A Quick Shuffle to Swindon

Milkman hours with grandkids visiting it was inevitable a five hour day shift was all I was physically able to put into this year’s Swindon Shuffle. Apologies, but it was plenty to tell they knocked it out of the park again this year…..

They don’t even need a park. Just a selection of Old Town’s finest watering holes, live music hunters, bucket collectors, sound technicians and only the damn finest collective of musicians we have around here. Such is the magnitude of this beast if you camped on the roundabout at the top of Vic hill for the whole thing you’d still miss something. I measure its success by the expression of fatigue on chief organiser Ed Dyer’s face and kindly remind him he still has a day to go, but I can only tell you what I saw.

The Shuffle is a Swindon institution, a convention for local musicians, and an opportunity for me to meet with other media types like Jamie of the Ink and Dave of Dancing About Architecture. It also serves as an indication that if Eddie Prestidge and myself have spawned The Wiltshire Music Awards this year, our sponsorship with Stone Circle securing its future years is essential, because we’ve only scratched the surface of the quality and quantity of talent in our area. For the most though, it’s a free and unmissable local music showcase raising vital funds for Prospect Hospice.

I divide the options into three variables; safe bets I’ve seen before, ones I must cross off my must-see list, and ones where I’m taking a gamble and going in blind. My only dilemma is the arrangement of them. Thankfully, while clashes are inevitable, the program is so neatly designed with consideration and expertise, each pub staggering their individual schedules every quarter of an hour, and daytime and evening sessions in neighbouring locations, so there’s the potential to stagger and catch at least a bit of all.

Harmony Asia

Safe bets firstly. My rush to get into Old Town, park up and get to the Pulpit was for Chippenham’s soulful singer-songwriter Harmony Asia. Harmony had just taken to the fireplace setting and was performing her succinct and poignantly self-penned acoustic marvels. If they’re written concisely in plain and contemporary language without cryptic riddles, it’s the delivery of them which holds a crowd spellbound. And they were, Harmony charms.

Jol Rose

The only other assured expert I paid a visit to was again at The Pulpit, a comfy new bar on Devizes Road, and that was Americana marvel Jol Rose. Stalwart and reputable, Jol is Swindon’s answer to Woody Guthrie and only a fraction away from that level of brilliance. 

A Dylan-esque genius in all modest manners and labour, who’ll encapsulate his audience with ease, and deliver the diverse offerings of a sublime yet prolific wordsmith. Jol is a testament to the wealth of an acoustic singer-songwriter, who could pen a dejected romance song, or, as he also did, make a social or political statement with poetic divinity. 

Between The Lines 

Hey look, I’ve been here before, aware the evening was young, and a plethora of accomplished bands would shake up the Beehive, Castle and Hop. Tuckered out and the patient and understanding wife twisting my arm with the promise of a homemade lasagne, I confess, I caved, it’s an age thing; but was determined not to until I crossed Between the Lines off my must-see list. If decisions are standard with the Shuffle’s exhaustive roster, this was the best one I made.

Rarely a debut single would be rewarded with an interview on Devizine, yet Melksham’s upcoming indie-rock quartet Between the Lines impressed me to be that rarity, back in February. Since I’ve been dying to catch this band I hailed “Melksham’s next big teen sensation.” So, I’m at the grand looking Hop, and they didn’t lower my expectations any. 

Rather, picking up on their fantastic universal appeal live, I might have to take back the “teen sensation” label, because they played out their beguiling originals sprinkled with some aptly chosen covers with such skill, any age could appreciate. One an early Beatles classic covered accurately, another, Tears for Fears’ Mad World, which they truly made their own.

Between The Lines appeared no more hesitant nor timid than I’d have expected; accosting them outside prior with the excitement of Spongebob probably didn’t help! All aged around seventeen, being recognised on the streets of a town they’ve never played in by an aging toothless baldy could have a negative impact! But I’m confident stage presence will come naturally with experience, because they absolutely rocked it as the crowd grew, nodding to the obvious potential of this promising band.

With an EP in the pipeline, I’m not going to shut up about them until you take heed.

Emma Doupé

The second welcomingly crossed off the must-see list was also the biggest surprise; attired punk-goth was deceiving to any preconceptions I may’ve brought with me. I’ve heard of Emma Doupé but was oblivious on what to expect. Needless to say, Emma has been called into action by the Shuffle team four times in a row, ergo, it was a nice surprise.

Goth, she might go there, but from the off it was clear she has the skill and experimental daring to go wherever she chooses. So diverse, any signs of any subgenre at all were subtly placed. Rather, Doupé is a sublime vocalist with dynamic range, to perform her originals soulfully or operatic soprano at will, and over loops, Stratus piano and autoharp, her fashion is unique and inspiringly alternative.

