Top Marks For CrownFest

Sitting by a controversially purple outside bar, contemplating my debatable definition of the term “festival,” yesterday in Bishop’s Cannings, while Freddie Mercury sauntered past and the sun toasted me another shade closer to “calypso berry” on the Dulux colour chart… this isn’t your average day in this sleepy Devizes-hugging parish, it’s the meticulously planned and aptly named “CrownFest,” at their only central village pub, The Crown.….

Because while grateful for the pub trend of sticking a man with a guitar under a gazebo and hoisting in a hotdog van, it hardly constituents a “festival.” Even the Easter musical event at The Crown received a higher-scoring mark than that, and it wasn’t labelled a festival; just a free social gathering. This time around though, attendee’s entrance fee was exhausted with a proper stage of quality sound and pyrotechnics, and the semi-permanent marquee where performers were shoved into a corner of last time, this time was filled with a whopping selection of affordable homemade pasties and sausage rolls; that’s me set in for the day!

Okay, so here’s my vague scoring system; to me “festival” must include multiple happenings; variety, if you will. If you’ve one act, or even one and a support, it’s a concert. If you’ve one food choice, it’s a beer garden barbecue, and if you’ve one barrel of flat, warm ale, well, you’re really asking for it!

I’m pleased to announce, with a great line-up, two bars plus the pub operating as usual, two barbecues, aforementioned pasties, sweeties and doughnuts stall, a kiddies fairground ride, and Devizes’ Italian Job airstream caravan, who I strongly suspect are following me around the local festival circuit(!) for an inaugural village festival, CrownFest ticked all my boxes and went way beyond expectations.

With a Queen tribute headlining, for example, a local spray-paint artist laboured the entire day, reconstructing a colossal portrait of Freddie Mercury, to be auctioned for charity. Just one of many unique elements which drove this mini-festival to punch above its weight, and a marvellous time was had by all. In a nutshell, it was a generous slice of fantastic.

On paint, a few nick-picking peevish keyboard warriors would’ve had you believe the Crown’s intentions of bringing a community together for a party was counterproductive, highly illegal and a nuisance to the tranquillity of life in Bishop’s Cannings, should you follow pitiful Facebook rants. Desperate for an angle, it backfired bizarrely, through petty complaining that the outside bar was painted purple! But if shock, horror meanderings divided a community online, there was no sign of it in the actual.

Despite the town carnival clashing, the event was moderately attended. The damning report for said pessimists is only a handful arrived from town, rather the bulk was made up of villagers, overjoyed entertainment of this calibre had parachuted into their village. Still though, to those unconvinced I’d say, I accept your concerns and respect your desire for tranquillity, but give and take in this world, and for just one night a year, a little compromise wouldn’t surely go amiss? While a significant event for a small village, noise levels were controlled and full-proof yet friendly security kept the peace; it hardly reached the intensity of living in Pilton.

The alternative is the reality of many a village pub, and excuse me if I’m wrong on this, but I also believe the Crown was suffering from the damning predicament prior to new tenants, that they fail to be a hub for villages, resulting in a dull life for its inhabitants. Providing such a service is essential for a demographic, as if house prices aren’t bad enough to drive the young away. Village pubs should take heed of the remarkable turnaround of the Crown at Bishop’s Cannings, owners employing local youths on a grander scale, building bridges between folk and providing entertainment to an otherwise archetypal sleepy community. Jazzy and Gary, you should be very proud of your achievement, and CrownFest was surely symbolic of the respect you’ve earned since taking the tavern on.

Eddie of Tunnel Rat Studios appears to have made coordinating the musical element his baby, the icing on the Crown’s cake. Though, running ahead of schedule, my bus journey ETA fell short of catching Pete Lamb’s Heartbeats, I can console myself upon the notion we’ll meet again some sunny Full-Tone day, and not forgoing, a band I’ve been meaning to tick off my must-see list, Devizes-based Paradox, were bundling equipment on stage superfast.

