Ooh La La Ya Beaux Gris Gris in Devizes!

Ben Niamor

A triumphant album release party last night for one of the hottest, rapidly growing talents in the blues/rock scene; Beaux Gris Gris & The Apocalypseโ€ฆ..

Guitarist supreme Robin Davey hails from the shire, and was once in The Hoax, a genre-defining UK blues band with Jon Amor, one of the guests we witnessed absolutely blow the roof of the Corn Exchange last night.. so, no stranger to our town. Louisiana-born powerhouse Greta Valenti, also married to Robin, brings the most incredible energy and voice to this band.

They always handpick the most amazing musicians; with this lineup of Sam on keys, Tom on drums joined by additional keys from the incredible Emma Johnson, a horny brass section (as introduced!) and two more local musicians, Jon Amor and Ruzz Evans, bringing some more incredible sounds of their own to the proceedings.

No surprise thereโ€™s an intuitive connection with the band, always playing with the most incredible musicians, these guys are among the most professional outfits you could ever hope to see. Whether raising the roof, running straight out onto stage with Whatโ€™s my Name? a fan favourite anthem, and getting all singing within the first song, or winding down the tempo to captivate the audience with the soul quenching Bungalow Paradise, whether itโ€™s the Queen herself or the musicians doing the talking, they have new and old fans alike eating out of their hands.

New material like Mama Cray, written from Gretaโ€™s childhood family memories including accordion accompaniment from Sam to sound like the true Cajun singalong anthem it isโ€ฆ 

Or from previous records like Thrill Me, a track that has the previously indoctrinated singing at the top of the voice and in silent deference to the whims of Robinโ€™s guitar inside one song!

Donโ€™t take my word for it, friends have taken to social media today having experienced their first full band stage show spreading superlatives stating โ€˜absolute classโ€™ , โ€˜ AMAZING!โ€™ These are from seasoned gig-goers having experienced something much more powerful than anyone could generally expect from a town gig.

The Corn Exchange was filled with over three hundred people, from the seasoned music addict (one notable and passionate couple Pat & Maria marking this gig a milestone of 50 Beaux Gris Gris gigs!) to first timersโ€ฆ Many of them have declared an instant connection, this was nearly double the crowd of the previous outing in the Corn Exchange, some two years ago, which shows the growth of the band and the desire of potential fans to connect with such a talented ensemble.

The new album, Hot Nostalgia Radio, has an even wider spectrum of material and influences than ever before, and is very much more radio friendly , and even more accessible without genre pigeonholing.

The incredible thing being this is nothing to do with record labels, etc, as is sadly all too common, it’s a drive from a band who are truly independent, to widen their appeal, to explore more ideas from their own life stories, and above all have a ball!

I confess to being of the opinion this band are truly amongst the best live bands anywhere right now, they have a fanatical following, which can only grow.

No matter what you think your bag is rock and roll, blues, whatever give this band a few minutes, if you like something you hear go seek out their records, or better yet feel the force of a gigโ€ฆ truly the same quality runs through everything they do.

Totally incredible performance, and for me I am proud that our town showed them so much love, we are blessed with incredible venues like the Southgate, Long Street Blues Club, etc, that are so well respected in the wider music community, that Devizes can punch so massively above its weight bringing these opportunities to our door.

I think I can safely speak for the vast majority of that hall last night in thanking the promoters, the band and their incredible team, and of course their guests for one of the very best gigs of my life, right here in my hometown! For many thatโ€™s something appreciated as being truly amazing to get involved with. 
Hot Nostalgia Radio by Beaux Gris Gris is out now, search any platform you care to mention  and go hit them up; letโ€™s keep them touring and do this again soon!


Trending…..

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre inโ€ฆ

St John’s Choir Christmas Concert in Devizes

Join the St Johnโ€™s Choir and talented soloists for a heart-warming evening of festive favourites, carols, and candlelit Christmas atmosphere this Friday 12 th Decemberโ€ฆ

For Now, Anyway; Gus White’s Debut Album

Featured Image: Barbora Mrazkova My apologies, for Marlboroughโ€™s singer-songwriter Gus Whiteโ€™s debut album For Now, Anyway has been sitting on the backburner, and itโ€™s moreโ€ฆ

Meg at The Neeld in Chippenhamย 

Yeah I know, those Nothing Rhymes With Orange lads were pepping up the Crown in Devizes for a Fantasy Radio live lounge last night, and we’re devoted to singing their praises, but over in Chippenham young folk singer-songwriter Meg was doing an intimate set in the Neeld bar, and since my daughter Jess did a fantastic interview with her a few months ago, I was eager to cross Meg off my never-ending must-see live listโ€ฆ.

