With the happenings at the Arts Festival taken care of, and twenty/thirty something’s pilgrimage to The Three Crowns for the delights of our most famed cover band, People Like Us, I’m in Devizes for the wildcard; Trowbridge trio of nutty rockabilly/skabilly 41 Fords are playing The Southgate; arm twisted for a cider or three.….
Currently camped at some festival or another as they accidentally double-booked, they hot-footed it from the site delighted to be here. Told me of their love for the Gate, not the only thing we have in common. Though they regularly play our hospitable and stalwart, offbeat live music pub, it was never intentional that I missed them, but going on the strength of their debut album, Not Dead Yet, which we fondly reviewed back in April, 41 Fords were understandably on my must-see list.
Job ticked off and far from disappointed, they shook the rafters with high-energy rockabilly adaptations of a wide selection of pop hits. A guitar, drums and double-bass trio, it’s a simple template to stamp their own style on everything and anything from Adam Ant’s Goody Two Shoes to Green Day, and The Primitives’ Crash to Hall & Oates, but dammit if it doesn’t work like a charm. Rousing the slight audience with lively upbeat versions, the fun simply doesn’t stop, other than for a twanged guitar string; they couldn’t even cover Ben E King’s Stax classic Stand By Me without a frenzied rise of tempo!
To be niggly, I looked forward to some originals from said album, but they felt it best to do covers, a trusted judgement paid off, and besides, Deborah had chalked them up as such on the board. If flat-caps worn with anything other than country-gent attire usually connotes the cheekiness of a cockney sparrow, and there were a lot of them floating about tonight, similarly does a double-bass without it being an orchestra. Given said instrument is adorned with second gen ska’s checkerboard black & white tiles and a slogan reading “get lucky” in friendly font, you get the general gist this is punk-fused rockabilly, yet without the grave characteristics associated with psychobilly. It is, simply, as much fun as you could possibly squeeze into a gig, the result was precisely that.
Unusual their trump card, as the drummer tended to vocal the cheesy eighties pop covers, aforementioned Adam Ant, but Tracey Ulman’s Breakaway being particularly amusing, whereas the guitarist vocalising on the earlier or more apt classics, from the Jam to Tears of a Clown bending on The Special’s version, and probably the golden nugget tonight, Dion’s Runaround Sue. The double-bass player simply displayed the cheeky grin of Jason Statham as Bacon in Lock Stock, but anyone spinning a double-bass wins, they don’t got to say anything!
By the time the second half of this frenzied show of confident and proficient uniqueness played out, it really didn’t matter what they covered, they could’ve done Save All Your Kisses for Me for all it mattered, though I don’t believe they did. Everything was fantastic, 41 Fords are undiluted footstompin’ goodness and bring the party with them as standard issue. What a lively fun-filled night at The Southgate, as ever!
Don’t forget, it’s the monthly Jon Amor at the Southgate today at 5pm, and you can find 41 Fords at Devizes Scooter Rally.
Long overdue is our annual poking our nose into Devizes Scooter Club, see what peaky blinders theyโre pulling off, including of course, the Devizes Scooter Rally 2023; because no matter what the people say, this sound leads the wayโฆ..
While Iโd half-heartedly shrug at critics giving it scooter rallies can be a niche market, retrospective lager-fuelled skinheads admiring each otherโs hairdryers in an overgrown field while some northern soul DJ spins his 7โ rare grooves, this is where Devizes Scooter Rally differs from the status quo. Of course, appeasing the diehards who will trek vast land to amass at such events is crucial, but on its third year, Devizes Scooter Rally never feels insular, rather itโs the genuine article, affordable fun and welcomes curious townsfolk and those who may only have a passing interest in the scene. That’s its beauty, and long shall it be so.
You only have to check the interest when the club ride the carnival parade looking dapper in suits and braces, to note this is more than a retrospective cult; the merger of youth cultures of yore, the mod, the soul boys and skinheads and all inbetween is something impossible for those caught up in to let go off, simply because itโs irresistibly beguiling, and fun. To relish in soul and reggae of yesteryear is valid, as all mainstream pop since relies so heavily on its influence.
So, weโre talking the weekend of 28th-30th of July, when the club invites all to gather at Lower Park Farm, just off the dual carriageway on Whistley Road, where scooters will be on show, and will ride out no doubt, but thatโs not all. Activities for the children will be added, with food stalls and of course, the bar! And all raising funds for such a wonderful organisation, The Devizes & District Opportunity Centre, our most fantastic pre-school for children with disabilities and learning difficulties.
Expect legendary Northern Soul DJ Terry Hendrick of the Soul Pressure sound system to be spinning tunes between bands, and the bands are, a reunited, I believe, Killertones, the perfect ska outfit of Cath and Gouldy from Sound Affects and the Day Breakers, who are stalwarts on the local scooter scene. Those trusty Roughcut Rebels, who never fail to bring the party with them, as is their era-spanning repertoire of anything from swinging sixties to Britpop.
