Friday had been a not-so-great day, with lots of news about C**, pitched battles in the aisles of Morrisons over the last few toilet-rolls, and the cancellation of many sporting and other events. How to react to this desperate situation? Well it was obvious – go to the pub for a few beers and to listen to some live music.
It was The Southgate’s landlady Debs’ birthday week-end, so some great music (as always) was promised. And it all kicked off on Friday night with locals Lewis Clark & The Essentials. Although the band had played this venue before, I’d managed to miss them last time out, so wasn’t quite sure what to expect. I’d been told that they were wonderfully hard to pigeon-hole, but that they were an acoustic based band, blending folk, soul, and blues.
Lewis’ band on this occasion consisted of the man himself on vocals and guitar, accompanied by upright bass and keyboards, and they had just kicked off their first number when I got there. I was with friends and so started the evening by chatting to them, but the chat soon died away as we all relaxed and really began to listen to this very talented performer. This was no mere pub background music. None of us wanted to ignore what was clearly some very fine music.
The first thing that struck me was Lewis’ incredible voice. His range, delivery and vocal style were completely arresting and mesmerising. Coupled with some wonderful jazz-like phrasing, his vocals absolutely carried the night. The effortless musicianship of the band supported Lewis’ songs through a whole range of musical styles and influences – folk, jazz, blues, latin, roots, soul – sometimes within the same song. The result was a spell-binding fusion of melodies, haunting lyrics, and an eclectic and varied performance.
The trio produced two superb sets of original music, and still managed to work in a few covers, to which they lent their own fresh interpretation. Stand-outs among the latter were a mash-up of Led Zeppelin’s “Whole Lotta Love” with the Guess Who’s “American Woman”, and later on Free’s “All Right Now”, which all received a damned good seeing-to.
In total, it was tour de force performance – lyrical, multi-influenced, impossible to pigeon-hole, and thoroughly entertaining.
And, yes, after self-medicating with beer, I did wash my wash hands at appropriate times during the evening.
Future gigs at The Southgate:
• Saturday 14th March Lightnin’ Hobos • Saturday 21st March Eddie Witcomb • Sunday 22nd March Vince Bell • Saturday 28th March Mark Smallman Band • Sunday 29th March Gary Hall
Everyone having a nice March so far, been alright, innit? I promised, when I featured the first fortnight of events, here, that I would return to complete the last two weeks. I’ve promised this before and totally spaced on it, for which I apologise; not enough hours in the day. Nothing to do with my goldfish memory. Here though, this month, I’ve actually only gone and done it, before the 31st March too! See below if you don’t believe it’s true, the last fortnight in March, stuff to do while waiting for the supermarkets to restock on bog roll, and all that. I know, it scares me sometimes too.
Bear in mind, mind, our calendar is constantly updating, so do check in as more events and gigs are bound to magically appear like the shopkeeper in Mr Ben.
Sunday 15th is where we were up to, and I got two fantablous gigs, Burbank are the White Bear in Devizes, while Jon Amor is at the Three Horseshoes in Bradford on Avon; nice.
Monday, I never know if the Devizes Folk Club is on down the Lamb or not, to be frank, but it’s a place for a beer if I’m wrong and it’s not!!
Tuesday 17th The Stonehenge lecture at the Wiltshire Museum is now sold out. Celebrated cartoonist and artist, Norman Thelwell is at The Merchant’s House in Marlborough, for a fascinating hour illustrated talk, tracing his life, passions and artistic development. Thelwell produced 1,500 cartoons and 60 front covers for the famed Punch magazine alone and some 32 books translated into a dozen different languages. His works were full of beautifully observed detail and mainly of rural subjects, including country and leisure pursuits, sport, house sales and renovation, stately homes, gardening and sailing. Failing that, Cracknakeel provides live music at The Sun in Frome for their St Patrick’s Day celebration.