Glad I did, Meg was everything I’d expected and a tad more. Self-penned marvels of whimsical contrasts, between abstract prose of youthful dreams and harsher realities, make for a mostly melancholicus muse, thoughtful and delivered so utterly beautifully it encapsulates you like every good folk singer should, but Meg most definitely does, and Meg most definitely is only at the beginnings of a fascinating journey and one I suspect she’ll document diary-like in song.

Bags of potential here, for her audience to mature with her words, as Potterheads have with Rowling’s, in which Meg is often
quizzically humble, as if asking her audience the kind of questions your teenage self might’ve pondered alone on a ruffled duvet. It causes it to connote honesty, opening her innermost thoughts and desires to you, and the result is spellbinding. So much so, there’s times you assume the song has ended and she’s breaking the fourth wall with customary annotations, but Meg will smile a special smile, and continue the piece, and it’s touching in a unique manner; I’ve never seen another blur the lines between song and chat as well as this.



Yet the most engaging element is the passion in which she performs. In Jess’s interview, Meg was keen to express the connection between her music and her autism, suggesting it was part of her, so she didn’t think she would have one without the other. It equates to a channelled joyful passion, which unavoidably rubs off to her audience.

Look out for Meg, regularly support act at Trowbridge’s Pump and a keen open mic participant at The Old Road Tavern’s.


Against the Grain; Ruzz Guitar at Thirty

South Westโ€™s resident Johnny B Goode, Ruzz Evans celebrates his thirtieth birthday with the release of a live album, Against the Grain. I caught up with him for a quick reminisce, and chinwag about the albumโ€ฆโ€ฆ

As suggested, it was recorded at Fromeโ€™s Cheese & Grain on 19th June 2021, postponed due to lockdown. Such dynamic and regenerating conditions really breath atmosphere into this album, and it captures the mood of a band excited to re-emerge from isolation. Though by now, weโ€™ve come to expect excellence from Ruzz Guitarโ€™s Blues Revue as standard.

Featuring tracks from the band’s previous releases it also includes tracks from Ruzz Guitar’s recent video series โ€œRG Sessions.โ€ It’s uniquely delivered blues, RnB, rock n roll fusion with feelgood big band vibes, often frenzied and danceable, lengthy moments of extraordinarily proficient jamming, yet, like Longing to See You on this album, thereโ€™s always time for a concentrated ballad.

And oh my, if there isnโ€™t Ruzz doing a sublime guitar solo of Louis Armstrongโ€™s Wonderful World, then joking about breaking a fingernail, but the complimenting talent behind the man is second to none. Blues Revue drummer Mike Hoddinott, bassist Richie Blake and Graham Nicholls on rhythm guitar, with a horns section of Michael Gavaghan on sax, Jack Jowers on trumpet and trombonist Will Jones, and special guestsโ€™ incredible vocalist and pianist Pete Gage, who is fast becoming part of the furniture, and breathes real gritty delta blues ambience into the collective, along with sublime harmonica by Jerry Tremaine, who simply wows on Baby, Scratch My Back.

Seriously, this is eight hard-earned pounds well spent. Iโ€™d say itโ€™s better than the previous live album, Live at the Louisiana, we fondly reviewed a couple of years ago; Ruzz agrees, a quietly proud perfectionist, I figure.

But I want to get deeper into the psyche of the frontman, find out what drives him, when and how he first picked up that instrument. Firstly though, on this new release, I had to compliment the aforementioned Wonderful World solo. โ€œThat reaction is what I was aiming for,โ€ he replied, โ€œI wanted to bring something new to the table and challenge myself. I’m really happy that it came across as I wanted!โ€

Just checking this recording at the Cheese & Grain was the first live show they did after lockdown, Ruzz confirmed it was, โ€œwe had done an online set back in August 2020, and one small gig before all the lockdowns came back in heavier. That show was our first, full band show since the Devizes Rugby Club gig in March.โ€ Ah, yes, what a way to go out that was!