The other locally-based act is perhaps the wildcard; Trowbridgeโs 41 Fords play with all the vigour of ska, but are decidedly more rockabilly with a dash of scrumpy & western folk. We fondly reviewed their debut album Not Dead Yet, last month. Hereโs a shining example of what I mean about the congenial and welcoming mesh of subgenres youโll find at Devizes Scooter Rally, see, rude boy? There were no mockers in eras past, theyโd have been fighting each other! Thus the scenes merge and itโs a one love happy aura for everyone to enjoy as, which is ironically the entire ethos of reggae and soul in the first damn place!
And reggae Iโm certain youโll find there, of the boss variety of yore, predominantly, and of course itโs predecessor ska, which though saw a second generation influx through Two-Tone in the eighties, thrives today on the scene. Now, if you know me, youโll know Iโm something of an aficionado of this, and seen many a great ska band; Orange Street, named after the location of Duke Reidโs legendary Kingston studio, Studio One, are one of the tightest ska bands Iโve witnessed, blowing my socks off at the inaugural Devizes Scooter Rally in 2019; having them return is the icing on this cake.
Going in blind for the last two in the line-up, first, Sharp Class, with a corporate identity akin to The Jam causing me to ill-conceive it would be an old bunch of mods knocking out Jam and Merton Parkas covers. Rather this young, fresh-faced London-based trio have a sharp image, hence the name, and original songs grounded in realism and spattered with an English essence. Merging punk and soul into power-pop and Britpop, they claim. Theyโve recently released a debut album โTales of the Teenage Mind,โ and are set to tour Boston this month, but you can say you saw them in Devizes!
And the Butterfly Collective, Southampton based ska, soul and mod covers and originals five-piece, heavily influenced by The Who and the Mod/Rock fraternity including Oasis, Ocean Colour Scene, Kinks, Small Faces and The Hiwatts. They have become a renowned band within the Scooter and music scenes across the U.K. Being The Devizes Scooter Club tend to evaluate their lineup based on past experience touring other rallies, Iโm assured weโre in good hands, and this weekend will deliver a damn fine spectrum of entertainment to get you snapping your braces and skanking up the Whistley Road!
Now, if youโre thinking where the catch might be, itโs only your two-tone trouser suit, with a weekend wristband at just thirty notes and cheaper day options, youโve got to hand it to Devizes Scooter Club for maximum dedication to making this jumping jiving rally affordable and irresistible.
Prior to skanking up Whistley Road, the clubโs base at The Cavalier in Devizes sees Slade tribute Sladest on May 13th, and following the rally, Bristolโs big boss sound of Ya Freshness and the erm, aptly titled Big Boss Band will make their Devizes debut on Saturday September 9th. Self-styled rude boy Ya Freshness has worked with two-toneโs best, from the likes of Neville Staple, and made groundbreaking original work with Bristolโs retrospective reggae greats through his label Strictly Rockers. If you recall my radio show on Boot Boy Radio, those shout-outs were by this absolute legend.
Then, on 28th October itโs the mandatory skalloween night at the Cavy, with ska band Skamageddon, and the club see of 2023 with a NYE party. Though as I said, thereโs a welcoming atmosphere for those with a passing interest, local scooter enthusiasts should contact the club for ride-outs, social get-togethers and beanos to other rallies and clubs are organised. So get up on your feet, put your braces together and boots on your feet, and give me some of that old moonstomping!
Chippenham folk singer-songwriter, M3G (because she likes a backward โEโ) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโฆ
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing theirโฆ
Daphneโs Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in theโฆ
Part 1: An Introduction March 1936: newlywed French telecommunications engineer Pierre Schaeffer relocates to Paris from Strasbourg and finds work in radio broadcasting. He embarksโฆ
Yesterday Wiltshire Council published an โupdateโ on the lane closure on Northgate Street in Devizes as the fire which caused it reaches its first anniversary.โฆ
Join the St Johnโs Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th Decemberโฆ
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Featured Image: Barbora Mrazkova My apologies, for Marlboroughโs singer-songwriter Gus Whiteโs debut album For Now, Anyway has been sitting on the backburner, and itโs moreโฆ
Damp morning, about 3:30am Iโm descending Pelch Lane in Seend, like a sack of potatoes dropping. If you donโt know the track itโs a steep one, with a bend which keeps on giving; not the ideal place to whip out your phone and change the tune when youโre pinning down a heavily-ladened milkfloat! So, first taster of the debut album from Trowbridgeโs 41 Fords, Not Dead Yet goes on loop, and I shrug, as itโs no hardship, โlet it roll for another round.โ
I wasnโt sure what to listen to next anyway, and to be honest, this took me by pleasant surprise. Sure, weโve registered their name on our gig list several occasions, regulars down the trusty Southgate (next date is Saturday 3rd June), but Iโve not had the opportunity to pay them a visit. I see now theyโre on the roster for Devizes Scooter Clubโs annual rally in July, which if I had of noticed before it mightโve given me a closer inkling what to assume.
coincidently, wristbands have just gone on sale for this!
