Arriving just in time to catch Swindon schoolteacher Garri Nash by weekday, ambient acoustic musician N/SH by gig-nights, at one of the early mini-festivals of The Crown at Bishop’s Cannings this summer, I’d missed local covers band Paradox play before him. It perhaps wasn’t the most appropriate follow, Paradox roused the audience with lively renowned covers, and N/SH is at best a niche market of downtempo original compositions.
Though it’s in the recording studio, or at a music venue geared towards original and acoustic artists where we see him shine. Recreational Trespass is out today, up on Bandcamp with pressings forthcoming from Genepool Records in Plymouth. It’s an album amidst a prolific discography, though Garri himself states he’s โstill the โnew boy on the blockโ out there as far as music is concerned.โ
And what he does is new, not least unique, if the track Afterstorm on this release gives you goosebumps about the intro to U2’s The Streets Have no Name, yes, it sounds similar, but stays with that introโs mood, symbolically N/SH’s style, it doesn’t bang into the heavy rock riff, it rarely โgoes off.โ Neither is dub a component, with its wildly adjusting tenors and erratic tempo changes. This just softens, simple as electronica outfits such as Tangerine Dream, but with rockโs ingredients to boot.

They all glide mellowly, fragments of abstract thought, and also, unlike the ambient house of The Orb, or KLF, I find myself scrambling for comparisons with, neither do they linger too long. There’s no soundscape of winds blowing, or a dog barking in the distance for twenty minutes prior to a beat kicking in, they’re comparatively shorter, clips, often hazy and artistically composed; when one chain of thought expires, the song does too, occasionally abruptly, and it’s onto the next, like a rough book of juxtaposed ideas.
If I’m to make comparisons, you’d have to imagine Cat Stevens with modern tech. N/SH’s innermost mind must be a perpetual swirl of ideas, if he wrote comedy, it’d a sketch show rather than a sitcom. But comedy doesn’t come into play here, dunno why I mentioned it really! Solemn and dejected the themes wallow, often hinging on limb, lo-fi and distant, as if you’re only a passer-by in this reverie.
I tried to address where this inimitable style came from. Passing off my ambient house acquaintance, of student days of yore, Garri explained โfor me, the ambient is more influenced by Sigur Ros, Fink, etc, which is more chilled. I know Ambient House has its own genre but Iโm told mine is indie, alternative. BBC use this for my genre, and now some electronic.โ
โFolktronic,โ I said was a term penned by David Gray, and I like this tag, but N/SH felt it sounded too Americana to suit. โIโm definitely not that,โ he expressed, โor folk, which Iโve been labelled with before but hey, itโs what people hear.โ Though a lengthy conversation pursued around precise genre-labelling, we found common ground on the ethos of nah, mate, against pigeonholes, they’re for pigeons only; Iโm just trying to pin it down for descriptive purposes here.
Yet I find myself troubled in pinning it, it’s acoustic with soundscape backing tracks, it’s artistic expression equally as much as music, and I’m a sucker for the alternative rulebreakers. For others, I guess it’s Marmite; that said, I blow their advertising slogan out of the window, because I can take it or leave it!
Engulfed in this album though, it takes a few listens, adjustments from the norm, and there’s a lot going on subject matter-wise, poetically dishevelled and sporadically misplaced, it makes for an interesting listen. Alone on a showery eve, it’ll make your cup of tea go cold, as you stare at raindrops descending down the window, consenting it to draw you into its melting portrayals.



Trending….
How it Feels for a Bluebeard!
The first time I heard the name Bluebeard and the Desperate Hours, I presumed their sound might be folk or blues inspired. Judging a bookโฆ
โUnderdog: The Other Other Brontรซโ at the Rondo Theatre, Larkhall, Bath, March 25th-28th 2026
by Ian Diddams images by Richard Fletcher How many Brontรซ sisters can you name? Which books did the sisters write between them? Can you nameโฆ
7 Hills to Trowbridgeโs Old Town Hall
To clear up any confusion, Trowbridgeโs old town hall is no longer the town hall, but The Old Town Hall. I have no idea, norโฆ
Wiltshire Hunt Sabs Stolen Drone Footage Reveals a Beaufont Hunt Kill
Retrieved footage from a stolen drone of the Wiltshire Hunt Saboteurs reveals the Beaufont Hunt making a fox kill earlier this month, and itโs undeniableโฆ
Extended Lineup for CrownFest
It was back in October when we revealed CrownFest at The Crown in Bishopโs Cannings was returning this summer, and January when we last mentionedโฆ
Vox Populi: New Album From Deadlight Dance
The difference between punk and goth is that as a punk you reject society, as a goth society rejects you. Being society lives mostly onlineโฆ
Kate X: Swindonโs Best Kept Secret
Youโre young, stars in your eyes, and you live in Swindon; you are not alone, but you are, unfortunately, up against Kate X! Kate isโฆ
Shedricโs Misadventures of Theodore Thump
Just who is Theodore Thump? A wise pet rabbit? The mysterious sixth Beach Boy? This album newly released from Shedric, Swindon soloist and groovist ofโฆ
Chandra Likely To Go Boom!
Buzzwords, like โturbo,โ or โsonicโ are cliche, overused trends which gain popularity because they sound impressive, even if they are empty of meaning. I avoidโฆ
Marlborough School of Languages to Hold Second Fiesta
Itโs always nice to hear when an inaugural local event is successful, especially one as unique and original as Marlborough School of Languagesโ annual Fiesta.โฆ






