Doctor Faustus Sells His Soulโ€ฆ. in Devizes!

Featured Image:@jenimeadephotography

Just another rainy Saturday afternoon in Devizes, whereby I watched a profound fellow dramatically sacrifice himself to the devil, then popped to Morrisons for a Toblerone! The supermarket felt insignificant and plastic after the epic conclusion of Doctor Faustus at the Wharf Theatre, which opens on Monday 26th and runs until Saturday 31st Januaryโ€ฆ..

Treated to the final dress rehearsal, as our regular theatrical scribe Ian Diddams is stuffing a bucketload of Rice Krispies in this one, of which one couldnโ€™t fail to notice! Marvellous as it is to pay Devizesโ€™ one and only cosy theatre a visit, it leaves me in the dilemma that Iโ€™ve not the extensive theatre knowledge which Ian has, therefore, you have to make do with me simply saying what I like, or donโ€™t.

Image @jenimeadephotography

In this case itโ€™s the former. My mind is, with its lack of education for classic theatre, still contemplating exactly how fantastic director Liz Seabourne and her team has presented this astounding play, and the more it boggles the greater the levels of fantastic I unearth, converting me to thespian; hand me some white tights! Even though the character Dr Faustus is damned, this is another damn fine production from our wonderful theatre, rich in lighting effects, amazing costumes and makeup, and a sublime original soundtrack from our master of electronica, Moray McDonald.

Image @jenimeadephotography

Born Catholic, English sixteenth century playwright Christopher โ€œKitโ€ Marlowe, of whom scholars suggest greatly influenced Shakespeare, was reputed to be an atheist and thereโ€™s a lot in the content of Dr Faustus which implies this. Whilst it doesnโ€™t criticise religion outright in the modern sense, it certainly lampoons it, with the Pope getting a kick up the backside, for example.

Dr John Faustus condemns the academics of the science and philosophy of his era and justifies turning his hand to the dark arts, but religion he cannot escape from. Played with certain perfection by Pete Wallis, Faustus is tricky to relate to, a Renaissance egotistical Germanic tyrant, characteristics usually reserved for an antagonist; I wondered if Trump might identify with him better than I. Yet, there’s something humble about his yearning, in his curious nature for the unorthodox, to fulfil a quest of celebrity status, like a sixteenth century Vanilla Ice. Still, I couldnโ€™t help feeling the ponce made his bedโ€ฆ.  

Image @jenimeadephotography

Bit dodgy, he summons a human-despising conceited demon, Mephistopheles, played with absolute magnificence by Charlotte Howard. Mephistopheles acts as a kind of Cruella de Vil agent to the devil, who encourages Faustus to sign a contract with his blood; his soul for unlimited magic, which he treks the known world with, entertaining Kings and Emperors like Paul Daniels discovered voodoo. Though Mephistopheles is no Debbie McGee. Without too many spoilers, it doesn’t end well for Faustus, who learns thereโ€™s only one way out, once his twenty-four year contract with the devil expires, and itโ€™s not a gold watch.ย 

Image @jenimeadephotography

If this Elizabethan forbidden thrill-seeker, overloaded with as many theatrical tricks as devils and demons, sounds seriously dark and gothic, it certainly is, but not without hilariously timeless comedy, brilliantly diluting the tragedy. Thereโ€™s occasions when itโ€™s virtually pantomime, when the devil, played with radiant vaudeville evilness by Oli Beech, a far cry from the panto dameโ€™s sidekick at Christmas, personifies the seven deadly sins as a circus cabaret to tempt the Doc, and upon the thievery of one of Faustusโ€™ spell books by two commoners, played side-splittingly like stereotypical moonrakers by Jessica Phillips and Ian Diddams. It is these elements which brings the archaic seriousness down a peg and makes this play equally suitable for those, like me, not so clued up on classic plays.

Image: Mij Hazel

As the many earthbound or spiritual side-characters come and go with pace, the thirteen strong performers cover various parts, and those unmentioned so far, Chris Smith, Alison Andre, Emma Comfort, Cathay Chappell, Julie Baker, Paul Snook, Sam Burrows and Amy Chappelle also require the highest of praise; there is so much work put into this, the mind, as I stated earlier, is still boggling. It entertained me, and I strongly suspect it will be some significant time before my mind stops boggling about it, way past the lifespan of the Toblerone!    

Bag yourself some tickets for this HERE, unless you’re a demon!


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A Right Christmas Carry-Con at The Vaults

Sunday saw Ian Diddams reading his Christmassy self-penned yarn at The Vaults, which over the past few years has become something of a decidedly anticipated yuletide tradition among Devizes socialites, not to mention raising wonga for local charities.

