Tag: rosie jay

Must confess it felt somewhat odd to return to The Crown in Bishops Cannings for my weekly ration of live music. The only pub in the village has been closed a short while, since verbal pitchforks and torches from a crotchety minority who wanted the tavern to be little more than a museum artefact drove the previous landlords out…..

Prior it was a bustling community hub run immaculately with gusto and enthusiasm, hosting a variety of events and raising funds for charities. Seemed crabby witches and even a lord of a manor were prepared to gang-up, lie to police, and misquote Devizine when we failed to appeal to their better nature. It backfired, they didn’t own one, but let’s not dwell.

New landlords are in, pleasant and keen to maintain the pub’s reputation amidst the prying Karens. Sarah, the new landlady praised her new chefs, and the pub hosts an open mic every first Thursday of the month, Tuesday evening quizzes, and intends to begin a men’s mental health group and possibly a football team.

Tonight, however, will be the new owners first live music night, and they’ve wisely hoisted in promoters Wiltshire Music Events to organise it. Though without much advertising unfortunately the crowd was slight. Never the simple accomplishment it may seem when established venues have the monopoly through a regularity of gigs, to sporadically host will require endless bashing about it on social media. It is, however, easier with the increased 49 bus service, that a night bus will drop into villages enroute, of which you should take note.

I’m in attendance not only to support and encourage the importance of entertainment in villages, save the thought of losing your local watering hole. Rather it is because Wiltshire Music Events is hosting two new acts on their roster, one who’ve yet to explore outside of their Salisbury circuit. A wise choice being the neighbouring church is a mini replica of the cathedral to make the bishop feel at home in the Cannings, or at least so the myth goes!

Firstly, in support, young singer-songwriter Rosie Jay, one I’ve been dying to meet and see live since fondly reviewing her first two singles. Rosie didn’t disappoint despite the pedestal I’ve put her on. Her self-penned songs are rippled with the poignancy of the classic template acoustic wordsmiths who made it big will follow; concentration on the hook, something even more essential with the attention span of the Tik-Tok generation.

Her voice is rich, affectionate, and she delivers songs with passion and blossoming stage presence. An interesting choice of covers from a young artist, often, she explained to the audience, inspired by their usage in films. Okay, Elvis’ Can’t Help Falling in Love is timeless romantic, and The Cranberries’ Zombie is most formulaic, but Dylan’s It Ain’t Me Babe, is a cynical rare choice to pull from her magician’s hat. Though it relates in theme to Rosie’s first song, I Don’t Give a Damn, and her general subjects. Rosie nailed them all, beautifully, with particular evocative expressions in the reclusive and heartfelt jaundiced emotions of Dylan, and likewise her own intelligent compositions.

Currently pursuing a Level 3 Diploma in Music at Wiltshire College and University Centre, Rosie told me of her work on local radio, and was enthusiastic about her forthcoming EP. Part of the growing Wiltshire Music Events family now, as Joylon Dixon has worked with her to produce it. And Joylon accompanies the next performer, the incredible Rachel Sinnetta.

Renowned for a two-year stint supporting Gerry & The Pacemakers, singing to Prince William and recording with Pete Townshend, Rachel intended to tour a  “Wuthering Heights: The Music of Kate Bush,” project which unfortunately fell through.

Music teacher Rachel  set to tour this tribute extensively throughout the UK; that’s what the blurb told me. All I know is Kate Bush is the vocal epitome of singularity, the individuality debatably overlooked in today’s pop industry, as the penchant to sound akin to Whitney Houston seems paramount.

Just like Dolly, Cher, Tina Turner, Stevie Nicks, Tom Jones, Alanis Morissette, even KT Tunstall et al, you need a seriously powerful vocal range to convincingly take on a Kate Bush cover. And Rachel did, sublimely delivering Running Up That Hill, and popular hits of all the aforementioned. Seemingly having her own deal with god, Rachel naturally reaches the notes with ease, her husky yet divine rock voice is the eloquence and faculty able to adapt to take those powerhouse ballads on with such precision and poignancy, particularly with the female giants. She even rinsed Arthea Franklin’s Natural Women, and left me tingling, Chaka Khan’s Ain’t Nobody too simply wowed. Proud Mary in the key of Tina Turner; who would dare attempt them in an intimate gig such as this?! Rachel Sinnetta made them look childsplay.

Sassy with Tom Jones’ Kiss, joyful with Erasure’s A Little Respect, covers came thick and fast, coupled with the secret legendary Jolyon Dixon without rehearsal was a match from heaven, and the whole shebang was utterly blissful; shame only us, a few regulars and their dogs were there to witness it. Such is the uphill struggle for new landlords to plant their establishment into a local music circuit, partially my reasoning for doing this blog.

So, take heed now, especially everyone in Pewsey; this wonderful formula, Rosie Jay followed by Rachel Sinnetta with Jolyon Dixon will be continued at the Royal Oak, in Pewsey, with a free gig from 8pm, next Saturday, the 19th October; they are in for a treat.

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