Paradox are entertaining, period. Kicking off with the Kinks’ You Really Got Me, and particularly adroit with the Beatles’ Day Tripper, yeah, they’re predominately covers, but their few originals came to a hilarious apex with a soon-to-be redundant satirical stab at Boris Johnson. Still, they were fun all round, and frontman, Derrick Jepson slogged it out as an amusing compere.

With George Wilding reassigned to a cruise job, and Isobel Thatcher signed off with covid, any doubt the two unfortunate cancellations would affect the schedule were abandoned when guitarist and sax backing for Thatcher surprisingly, mostly to themselves, produced a sublime set.

Then two hard rock bands, Melksham-Devizes crossover Plan of Action and Pewsey’s Humdinger contested for the best Billy Idol’s Rebel Yell cover, but also separately blessed the afternoon with back-to-back rock cover sets, that, while not entirely my cuppa, were exceptionally accomplished and certainly got the party going. While it was the heavier end of the scale which floated my boat from Plan of Action, covering Foo-Fighters yet also fantastically replicating Ready to Go, by Republica, the most appealing from Humdinger was certainly the breezy and encapsulating cover of Stereophonics’ Dakota. Both took no prisoners; drink was taking effect and CrownFest was gathering pace.

Confessions time; I neglected to tell John of Illingworth he was up for a mighty fine review regardless, until after he dropped me off home! Though despite following two heavy rock bands, this duo acoustic set with Jolyon Dixon, for me, was the kingpin in the line-up. Illingworth are so utterly skilful in driving a cover headlong into sentimental city, it’s always a pleasure. With heart and soul channelled, two guitars and a foot drum are all that’s required from Illingworth to produce breath-taking versions of Pink Floyd’s Wish You Were Here, and The Beatles Hey Jude, among others on this refined setlist; The Waterboys, Oasis, et al. Songs which could be considered cliché if anyone other than Illingworth were stamping their authority on them.

Time was nigh for the finale, Real Magic from Leicester pulled out the tribute act costume shop to replicate a marvellous homage to Queen, of which goes beyond comparison, likely because I’ve not witnessed another Queen tribute before. If doubts of how well they’d accomplish such a feat were mildly enthused with quantities of alcohol, but nevertheless were absolute perfection. Through every legendary hit they covered them with precision and finesse, it was a sight to behold, truly confirming the kind of magic CrownFest had monumentally achieved through just their first attempt. What a wonderful way to end the day, as villagers lit up the area with a true bond to be proud of. Spot on, I say.

I believe some folk need to get over the antiquated notion festivals are only for a raging mob of crusties, as trends have changed dramatically from the anarchist balls of the eighties or illegal raves of the nineties. Music festivals are today a stalwart of family entertainment, churches of popular culture and performing arts. They’re controlled, they’re mainstream, and the industries’ essentiality for them will not be put off by a whinging minority. It was great to meet Peggy-Sue of Swindon 105.5 radio, who for the past year has been producing a show wholly dedicated to local acts, and Mark Jones of Fantasy Radio, as we got along handsomely, chasing the shade in squatting his gazebo. So, if us media giants can get along, I’m sure a village community can too!

We look forward to the possibility of this being an annual fixture, word passed around CrownFest in the heat of the moment was positive it would be, meanwhile they’ll sporadically host smaller music events, and if true it’d be wise to bookmark CrownFest 2023 on your calendar.


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Easter at the Crown, Bishops Cannings

Looking south yonder from the Wansdyke atop Morgan’s Hill, you will see the spire of St Mary’s in the parish of Bishop’s Cannings, much less you belt past it on the A361, glad to have escaped Devizes’ congestion.…..

Impressive is the church, recorded in the Domesday Book as held by the Bishop of Salisbury. Tis said its design is to replicate Salisbury Cathedral; a kind of mini cathedral, to make him feel at home, which is nice. I’m certain villagers today would want the same, to make visitors and newcomers’ welcome.

The spire towers over the historic inn, The Crown, which recently under new management felt the objections of a handful of disgruntled residents at their wish to provide a little entertainment in the village, a few of them a considerable distance from the site.