Wednesday 18th is jam-packed, for a Wednesday! Acoustic jam down the Southgate, Devizes. Bromham’s Farm Cookery School has a Taste of Morocco class, where you could be learning how to make a Briouat which is like a Moroccan Samosa, make your own Khobz and Kefta Mkaouara. £40.00 per person. Over in Marlborough David Evans gives the second of three lectures in The Merchant’s House Study Series, focussing on Reformation in England and the Arts. The Roots Sessions continues at Frome’s Cheese & Grain with the fantastic Ruzz Guitar’s Blues Revue.
Thursday 19th and you could be back down The Farm Cookery School in Bromham for a Mozzarella & Halloumi Masterclass with Josie. She will teach how to make both cheese which is technical but fun! £35.00 per person. The fantastic Ed Byrne is at the Bath Forum and Moles has a punky/metal night with the Anarchist’s Bookfair, Butter The Pavement and Out Of Reach.
If it’s a slow start to the week, Friday 20th March makes up for it. If, like me, all you know about Jesus Christ Superstar is that he came down from heaven on a Yamaha, and you have doubts with your conviction of that, it’s the opening night for this amateur production by arrangement with The Really Useful Group Ltd at Devizes’ Wharf Theatre. Tim Rice and Andrew Lloyd Webber’s classic musical portrayal of the last seven days of the life of Christ as seen through the eyes of Judas Iscariot runs until Sat 28th March and while tickets are still available as I write this, do be as quick, as if you were on a Yamaha yourself; take care not to skid though!
Meanwhile Devizes Town Hall is the place to head for opera fans, as The White Horse Opera presents their Spring Concert. Including Donizetti’s L’Elisir d’amore, Ruddigore by Gilbert and Sullivan and Hadyn’s Creation, this would be the perfect introduction to opera for those, like me, who thought Donizetti was a type of pasta sauce!
If you fancy music more pop, the local supergroup I’m always raving about, the Female Of The Species play Melksham’s Assembly Hall. Fusing all their respective band’s influences, expect the best of rock, soul and ska as the girl’s combine forces for a fun-filled gig; I’ve been to see one of these shows and I’m not hyping it up because they’re all awesome chicks, I highly recommend it!
Day one of two, at the inspiring Shoebox Theatre in Swindon of their FUSE Festival where six emerging artists test a new performance idea over three days. Fuse is about supporting the beginnings of new work before it’s fully developed. Watch, discuss, and be part of the creation of something brilliant. Two performances Kat Lyons’ Dry Season, interweaving music and movement with original spoken word poetry and extracts from medical literature. And the debut one-woman-show from Mighty Mammal Theatre, Swine of the Times, where you can meet the piggies at the troff; they sing songs, say prayers and even mime. Alice Wolff-Whitehouse employs her skills in physical comedy, dance and song to bring to life a series of flawed and quintessentially British characters, looking at the grotesque nature of privilege in the UK through a warped and colourful lens.
Staying in Swindon, Baila Coffee & Vinyl have some Disco Voodoo with DJ Amir, or try indie rock covers with Joli & the Souls at the Vic. Elsewhere, the Leathers play The Three Horseshoes in Bradford on Avon, Clannad are at Bath Forum, and Jack Dee’s Off The Telly tour is at Salisbury City Hall.
Saturday 21st then. After the hugely successful free concert in the Market Place last summer, The Full Tone Orchestra have taken their show to Marlborough, and return to town to rave the night away at the Corn Exchange. Taking the most popular section of their show, the club anthems, expect this to be something innovative and all glowsticks, as conductor Anthony Brown’s beloved orchestra reproduce the club classics which defined an era.
The Cavalier go country with the Stone Mountain Sinners, caught these guys before, they’ve a refreshing approach to country-rock which is a cut above the rest. And breezy, original songwriter Ed Witcomb makes a welcome return to The Southgate. For surf beats, odd time signatures, eccentric tunes and irony-fuelled free jazz, try The Barge at Honeystreet, where bonkers surf surrealists Mustard Allegro do their stuff.
Super Trooper Abba tribute, Sensations grace the Seend Community Centre, while Swindon’s Meca has a Whitney Houston tribute. Don’t forget though, it’s day two of the Shoebox’s Fuse Festival too.