Her band, The Crystal Wolf Project would showcase her in an alternative electronica trio later at The Hop, apparently. Missed it, shameful I know, but her solo performance at The Tuppenny was enough to swap Emma Doupé into my safe bet category, with or without backing.

Weather

Another topping my must-see list marked safe from being dull. I heard a Weather track on Peggy-Sue’s Don’t Stop The Music Show when attending, and kept one eye on Brandon Clarke since. With the vocal style of Lewis Capaldi and boldness of Rag n Bone Man, this is damn good contemporary crossover pop you cannot ignore.

A forthright charismatic millennial Swindon showman, Weather is one you must watch if you want or not. His singles are heartfelt and moving shifts of emotive indie-nu-soul. In a lively pub environment it may not have gone down so well as when recorded or at a venue gig dedicated to his following.

Opting then to sing, rap and encourage the crowds over his prerecorded tracks like James Corden with swagger, seems Weather is here for the laugh, and it’s delightfully infectious. He could rouse a crowd of librarians to stage dive! The Tuppenny was positively bouncing….at around 6pm!

Ellis Evason

For the other few I was going in blind. Had to wonder how Ellis Evason would top Weather’s astounding crowd-pleasing blast, then realised I was jesting with him outside, and he was abruptly confident he would; such is hip hop’s general bravissimo. He had such, but was far from the archetypal rapper.

If he upstaged was debatable, but he certainly equalled Weather. Meatloaf in appearance, Eminem in rap mode, Ellis Evason undoubtedly entertained, and raised the roof with raps reflecting exactly this contradiction; surely a stroke of jazzy genius. Chunky bass-driven beats, lyrically waxed to hone his identity and purpose with precision, Ellis Evason pulled in an entourage and rocked the remaining punters respectively. It was a showstopper.

Dave Corrigan

Between Harmony and Jol was a name I’d heard but not seen. The guide describes David Corrigan as a “reasonably reclusive singer-songwriter” who more recently has been concentrating fronting the renowned Astral Ponies, so maybe that’s the reason. He performed with certain ease, though, stripped back Astral songs, a few new ones, and was a delight to catch, if only for a few songs.

Grasslands

If we’re onto the gambles, I navigated the road block to arrive at The Tuppenny, a wonderful new favourite Swindon pub for me, where if the music isn’t to your taste you can read the DIY Beano comic wallpaper in the loo with fond memories! But rarely will it be. One man band Grasslands is wafting gorgeous and mellow experimental rock and folktronic soundscapes, in a fetching fluffy wolf hat; enjoyable.

Summary

For the novice local live music hunter, Swindon Shuffle is one of the most revealing voyages of discovery around the Southwest, and likely the only one without a fee attached. For the more experienced it’s an unearthing of upcoming acts and a vital reunion. For the musician it’s a convention. For the Prospect Hospice it’s a lifeline. For all its amazing, simple. You only need to attend an afternoon to suss this. Someone get me a campervan for next year and book me the weekend off work! 


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Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward “E”) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes…

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Swindon Gets Shuffling!

Despite the population of Devizes throwing confetti and paint at each other in their most celebrated annual ritual, I believe I picked the right weekend to visit Swindon; deffo, or are they always ‘aving it there?!

The Wildcats whipped butt at their first league game of the season on Friday, but my Saturday was dedicated to exploring the arts, something criticised stereotypically by outsiders. I could sigh, with partial agreement, historically perhaps. Swindon caressed industrial boom, somewhere along the line forgoing its arts and culture. This is changing, and fast, the Shuffle is a skeleton key opening said transpose.

What’s not thankfully changed is Old Town, while central Swindon is unrecognisable compared to twenty years ago. Just as Swindon Paint Fest has decorated the walls with impressive street art, the Swindon Shuffle is the event pushing the town’s boundaries in locally sourced live music. There’s few annual events in Wiltshire showcasing entirely local music, I best liken the Shuffle to The Bradford Roots Festival at the Wiltshire Music Centre. Save, this is spread across the choicest pubs in Swindon rather than under one purpose-built complex.

And it is a mammoth simultaneous exhibition of musical talent, a taster of what the county offers, of which it’d be impossible to witness entirely; best I approach this diary-like, apologies to the many bands I missed. We’re talking over seventy acts spread across nine venues for this four-day beast in its eighteenth year, and it remains free, fundraising via donation buckets for Prospect Hospice. 

Available for the Saturday only, my intention is to take as big a bite of it as I can, taste some known favourites and cross a number of must-sees off my ever-growing list.

Swindon Shuffle is a beautiful thing, a convention for local musicians, promoters, media types and aficionados. I stepped off the bus at The Tuppenny, in a hurry and frustrated I’d now missed Sienna Wileman and likely Chippenham’s singer-songwriter Meg, to bump into Sienna’s father Richard, big Shuffle chief Ed Dyer on the door, and luckily, Meg’s dad Paul; the latter meaning Meg was still playing and I managed to catch the last few songs of this unique and emotive rising star.

