Seend’s own Live Aid: The Female of the Species

Creators of original music who may psychologically build a hierarchy with them atop, tribute acts on the bottom and cover bands hovering somewhere between, tend not to prioritise what’s popular, whereas pub landlords value what will get the punters drinking, viewing it differently. Neither are correct, there is no right nor wrong in this, just opinion. But to witness The Female of the Species is to find the truth worth of a covers set….

I’d wager a majority at the Community Centre at Seend last night aren’t as fortunate as me to get to grassroots venues and witness the variety within our burgeoning music scene. They’ve been looking forward to this night out, they’re buzzing with anticipation, and to let the band know how much they’re appreciated. Thus the Female of the Species will endeavour to recreate the kind of songs to flush them with nostalgia and gift them with a memorable evening. They do this with so many bells on, they ring out a local annual occasion of monumental importance, and I’ll explain why.

Starter for ten, we’re gathered here to put the “fun” into fundraising. Each year these lovely ladies vote for a charity to donate to, after eight years must’ve raised an incalculable amount for worthy causes; Mind, Young Melksham, Wiltshire Air Ambulance, Carmela’s Stand Up to Muscular Dystrophy, to name a few, and in doing so received a Civic Award in 2019.

This year’s is Alzheimer’s Support, a countywide accredited charity and one I personally can associate with. My reasoning I won’t pester you with, as I did chewing the ears off the volunteers on the night! Supporting people living with all types of dementia, their services include award-winning day clubs and one-to-one home support, with over forty community activity groups including, Music for the Mind, Movement for the Mind, memory cafes, art groups, discussion groups, nature and gardening groups, all designed to keep minds and bodies active and reduce isolation.

Secondly, the Female of the Species aren’t a regular band per-say, rather a supergroup amalgamated from female-fronted local bands who annually assemble for this unmissable one off. Jules Moreton of Trowbridge’s Train to Skaville, Nicky Davis from People Like Us and The Reason, Julia Greenland from Soulville Express, Claire Perry from Big Mamma’s Banned, Charmaigne Andrews from Siren, and the unforgettable Train to Skaville saxophonist, Karen Porter. All being amazing performers in their own right, together they’re an unsurpassable force which appears more harmonic with each year that passes, despite having obligations to their individual bands. The result is something to behold, and this year was no exception.

Eighties night, best defined last night. Though I could argue the tagline, The MTV Years is ambiguous and not forgoing American, being few here had access to MTV in said decade, though “Top of the Pops Years” would’ve been equally enigmatic! None of which matters, over the plethora of eighties pop classics sublimely delivered by the unique troupe, opening with Jules leading on Glenn Frey’s The Heat is On, followed by Nicky on Tears For Fears’ Everybody Wants to Rule the World, to an apt finale of Sisters are Doing it for Themselves; of which they certainly were, and blowing the roof into Seend Cleeve and beyond.

Through Sledgehammer, Echo Beach, Addicted to Love, 99 Red Balloons, and every hit gen x cherished on a Now, That’s What I Call Music volume, Julia leading on Easy Lover, Claire’s Yazoo stint though dressed as Boy George, Char on Dude Looks Like a Lady, Nicky’s Cher turning back time, and a wonderful Blondie medley were among the highlights of a cooking first half alone, as the crowds realised why leg warmers at discos was a short lived trend!

Aha, the second half took on us, followed by more eighties classics than you could shake a Rubik’s Cube at, particularly adroit was The Bodysnatchers’ Do Rock Steady, Heart’s Alone, and naturally, Footloose. 

They gave Erasure respect, Nicky did a Tina Turner homage, but, wow, how Julia nailed Chaka Khan’s Ain’t Nobody. All this sprinkled with the fancy dress and usual stage banter associated with Female of the Species, as is, if I may be so chauvinistic, akin to any group of girls on a night out, a “gaggle” being a possible collective noun I’ll sure be hammered for suggesting! Undoing all my good work now, informing you this annual occasion is unmissable, but equally as important to keeping eyes peeled for next year’s, is to go gig searching on your circuit for the relevant bands these singers perform with. 

A superb night out in Seend, then, arguably nothing so different from previous years, but if it ain’t broke….

Support this year came from Sham-Trowbridge rock covers group Legacy, of which Jules’ sister fronts. With a powerful vocal range, they surprised me, wrongly assuming it would be heavy metal-ish, they opened with Jumpin Jack Flash, and built decades with everything from the Undertones’ Teenage Kicks and Nutbush City Limits, to Pink covers and Sex on Fire, finally wrapping an energetic and enjoyable set up with Summer of 69. 

If, just as the Female of the Species did too, every tune might be perceived as cliché classic hits, Legacy belted them out amazingly with precision and passion, tipped off, I guess, to what pushes this crowd’s buttons, and making for an engaging support to this utterly brilliant supergroup.

Geographically centroid to the Devizes, Melksham and Trowbridge triangle, Seend Community Centre makes for a great and spacious venue to host this, boasting a grand stage and acoustics, the bar is affordable, the staff are welcoming. Look out for forthcoming events there, including next Saturday’s beer-gulping, thigh-slapping Oktoberfest!

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