Timid Deer; back with more Melodies for the Nocturnal

Salisbury may be a grey area for us, we don’t get to hear a great deal about the music scene there. I guess they have their own media, magazines and blogs covering it, but it is something I realise I must work on. For all I know, Timid Deer could be huge there, but they should be widely known, everywhere, in my honest opinion. So even if this is erroneous, I stand my ground when I’ve said in the past, they’re one of the most underrated bands around these parts, and this follow-up EP to vol one of Melodies for the Nocturnal proves their worth…….

If, like me, you find it hard to come to terms with the notion the melodic Bristol-led trip hop scene for the matured raver is a generation past, and cannot get over how luscious Portishead, Massive Attack and, particularly, Morcheeba were, or if your indie side still relishes in the mellowed ambient soundscapes of Celtic goth, of Clannad, or All About Eve, this sits comfortably, somewhere in the middle, yet, for all the random comparisons I’m flinging, it’s unique for not applying the electronica “dope beats” of trip hop or the often gloomy outlook of goth. It is, in essence, uplifting indie.

Uplifting because Timid Deer captures your mood and whisks it away on a smooth airborne expedition across a fantasy realm, akin to Enya or Evanescence, or which seems to be trending recently, Kate Bush’s Running Up That Hill.

Unsure quite why every kid is listening and every mainstream radio station is playing Running up that Hill at the moment, but I’m happy it has, going on the grounds it makes those little hairs on the back of your neck stand up, Timid Deer has the same effect.

I’ve fondly reviewed the first two tracks, Crossed Wires and Run upon their single release in March and December last year, respectively, but the EP contains two more beautiful songs, Wrapped Around Your Heart, and Promises. I said of Run, at the time; “a grand piano opening, their evocative part-indie-part-trip hop ambience is accomplished to a new standard here, with Naomi Henstridge’s both soothing yet haunting vocals embracing howling strings and, wow, this rolling piano. It’s reflective of nineties nu-cool, the brilliance of Morcheeba or Portishead, yet without so much inspired of acid jazz or trip hop to make it cliché, rather it’s owning this refreshing edge to appeal to the more guitar-laced indie fans, too.”

And I described Crossed Wires as, “An uplifting piano three-minute masterwork, engulfing your soul and building layers with smooth electronic beats. Evocative as Enya without the orchestrated strings, as expressive as Clannad without the folk roots, and closer to Yazoo via electronica, rather than the aforementioned influences of Portishead and Morcheeba. Ticks all my boxes.”

These two new tunes follow suit. The rolling piano, is blissful and lyrics beguiling, Wrapped Around your Heart is another winner, perhaps a smidgen more marketable than the previous two. The four-track EP ends with the ballad Promises, exemplifying everything that’s gorgeous about the sound they’ve captured, the strings and piano work in harmony, entreat the euphoric mellifluousness. It’s the standing motionless mouth aghast kind of music which reaches the soul.

I discovered Timid Deer supporting the Lost Trades’ launch night at Trowbridge’s Pump, a gig I unfortunately had to miss but despatched a roving reporter to in my absence, and upon checking out their slight recorded output I was shocked as to why Timid Deer doesn’t have greater recognition. Perhaps a clue in the band name, they play Swindon Shuffle but rarely we see them gig otherwise; it’s a sound to relish, a sound for home comforts, for “chilling in your crib,” and Melodies for the Nocturnal Pt. 2, showcases that brilliance. Absolutely enrapturing…..


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