Tag: Andrew Hurst

An Amazing Devizes Concert for Opendoors

All images used with permission of Gail Foster

If of recent I’ve been critical about counterproductive steps taken to solve the rise in youth crime, favouring encouraging events designed for our youngest, it doesn’t mean any age demographic should miss out on live entertainment. Therefore, it was a blessing last night to see the Corn Exchange jam-packed, predominately with middle-aged and elders, enjoying a cracking musical variety concert in aid of Devizes Opendoors.…

A massive congratulations goes to the organisers, especially Dora Kan, who slaved to create an amazing rosta of entertainment and sizable raffle. Acts were tried and tested; Dora is an active member of the humongous PSG Choir, who shone for the finale with zest, ardour, and a selection of pop classics; my favourite? Well, no child of the eighties can argue with such a wonderful rendition of Cyndi Lauper’s True Colours, now, can they?

One personal particular highlight of the event was to witness PSG members’ bubbling smiles of enthusiasm as they lined the doors awaiting their turn to shine. At one point I was nearly encased within them, praying I wouldn’t be dragged in by the crowd and expected to sing too, for this could’ve been the disastrous consequence which spoiled an otherwise unspoiled evening!

The pop gospel choir is a local amateur community-driven choir, which doubles as social group, with Will Blake as the mentor and conductor. But if the concert acted as both showcase and advertisement for this open choir, prior to this, Will was given the opportunity to also showcase himself and his trio.

Covering an era-spanning range of sing-a-long pop classics merged into a non-stop medley, The Will Blake Trio enthuses any audience with a showy display of accomplished precision. Will himself takes to a grand piano, carrying off the act in true Jerry Lee Lewis standing position. He even has the tendency to kick the stool away. To begin with The Jungle Book’s King of the Swingers is bold, to infuse it with the Jackson’s I Want You Back is surely just showing off, isn’t it?!

Will Blake Opendoors Concert 2023

It was the most amazing burst of energy to rouse the crowd after the interval, but if Will has class and style, and the choir can hold the audience in a certain awe, with the sheer number in the choir one could argue it’s not so tricky as doing this solo. This is where I came in, apologies to the amazing multi-instrumentalist, singer-songwriter, and music teacher Andrew Hurst, who I unfortunately missed.

Andrew Hurst Opendoors Concert 2023

I’d rushed home after a Devizes hockey 1sts away game in Portishead, and by the time dinner was finished I checked the listing on my own event guide to see it started ten minutes ago, an hour ealier than I’d imagined. Fancy that, I run the blasted event guide and still messed up! I heard a great response to Andrew’s set, knowing him, it’s hardly unexpected. Pre-lockdown Andrew was teaching my son piano, and his perfected work method engaged him throughly, and he’s no easy kid to engage. Dora is also tutored by Andrew. As I said, the entertainment has personal connections to Dora, which gave the evening this wonderful community ambience.

Anyway, I disgress, you don’t need to hear of my first jog up Dunkirk Hill since turning fifty, and how I suspect someone extends that hill a few extra yards everytime I scale the mountain, you need to hear, everyone needs to hear, what greeted me at the summit. As I say, a choir, yes, solo to hold a crowd spellbound, that’s another thing entirely.

Chloe Jordan was already on stage, perfectly accompanied by Susan Braunton on keys, but my inexperience in wording a critique on opera, on classical singing will show through here, in only being able to compare it to the very best of rock, blues, indie and folk singers of our usual haunts. However amazing they might be, this is way beyond. The pitch and note changes, the enriching power of this soprano holds you, encases you in the same awe as an entire orchestra.

It is, in a word, breathtaking. If the phrase using ones voice as a musical instrument is cliché, there’s no better way to describe Chloe Jordan in full flight. It’s something amazing, a something to summon angels down from the heavens to listen, I kid you not!

Chloe Jordan Opendoors Concert 2023

Though we’ve not touched base on the overall joy this evening will bring, as the sellout crowd donated to the local homeless charity Devizes Opendoors; such a worthy cause. We’ve heard a staggering sum has been gratefully received, and this is the cherry on top of a wonderful evening and a testament to what can be achieved.

