for fictional first-person narrative, building in intriguing layers, diary-like over a two character’s POVs, those of Tom and Anna. The pair begin unattached though schoolfriends, are reunited through a similar circumstance of returning there, Anna to recover from an operation, Tom to care for his dying father. In this connection there’s an archetypal narrative of forbidden love sidelining, the thrill of lust against commitment, amidst an unfolding mystery, Tom’s brother’s unsolved brutal murder in the village when they were children. Anything further might be considered spoilers, needless to suggest, Sorrel rocks the boat of the stereotypical tranquillity of rural Wiltshire, with this mysterious loss and the unveiling its developing backstory.

It takes time to unravel the truth of what really happened, the pace of reading steady, as characters are introduced through various other family or village happenings, and varying amounts of suspicion you will cast upon them. I certainly had my chosen suspects, but when the revelation arrived, the penny will not have dropped, and Sorrel accelerates to breakneck speeds as the climax unfolds, leaving you breathless and unable to put this book down. I swear, right, my wife had to take my Kindle off me so I could get on the school run!

Not sure I like the term “page-turner,” to describe a novel, and until halfway I wouldn’t use it anyway, but if the suspense building in layers will tempt you back to it, I recommend you go for it. Feeling you’re close to summit of the tale when all will be revealed will tie you to the characters and their circumstance personally, and that, my friend, is the sign of a fantastic novel.

It could be set anywhere and would be a great read, the fact it’s local makes it seem that bit more real. You’ll pick up on cultural references and geographic locations, identify with the surroundings, architecture and particularly, the mannerisms of the villagers; it’ll leave it convinced you know Tom and Anna. The stunning wordsmithery of Sorrel is elementary, being the account is written akin to diary entries, there’s nothing to confound you, but the juxtaposition shows that pure competence to weave a convincing, heartstring plucking, and edge-of-your seat story. Sorrel can write, and I was hooked, Sir Michael Parkinson too, apparently! Ah, at least I’ve one thing in common with Parky!

Sorrel has a book signing at Devizes Books on Saturday 17th Feb, find the book available there, or at White Horse Books in Marlborough. Find digital copies on Amazon here.


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One Of Us; New Single From Lady Nade

Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Lade’s latest offering of soulful pop. It’s timelessly cool…

Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCA’s Winter Festival,…