Sunset Remedy with JAY

Is it still fashionable to be late for a party, or are we conversant enough to realise this refined art is solely perpetrated by egocentrics pretending to be too popular to be punctual? Rather, I’m am obsolete slob who can only apologise to Jay and Wise Monkey for my delay in reviewing his debut single featuring the vocals of Ben Keatt, but what excuse can I give? Here’s where fatherhood comes in handy, being too candid to be vain, least I can blame it on my kids and their perpetual school holiday! That said, I’ve gained some experience on Minecraft and, if I really try, I can do more than two keep-me-upsies.

Sunset Remedy is the track, released last Friday. Jay, Bath’s first external artist of Wise Monkey Music is a producer and instrumentalist, defined as “a bright shining light in the future of DIY and Bedroom Pop,” and I can only but agree. In the fashion of the classic neighbouring Bristol downtempo sound of Massive Attack and Portishead, it came as a surprise to note the soulfulness beats of this sublime track, as it melodically traipses with funky guitar, poignant lyrics and an uplifting air.

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If Pink Floyd came after Morcheeba, they might have sounded a little something like this; neo-soul, the kind of song you wish was physical matter, so you could pluck it out and give it a cuddle! It’s breezing with nu cool, with a melancholic plod and would blend between tracks on Blue Lines unnoticed, save for perhaps this backdrop guitar riff, providing scope of multi-genre appeasement. Ben’s vocals are breathtakingly touching and accompanies the earnest lyrics and smooth beats perfectly. Yeah, this is a nonchalant chef-d’oeuvre, crossing indie pigeonholes and one I’m going to be playing until I hear more from Jay.

And don’t run away with the idea I’m singing it’s praises simply because of the delay in getting to reviewing it! So not me. You trust I speak my fractured mind, and anyway, time is an illusion to this aging hippy. If punctuality was money I’d be happily broke; procrastination rules, ok. No, I urge you grab this beauty, and show some love to Jay’s Facebook page.


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The Big Yellow Bus Rocks The Gazebo

Two things former humble truck driver Gerry Watkins is a natural at, plucking an ingenious idea and putting it into action, and putting on a gig to fund it. In 2017 Gerry raised four-grand to buy a double-decker bus, which he converted into a homeless shelter in Cirencester. Since he’s launched a similar plan in Swindon, and continues to raise funds for this amazing homeless project. The Big Yellow Bus project is innovative but simple, and Gerry works tirelessly to keep it running.

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With live music teetering on return, it still maybe a while before some venues are ready to reopen, despite yesterday’s sudden given date of August 1st. The following weekend, 7&8th, sees a grand restart for The Big Yellow Bus, to get funds rolling once again. The Tavern Inn in Kembleplays host to this glorious two-day mini festival, which is free, with collection buckets for the Big Yellow Bus doing the rounds.

Music plans to kick off at 7pm on Friday 7th August with our good friends, Absolute Beginners. I know, like most, Cath, Gouldy and the gang will be itching to get back to live music. While there’s still a few gaps in the line-up to confirm, The Roughcut Rebels will be a welcomed act, introducing their new frontman, the one and only Finley Trusler; an awesome unification we look forward to hearing. Mick O Toole is also on Friday’s header.

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Saturday 8th though is an all-dayer. Paul Cooper (Martin Mucklowe) from the twice BAFTA award-winning BBC tv series, This Country, will be opening up the event at midday. Shaun Peter Smith will be the Compère for the day, as Miss Lucy Luscious Lips, he’s certain to add a little bit of glamour and sparkle. There’s a number of faces I know to this busy line-up, and plenty new to me.

An interesting Opening at midday, Ascenda are a four-piece, playing smooth music with a rock edge and thoughtful, theatrical vocals. Their current collection of songs ‘Celeste,’ forms a love story that explores conflicts; solitude versus companionship, and spirituality versus practicality.

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Acenda (image by Eric Hobson Photography)

Cath, Gouldy and the gang return as The Day Breakers at 1pm, with their irresistible blend of Celtic and mod-rock covers, it’s guaranteed to go off! Swindon’s all-girl rock and pop covers band, Bimbo follow at 2pm. Dirty and filthy punk is promised to followed with The Useless Eaters, a band who accurately recreate the iconic sound of late 70’s British and American punk.

