Ruzz Guitar’s Blues Revue at the Southgate

Hibernation, like a bear, saving motivation and funds for Christmas, spent too much at the Lantern Parade? Ah, a bit of all three meant it was only to be a whistle stop at the Southgate Saturday night. When I should’ve been at the Sham’s Assembly Hall for the Female of the Species, and I should’ve been in Trow-Vegas for Sheer’s gig too. Without cloning technology, the pressure usually melts my enthusiasm entirely, and opt to I slob on the sofa cuddling a packet of digestives, chocolate ones, naturally. Yet if just a pint at the dependable local couldn’t persuade me,after reviewing the forthcoming live album from Ruzz Guitar’s Blues Revue I simply couldn’t resist.

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And for all the thoroughly deserved lovely things I had to say about it, I propped this gig on a pedestal, but was far away from disappointment. The band started with Hold It, and blasted Baby Please Come Home, virtually replicating this live album. Best thing at the Southgate is the communal feel, beneficial to meet and greet the artists; I was a handshake away from Ruzz Evans and the band, which I did, and with it he explained they often begin with that formula and mix it up thereafter. The advantage though was not our quick chat, but the close inspection of Ruzz handling that guitar, as it’s something spectacular and I watched in awe.

Unsure if I got the ball rolling fittingly, as I mumbled, “you make that look so easy,” at the suited Bristolian caked in perspiration. Clearly, and as I expressed in our album review, blasting a lengthy and vigorous rock n roll chef-d’oeuvre like this takes stamina! I knew what I meant though, they did make it look like child’s play, the band equally as proficient as the front man.

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So, a high-energy blast of traditional rock n roll blended with acute blues blessed the trusty Southgate, a never-ending foundation of great, free, live music in Devizes. Here’s the twist; it’s the uniqueness of Ruzz and crew, amidst the conventional rock n roll cliché of Elvis or Buddy tributes, passé eighties rockabilly four-pieces, and nostalgic but substandard fifties cover bands, Ruzz simply doesn’t come off like that. Mostly fresh, original works; if there were covers, they were rarities, and delivered with the youthful energy and passion of an era of yore.

I can’t keep on this glorious new find, I’m not even a rocker! But when stripped back to the roots, as authentically as this, all pop genres combine and there’s no need to pigeonhole. Funny, in reflection, and considering diverse fifties artists like Buddy Holly, how close mod’s and rocker’s tastes were, yet at the time, reason to fight. Look, just read our album review, will you, before I waffle on a tangent? Which, incidentally, is released February but available for pre-order today. There’re also two previous studio albums, and Ruzz returns this way in March at the Sports Club, (see poster) if not before.

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