Mercy Lounge at The Three Horseshoes, Bradford on Avon. Recommended ska night at Warminster’s Prestbury Sports Bar with the Train To Skaville, and Paul Carrick is at Bath Forum.
Head to the Southgate for an afternoon pint or three, on Sunday 22nd, and our fantastic singer-songwriter Vince Bell will entertain you. Meanwhile, Groovelator play The Three Horseshoes in Bradford.
Tuesday, Devizes Film Club at the Town Hall have the latest Ken Loach film, Sorry We Missed You, which you will be if you miss this one film fans. Full of drama, tension and heartbreak. Ricky and Debbie are the parents of teenage children. Ricky joins the ‘gig’ economy with a franchise for a parcel delivery firm. The job is sold to him as one where he will become master of his own destiny. Providing, that is, he complies with the labyrinth of deadlines, rules and conditions imposed by the company, a near impossible task. Debbie is a care worker who wants to care for the old people as though they are her Mam. But her working conditions thwart her in doing the job as she thinks fit. This modern Dickensian story dramatises the conflict between work and family life in contemporary Britain.
Don’t forget Wednesday’s acoustic Jam down the Southgate, and blues-folk singer Elles Bailey is with Phil King at the Chapel Arts, Bath. Thursday you can witness epic human-powered feats, life-affirming challenges and mind-blowing cinematography on the big screen at The Banff Mountain Film Festival world tour, coming to the Salisbury City Hall. Staying in Devizes on the last Thursday of every month though is no bore, as the regular and celebrated open mic night at the Cellar Bar is something to behold.
Seventies punk bands never had such a great name as Brighton’s Peter & The Test Tube Babies. Still going strong forty years on, they play the Vic in Swindon on Friday 27th. Tenner on the door. Swindon also has an Improv Jam at The Shoebox, and homemade function band Locomotion at the Swiss Chalet.
While it’ll sadly never be possible for the boys to be back in town, Preston’s tribute Twin Lizzy will. They make a welcomed return to the Cavalier, Devizes on Friday. Meanwhile, the Devizes & District Twinning Association take over the town hall to bring us some French Café Music with Jac & Co, tickets are also a tenner for both these diverse evenings.
How much more diverse do you want? A dedicated club night for adults with Learning Disabilities? This Is Me at the wonderful charity youth centre, Young Melksham is precisely that, a night of great music and friendship. There’s a series of these events, first one is Friday.
Another welcomed return to Marlborough Folk-Roots at the Town Hall on Friday, when Steve Knightley explores the themes and stories that inspire him and shows how music and words can become lyrics and chords and notes can meld to create songs that acquire a life of their own.
For want of an authentic tribute band, From The Jam play The Cheese & Grain in Frome, and I’ve heard all good stories about them. If originals are what you want though, The Queen’s Head in Box has a double-booking Friday. Katy Hurt stretches the country music genre in exciting new directions; haunting blues vocals, towering country rock guitars, even a reggae vibe, and she is followed by psychedelic alternative rock band, The Bohemian Embassy.
Saturday night of the 28th March is alright, but no fighting, please. Time for the Devizes Lions’ Spring Concert at St Andrew’s Church, where Ian Diddams comperes Bath Coleman, Bangers & Nash, and the Trowbridge & District Youth Band. Tickets are £10, proceeds to Wiltshire Young Carers.
The Corn Exchange has a Gin Festival. Tribute act, Motley Crude are The Cavalier and local heroes Rockhoppaz play The Black Swan. For high octane original and classic rock mixed with some tasteful Bluesy tracks, check the Mark Smallman Band at the Southgate.
Devizine is the unofficial Tamsin Quin fan club, if you wanna hear why, head to Bromham’s Owl on Saturday. Another Abba Tribute, Swede Dreams play Market Lavington Community Hall.
Highly recommended for the mods, The Roughcut Rebels are at The Pheasant in Chippenham. Also, Blondie & Ska are great fun, they’re at the Wiltshire Yeoman in Trowbridge, checking ahead, they play in Devizes, at the Pelican in May. The Blue Rose Band at The Westbury Conservative Club and an Amy Winehouse tribute at Bath’s Odd Down AFC & Social Club. Level III have a “One Step Beyond-ska and punk club-night.