Chole, though, with her entertaining covers of sing-a-long classics from musicals and films, my personal highlight of which being Doris Day’s Deadwood Stage, which wowzers, if I’ve not heard for an age, I’ve never heard it performed so absolutely sublimely, I thank you, you are staggeringly amazing!

Cookie Cutting with Andrew Hurst

Andrew Hurst appears at St Johns House in Devizes this Saturday, 27th May, courtesy of Devizes Rotary, for a Ukraine fundraiser, the same day he releases the solo piano album, Cookie Cutter Island [Do you know the way to], of which we’ve taken a sneaky preview of…….

I go to gigs, where the archetypal though talented acoustic musician prior to a headlining full band is kind of diluted by the memory of the band. Such is power in numbers, the combination and bearing of a band, or more so, an orchestra. Yet it takes a special someone who can hold you spellbound in the same manner, solo. But if you’re going to attempt it, piano is your friend.

Akin to a Scott Joplin recital, which you can envision ragtime of yore, of boxcars and trams running through New York’s bustling 19th century streets, Andrew Hurst undoubtedly has that skill to paint a masterpiece with sound.

Another textbook example is film-scoring, though the image is pre-nourished. There was a fascinating series of social media videos where renowned movies had the score taken away, and suddenly the impact is lost; the horror is hardly horrific at all, there is no thrilling suspense in that thriller. Shows how important the music is in film, and in turn the influence music has over us in general.

Andrew Hurst appears at St Johns House in Devizes this Saturday, 27th May, for a Ukraine fundraiser, where multi-instrumental goodness is promised. Yet while Andrew can make a guitar sing, whether filling a concert hall or busking in the Brittox, I’ve a sneaky peek at his strictly piano-based album Cookie Cutter Island [Do you know the way to], which, double-whammy, is released on the same day.

It’s as captivatingly emotive as a film score, and in a way, kind of is. This album is a sketch of music for a potential anime film Andrew has in mind. Now, I’m going to find it somewhere between difficult and impossible to write customary comparisons on this, my knowledge on classical piano is limited, but I know what I like, and that’s my angle! Cookie Cutter Island paints such a picture in one’s mind; a musical dreamcatcher, surreal, pensive and evocative, lingering in suspense and mood.

Andrew describes his vision similar to Disney’s Fantasia, I could argue against this, being Fantasia uses established classics, while Andrew has created his own. “Music first,” he explains, “and the plot came from the owner of Chard Bookshop, who sent a bizarre message; ‘do you know the way to cookie cutter island?’ My reply to her was the flow of the plot, that since has crystallised. Then the music was a case of arriving at the studio every two weeks with “I’ve no idea what I’m doing” but leaving that day with a track I wasn’t “allowed” to revisit: a sort of “enforced creativity” …. though each week later on I couldn’t stop preparing stuff once impetus caught up!”

This bout of when inspiration strikes, has the concentrated oriental narrative of Wu Cheng’en’s Journey to the West, with a fantastical and childlike expedition synopsis, involving Mitsuki, following her grandmother’s conspiratorial message to meet on “Cookie Cutter Island.” The tracks follow her progress, as she journeys to this mysterious place.

A fable filled with place-names associated with her mood, which also act as track listings, Temple of Regret, Tower of Fallen Heroes, or Sanctuary at Galaxywatch, the story is awash with samurai folklore, brimming with morals of love and honour. Such is the refined concept, it is an ambitious project, and animation is such a tedious process. Even if this vision doesn’t materialise, you can use the narrative in the sleeve notes, and almost see the animation flowing behind closed eyelids. The music commands this of you; as if I could reach out and immerse in it, at least how I would interpretate the music if I only had the artistic skill it warrants.

If forced to make comparisons, I’d offer movie themes, the Tangerine Dream fashioned Krzysztof Penderecki adaption for the Exorcist Theme immediately springs to mind, though Cookie Cutter Island is more graceful mood than chilling, and shards of Chopin, Schubert and particularly Debussy come into play. It ends on a high note, Bulls of Triangle Bridge is uplifting, and the finale Sanctuary at Galaxywatch precisely as the title suggests. Overall, it needs no visual stimuli, it’s enchanting and inspiring.

