Tag: france

Paul Lappin & The Keylines Live at Pink Moon Studios

If you need a breather from the perpetual cycle of cliche Christmas song mush, do yourself a favour; Paul Lappin & The Keylines released a live EP last week, it’s as “name your price” on Bandcamp, and I’ll wager my Christmas stocking and all of its contents, you’ll eternally thank me for the advice.….

On the 12th November 2021 Paul Lappin & The Keylines invited a few close friends and family to Pink Music Studios in France for a chilled evening of wine, food and live music. This EP is a recording of five of the songs performed during that session. For a tenacious link to our ambiguous local rule, note while now residing in France, Paul is originally from Swindon.

Back in October 2020 we fondly reviewed his studio album The Boy Who Wants to Fly, celebrating its vibrant Britpop rock, immersed in some astute and genius song writing prose. And in turn, we were allowed to use the outstanding single Broken Record for our Julia’s House charity compilation. For which, you might suggest, I’m duty bound to sing the praises of everyone who contributed, to which I’d reply, yeah, only partly but unnecessary, just shut up and listen to this; Live at Pink Moon Studios is utterly gorgeous.

If Broken Record packs a punch, and The Boy Who Wants to Fly meanders between forthright rock and tenderer acoustics, this little piece of wonderful revels in the latter. So much so, it smooths out of the restrictions of a label like Britpop, though subtle shards of it remain, and is comparable to acoustic folk rock from way beyond the subgenre, say, as steady and emotive as Nick Drake.

In the past I’ve made comparison to our own song-writing local legend Jamie R Hawkins, in their shared ability to twist a narrative so deeply into sentiment, tears will well; this EP comes closer to my point than I’ve ever heard from Paul. It’s so wonderfully placed subjects, wistfully glides your mind away, on the journey with Paul, like all good acoustic should.

The first two tunes, After the Rain, and Lying Awake in the Dark both come unplugged versions from The Boy Who Wants to Fly, Slow and Steady featured on his 2018 album, Move On, and I’m uncertain of the last two, Seeds of Doubt and Set in Stone, perhaps they’re new, or exclusive to this EP. I’m far from all out intending to research their origin, as it’s just to easy to be set adrift on the songs, relishing in the moment.

Morish simplicity, man and guitar composition you’ll crave it never ends, and I can honestly say, I don’t think I’ve hit the replay button with such haste before! Paul is at his dreamiest, fluffiest and virtually subterranean in his deliverance of these masterpieces.

Subjects not so unusual but handled with the proficiency to wow, of lost or found love, picking up with a bongo drumbeat and wailing electric backing guitar at track three, Slow and Steady, with a chorus dripping of anthemic Britpop, of Oasis or Verve in their prime, yet maintaining that spellbinding acoustic goodness.

And for the last two tunes of mysterious origins, are perhaps my favourites, Seeds of Doubt, is a self-analysis theme, mind-bogglingly passionate, and the parable soulful finale, Set in Stone, as is with a live album, there’s a wholesome rawness about it, echoing honesty and scrupulousness throughout, you feel like you’re a guest into a secret meeting, you feel a part of it, and that, is simply, beautiful.

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Rooks; New Single From M3G

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Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over £500 (at the last count) for His Grace Children’s…

For Now, Anyway; Gus White’s Debut Album

Featured Image: Barbora Mrazkova My apologies, for Marlborough’s singer-songwriter Gus White’s debut album For Now, Anyway has been sitting on the backburner, and…

Captain Rico’s Forgotten Memory of The Beaches

As much as I enjoyed Django Unchained, I’ve not seen the other Tarantino spaghetti western pastiche yet, but I think I should cap it until such a time ol’ QT hires Captain Rico and the Ghost Band to score it.

Echoes of a gothic Ennio Morricone in his darkest hour shudder through this epic instrumental album, transporting you to an alternate reality where The Shadows came after Hawkwind.

A realm where rock history is suffering the same fate as Benjamin Button, created as Britpop, slowly working its way back to rock n roll, and we’re about halfway; USA in the mid-sixties, hardcore surfing with the Beach Boys. Indeed, the sound of ‘The Forgotten Memory of The Beaches,’ which was unleashed last Friday on Spider Music, is inspired by the classic surf-rock sound, pioneered by the likes of The Shadows, The Beach Boys, and The Ventures, yet it’s heavier, man, like vintage psychedelia heavier.

For this, I have to say, amidst sonic blasts, flares of garage fuzz and dark post-punk drumming undertones, there’s nothing really definable as in-your-face heavy metal here, more Chuck Berry’s Gibson ES-355 taken for a journey by Dave Murray, and for this it’s completely unique; a warlock’s cauldron in which he adds a tablespoonful of Duane Eddy and a pinch of The Cramps.

This incredible sound of sixties Southern California has been recaptured and reshaped by a trio based in the South of France, guitarist Damien Ricaud, Yves Manceau on percussion, and bassist Ludovic Timoteo, and it’s a breathless race. Given the psychedelic swirls of space rock at the beginning, you assume you’re in for a mellow trip, assume as Pink Floyd, there will be peaks and troughs, but through a magnitude of twelve relentless three-to-four-minute tracks, it rarely comes up for air.

Neither does it poke a standalone track at you, given it’s completely instrumental, without the hint of sampled spoken word, it flows right through as one masterpiece of mind-blowing nuanced mayhem, causing you wonder what the heck to listen to, or even do next. But for me, makes it tricky to nail a few direct words about it, to pick it apart, reason enough to love it.

On our local circuit, guitar heroes Innes Sibun jamming with Ruzz Evans might come somewhere close to capturing something similar. Should they choose to, because despite these sixties’ surfer influences cited in its press release, The Rivieras, for example, would’ve reacted like the crowd at the Under the Sea Dance scene in Back to the Future, when Marty blasts Johnny B Goode, or in reality, the impact Hendrix had on music. Captain Rico and the Ghost Band really are, this exciting.