Watermark: Fulltone Orchestra Brings Enyaโ€™s Iconic Album to Life…

Our very own illustrious orchestra, The Fulltone Orchestra, are staging live performances of Enyaโ€™s 1988 breakthrough album, Watermark in Basingstoke, Bath and Cheltenham later this month. They promise to be symphonic celebrations of the bestselling artistsโ€™ sublime and distinctive sound…..

The Fulltone Orchestra, accompanied by the magnificent female voices of The Cantiamo Choir, revive Enyaโ€™s iconic and pioneering album in a series of live performances, culminating at The Anvil, Basingstoke on the 7th of November, beginning with Cheltenham Town Hall on 31st October, and with a date at Bath Forum in the middle, and that being the 5th November.

This is the unique opportunity music-lovers will cherish. To experience the prevalent and admired blend of Celtic, classical, and ambient soundscapes of Enyaโ€™s ethereal and timeless sound, accomplished with the magnificence of a sixty-five-piece orchestra and the finest singers.

Watermark was not only Enyaโ€™s breakthrough album but debatably her magnum opus. Its commercial success was renowned through its exclusivity, was honoured with glowing reviews and sold over eight million copies.

Now, obviously I’m far too young to remember Enya’s Watermark. With the geographic knowledge of an American box turtle, I only ever knew Orinoco as a Womble, and the single concerned me as to what his “flow” might have referred to!

Arranged by noted pianist and composer, Dominic Irving, this spectacular piece has been specifically written for orchestra and choir, and will transport audiences back to the late 1980s, alongside other hits by Riverdance, Enigma, Clannad and Karl Jenkins.

Conductor Anthony Brown at Fulltone 24. Image: Gail Foster

The evenings will also include the smash hit Lily Was Here, made famous by eighties saxophonist Candy Dulfer, and will be played by legendary sax player, Vicki Watson.

The Cantiamo Choir features Welsh-born vocalist Amelia Jones, recognised for her lucid tone and expressive vocal delivery. The Fulltone Orchestra is a sixty-five-piece orchestra with a variety of acclaimed musicians from the Southwest and is led by Musical Director Anthony Brown. They have past praised performances in venues such as Bath Abbey, Wells Cathedral, Marlborough College and Cheltenham Town Hall, and organise an annual festival, Fulltone, in Devizes; yay, I said Devizes! Editor’s note, the orchestra spawned here; get in, you moonrakers!

Jemma Brown, Fulltone Orchestra Artistic Director said, โ€œWeโ€™re absolutely delighted to be able to bring this much-loved music to audiences across the South this autumn. Watermark catapulted Enya to international fame, with the number one hit, โ€˜Orinoco Flow.โ€™ Itโ€™s sure to be a highlight of our performance. Thereโ€™s something incredibly special about the sound created by a full orchestra alongside the voices of Cantiamo, and audiences can expect an exciting evening of music on a magnificent scale.โ€

Tickets: www.fto.org.uk/enya or from venues.


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Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

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Fulltone Confirmed For 2025 in Devizes

The Fulltone Orchestra has confirmed today that their annual festival will take place on The Green in Devizes from 25th โ€“ 27th July 2025โ€ฆ.

โ€œItโ€™s hard to believe that exactly one month ago, we were on The Green setting up for what we thought might be the last Fulltone Festival,โ€ they said today.

โ€œFulltone is run by a small group of volunteers and is funded solely by ticket sales plus a few generous local sponsors. Ticket sales hadnโ€™t been great leading up to this yearโ€™s festival, and we really thought that it might have run its course.โ€

Image Gail Foster

A last minute rush on ticket sales for the festival this July, the smooth running of the event, and overwhelmingly positive feedback have been the benefactors which caused the organisers to make a u-turn on not holding a Fulltone Festival next year.

I reasoned based on rumours about camping possibilities it may be relocated outside the central town, but organiser Jemma Brown confirmed it will remain on the Green due to popular demand, and the Rowdy Cow site could become a camping area with a shuttle bus operating to and fro.