I’m glad to hear the proposal was met positively with a majority, a slightly later licence for outdoor music was granted, and this was celebrated with an Easter humble gathering of villagers and local live music aficionados, which is why I and a sprinkling of other Devizes riff-raff trekked eastwards.

Smooth. Image: Nick Padmore

It’s understandable, you buy a rural property for peace and tranquillity, but I implore you, give and take for the odd weekend, is all anyone asks, no one is proposing your chocolate box cottage is resituated on the Las Vegas strip. Proof is in the pudding, and what the Crown hosted yesterday was far from the satanic-worshipping netherworld of a Special Brew sponsored anarchistic punk uprising I imagine they wrongly perceived it to be!

Rather, as the trend for pub-based mini-festivals is, a beautiful, family-orientated day of live music was had, celebrating a wealth of local talent; there were no acts of depravity, no drug-induced adolescent insurrection and I’d wager to drive through the village this morning would be to have no clue an event of any kind actually occurred. Give and take goes for anyone living in any village where a pub wishes to host a small event; in this era of regaining a hospitality industry, whereas an urban tavern can specialise, a village pub must cater for all, and that’s a delicate balance, to be the hub of a community.

George Wilding. Image: Nick Padmore

That’s exactly what the Crown achieved, owners and staff should be proud, I considered as I wandered through the pub witnessing families enjoying rather tasty looking meals, as ever, as is the mainstay for Wadsworth’s establishments. While outside a double marque nestled between an outside bar and barbeque in its wonderfully spacious beer garden. With clement weather, it made quite the comfy and hospitable music event it promised to be.

Paradox. Image: Nick Padmore

I can’t really justify a review, as such, I only rocked up to check it out prior to heading to the Southgate, but I saw enough and badgered attendees to discover it was nothing short of brilliant. I missed a band I don’t know called Smooth, George Wilding, who though not seeing post-lockdown you can depend his natural talent and charisma shines through with every performance, and Paradox, who I’m told were lively in their covers and got everyone up dancing; what can I say, I had to work, siesta, and had errands to run as dad’s taxi, but folk there spoke highly of them all.

I did arrive as planned, to see N/SH, a heartfelt Swindon-based teacher by profession who enthusiastically circulates the local scene as a solo, multi-instrumentalist indie-rock musician. Perhaps scheduling was slightly off, with Paradox before him being so lively, as N/SH’s style rests very much on acoustic and ambient vibes, his incredibly crafted self-penned songs are rich in narrative and his cool persona reflects this. He’s one for the serious acoustic-heads, the like Bath’s Chapel Arts should headhunt, the nonchalant yet passion he displays rides on the zephyr sublimely; he’s one for any singer-songwriter to sit and admire.

N/SH. Image: Nick Padmore

And I was also enthused to pop my Illingworth cherry, a Salisbury-based duo I’ve been meaning to check out for a while. Few originals, but mostly indie-pop cover favourites, lead John Illingworth’s voice is simply vocational and inspiring; it could pull you into sentimental meanderings if he was covering the Wheels on the Bus! There’s scrupulousness and charm in the whole setup, the kind to polish off a party, returning guests home with fond memories and thoughts of oh, did I get up and dance?!

But unfortunately, that’s all I’ve got, other than here’s a welcoming and comfy village pub keen to host events in support of the local live scene, reminding me somewhat of Bromham’s annual BromFest at the now sadly burnt-out Owl community centre. This little excursion for the Crown is a precursor, for they’ve a festival planned on July 9th, aptly titled CrownFest. N/SH, Illingworth, Paradox and the fantastic Mr Wilding are on the line-up, and also booked is Humdinger, Pete Lamb’s Heartbeats, Isobel Thatcher Band and Becca Maule, with Queen tribute Real Magic headlining.

Judging on this weekend alone, I think this is one very worthy of your attention. Parking and camping are included, it’s fundraising for Devizes Cancer Research and Dementia Friends, tickets are £35, early birds get a fiver off. Hats off to the Crown at Bishops Cannings.


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