Elsewhere in Swindon, homemade Damm at Coleview Community Centre and P!nk tribute, Beautiful Trauma play Brookhouse Farm, and a Pearl Jam tribute, Earl Jam at the Vic.
Sophie Matthews explores the links between the visual and the aural in a one-hour presentation at the Merchant’s House, Marlborough. Drawing on the works of great painters including Brueghel, Hogarth and Rigaud, Sophie presents a feast of images featuring historical woodwind instruments in their original social context interspersed with live performances of historical music using authentic instruments.
Sunday 29th – Nearly there, and breath…. Yin Yoga & Gong Bath at Devizes Corn Exchange, The Sunday Sessions continue at The White Bear with Matt Cook and Gary Hall at The Southgate. There’s a Comic-Con at Bath Pavilion, to be frank, it’s a commercial affair rather than a genuine “comic” con, with cosplay, gaming and meeting vague TV actors and ex-Gladiators, but might be fun for the kids.
That’s it, folks, March done, save Bradford on Avon Folk Club have Geoff Lakeman on Tuesday 31st. Let’s regroup in April, but feedback on these articles are needed. Do they work for you? Long-winded I know, but in order to fit it in. Devizine is a work in progress, I enjoy and need to know what’s working and what’s not. So, if you’ve read this far, I salute you! Tell me about it!
“Norm!” – brilliant, wasn’t he? A kind of anti-hero pre-Homer Simpson. Part of the furniture in Sam’s Bar and despite him being an average guy, when he walked in the whole place lit up. It defined the lyric of the Cheers theme song, “where everybody knows your name, and they’re always glad you came.”
If I awakened from my hibernation Saturday night to attend the wonderful Festival of Winter Ales, such was the arrangement of tables in the Corn Exchange, it felt like the sort of event you appeared at with a posse of friends. For Billy-no-mates here, I’m kind of scanning the horizon for people to hassle with my company. So, I nipped out towards the end, knowing what I was doing; I had a calling.
There is a place in Devizes akin to Sam’s Bar in Cheers, I could visit anytime, but it’s been a while and knowing what’s occurring there, resistance is futile. It takes a few minutes in the winter wind to turn the corner and get the Southgate in my sights, but I’m immediately assimilated into the Borg collective upon hearing her song. While the Southgate strives to bring us a variety of live music acts, regular as clockwork, freely, and from varying locations, Tamsin Quin’s distinctive voice summons me, the very essence of her hometown. It’s like returning for a homemade roast dinner, or a New Jersey resident going to see Springsteen.
There’s enthusiastic talk between them, about the amalgamation to be, The Lost Trades, yet the trio aren’t leaking any secrets until their debut at the Village Pump. Gate as welcoming as ever, Jamie R Hawkins billed for tonight, “with friends.” You know this is a local circumstance, sharing of the limelight a must, with flare and passion for the venue and crowd, it reflects into their performances. Phil Cooper is like Clark Griswold, if Jamie and Tamsin are Rusty and Audrey, but Vince Bell is also in attendance, so I don’t know where it leaves him! I mean this in so much as Phil is the organised one, with a setlist scheduled, he’s professional in all aspects of the game, providing order to their show. Jamie is sauntering and socialising, before being beckoned to the now legendary red-carpet makeshift stage, “oh, is it my turn?!”
At that conjunction you’d expect a song come over muddled, but Jamie, like the others, just rolls into it and knocks out the perfect rendition of his own classic, “As Big as You.” Yep, I’m in my comfort zone, with or without an easy chair.
Through all their subtle differences, the trio work, period. As we’ve said here, The Lost Trades will be a natural progression from the sporadic and less formal amalgamations. Phil is thrilled, nodding and telling me how well the harmonies work, and it’s unusual to have a boy-girl-boy harmony trio. The conversation progressing onto Simon & Garfunkel citing the Everly Brothers as the unsurpassed vocal harmony. In this line of chat, you can sense Phil’s passion and love for what he does, and with every performance it shows. If anything, that is the symmetry within this triangle, Tamsin and Jamie sport the same proficiency and appetite.