Jemma also explained they’ve dropped the word โ€œfestivalโ€ from the title of the event, and from next summer it will be known more simply as Fulltone โ€˜25. I like this, it’s a unique event and on the reputation it has amassed over the years it needs no more explanation than this.

Image: Gail Foster

Acts are already being considered and booked, and Jemma also mentioned the possibility of fringe events happening in town venues. All exciting developments, and we wish them all the best with these early planning stages for what has become a jewel in the Devizes event calendar.

Fulltone โ€™25 will take place on The Green from 25th โ€“ 27th July 2025. Early bird tickets will go on sale at 9 am Saturday 24th August 2024.


FullTone Festival and Scooter Rally; Big Weekend in Devizes

Next weekend (26th-28th July) is a biggie in our humble town, there’s the FullTone Festival on the Green, and Devizes Scooter Club revs up for their fourth Scooter Rally too. Which one is for you? Are they so obviously such vastly different events, your mind is made up already, or is it a dilemma of which to attend?

We cannot ignore the elephant in the room; do I think it’s a shame there’s a date clash on two of our best events in Devizes this summer? Yes, of course I do, but that’s the way the cookie crumbled, and here I intend in the order of fairness, to reason on both the differences and similarities between them, such that they attract different crowds.

Though both events differ, both also attract people into town therefore are financial assets, and most importantly whichever you attend you’re guaranteed a great time.

Me? I’m covering both, the idea is, at best, to hover between them, it could fail. I’m not ruling that out, but I’m too spontaneous for silly things like planning! Besides, I continually toil with what makes large events such as these good, you know? What are the perimeters on my scorecard when they differ so? It’s not as easy as you may think! 

A recent subsidiary of this thought process came via the Minety Music Festival a few weekends ago. I liked that, liked it a lot. It was a level above the โ€œaverageโ€ festival we hold here. Though neither the Rally nor FullTone can be described as average by any stretch of the imagination. Both punching above their weight and both are possibly the best time you’re likely to get in Devizes, until such a time Disney builds a theme park at Hopton!ย 

Fulltone Festival 2023 Image Gail Foster

The premise was that Minety provided three stages and so many other things going on between them. I raced from stage to stage hoping to take in as much as possible, but to see it all was impossible.

I once argued that while FullTone is a monumentally awesome event, it didn’t meet my criteria of being a festival as such, on account it is a single stage hosted by the orchestra though allowing a few other acts in between. It was surely defined better as a conglomerate of concerts. I come from the Glasto school of thought, whereby a festival is multiple elements coming together in one big mesh. But, that’s a pedestal.

I’ve changed my mind on this, as FullTone have extended the ethos of different acts over the years, plus the orchestra and all its elements is a country mile above a set group like a rock band gig. Plus again, it seems these days putting a man with a guitar under a gazebo and flogging undercooked hotdogs constitutes a โ€œfestival,โ€ and thus I must go along with that even if unwillingly!

You only need to look at the development of FullTone’s program over the past years to know this isn’t a true reflection. Look at the surprise Friday night add-on where Six will be re-enacted and popular youth acts like NRWO and Ruby Darbyshire play. And besides, the upside of the single stage format means you don’t miss any of what you’ve laid down your dollar for, and believe me, you’ll love Ruby, or Talk in Code equally as much as Kerry and Ricardo pulling out a Queen set, or dancing the night away to eighties reconstructions by a full orchestra; that diversity is something you’ll not find elsewhere, in Devizes if not internationally.

Fulltone Festival 2023 Image Gail Foster

Similarly the Scooter Rally is a single stage, but the class acts booked will see something of a rarity in town. You don’t find live reggae or ska acts on the pub circuit here, it’s costly. And being all the acts are tried and tested; All That Soul, for one example, will provide the ultimate tribute to the Motown sound on a level high above others locally, as they did at a Scooter Club night of yore. Overall The Rally is a godsend on our event calendar. Making it a given that both these events, while different, share success because they book the very best entertainers within their separate niches.

It can be the little touches which maketh the occasion. The Scooter Rally providing free transportation to and from the site to Devizes is something other event organisers should take heed of.