Pre-order Cookie Cutter Island [Do you know the way to]

Tickets for The Devizes Rotary Club Ukraine Fundraiser with Andrew Hurst, Saturday 27th May at St John’s House are £15, and include a glass of wine; available here

© 2017-2022 Devizine (Darren Worrow)

Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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Devizes Arts Festival Rules, OK?!

Alas, it’s been a long week since the Devizes Arts Festival called time. It feels a little like when my Dad would take the Christmas…

REVIEW –Tamsin Quin/ Andrew Hurst @ Hillworth and Andy Juan @ The White Bear, Devizes – Sunday 21st July 2019

Laid-back musical Sunday afternoon in The Vize

Andy Fawthrop

 

Yet again it’s a Sunday, the weather is balmy, and the hangover is starting to recede a little. There seems to be a recurring theme here. Whatever.

After last night’s stunning free show in the Market Place, delivered by The Fulltone Orchestra, today was a day when there was a need to get very much chilled out and calmed down. I mean – singing along to Queen’s greatest hits, and dancing along to the Ibiza set are all very well, to say nothing of the odd jar of liquid refreshment – but since the crowds had all dispersed into the night a few hours previously, something a little more relaxed was very much required.

But not to worry. As ever, our little town, punched above its weight yet again and delivered just what was required.

Firstly to Hillworth Park for Fantasy Radio’s Month of Sundays, featuring a live on-air radio show, showcasing the talents of a couple of local artists. This was the third Sunday show for July (last one is next week 28th July), and it was the turn of Tamsin Quin and Andrew Hurst.

Tamsin’s two short sets included songs from her album Gypsy Blood. Her gentle, simple songs rang out across the park, and behind each one was a personal story, a thought, a feeling. Her delivery was both clear and heart-warming, and she (as always) established a friendly rapport with her audience. Perfect.

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Andrew Hurst is also no stranger to the park, having played here for Fantasy last year too. Only last week I enjoyed Andrew’s longer session in the White Bear, but today it was a couple of shorter sets. He played both covers and self-penned numbers, ranging from the quiet and intimate, through to the noisier upbeat numbers. I was left wondering how two hands can play quite so many notes so quickly. Close your eyes sometimes and it sounded like two guitars – fantastic stuff.

Next week, the final one of the Month of Sundays, will feature the very entertaining Rockin’ Bandits. So get yourself along there!

I left the crowd enjoying their Sunday afternoon in the park because a) I wanted to check out another artist playing in the White Bear’s Sunday afternoon sessions, and b) it was time for a beer! The artist in question was Bristol-based Andy Juan – new to me, but glad I made the trip.

Andy is a singer/ songwriter of some considerable talent. His songs were well-crafted, his vocals intense, and his guitar-playing spot on. He’s one of those artists who, when he’s playing a song, gets completely in the zone, completely in the moment. His focus, his concentration, were wonderful to behold. Playing mostly his own beautiful songs, he wasn’t afraid to throw in the occasional cover as well. But this wasn’t done as a mere afterthought. I’ve long been of the opinion that, if you’re going to cover a well-known song, you need to do one of two things – either replicate the original very exactly (to show how well you can actually listen to another artist’s work), or else give the original a complete re-working (to show how you can re-interpret the meaning, or the feeling, of the original song, to add something entirely new). Andy was definitely in the latter category, and the results were truly stunning. I shall definitely be listening to this guy again.

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On top of all that he delivered his sets with warmth and humour, engaging the audience throughout. And he was a nice bloke too.

Next Sunday (28th July) the White Bear’s Sunday session at 5pm will feature the very talented, and very versatile, Ian O’Regan. One not to be missed.

So there you go – one afternoon, three acoustic artists. Three different styles, but all united in being very talented, very entertaining and (thankfully) very laid-back – perfect! What’s not to like?

© 2017-2019 Devizine (Andy Fawthrop)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

 

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