Osorio With Cutsmith

After fondly reviewing the single Falling from ReTone’s homegrown drum n bass label SubRat last May, the Pewsey-based vocalist featured, Cutsmith, who also runs the label, has his debut single under the name out in a manner of days, and I’ll whisper to you now, it’s outstandingly good.

On a musical journey due to be released on SubRat, Osorio returns Cutsmith to his Canarian roots. Principally it’s hip hop, yet with a meshed element of west country acoustic guitar, but chiefly and precisely why it’s so mesmeric, is that Latino tinge. I’m damned if this, aside the missing wailing electric guitar, wouldn’t look out of place on Carlos Santana’s classic 1999 album Supernatural.

Yet that said, the practise of a Latino hip/trip hop blend influencing modern reggae should not be cited via the mainstream, but pioneered in the nineties by artists like Ky Mani, and what Jus Right is putting out now. Osorio would mould nicely with these, rather than reggaeton, which is something I admit still needs to find a place in my affections. Yet Cutsmith is not Wyclef Jean, hence there’s something definitely local when he slips neatly from song to rap, and it’s smoothly accomplished, brewing with confidence.

In theme, but, and this is a big but, not in style, there’s something like Totally Tropical about it too! When, you know, they sang “we’re going to Barbados,” in as much as there’s a homesick notion to Osorio, excepting of his love of the British festival and music scene, but partly wishes to soak up some exotic sunshine and ambience. Can’t say I blame him really!

The very reason I’m tipping this so much, is because the subject works so incredibly well with the sound. As well as it’s fresh and exciting, the prospect of Wiltshire-based hip hop is something we so desperately need more of.

If Cutsmith’s relationship with Devizine got off to a shaky start when playing a White Bear Sunday session, where our writer Andy was critical that while good, it wasn’t his cup of tea, it’s been fully mended now. I spoke personally to Cutsmith at the time, who took it in good stead, and I said it was a shame it wasn’t me at the Bear at that weekend. Opinion is all we can cast, and while trying to be fair I do ask for honesty, it’s not worth the effort if flattery is all the reader gets. Oh, woe is the subjective nature of casting a review, as for the areas Andy was critical of, are the precise same reasons why I’ve got lots of time for Cutsmith’s music.

A case of differing tastes and perhaps a generational thing. But whatever, this debut single proves it today; it’s a grand job, I love it, and I’d like to see Cutsmith working on an EP or album as the potential is overwhelming.


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