Both examples of the assurance quality acts is not something which has been skipped on, serves as mahoosive pros to the single stage format, because you’ll not want to miss any of it trudging from stage to stage. It’s an opinion, rather like a GCSE RE question; there’s no wrong answer.

Last weekend I was in the green room tent at Picnic in the Park, and it’s there which changed my mind on this opinion-based query. I met festival maker Sam, who looked exhausted, dropping off fire extinguishers at various locations, and I pointed out the fact that rarely do organisers get the opportunity to enjoy the event like a punter as there’s always something to be lugged around, moved, and catered for.ย 

I had a taste of this when volunteering for a Street Festival of yore, constantly running wheelie bins to and fro like a videogame character, while being asked the bleeding obvious by attendees!

Fulltone Festival 2023 Image: Gail Foster

At Picnic in the Park I also spoke to Simon the sound engineer, chatting about the last Scooter Rally he expressed the work involved in accommodating a ska band compared to the average four-piece rock band. There were so many more lines to collate, what with the usual brass section. This made me ponder the technical requirements of a full orchestra at FullTone, and singers and, crickey, I can’t imagine what else!

The reason I involve myself in events is partially because I’m in communication with the organisers and if they need a hand I’m willing to muck in. The second reason is to understand exactly what, and how much goes into organising such events we promote on Devizine, so I can sympathise with the hard work they do to provide us with such grand entertainment.

So I find myself evaluating between all parts; the punter, the organisers and the acts, trying to find middle ground. Sometimes bands get frustrated with organisers, and visa versa, sometimes punters get annoyed if not everything is perfect, but the reasons for any frustration at events is because bringing all the elements together, ensuring every loop has been tied, and every regulation is accounted for, is a mammoth process taking incalculable hours, intricate planning, and manpower, which punters simply don’t take into consideration at the box office.

True, cost is paramount to the punter, now more than ever. You look at the price and think, what am I getting for my money? I agree, I do this too, it’s only natural. But more and more, as I witness the inner workings of such large events, what efforts are put into them, mostly behind the scenes, or often taken for granted, it never ceases to amaze me, especially being for all their efforts organisers rarely get to sit back and enjoy the day as a punter would.

For example, take FullTone‘s stage. Its shape has become iconic in Devizes. The acoustics are absolutely incredible and unlike any other outdoor event locally. The cost of this, the construction and the managing of it, to bring you an experience you’ll remember forever, is worthy of the ticket price alone, and we’ve not accounted for the numerous site jobs, from the erection of the fence, securing the event to insuring food and bar stalls are rightfully placed, and so much more.

Take the campsite at the Scooter Rally as another example, you’ve got revellers drinking, vehicles moving to and fro, punters enjoying themselves, and everything they’ll not consider has to be considered by organisers, fire safety, first aid, and again, so much more. It’s a headache for the most hardened skinhead!

Conclusion, there’s more than meets the eye in arranging any event or working them, none more than these big ones, and that’s why they cost. You either meet such a cost or lose the opportunity, and then what? Are we reduced to living on Facebook?!

I also accept the idea, as you are a paying customer that it is your right to override such considerations, but hey, as a customer you’ll be the first to complain if things don’t go precisely to plan! I know I will; jump to it, organisers, do my bidding!!

The bottom line is, though for slightly different reasons, both the Scooter Rally and FullTone Festival will be amazing events, among the very best Devizes has to offer, and whichever you choose, the weekend looks set to be a cracker. 

Know that FullTone will be the last for a while, and if it does return it pledges to be something quite different. Know also, that, The Rally is highly enjoyable, a hospitable and solely unique event around these backwaters. It doesn’t even adopt the tagline festival, but compares to one in considering it’s way above your average scooter rally. You’ve got seven quality live acts over the two days, most other rallies struggle to provide one cheapest ska or Britpop cover band on their circuit.