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Six Lives Left

Cirencester’s masters of high-energy classic eighties rock covers, Loaded Dice are on at 4pm, followed by a mesh of Britpop, new wave and ska with SkA’D Hearts at 6pm. Era-spanning soul follows with Joli and The Souls, and rock restarts in style with Six Lives Left. Sticking with six as the magic number, the finale will be from Calne’s fantastic misfits of Britpop and new wave, Six O Clock Circus, who are always up for a party!

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Joili & The Souls

Yeah, it’s all slightly out of our usual jurisdiction, but with a line up like this, all for such a great cause, and with limited events these lockdown days, this is highly recommended and worth the effort. Kemble Railway Station is right opposite The Tavern Inn so it’s easy to find.

Note, putting such an event on so early after lockdown will not be without expected guidelines, everyone must abide by. Gerry urges social distancing and that you respect those around you. “This is all done so you can enjoy yourself and have a great time watching and dancing to great live bands and performers, thank you for all your support and together we can have a great time.” I’m sure they will, Gerry. If anyone is heading off from Devizes, gimmie a lift, pal, because this sounds unmissable!

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Have a Sophia’s Soul Rebels after-lockdown party!

If we’re all eager to consign this lockdown to the history books, none so more, perhaps, than our pub landlords/ladies and event organisers.

I’d hope and imagine they’re considering ways to make the return to normal a real celebration. Just a suggestion then, as nothing with such universal appeal would bring the party to an apex then some live soul and Motown; yeah, I know right, comes at price though. But there is an affordable option, and they sound great.

I’d advise you check out this Sophia’s Soul Rebels video, recorded at the Bug @ Spider the week before lockdown, and tell try tell me this wouldnt liven your evening up!

https://www.facebook.com/sophiaandthesoulbrothers/

Numb Tongues, Kings and Dukes

If you like your soul and blues with an authentic vintage feel, look no further than this new Bristol group, The King Dukes…. 

 

If Bristol wasn’t the birthplace of a “new cool” through electronic blues in the nineties, with the likes of Massive Attack and Portishead, it certainly led the way. I have to take a deep breath, fetch my pipe and slippers; this is a new era of anti-pop, an era of retrospective tendency, where traditional instruments override our technological desire of the pre-millennium. An era where technology is used only to market, allowing sounds to hark back to a time before drum loops, rap, and the DJ as king.

The king is dead, long live this exciting renovation, and long live The King Dukes. I’m honoured to give you the low-down, about their new journey. Formed in Bristol in April, a merger of a variety of local bands, including Crippled Black Phoenix, Screamin’ Miss Jackson and the John E. Vistic Experience, The King Dukes combine said talent and experience to create a unique, authentic sound, dipped in a heritage reuniting contemporary slices of British RnB with a dollop of Memphis soul.

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Set to unleash their debut album ‘Numb Tongues’ on October 25th, I’ve had a listen or ten, and can plainly see why it’s been picked up by UK label, Paratone, as well as French label QSounds Recording. Chatting to guitarist and frontman, Marc Griffiths, I asked him what’s in a name, predicting it might relate to Duke Ellington. While pondering he sent a YouTube link of a track not on the album. This song, titled King Cyrille, is Hammond organ boss reggae, akin to Harry J’s Allstars. It’ a tribute to West Bromwich Albion player Cyrille Regis. “The team used to come out to Liquidator,” he explained, “it’s in conjunction with West Brom, for their podcast, so we did something similar.” Momentarily contemplating the name possibly nods more to Duke Reid, Marc cleared it up, informing me they had a residency at the Old Duke in Bristol, “but that’s named after Duke Ellington.”

I can see why, aside this one-off tune, Numb Tongues is not only dependent on a classic RnB sound, there’s sprinkles of jazz, blues, yet formulated like Stax or dare I say it, Motown. It rolls out in a manner able to slip its tunes into a set of old-time soul unnoticed. Caril-Anne, for example, is up-tempo soul, beguiling through that recipe of yore, simplicity. Kid Gloves is another lively number, foot-stomping soul with a subtle nod to rockabilly akin to The Big Bopper. This one reminded me of Jack and Elwood Blues marching back and forth.