Directed downwards to, what is fittingly described as a vault, within the Vaults, a communal gathering amassed. With the ethos of a โ€œquiet bar,โ€ the welcoming and cosy Vaults is the perfect place for the art of conversation, and in turn, the superlative place for an event of the spoken word in town. It has hosted sporadic poetry slams, including Devizes Arts Festival ones with poet, Josephine Corcoran.

Previous readings from the amusing and talented writer Ian Diddams have mostly been parody, usually taking a recognised fictional serial, such as last yearโ€™s Sherlock Holmes, and placing it within an unsubtle comparison to Devizes, sprinkled with characters suspiciously resembling a variety of known locals. Combined with a truckload of locally-related gags, the effect is laugh-out-loud funny for its audience. This time, while still lampooning, the signage underneath his microphone resembling the florescent warning logos of the governmentโ€™s national TV pandemic announcements, but reading โ€œTaking the Piss,โ€ gave a clue this one would be somewhat different.

Ideal to prevent things from getting samey, Ian took an alternative angle; a satirical stab at national politics, this time, sardonically capturing the current mood of the country and distaste for the cabinet. This was convenient for me, I pondered during the first interval, being I was subject to one his character assassinations in last yearโ€™s online version, and didnโ€™t see how references to a toothless Cockney milkman would quite fit in with this synopsis. Ian, however saw opportunity to sprinkle the tale with a few local caricatures, and did so; I was not left out, something one should see as an honour, I guess!

Taking the viral Handforth Parish Council Zoom meetings, where the toxic Jackie Weaver became the unlikeliest of reality tv stars, as a base, Ian worked a story read through a yearโ€™s worth of minutes taken of meetings by an imaginary village, Little Twittingtonโ€™s Christmas Club. Deliberately badly disguised characters bore remarkable resemblances to MPs, the most obvious and well-placed being a Pritti Patel-a-like, taking the role of Weaver, with her conceited habit of banning and blocking anyone who disagreed with her.

Chaos ensued, gradually building from the bureaucratic nonsense and general pomposity of village or small-town politics, thus partially retaining Ianโ€™s trademark reflection on local affairs, but soaked in an undercurrent of Brexit, handling of the pandemic, perpetual scandals, mishandling and unashamedly backhanding of government.

Taking a subject out of its usual context to display how utterly preposterous it is, is possibly the hardest form of satire to perfect and convey convincingly to an audience, and Sir Ian of the Diddams knocked it out of the park. It must be noted, to mock something so meticulously is partly to recreate the style of it, so if the performance felt drawn-out, it only was so as it reflected the subject it was ridiculing; ever been exhilarated by a village parish council meeting? I rest my case.

Though this meant belly-laughs from the crowd were perhaps lesser than his previous stories, the overall impact was greater. Iโ€™ve no doubt this was both the trickiest one to pen, and in so much, the finest one to date; a stroke of genius.

As usual, the reading was separated by poetry, read by our own man in the field, Andy Fawthrop, who also manned the bar, and Devizes own poet Laurette, or laundrette at least, the absolutely brilliant Gail Foster. The multi-skilled master, Andy, gave us some particularly adroit and amusing poems with thoughtful seasonal prose, as is his style. The apex of which was a hilarious recollection of appearing in a school nativity.

Meanwhile Gail gave us a partial seasonal selection, with an amusing personification of the fairy at the top of the Christmas tree, a sombre and powerful pagan reflection of yule, and then she preceded to bring the house down by airing her dirty washing in public, the one of which if youโ€™ve not heard, and are not an unsuspecting and lesser-endowed pipe-fitter from Grimsby, Iโ€™ll leave no spoiler.

All this spoken word madness made for my most entertaining Sunday for the longest, which might not be the most fitting accolade it deserves, being I spend most Sunday afternoonโ€™s snoozing on the sofa in front of a Disney-Pixar classic not of my choosing, yet it is doubly satisfying to note a substantial contribution to local homeless charity, Devizes OpenDoors was raised. And if you missed it, I believe photographer Stephen McGrath captured it on film, which will be available to view soon, for a small contribution to OpenDoors. Send us the link, Steve, and weโ€™ll share it here, as this was something youโ€™d be sorry you missed, if you did, bookmark the occasion for a possible next yearโ€™s must-do.

A Right Christmas Carry-Con The Movie!

And here it is. Thanks to Steve McGrath for video production. All we ask is that you please donate to Devizes OpenDoors after viewing; there’s a link on the YouTube page, or donate directly HERE, thank you.


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