But I’m not asking you to stand and stare, or shed a tear for the plight of the organisers, for they do it for the love of it, and if they didn’t they wouldn’t. All I’m saying is, the colossal labour, the attention to detail which goes into staging these occasions should be considered when deciding if you’re going, to either, or if you’re going to stay in with a bag of Lidl cheesy puffs, watching reruns of Come Dine with Me on the telebox, or another annoying show where other people, somewhere else, are enjoying themselves!

You don’t need to concern yourself in what’s in someone you don’t know, or never likely to knowโ€™s knicker draw, when you could be skanking up the Whistley Road like you’re Suggs on a day out in Camden, or lounging in your deckchair on the Green, immersed in the unmatchable acoustics of the FullTone Orchestra, like you’re King Charles in the royal box at The Albert Hall! 

Fulltone Festival 2023 Image: Gail Foster

Furthermore, while this particular article concentrates on events within the castle on the dividing line, further options are available to you outside that boundary. Trowbridge Festival, Potterne Festival and even a little occasion called Womad are also set on the same weekend. May this also suit to assure you we report such impartially, and as a labour of love rather than for financial gain. Therefore there is no just reason for us to be dishonest or biassed. Organisers and artists we may oblige, but the priority in retaining said honesty is aimed foremost towards the sake of the customers. Ergo, whilst we’re respectful of all the hard work which goes into event management, we might not condone our analysis of it to be deliberately or unfairly critical, we more simply won’t report on it, we will tell you, the customer, fairly, however, if it rocks our world and would also rock yours.

And now you know where we stand, I hope you can take heed when I repeat myself, which while I accept is a symptom of middle-age, it stands affirmed whatever event we’ve mentioned you should choose to attend, based on previous year’s experience, it comes guaranteed you’ll have a fantastic time!

Phew, I’m glad I’ve got that off my chest. Now, pass me my tie-dye t-shirt and festival jester’s hat, and let’s party!

For Tickets for the Devizes Scooter Rally, find Devizes Scooter Club on Facebook.

For Tickets for the FullTone Festival, find here.


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FullTone Festival’s Youth-Supporting Extra Day Announced

As if the FullTone Festival isnโ€™t exciting enough for Devizes, the Town Council has allowed them an extra day, on the Friday 26th Julyโ€ฆ..

Seeing as everything should be set up and ready to roll for Saturday morning, it seemed a shame not to make use of this iconic stage and tech, so an extension to the festival has been added, with live music from 6pm, and it supports local youth talent.

Six: Teen Edition by Devizes Music Academy

Though FullTone stresses it does all depend on advance ticket sales, for both events. Tickets for the Friday on its own are ยฃ20, or ยฃ10 for under 18. If you buy your festival tickets together with the Friday you will receive a discount code for 20%, if you have already bought tickets for The Fulltone Festival, email jemma@fto.org.uk who will send you the code. The cut off date for this additional Friday is the 30th June, so make sure youโ€™ve booked it by then.

Fulltone Festival 2023 Day Two

You should note, this fifth year of the Fulltone Music Festival will be the last one in its current form. Iโ€™ve personally had this contemplation for a while; as the FullTone Orchestra branches out, playing the cities and big towns, as it has been, surely itโ€™s inevitable that the magic will rub-off with audiences further afield and theyโ€™ll come to Devizes for the festival if there are to be ones in the future; fingers, toes crossed. Spending their cash here on hotels, restaurants and shops is a great thing for the town, and reason enough to support it.

Talk in Code

But if my humble reasoning, and two days already sussed with guests like opera legend Carly Paoli, We Will Rock You star Kerry Ellis and Ricardo Afonso, indie popsters Talk in Code, a Beatles tribute and more orchestral concerts than Anthony can shake his shaky baton at, isnโ€™t enough to entice you, note the Friday has local punker heroes Nothing Rhymes With Orange from 7pm, followed by Devizes Music Academyโ€™s inaugural showcase Six: Teen Edition, replayed from sell-out dates at the Corn Exchange back in April.