I’ll go as far as illustrating this point: later in the evening, after each performer took their turn until Clark’s schedule ran out and the punters craved more, improv covers streamed. Landlady Deborah handed Phil a drum and his eyes lit up like a kid with a new X-Box; “oh yes!” he thrilled, and joined Jamie with it, strumming. There are no prizes for guessing the improv would take over, once drinks were flowing, and with the gang helping one another out. There are subtle hints as to how the Lost Trades will sound, and it’s simply awesome.
For now, though, they’re still three separate performers with an intimate ethos, and Vince is equally involved, rather than treated like a prodigal son. That’s the spirit in a nutshell; be it George, Kirsty, or others, it’s a family affair to make Sister Sledge envious. That’s precisely why Devizine celebrates this little circuit. In a sentence, it’s guaranteed to be an awesome night, and thus it was, with a very special added surprise.
There is nought negative I could say about it. Between acts, if there was a confusion who was up next, the crowd ardently called for “Ed” to take another. I didn’t like to inquire, something I missed? If another singer was present, I didn’t see him, just a ten-year-old sitting on a stool amidst the regulars. Ed did take the stage, the very same; no one nicked his stool.
If the near future of our local music scene is the progression of these talented adults, we just glimpsed the future beyond. Ed took up his acoustic guitar, played an Oasis cover superbly, and effortlessly raised the roof. What a surprise and absolute gem, reflecting in all I’ve said about the family atmosphere. I chanced my luck and caught a quick chat with Ed, who came across mature and at ease. Oasis songs his comfort zone, for now, he expressed, it was his first time performing to an audience, it did not show. To get an entire pub singing along, no easy feat, well done Ed; you owned it.
There had been some concern that this gig might not go ahead after Jon Amor was forced to cancel Thursday night’s outing to The Beehive in Swindon due to illness. But fortunately for us, and thanks to the amazing healing properties of Lemsip, Jon’s latest home-town gig went ahead as planned. And even being a bit under the weather, Jon was on good form.
King Street Turnaround is one of Jon’s latest band outings, formed at the end of last year, and features Jerry Soffe on bass, Evan Newman on keyboards and Tom Gilkes behind the drums. And what an outfit it is. The band rolled into the Southgate and blew us all away.
What did we get? We got soul, funk, blues, boogie-woogie and rock. This was high-octane stuff, delivered with confidence and panache. We got some great solos from each member of the band, including the always-expected wizardry from Jon’s squealing lead guitar. How he manages to squeeze some of those sounds from that one guitar is simply amazing.
And we got tight, driving rhythms that gave a solid platform to some great improvisation work. We got a band that could dial it up, then dial it down, then back up to eleven again. We got a dance-floor packed with people having a good time. We got very little time wasted on inter-song chat, just lots and lots of music that spoke for itself. It was hot, it was sweaty, it was great.
Highlight of the night for me was the band getting in the groove to deliver a fearsomely good performance of “Juggernaut”. It’s got to that point with me now that if Jon doesn’t play this monster of a song, I almost feel short-changed!
Are we allowed to say that it was shit-hot? Can we say that? Yes – it was shit-hot!
Yet another belting gig from Mr Amor and friends, and yet another inspired booking by Debs and Dave at The Southgate. Live music at its very best.
Future gigs at The Southgate:
• Friday 28th February The Shudders
• Saturday 29th Feb Plus Friends
• Friday 6th March Barrelhouse
• Saturday 7th March Jon Pollard
• Friday 13th March Lewis Clark & The Essentials
• Saturday 14th March Lightnin’ Hobos
After the previous night’s superb gig with The Arnie Cottrell Tendency (see other review elsewhere in Devizine), it was back to The Southgate for something completely different. From gentle Americana on a Friday to straight-up pub-rock on a Saturday night. Part of me was concerned that the night just couldn’t be as good, but I needn’t have worried. Different music genre, different vibe, but still excellent.