This tavern was bustling yet functioning happily, a crowd immersed in Meg’s magical words, set the stage for Americana soloist Jol Rose, up next. Something of a Swindon optimistic Dylan, he retains his concentrated narrative songs in favour of the more lighthearted ditties and banter to appease, though there was a poignant one on the Gaza conflict, but whichever his outlook, Jol is a proficient entertainer and skilled master of his craft.

Breaking familiar territory, new one for me, David Corrigan of The Astral Ponies followed, with an inspiring set of acoustic versions of his band’s songs. The dilemma of going tried and tested against treating the Shuffle as a voyage of discovery set in; solved by the next few hours whereby acts I’m making a beeline for I’m aware of but yet to see live. I tend to get over-excited about such prospects, and figured drinking cider like water might help.

Make no mistake, I could’ve cemented myself in at The Tuppenny, such is its comfy atmos, but, hot on this must-see list, Swindon’s Afro-Latin collective Zambalando are due in a coffee shop on Commercial Road called Baristocats, so I’m moving on. The café was bustling and I was early, recalling a Facebook post that the Midlife Krisis sound system was set up in the courtyard of Level III, exterior to the Shuffle program. I thought I’d temporarily breach the Shuffle and check. Bass rolling down the street like the millennium never happened, I turned one corner to find a throbbing little afternoon rave going on, with their symbolic milk-float fronted DJ booth, a wall of sound and smiley ravers giving it some.

Observing street art of city magnitude I left assured, Shuffle or no, Swindon has embraced diverse arts on a level unrivalled by its recent history. Only the thought of Zambalando dragged me away from the old skool vibes, but upon arrival back at Baristocats it seemed they’d cancelled. Nevertheless I commandeered a sofa, tea and toastie, chatting to Swindon’s premiere reggae/ska keyboardist Erin Bardwell, who’s collective Subject A played the Shuffle on Thursday. Baristocats are hip, make a damn fine toastie, and XTC’s keyboardist Barry Andrews, aka Stic Basin, was taking us on a blissful journey of ambient dub.

If I’m complimenting Swindon, may as well include some infrastructure too, for tucked behind the now commercialised Regent Circus is the steep Prospect Hill, ingeniously with a pub at both the top and bottom. This would be my resting place for the duration, the short distance from the Beehive to the Castle manageable, if uphill, to switch between multi-musician Richard Wileman & singer and saxophonist Amy Fry’s gorgeous experimental jazz-come-psychedelia at the Beehive, and Liddington Hill who’ve created their own subgenre, Celtic-grunge, and were currently giving it what’s for at The Castle. Allowing me to cross two must-sees off my list. Liddington Hill was brilliantly loud and in your face, everything I’d imagined and more, and crowds gathered to salute that.

Unlike the Beehive, I was unfamiliar with the Castle, yet felt immediately at home; it had been invaded by both ‘Talkers’ awaiting the headliner, and cheesemakers from Calne, real ones! It’s fine, off territory, no dispute, love The Real Cheesemakers’ hilarious wurzel take on heavy rock, and boy did they blast it superbly!

Only good things heard about the next band were certainly not fibs. The Belladonna Treatment is a remedy for an off-balance in indie-rock, pop and punk; all subgenres were subtly intertwined idiosyncratically, and beguilingly delivered to sardine-packed admirers, and a new fan here. Unfortunately Trunk, the penultimate act at the Castle I had to miss due to an emergency burger mandate. It’d be fifteen minutes wait at the chippy, I was content, it’s opposite the Victoria, Swindon’s stalwart music venue and one I unusually gravitate towards.

Age thing, the lineup was particularly heavy and aimed at the younger demographic at the Vic tonight, NervEndings headline, and I’m well aware of their force of nature as they spawned in Devizes, adding our quintessential blues module to their furiously yet accomplished sound. A whistlestop no longer than a burger on a grill, enough to note it was equally as packed and having it there as the Castle, Lucky Number Seven were ensuring it.      

But if you know me well enough you’ll know if indie-pop virtuosos Talk In Code are there, so am I. It’s a march back to the Castle for a grand finale of eighties-tinged goodness. I never doubt, Talk in Code pulled it out of the bag, the place was thumping, the crowd were jumping, and the end, for me, to Swindon Shuffle was the icing on an exceptionally tasty cake.

The show continued Sunday, had to miss Concrete Prairie, Courting Ghosts, Cooper Creek, Leon Daye, and others, but I believe I took a fair bite out of this extravaganza, this local music expose, certainly enough to know if you only spend one weekend a year in Swindon, you’d be best advised to make it this one.

You can still donate online to Swindon Shuffle’s fund for Prospect Hospice HERE.


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