But psychobilly was unexpected, neither is it a subgenre which usually floats my boat. Akin to heavy metal, the late-eighties fusion of rockabilly and punk is characterised with negative symbolism; itโs all ultraviolence, death, B-movie horror pastiches, and other delinquent and discouraging subject matters, and I like to think Iโm optimistic, least too old, to relish in morbidity.
But if I am to pigeonhole the 41 Fords, itโs unlike the wrecking of The Meteors, or the all-out hellish nature of Demented Are Go, and not as offbeat as the skabilly of Roddy Radiation; this is matured psychobilly with all the negativity stripped away. It retains the lively rockabilly stance, the foot-tapping upright double-bass, the nods to western swing, jump blues and boogie-woogie, and breathing fresh air into it with punkโs insolence, and gypsy folk goodness.
Yet their themes tend on maturing romantic affairs, often generation X mod-pop in nature. And for this blend, itโs truly unique, beguiling and for want of sitting down, youโll be incapable; my highest point-scoring goes on the sheer energy these guys never seem to let up on.
Recorded at Nine Volt Leap studio in Melksham, Not Dead Yet is out on 1st May, and you really need to look out for this, I bloody love it! To break down exactly why isnโt simple. The album kicks off mod, think hillbilly The Jam with double-bass, perhaps. A girl-infatuation themed Emily, opens, and from the off itโs got me hook, line and sinker. For itโs upbeat throughout, captivating, and optimistic; this is The Housemartins do psychobilly, and I mean this in the best possible taste, for you cannot prevent foot-tapping to Happy Hour, surely?!
The subject of reunion with a former partner is slam-dunked next, F. Scott Fitzgeraldโs Daisy Buchanan style, The Great Gatsby offers nothing more than Emily in topic, only the literatural reference. Yet while romance is a running-theme, ballad doesnโt appear in their vocabulary; 41 Fords do not come up for air. Marriage problems raises its ugly head, against a penchant for nightlife in the following track, and another girlโs name title, Tabitha continues this sunny side of the street mood. ย
If it goes on this leitmotif for a staggering twelve tunes, it all hinges on their magnum-opus for pop catchiness, the fifth tune, Peaky Blinders. Surely anthemic, it takes the humorous route of Del-boy lovable rouges; Chas & Dave does the Cockney Rejects!
Through this three-minute hero, you might wonder if cockney musical hall will continue being cited, but while Not Dead Yet maintains everything which has so far made this album sheer brilliance, 41 Fords swerve gradually into a more Anglo-Irish folk feel, like Shane MacGowan finished his pint and jammed with these Housemartins, doing psychobilly, with an overall Merton Parkas type fusion.
Ah, see now Iโm worried Iโve given the impression this is all sounds cluttered, like thereโs too much going on, but na, me old China plate, this is flows, smoothly operated with such individuality itโs a tricky one to pin down. If, like me, youโre willing to take onboard the Cramps, and be done with psychobilly, this offers a maturity in themes, wrapped in addictive danceable congeniality.
The Wonder of The Sky is perhaps the standout track towards the finale, for it encompasses everything great about the 41 Fords, who know precisely what buttons to press to write and deliver a pop song with retrospective wow, but refuses commercialisation. It doesnโt verve to create a Stairway to Heaven or a dub-lampoon either, each tune is kept at the three-minute proximity, and each one does what you expect it to do; charges 240 volts into your blue suede shoes!
A Christmas Song, titled thus, finishes, and yeah, it has a Fairy-tale of New York feel, really bringing out the folk oblique which I believe breathes something local into it too, like Somersetโs proclivity for Scrumpy & Western. In all, you could fit 41 Fords into a scooter rally bill, but equally into a Somerset cider brawl with the Boot Hills. And in that, if pigeonholing matters not when youโre in the moment and the music takes you on a dancing voyage, 41 Fords are seamless. This album truly is a must-have.
Bung them a like on Facebook, for updates, and Iโll thread this review with links when the album comes out in May; youโre in for a treat!
Having to unfortunately miss Devizesโ blues extravaganza on Friday, I crossed the borderline on Saturday to get my prescribed dosage of Talk in Codeโฆwithโฆ
No, I didnโt imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their secondโฆ
Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโs latest offering of soulful pop. Itโs timelessly coolโฆ
Words by Ollie MacKenzie. Featured Image by Barbora Mrazkova.ย The creative process can be a winding, long, and often confusing journey. Seeing a projectโฆ
Whoโs ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival andโฆ