Illingworth & George Wilding Crowned in Bishops Cannings

Must confess, I’m envious of the good folk of Bishops Cannings, perched here on a bench in an idyllic beer garden with spring sunshine setting, and shadowed by the striking spire church, where tasty, generously portioned yet comparatively priced bar food is served to punters awaiting some live music arranged by Wiltshire Music Events….

Jazzy and Gary, landlords of The Crown at Bishops Cannings give me a warm welcome. Considering the contrast to our now bolted village pub, where staff would barely raise an eyebrow from gazing at Eastenders on the big screen to serve you; to debate whether our pub’s closure is a sad sign of the times, opens a Pandora’s box into what landlords did to prevent it.

Here at the Crown they’re catering for all, with smiles throughout. It’s a wonderful village hub; the kettle is on if you favour a cuppa, young children wander over with their dad from the campers in the adjacent field, the atmosphere is chilled, hospitable, and nothing seems problematic. Regulars join only a sprinkling of gig seekers in a modest heated marquee. I’m here primarily for Avebury phenomenon George Wilding, on shore leave from entertaining cruisers. Illingworth as headline is a bounteous bonus ball.

I’m fully aware, amidst many choicest options being Beltane, back in Devizes tonight is the night electric blues aficionados raise the roof of the Corn Exchange, but our best writers are on the case. Though he messaged me last Sunday, I missed the prodigal son of our live circuit’s unexpected return to the Southgate, so catching up with George was overdue.

A learned, matured version of his former self told me of his travels, the ins, outs, ups and downs of performing on cruise ships; he has flourished in skill without pretension, but with the same heart. In turn I explained my pride in not only featuring upcoming young acts, but youths like our Flo reporting on their own circuit. George smiled his approval, expressing how he was once one. And at the dawn of Devizine, when it would be a regular thing to publish reviews on that generation, musicians like Tamsin Quin, Jordan Whatley, Mike Barham, and many others, all blossomed into amazing acts, and George’s were among the best received.

I first met him at Saddleback’s Battle of the Bands in 2018, which he won, but insisted he’d only accept the prize of playing the festival if the others had a chance to too. It’s this gracious benignancy which he greeted me with, and which, coupled with exceptional talent for singing and guitar, always made George stand out. Unpretentious is his show still, nurtured talent, yet the same simplicity of man and guitar is gold. He needs no setlist, nothing is prearranged. He considers himself no better than his audience, and engages with them as if they are lifelong besties. What songs will he cover? It’s interactive, you decide, but whatever is chosen you know George will pull it off, charm and entertain the audience with equal gusto.

Optimistic of the weather, he kicks off with The Kinks’ in the Summertime, runs it into the Jam’s Town Called Malice, but is already asking for input. I sat closer, to take a snap or two, and he’s tongue-in-cheek pulled Madness’s Baggy Trousers out of nowhere! George will tackle anything, yes, he cooked a fine American Pie, awakened me to the greatness of The Fratellis’ Whistle For The Choir, and we were back onto the Kinks with a backstory of Lola. Yet, I’d not recommend anyone taking on Otis Redding, or Freddie, but he does, spins it with convincing originality, making it his own, and delivers with such proficient expression, its joy to absorb, and memorable of so many great occasions to see him perform again.

The clues were all there, but I’m not Poirot; now that I see them for the first time on the same bill it’s obvious, John, frontman of the Illingworth duo is George’s uncle. Though I cannot recall the first time I saw Illingworth play, through seeing them umpteen times since, it was much later than discovering George, and wasn’t until later on John told me who his nephew was. Family connection clicked into place, seemingly, because equal to George’s talent, I never tire of watching Illingworth perform.

John and the curiously talented Jolyn Dixon’s repertoire is more structured than George’s, all sing-along, taking in country rock classics and floating from prog-rock to new wave covers. Still they raise any roof with Pink Floyd, Beatles, to The Cure adaptations, nestle some fine originals, and come up for air with John Denver’s Country Roads. Their show is one to suddenly arise from your seat and dance, without consideration as to how they obtain such a sound with just the two of them, a few guitars and cajon; they do what would take a full band, and what every pub landlord hosting live music really wants, a highly entertained and satisfied crowd.

The memorable night settles in Bishops Cannings; I’m sorry if I promised to freewheel between gigs, but the rare combination of George and Illingworth, the wonderful pub and great atmosphere had me grounded there. It doesn’t matter if Wiltshire Music Events are presenting  large scale events, such as last month’s Marley Experience tribute in Devizes, or simply a free pub gig, there’s a professionalism, in sound and talent-spotting, which will guarantee a good gig. The fact the big chief Eddie is keen to trek up to stage events here we should consider ourselves very lucky; maybe it’s the spire church of BC which makes this Salisbury bunch feel at home?!

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