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But if this four-beat soul formula rings through tracks like I Gotta Go, and Gone, Gone, Gone is stepping, handclapping doo-wop reliant, Rub You The Right Way hooks into a blues riff taking me to Howlin’ Wolf, and True, True, True nods to bebop. This one has a sublime vocal by April Jackson, who holds a note like Etta James. Generally, the vocals are as polished as the aforementioned soul legends, yet grittily Caucasian, like Jim Morrison’s finest hour.

As a whole there’s much going on here, but whether there’s echoing vocals like the ballad, Dying Man, with a breezy jazz-come Otis Redding passion, or, like Marlo Cooper, it’s a blast of instrumental groove, comparable to Stax session musicians Booker T & the MG’s, it’s all stylised and flows superbly. In fact, it was mention of an Otis Redding post on their Facebook page which got Marc and I chatting; glad I did now.

With Marc and April, there’s drummer Dan Clibery, bassist Mandrake Fantastico, Henry Slim owning that Hammond Organ and Harmonica, and a fiery three-piece brass section with Joss Murray on Trumpet, Rebecca Sneddon on Tenor Sax and Sarah Loveday-Drury handling the Trombone.

Together they’re a force to be reckoned with. Throwing modern recording techniques aside and using methods for a fifties-sixties sounding album, such as recording a section with multiple instruments all at one time, and playing period-specific instruments, The King Dukes have captured perfectly this raw, vintage backline on ‘Numb Tongues.’

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We’ve seen a similar blueprint around our way with the brilliant Little Geneva, and if this is the trend then I’m in, hook, line and sinker. Although, naturally, those ol’ time classic soul songs never wane in appreciation, sometimes looking further afield to the rare grooves, like Northern Soul aficionados, often the tunes never make equal approval in production and quality. Numb Tongues meet this notion in middle; The King Dukes deliver fresh material with honours, and if heard in 1965 would surely be considered classics.

You can pre-save a copy of Numb Tongues here, there’s an album launch on December 7th at the LeftBank in Bristol; I’m keen to hear of anyone willing to bring these guys local for a gig. As you know Devizine doesn’t usually cover Bristol, too much going on and not enough hours in the day, but when it’s this good…….


© 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


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Can You Dig It? Craig Charles Plays the City Hall

This’ll make you repel; Red Dwarf first aired thirty-two years ago! Sci-fi comedy would never be the same again after Lister roamed his empty mining vessel asking the ship’s computer where the crew were and curiously licking piles of dust he randomly found. There was an irresistible contrast between Rob Grant and Doug Naylor’s protagonist and his antagonist, Arnold J Rimmer, elevated by the brilliance the two actors bought to the roles. Dave Lister was an endearing anti-hero, a cool but lovable ragamuffin.

Corrie aside, everything Craig Charles has done since is cool; undoubtedly, he’s not typecast, as his Funk & Soul Show surely proves; he really is this cool. A decade of broadcasting on BBC 6 Music with a primetime Saturday night show, I’d prey in the absence of a Radio 2 presenter, Craig would be the one drafted in as relief. The show frequently goes on the road, locally playing the Cheese & Grain, Meca Swindon, and some of that magic he brings to Salisbury City Hall on 11th October 2019.

craig“When BBC 6Music asked me to do a radio show I only had one condition,” Craig explained, “it has to be a funk and soul show, otherwise I wasn’t interested.” Live every Saturday night with an assortment of classic gems and emerging artists, Craig has garnered global support as one of the UK’s foremost Funk and Soul commentators, DJ’s and promoters of new music. The only quality soul classics he hasn’t played yet, are by Rastabilly Skank!

“Since its inception I have been interested in all varieties of soul and funk music, without imposing any barriers and I am just as enthusiastic about fresh new talent as I am about the classic artists from the golden age of the 60s and 70s,” he continued.

Guest-listed legends have been on The Funk and Soul Show; Gil-Scott Heron, James Brown, Roy Ayers, Cymande, Marlena Shaw, Paul Weller, Primal Scream, Terry Callier, Candi Staton, and Marva Whitney. Hip hops acts included, The Roots and the Jungle Brothers, as well as the leading players of the new school Kokolo, Cut Chemist, Sharon Jones, Osaka Monaurail, Amp Fiddler, Amy Winehouse, The New Mastersounds, Smoove and Turrell, Quantic, The Apples, The Grits, JTQ, and The Fusion Experience.

