Sean McGowan at Level III, and beyond

Swindon, next week (21st Feb) a bright young punk wordsmith will visit Level III. The talented Sean McGowan signed to the Xtra Mile label, and frequently tours with buddy, Billy Bragg, as well as The Levellers, Skinny Lister, Frank Turner. Louder Than War Mag praisied Sean as a ‘unique talent’ when reviewing his debut album ’Son of The Smith’ last year.

 
Sean McGowan cruises into a headlining UK tour with “Auto Pilot,” his new single (HERE.) You can catch him with a full live band during Feb and March.

 
This title track taken from Sean’s warmly-received debut album of last year, “Auto Pilot” is another prime example of the perfectly preened and poetic indie-pop that made ‘Son of The Smith’ such a rewarding listen.

 
Brim-full of Sean’s distinctly wry social observations and set in vividly relatable situations, “Auto Pilot” tells a tale to lost loves and the pitfall-strewn pathway that lies beyond a bitter break up.

 
“And I can’t hack it any more, I smash up the wall… yet it doesn’t cure, the shame, the guilt, regret and all the dread in the morning and the next few days,” sings Sean, in a track that stands as one of the singer’s most emotionally complex and endearingly confessional outings to date.

 
Weaving interloping guitar lines around a driving motoric beat, “Auto Pilot” is an adrenaline-racing rush that testifies to the tight-knit musical mentality of his trusty backing band, who, fittingly join him on the road for this extensive run of UK shows.

 
It kicked off at Brighton’s The Hope & Ruin on the 7th. Sean and band will be travelling the length and breadth of England and Wales for a whopping 21 live dates that culminate in Bournemouth’s The Anvil on 3rd March 2019. Full dates and details, as follows.

 
The upcoming UK tour directly follows Sean’s biggest headline show to date, a Christmas homecoming in Southampton at the 1865 as supported by friend and labelmate Get Cape. Wear Cape. Fly; the cherry on top of what was a monumental year for the ascending singer-songwriter.

 

SEAN McGOWAN LIVE DATES sean2

 

FEBRUARY 2019

 

07 Brighton @ Hope & Ruin
08 Bristol @ Louisiana
09 Manchester @ Star & Garter
10 Birmingham @ Sunflower Lounge
13 Leicester @ Soundhouse
14 Cardiff @ Clwb Ifor Bach
15 Hastings @ Blackmarket
16 Oxford @ Jericho Tavern
17 Guildford @ Boiler Room
19 Norwich @ Bermuda Bob’s Rum Shack & HiFi
20 Cambridge @ Portland Arms
21 Swindon @ Level 3
22 Leeds @ Hyde Park Book Club
23 Newcastle @ Underground
24 Glasgow @ Hug & Pint
25 Edinburgh, Sneaky Pete’s
27 St Albans @ The Horn
28 Nottingham @ The Bodega

March 2019

01 Bedford @ Esquires
02 London @ Borderline
03 Bournemouth @ Anvil

TICKETS ON SALE NOW:
www.musicglue.com/seanmcgowan

SEAN McGOWAN – ‘SON OF THE SMITH’

– ALBUM OUT NOW ON XTRA MILE RECORDINGS –
Order the album on CD, LP and digital here:
https://Seánmcgowan.lnk.to/sonofthesmith

FOR MORE INFORMATION

https://www.facebook.com/seanmcgowanmusicuk/

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No Clowning with Six O’clock Circus at The Southgate

So, yeah, broke my 2019 hibernation and ventured out last night. I know right, but Calne-based, Six O’clock Circus blasted an otherwise mild night at the Southgate with some passionately executed mod, punk and indie covers; right up my street and kicking down my door.

 
Loud and proud, regardless of the five-piece squashed into Devizes’ answer to the O2 arena, singing toward the wall, plus having gigged the afternoon in Boughton Gifford, and Friday evening with Devizes-based, Burbank, for a Big Yellow Bus fundraiser at the Bug & Spider, they never waned, pulling a fine ensemble of indie covers out of their bag, for the first half, but not before an introduction of the Kinks and Who.

 
Six O’clock Circus, started at nine o’clock, but despite poor punctuality of their namesake, and lack of clowns, I loved the starter, then it went a bit Britpop; Travis, Stereophonics, James and Shed Seven representations. Yet I nodded through with appreciation, their precision awarded even my non-favs with worthy magnitude. Though I personally like my indie served, as they did towards latter section of the first half, with Primal Scream and the Coral, and overall would favour more mod, of the Jam, which ended the first half, Six O’clock Circus delivered them all feverously, and favourably, with ardent appreciation of their influences.

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A quieter night at this haven for live music allowed me to notice the cloudy cider tariff on the wooden beam, where at least one hairy hippy usually leans, obscuring the menu. So a double-whammy for me, securing a love for the Southgate I’d joyfully shout to the hills and back.

 
Undoubtedly, said cider played it’s part but I supposed the band tightened with every tune. A swap of instruments, promising a “seventies love-song,” they completed by knocking out a genuine “Pretty Vacant” before the break. It was clear Six 0’Clock Circus had no intentions of delivering us a ballad at all, neither attempt something experimental, as the second section banged in with The Buzzcocks’ classic, Ever Fallen in Love, and slipping nicely into London’s Burning by the Clash.

 
So, the evening’s entertainment leaves me now stamping a thoroughly deserved recommendation on Six O’clock Circus, perfect for the thirty-forty-fifty somethings function or pub circuit, and with that said, I’m off to make a bacon butty.

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Six O’clock Circus on Facebook, give em a like!

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