Nothing Rhymes With Orange

Iโ€™m told the historical Gen Z party play performance, of which you can read about HERE, will have the same young cast as last time, Ruby Phipps, Amelie Smith, Jess Self, Kelsey Husband, Mia Jepson and Lisa Grime. Alongside Southampton Youth Orchestra opening the festival on the Sunday, we love that FullTone are giving young people a massive platform to perform at this, what could sadly be, the final Fulltone as it currently stands.

Six: Teen Edition by Devizes Music Academy

Obviously I think they should give me the last encore of the Sunday so I can perform my interpretation of Nessun Dorma in the style of Luciano Pavarotti, as I regularly do in the shower. But as its competence and calibre is largely debatable, usually by my kids trying to study in the next room and the neighbourโ€™s howling dog, I will understand if they decline the offer. Imagine, if you will, as I can see it now, me on that colossal stageโ€ฆ.. โ€œTramontate, stelle! Tramontate, stelle! All’alba vincerรฒ, vincerรฒ, vincerรฒ!โ€ Then, mic-drop, bath towel drop, whatever you think the ticket price is worthโ€ฆ..maybe, or no, perhaps just leave it to the professionals and keep this exclusively as a shower performance? It will, after all, be an amazing weekend without it, really!

Fulltone Festival 2023 – Day One

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The Fulltone Music Festival – Wiltshireโ€™s Own Iconic Festival in its Own Words, with Additional Waffling From Me!

Introducing the rising star of the south west music scene – The Fulltone Orchestra. This dynamic ensemble comprises a rotation of over 90 exceptionally talented musicians from across the region, led by fantastic musical director, Anthony Brown. Their performances are nothing short of extraordinary, defying genres and taking audiences on a captivating musical journey โ€ฆ… okay, you got me, it’s a copy and paste job direct from the press release. Chief organiser Jemma Brown tells me, โ€œfeel free to change any of that. Itโ€™s proper job PR malarkey!โ€ She knows me too wellโ€ฆ..

I will, thank you Jemma, would have anyway! So, it’s me rapping now, hiya, you alright? Yeah, it’s nearly time for Devizes’ own Fulltone Festival, on the August bank holibob, of which I had this to say about the inaugural one, โ€œin the history of events in Devizes, the magnitude of what The Full-Tone Orchestra achieved yesterday will forever be imprinted.โ€

Butโ€ฆwhat’s that you say? Bit pricey innit?

Not forgoing the fact no one is stopping you from distantly spectating in a deck chair on the Little Green like being at a Pink concert where sheโ€™s at Wembley Stadium and youโ€™re seated somewhere near Harrow, with footballs flying dangerously overhead and forever wondering how absolutely astoundingly awesome the acoustics would sound within the epicentre of that magnificent stage, your statement is merely justifiable, it weighs in at forty-five pound coins. You know, you could always go to one concert of the BBC Proms at the Royal Albert Hall, say Sir Simon Rattleโ€™s Mahler Symphony No 9 at ยฃ72 a pop, for two and a half hours; working out at ยฃ28.80 per hour.

Or perhaps The Bournemouth Symphony Orchestraโ€™s Rachmaninovโ€™s Rhapsody at the Lighthouse in Poole, setting you back a similar price but for only two hours; ยฃ24 an hour. Most affordable option is Bowood’s Ibiza party next July, five and half hours with one set by an orchestra and the rest DJs. Thatโ€™ll damage you just ยฃ48; about ยฃ8.72 per hour.

Putting FullTone into this perspective, if you attend the whole weekend youโ€™ll get approximately seventeen hours, which works out at ยฃ2.65 an hour; you wouldnโ€™t even get car parking in London or Bournemouth for that, for crying out loud into an Aldi budget-range sickbag!!!

Look, Iโ€™m going to shut up and finish off with the press release. I’ve said my piece, welcome to the real world, okay? Itโ€™s entirely up to you, Iโ€™m no press office consultant, just the milkman with no reason to tell fibs, other than perhaps to his wife! All I know is itโ€™s a fantastic weekend right here in D-town, bringing in other local acts as well as the orchestra; the kind of event of which, when you attend, youโ€™ll understand why it costs so much to stage, and where every penny has been spent.