Craig Charles has captivated crowds throughout the UK, playing a plethora of festivals, and a monthly residency at Manchester’s Band on The Wall. Him, and his trunk of funk DJs, present a night of soul-hitting funk, ‘can-you-dig-it’ attitude and dance-floor jivin’. The monthly is currently one of the most anticipated nights in Manchester’s scene.

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Winner of the 2018 Smirnoff Equalizing Music DJ competition, DJ Emma supports Craig at The City Hall, so arrive early to get the full flavour of the biggest funk & Soul party to hit Salisbury this Autumn!

Tickets are priced at £18.00 (plus. Booking fee) Available here: www.cityhallsalisbury.co.ukwww.seetickets.com www.eventbrite.co.ukwww.gigantic.com


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Mod R&B Legend, Georgie Fame Coming to Devizes!

Update:

Tickets for Friday 8th November are Here!

 

I’ll probably get told off by my mum for adding this photo, but I love it. My parents and friends at a dance in Shoreditch Town Hall, 1964. Dad captioned the bands were Screaming Lord Such and The Rockin’ Berries. How cool those mods looked!

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Zip forward to 2004 and tired of taking my mum to see mod legend, Georgie Fame, my dad dropped us off in Camberley. It was an awesome night, he played a homage to Ray Charles who had passed that week, and told some great stories. One about Mitch Mitchell, the drummer in his band, the Blue Fames. After checking out an American guy in a club nearby their gig in 1966, Mitch ran back to tell the band how awesome he was, and was soon signed to The Jimi Hendrix Experience.

Georgie’s son played guitar at the event, did an amazing solo of Hendrix’s Red House. And of course, Mr Fame, aged sixty-one at the time and still looked cooler than the mods in this photo, played his plethora of hits, “Yeah Yeah,” “Do the Dog,” and “The Ballad of Bonnie & Clyde.” Though I don’t recall my personal favourite, “Somebody Stole my Thunder,” a mod classic which still gets people up today; I know, played at the Scooter Club’s family fun day.

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With my mum, incessantly inquiring if I thought he’d remember a club in the East End he used to play at, regularly in my earlobe becoming somewhat irritating, after the gig and standing waiting for my Dad to pick us up, I noted Georgie gathered with just a handful of people by a car. “I don’t know!” I huffed, pointing the figure of this senior chap out to her, “why don’t you go ask him?!”

My mum quivered like a star-struck teenager, “oh no, I couldn’t possibly do that!”

“Ahk! He’s standing right there!!” But alas, anxiety got the better of her. It pushed into my mind, that we were all young and impressable once, we all idolised heroes. Yet, though I may shudder to recall some of my own lax, eighties idolisations, I have to admit, Georgie Fame would’ve been one cool one to follow, if I lived in that era.

But time is an illusion my friend, for just when you thought we’d seen the end of The Devizes Arts Festival for the year, they today whack us with the announcement Georgie Fame is coming to Devizes on Friday 8th November, playing a one off at the Corn Exchange. I knew this, Margaret whispered her secret some weeks ago, been aching to announce it since!

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I will let you know when tickets are out, but this fantastic news. This Lancashire lad is a legend on the rhythm and blues scene, played alongside rock n roll heroes like Gene Vincent and Eddie Cochran, and an idol to mod/soul aficionados as one of the first British Caucasians to be influenced by ska. Whether you lived through the sixties or not, this is an absolute teaser to forthcoming Arts Festival events, and I thought I was done praising them for the year!


 

© 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


 

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Devizes Scooter Club’s Grand BBQ

All images used with kind permission of Ruth Wordly

@ MoongypZy Creative Photography

 

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If last weekend in Devizes belonged to rockers, as the Sports Club shook by the awesome Saddleback Festival, it was small mercies for the Mods this Saturday as Devizes Scooter Club hosted a more moderately proportioned charity BBQ day, which wasn’t without equal summer fun and frolics.

The corner of Hillworth Road and Long Street became a haven for scooter enthusiasts, who’d travelled from far and wide, and local lovers of soul, reggae and ska who gathered outside the Conservative Club to raise some funds for the Devizes and District Opportunity Centre.

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How much was raised at this tender morning moment (at the time of writing this on Sunday) is unconfirmed, majority of organisers I’d wager are taking a fully-earned rest, if not nursing a sore head!