Navajo Dogs, formed in 2016, are a local blues-influenced rock band. Consisting of Simon Hansen on vocals, Tom Evans on lead guitar, Kieran McLaughlin on rhythm guitar/ vocals, Jonny Wallhouse on drums/ vocals and Graham Hill on bass, these guys are one solid entertainment unit. The music is loud and uncompromising, the performances are hot, sweaty, sweary and in your face.
Covering a wide range of pop/ rock/ blues classics, outstanding numbers for me were Hot Chocolate’s “Everyone’s A Winner”, Free’s “Fire and Water”, Prince’s “Purple Rain”, The Kinks’ “You Really Got Me” and Sam The Sham’s “Woolly Bully”, but there were plenty more. The dance-floor was full all night long, and the crowd clearly appreciated their no-nonsense, no-apologies style. This was 4-star leaded, full cream, full fat pub-rock. It was thumping, steady, rocking and totally infectious. Great vocals, nice guitar work.
Two superb gigs on two consecutive nights. This is what live music is all about.
Friday night is music night, so where else to go other than the ever-welcoming Southgate? Once again Dave and Deb had found a wonderful band to fill the pub…..
I managed to miss the very start of the gig, but then stayed to catch the rest of it, and was still sitting there at nearly midnight.
What had been originally billed as The Velvet Doonicans had morphed into The Arnie Cottrell Tendency. Same people, same band. Whatever. Whoever. Either way Arnie Cottrell, Rick Foote and Graham Bushell played a simply superb gig. Featuring upright bass, acoustic and steel guitars, mandolin, and shared vocals blending into double and triple harmonies, the trio produced music that was magical, melting, melodic and absolutely mesmerising. This was Americana at its best.
The guys were clearly confident and comfortable with their music and with each other, and produced some stunning versions of Dylan’s “Girl From The North Country”, Joni Mitchell’s “Woodstock”, and The Band’s “Up On Cripple Creek”. Every song was easy on the ear, relaxed and understated, delivered with panache and some wonderful self-deprecating good humour.
Song after song was wheeled out, and I dearly wanted to go home and get my head down for the night, but there was no way I was leaving whilst these guys were still playing. Such superb musicianship just drew you in. It was warm, lovely, embracing, mesmerising and – well – brilliant. No other word for it.
Yet another reminder that it’s absolutely worth getting your arse in gear, going out into the night and supporting live music venues like the Southgate.
It was Saturday night, which could mean only one thing – free live music at The Southgate!
Jack Grace was a figure new to me, so thought I better give him a good old listen – be rude not to. And so pleased that I made the effort to go and see him.
Jack’s band is described as delivering “Country Rock with a Latin Twang” and that was certainly much in evidence. The trio were already operating at full blast when I walked in, and rarely if ever let the tempo and the excitement level drop. The pub was full, the dance-floor crowded, and the band were cooking. They gave us two superb sets of music that was loud, exciting and great to listen to.
We got lots of styles – country, country/ rock, R&B, boogie-woogie, rock n’ roll, and little bit of vaudeville, all delivered with some panache, confident playing and a good deal of humour. There were musical nods in there to Tom Waits, Led Zeppelin, The Doors, Johnny Cash, and many others. Jack and his band seem to be constantly on the road, and their playing reflected a close understanding, driving rhythms as tight as a nut, and some very assured vocals and guitar playing. Yet this didn’t mean any kind of complacency or just running through the numbers. The band were not afraid to experiment, and to completely let rip at times. And the crowd absolutely loved it.
To me, this is what live music is all about – musicians who want to deliver a great show, and a crowd that really wants to listen. A completely belting gig, and a fabulous live band.
• Friday 7th February Velvet Doonicans
• Saturday 8th February Navajo Dogs
• Friday 14th February Trevor Babajack Steger
• Saturday 15th February Mike Barham
• Friday 21st February Kent Duchaine
• Sunday 23rd February CRC
• Friday 28th February The Shudders