What follows from here is the official news! Attendees can revel in the orchestra’s own captivating performances, featuring an array of genres, including Proms, iconic Movie and TV themes, massive dance anthems reminiscent of the Bowood sets, a nostalgic afternoon of West End Musical Theatre hits, and a throwback to the 80s with two hours of classic hits from the shoulder pad era! But that’s not all! The festival also features special guest sets from awesome artists like funk, house, and Latin dance music group – The House Iguanas, the New Orleans-inspired brass band – The Brass Junkies, the beloved local legends Pete Lamb and The Heartbeats, and the soulful opera and West End sound singers – The Four Sopranos.

The Sunday lineup promises to be equally exceptional, with performances from the vibrant 60 voices of The Big Sound Choir, the formidable big band – 41ยบ, and the truly brilliant Talk in Codeโ€ฆ.. Oh, oh, can I rudely interrupt one last time, pretty please?! You know we love Talk in Code, and not because they stingley got me a beanie hat from their own merch stall at my birthday bash at the Three Crowns, like Iโ€™m their walking advertising billboard, or something, but because we love โ€˜em, love their tunes, and when they took me to the seaside to be a roadie for the day and I did nothing more than drink the bar dry of cider, smile at female punters telling them I was โ€œwith the band,โ€ and watch them carry their own stuff in!!

Talk in Code

Attendees from previous festivals describe the event as โ€œamazing that we have this on our doorstep and that itโ€™s so well priced! I genuinely look forward to this every year!โ€

Experience the magic of live music from a massive orchestra, get up close to a whole host of musical instruments, amidst an iconic outdoor setting in the centre of Devizes, as the performances begin at 1pm and carry on into the evening. There will be an array of food and drink stalls, and attendees also have the option to bring a picnic for a leisurely and enjoyable day.

Tickets for The Fulltone Music Festival are now available for purchase at fto.org.uk. Don’t miss this opportunity to immerse yourself in an unforgettable musical extravaganza!

And thatโ€™s that box ticked off! I mean they have sent me a mahoosive setlist, but you don’t need spoilers, do you? After all, I might catch you there, but I must say, itโ€™s a wonderful weekend.


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The Lost Trades Float on New Single

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Barrelhouse are Open for Business with New Album

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Full-Tone Festival Announce 2023 Line-up

The Full-Tone Orchestra have released details of the 2023 line-up for their annual extravaganza, The Full-Tone Festival on Devizes Green, August bank holiday. Itโ€™s all on a rather smashing looking poster, unalike darker past posters with neon text, this time with a fresh use of pastel colours on white background, all very Degas I must say. While rain drizzles down our windows, letโ€™s have a nose at what it says on there, shall we, and think of summer?!

A couple of years ago I published one of many list-type articles on the topic of forthcoming local festivals. Ah, phooey, it sparked a debate on social media because I didnโ€™t include Devizes-own Full-Tone Festival, though the event did receive a sovereign preview of its own. My argument at the time was my definition of a festival was of multiple activities happenings across multiple sectors, therefore classing Full-Tone Festival, despite being named Full-Tone Festival, more in line with the word concert.

A technicality Iโ€™ve since altered my perspective of, and aside pigeonholing, for recent similar articles Iโ€™ve adopted the more causal, universal, and a smidgen double-entendre tagline, โ€œBig Ones,โ€ to encompass largescale events without categories, precisely so we can include things like Pewsey Carnival, and of course, The Full-Tone Festival. And in this, hereโ€™s the thing, who wants their event to be typecast and categorised? The Full-Tone Festival is what it is, and that โ€œisโ€ is something spectacular, annually happening now on our very turf, but mostly for point of this argument, something totally unique.

And of my technicality, Full-Tone acts as both sides of the debate, yes it shows off the incredible talent and togetherness of the Full-Tone Orchestra, an ensemble which will voyage to impressive venues like Wells Cathedral and Bath Abbey this year, but also showcases diverse local and national acts. Their social media posts boast โ€œit’s going to be SUCH an amazing weekend of music! 50 musicians and singers, over 100 rotating over the weekend, plus some pretty amazing guests!โ€ If you got it, flaunt it, darling! But honestly, itโ€™s a highly impressive weekend, and theyโ€™ve every right to show it off!