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I’ll let you know the grand total as soon as I get some feedback, but cake stall helper Paula told me she’d sold twice as many as last year’s family fun day, as husband Andy, whose task it was to man the barbeque looked vacantly into space through sheer tiredness. “I reckon he’ll be flipping burgers in his sleep,” I imagined.

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The bar and garden packed out by lunchtime, extending to the car park, which converted into a showroom of lamberttas and vespas, with an added parts stall. As enthusiasts admired each other’s “hairdryers,” their families enjoyed the plethora of side stalls, the hall of bouncy things (castle and a Gladiators-styled battle arena) and the quality music.

Contrary to their name, Swindon’s Daybreakers turned up early afternoon. Thank heavens I figured, lesson learned that day; a cider breakfast does no good when attempting to operate a mixer. Thanks to Tony who danced around me doing all the technical wizardry and gave our musical show a voice.

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By 2pm The Daybreakers were off, with no one willing to stop them they revved through a glut of benchmark early 80s pop, the likes of the Specials and Dexy, to sublime renditions of crusty rock, such as the Levellers. Wherever Cath, Gouldy and gang land there’s guaranteed to be a blinding show and today was no exception.

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An awesome team effort blessed the event with an uncompromising community spirit. From face-painted kids guessing names of teddies, shooting footballs and munching cake, to adults estimating the weight of a ham, shooting down beers and munching burgers, a village fete atmosphere ensued with a retrospective, hedonistic angle, as opposed to being all vicars and teacakes on the lawn.

By late afternoon Chippenham duo, Blondie & Ska had pitched inside and began their dazzling show; a precise Blondie tribute meshed with other two-tone classics in a style as if Debbie Harry would’ve covered them. They made a fantastic sound for just a duo and relished every minute despite fatigue setting in with the punters, who tended to loiter outside to begin with.

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With most exhausted from the day’s affairs already, it took a while for the show to push the audience into gear, hangers-on remained in the shadows of the garden to begin with, or those with families retired home with worn-out youngsters. I thought it a shame the club could’ve shown how we welcome acts as good as Blondie & Ska, but the thought abruptly ceased as the evening took hold and sweltering members graced that dance floor.

I offered a rock steady break for the band, but dancers yearned for some Northern Soul, so that’s what I did. Then Blondie & Ska continued and took us to into to the close. If you need more of these guys, or if you missed this thoroughly enjoyable show, I strongly advise you check out future gigs on their website. Closest to us, is The Wroughton Club on August 11th, The Royal Oak Corsham the day after, and the Gladstone Road Club in Chippenham on October 27th.

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As for the Daybreakers, well they’re never to be missed. Catch them again for an afternoon in Devizes, when they’ll be at Vinyl Realm on August 4th, and check their Facebook page for an extensive gig guide.

Back to the BBQ Day though, it was in observing the quantity of people gathered, and their enjoyment of the day which gave me both enormous optimism for a very successful Scooter Rally next summer, and a pride in our small town’s Scooter Club, where everyone contributed a gallant effort to ensure a grand day out was had by all, most laboured until they dropped, notwithstanding, some money was raised for our preschool for children with disabilities and learning difficulties. So full steam ahead for the Scooter Club now, as tickets for a brilliant sounding, soultastic Motown-eske band, All That Soul, are now on sale at the Cons Club, Jeffersons and Vinyl Realm.

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The Return of the Female of the Speices

Wow, 11th September 2017 this article dates back to: “Female of the Species, boil ska, soul and blues influences to simmer Melksham for the Air Ambulance.” In Devizine terms that’s ancient and a gentle reminder we’ve nearly reached our first birthday.

 
Being one of our first pieces it has to be said, not only is it of far better quality than the type of rubbish I’m now putting out, but it had an inspiring theme! The reason I bring it up, because the local, all-girl supergroup The Female of the Species, which was its subject, are at it again, and tickets for their gig at the Melksham Assembly Rooms are now on sale.

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Tackily pasted from last year’s event, I wrote: “Nicky Davis from People Like Us and The Reason, Glastonbury’s Julia Greenland from Soulville Express & Delta Swing, Frome’s Claire Perry from Big Mamma & The Misfitz, solo artist Charmaigne Andrews from Melksham, and Julie Moreton from Trowbridge’s Train to Skaville and Jules & The Odd Men, form the supergroup for Live on the Night, at the Melksham Assembly Rooms on Saturday 30th September.” So, other then being pushed back a day, I asked Nicky if anything else has changed?