Full-Tone Festival opens on the Saturday, for example, showcasing a set of classical proms, and features Full-Tone chief organiser Jemma Brown with her new vocal quartet, The Four Sopranos, consisting of Lucia Pupilli, Tabitha Cox, and Teresa Isaacson too.

Local rock n roll legends and regulars at Full-Tone, Pete Lamb and The Heartbeats are the first guests, followed by the orchestra taking off again for the ever-popular โ€œbig TV and movie themesโ€ section, of which I always look forward to Jurassic Park the most, donโ€™t know why, just do. Any comments on social media suggesting it’s because I’m a dinosaur will be deleted!

If, so far critics could cough up the โ€œsameyโ€ tosh, Iโ€™d argue possibly, but certain elements of this event have become welcomed stalwarts, and why change it just to please them? We love it just the way it is! Besides, hereโ€™s a totally new one on me, The House Iguanas promises โ€œmassive bonkers brilliant sax, DJ and bongos,โ€ and with that, could you ask for anything more diverse?

Saturday night closes with the reappearance of the orchestraโ€™s The Ultimate Dance Anthems, which being they only scootered around last year with nineties pop hits, for me, personally, and literally from the sheer eruption of enthusiasm of the crowd of previous years, Iโ€™m sure will be a very welcomed return, with glowsticks.

If Saturdays showcases the orchestra foremost, I must say itโ€™s more diverse this year, and, Sunday tends to focus on other acts more, anyways. Though the orchestra opens the day with the โ€œBig Soundโ€ section of this remarkable concert manifold, North Wiltshire big band 41 Degrees take over straight after. Theyโ€™re the wedding function band of the wedding youโ€™d never forget, with a spanning repertoire from Duke Ellington and Glenn Miller, through Rat Pack and Weather Report, to the Killers and Oasis. Thereโ€™s nothing like big band pop covers, often showing shame to the originals, and this sounds cool as.

A highlight of last yearโ€™s Devizes Street Festival, those funky mavericks of Mardi Gras and New Orleans jazz, The Brass Junkies revisit our soil, and remember; brass is class.

Time for the Full-Tone Orchestra to finish off their pizzas and get back onto that notable stage for a section of West End Musical hits. It must be exhausting, blowing into that brass, precisely plucking those strings and whatever else they need to do to create these massive sounds, not forgoing conductor Anthony Brown must be at risk of repetitive strain injury over the weekend.

Wowzers, and Iโ€™ve not got to the best bit, least what I think is the best bit, because this info was leaked to me by the band, but sworn to secrecy I couldnโ€™t even blow my own trumpet and act all smarmy about, until now, so I will, thank you; Talk in Code play the finale guest set. A mighty local indie-pop band which, if you donโ€™t know you must be new to Devizine, and I urge you pay more attention in future! Yes, forgive my plug, but they are coming to my birthday party at the Three Crowns on March 4th, and YOU are all welcome, but again, and in summary to the Full-Tone Festival as a whole, playing up on that breath-taking stage, with matchless acoustics is something else, and well worth the ticket stub. There’s nothing else quite like it in Devizes.

If Talk in Code have that stylised knack of capturing something decidedly eighties within their original material, Sunday aptly closes with the orchestra one final time, giving it whooping eighties bangers, which by then if youโ€™re not completely satisfied, I suggest you urgently seek professional medical attention!

Early bird tickets are HERE, or at Devizes Books. Kids under 14 go free with a paying adult, ยฃ45 for the weekend (ยฃ35 before the 31st January), ยฃ35 for the day. And there it is, apologises for waffling, but it is all terribly exciting!


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Opera Meets House at Devizes Full Tone Festival

Featured image above by Gail Foster

It has been undeniably a variety music show at the Full Tone Festival this bank holiday weekend on the Green in Devizes, of tremendous proportions and matchless quality.

The stage I’ve previous dubbed “like something out of the Jetsons,” was once again erected, deckchair city assembled around it, with a bustling collection of food and drinks stalls beyond, and the sun with his hat on, shining down on all the shiny happy people.

It is a remarkable achievement and something to be truly proud of, to have here in our humble market town. The Full-Tone Orchestra taking their show to prestigious venues like Bath Abbey and Marlborough College, returned home, looking even more professional than ever. Conductor Anthony Brown waving his hands around like manual control of the world’s air traffic; it was, in a word, magical.

Highlights came thick and fast, Dominic Irving thrilled, heading a Tchaikovsky concerto on piano, for an opening of obligatory classical elements. The stage emptied as Will Foulstone took control of the keys, solo. Full Tone platforms young talent, like TikTok trumpeter Oli Parker, on Sunday, to an audience majority unlikely to know what TikTok is. Similarly, Will performed some videogame themes among Coldplay and contemporary pop, which is better in reality than it sounds to my generation bought up on ZX Spectrums or Mega Drives!

Will’s finale was an astounding cover of Elton John’s I’m Still Standing, and the orchestra realigned for a concentration of movie scores, largely dependent on the western themes of the late Ennio Morricone; liked this.

Then, BBC Introducing DJ skateboarder, James Threlfall took to digital wheels of steel and blasted the zone, and across the road to the chippy, with a set of contemporary and commercial high-energy house; lights came on blazing like the Green was the Ministry of Sound. Here is where I need to revert to my reviewing template, which resides on two major contributories. One is, did the event appease me personally, the second, more importantly is, did it do what it said “on the tin,” i.e., was it everything it posed to be. For the latter, the Full Tone Festival 2022 hit top marks, without a doubt. I watched the joy on hundreds of faces, as they danced the night away to James and the following Full-Tone Orchestra set of “nineties smash hits.”

The grand finale of Saturday night was certainly intrenched with nostalgia, perfected by an orchestra where no penny was left unexpended, no rehearsal was spent playing tiddlywinks, where the professionalism is first rate and the atmosphere was nothing short of sublime. The Full-Tone Festival was superb last year, this time around comes the typical stigma of a sequel, the โ€œhow can we ever top that” enquiry, and I’ve a duty to be honest, based upon the imperative Saturday evening, I’m not completely certain they did, on personal reflection, you understand?

Image: Gail Foster

Song choice at this conjunction was the only thing which let it down, for me. Started off okay, the Britpop beginning I can tolerate, but as it progressed to the pop hits of S Club 7, Britney Spears and Cher’s I Believe, et al, these, for me, were the excruciating pop slush of a generation below; I detested them at the time, and retain said detestation.

It was a far cry from the club anthems of last year’s, because that’s the point where creatively, electronic music technology truly challenged the orchestra. But, sigh, it’s all subjective, I told you about the hundreds of faces, didnโ€™t I? They matter, it did what it said on the tin, with high gloss, it just wasn’t my cuppa.

Image: Gail Foster

I’m sorry I couldn’t make it to Sunday’s extension, we don’t all have bank holidays y’ know? But I can rest assured with the years of rock n roll experience of Pete Lamb’s Heartbeats, Kirsty Clinch’s angelic country vocals, and the fact Jonathan Antoine has been done BGT, it’d have been alright on the night.

Image: Gail Foster

Feedback on the orchestra’s big band showcase has been fantastic, with particular praise of vocalist Will Sexton. On opera, spellbinding local soprano who could turn even me to opera, Chloe Jordan, said, “it was my dream to sing ‘Song to the Moon ‘Resulka with an orchestra. Thank you so much to The Full Tone Orchestra for allowing that dream to come true!” And that, in a nutshell, is the kingpin to assessing this spectacular; if dreams come true there, you can’t argue how special an occasion it was.

Image: Gail Foster

Though the headcount was slightly lesser-so than last year’s, trouble to many events this, as a sad reflection on economic issues, here’s hoping this awesome weekend on the Green will be enough to convince Full Tone to make this a permanent fixture on our event calendar. Devizes loves you Full Tone, that much is certain.


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