 
“Claire (Big Mama) no longer performs with the Misfitz,” noted Nicky, “instead she’s now with ‘Big Mama’s Banned.” Jules added, “The girls are delighted to announce that joining us as part of our band line up this year, on sax, is my fellow ‘Train to Skaville’ band-mate, the awesome Miss Karen Potter.” So other than this it’s much the same and on target to rock the Melksham Assembly Rooms on Saturday the 29th September.

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Karen Potter

This year’s event is subtitled “Raising Money Through Music,” and is in aid of Young Melksham, a registered charity which “work as a community to provide all children and young people with opportunities to thrive, develop and participate.” Young Melksham really makes a huge difference to the lives of youth in our area, by hosting more events than I can list here, including The Melksham Young People’s Awards.

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Click for more info on Young Melksham

They make trips to shows locally, hold a variety of regular weeknight “youth club styled” workshops and events from their Canberra Club, from cookery to sports. They even run a shuttlebus to get kids there safely. The policy of Young Melksham is: “advancing in life and helping children and young people by developing their skills, capacities and capabilities to enable them to participate in society as independent, mature and responsible individuals; advancing education, providing recreational and leisure time activities in the interest of social welfare designed to improve their conditions of life.” They even have fully-trained counsellor and listening support workers when youth need a friendly face and a listening ear.

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Supporting the supergroup this year will be young songstress with that oh so soulful voice, Laura Jayne Burt, Melksham’s guitar/soloist Sarah Deer and batting for the boys, Bath’s acoustic duo Ben & Tim. This is one unmissable annual extravaganza which takes the best elements of all these local groups and combines them into a blend of reggae and ska, soul and Motown, blues and rock. It can only guarantee too ooze with local talent and blow the roof of the Assembly Rooms, for just a tenner a ticket, with ALL proceeds going to this fantastic charity-based community project…..and it’s full of gorgeous ladies; what’s not to like?!

 

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Female of the Species, boil ska, soul and blues influences to simmer Melksham for the Air Ambulance

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Deadlier than the male, The Female of the Species is an amalgamation of female musicians from various local bands who team up to host charity gigs; what’s not to like?

 
Nicky Davis from Warminster based People Like Us and The Reason, Glastonbury’s Julia Greenland from Soulville Express & Delta Swing, Frome’s Claire Perry from Big Mamma & The Misfitz, solo artist Charmaigne Andrews from Melksham, and Julie Moreton from Trowbridge’s Train to Skaville and Jules & The Odd Men, form the supergroup again for “Live on the Night,” at the Melksham Assembly Rooms on Saturday 30th September.

 
Seriously not to be missed; Beginning by showcasing two young performers; James Dempsey and Laura Jane Burt, giving them stage time and experience. The show then continues with People Like Us. The finale, Female of the Species sure to be the icing on the cake. Blending their influences in a mash-up of reggae and ska, soul and Motown, blues and rock, how on Earth do they govern what genre is coming next?

 
I thought I’d hassle Jules of Train to Skaville for an answer. “Each of the girls chooses three or four songs from their band’s set list,” explained the self-confessed rude-girl, “and then we add in the stuff we sing together.”

 
The Female of the Species first formed for a one-off gig at the Civic Hall, Trowbridge in 2014 for the Hope Centre in Southwick, a charity for adults with learning difficulties,  “but it was so successful,” Jules continued, “we had no choice but to do it all again….and again.”

 

 

 

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This news nugget keeps getting better though, as this year they’re fund-raising for the Wiltshire Air Ambulance. The previous appearance at the Assembly Hall in Melksham, back in 2015 raised £2,920 in aid of WILTSHIRE M.I.N.D Mental Health Charity. The founding gig at The Hope Nature Centre in Southwick in 2014 I previously mentioned, raised an amazing £3,395.

 
While the next Train to Skaville is boarding from the White Swan, Trowbridge, Big Mama and the Misfitz only coming as close to us as The Fox and Hounds in Colerne on 4th November and the next People Like Us gig being a longer bus journey to Bath, at the Westgate on 22nd, here’s something in easy reach and all for the greatest cause. Tickets at just a tenner can be snatched from the Assembly Rooms or online here.