Treated of a number of streams during lockdown, I asked if they considered continuing them. โ€œDefinitely. I’ve been trying to think of the right events to live stream to anyone who can’t make it in person (I.e., my international audience). I want the streams to be more than just me sat at home with my guitar all the time,โ€ Ruzz chuckled. โ€œI want it to be as much an experience for people watching the stream as for the people at the live event.โ€

Jogged my memory of a great stream from his garden, and though it was strange at first, seeing musicians in their home, on their sofas, some even with washing on a clotheshorse in the background, some made an effort to avert from the standard; I recalled Jon Amor climbing out onto his roof like a 5th Beatle! Ruzz laughed, โ€œJon had some great ones!โ€

Jon Amor. Image: Nick Padmore

This is Ruzz Guitarโ€™s Blues Revueโ€™s seven album, and out of them thereโ€™s three live ones, including Visual Radio Arts in 2018. Does he think he projects best when live, rather than a studio?

โ€œI love working on music in the studio, but yes, I think this sort of music is best experienced live,โ€ Ruzz answered, though I suspected as much. โ€œIt wasn’t a conscious plan to do three live recordings but I can honestly say that this new one is my favourite by far. I feel the band is playing better than ever. I’m always trying to capture that magic on our recordings, whether it’s in the studio or live.โ€

I wished him a happy birthday and counted it an ideal opportunity to trace his past and discover the very beginnings of Ruzz Guitarโ€™s Blues Revue.

โ€œMy dad and youngest brother play music,โ€ he answered my family connection to music question. โ€œI got my start into live guitar playing through my dad. Back when I was 16, he put a band together to feature me on guitar; I haven’t looked back since!โ€

The first time he picked up a guitar? โ€œWhen I was 15. I had started on bass and drums, around 14, but was shown a George Thorogood DVD and then taken to see him live. After that I decided to learn slide guitar, then Jimmie Vaughan and Brian Setzer came along, and the rest is history.โ€

Ruzz at 20!

I wondered if they commonly had requests for clichรฉ rock n roll hits, imagining drunk punters asking for Heartbreak Hotel or Thatโ€™ll be the Day, but would Ruzz appease such appeals, and in that, did it start out this way. โ€œI have played all of those in various rockabilly bands over the years; great tunes, but maybe not quite right for the current band!โ€

Originals is what you get with Ruzz Guitar, outstanding ones, yet he cites the blues, RnB artists as influences; Dr Feelgood, The Fabulous Thunderbirds. โ€œI try to take from many places,โ€ he laughed, โ€œWilko Johnson, BB King, Reverend Horton Heat, Steve Cropper; to name a few.โ€

Anticipated responses, so I thought Iโ€™d throw a curveball for the finale. I use the urban myth of Hendrix taking his guitar everywhere, to my kids, as a testament to dedication, and how hard you must strive to perfect something, any goal you might have. It was reported Hendrix took it to the toilet. I asked Ruzz what drives that dedication in him, but not before inquiring if he too, took his guitar to the loo!

He chuckled at this, and for the record answered, โ€œI haven’t gone that far!โ€

โ€œIn all honesty I don’t know. It’s just something that’s felt right since I started learning. It’s been the one constant in my life since I was 15. There’s nothing more enjoyable to me than learning more with it, writing my own music and standing up in front of a group of people and taking them on a musical journey with me… it’s just what I was meant to do with my life.โ€

Well, at just thirty heโ€™s certainly achieved it, this album is proof. He signed off with โ€œhope to catch up in Devizes in March!โ€ And thereโ€™s a thing, 12th March the Wiltshire Blues and Soul Club are indeed at the Corn Exchange with Ruzz Guitarโ€™s Blues Revue headlining, which weโ€™ve already previewed, here.

The live performance from the Cheese & Grain can be seen on YouTube for a limited time, here.


And Yes, Ruzz Guitar does feature on our compilation album, all in aid of Julia’s House; please download a copy here

Trending…..

Butane Skies Not Releasing a Christmas Song!

No, I didnโ€™t imagine for a second they would, but upcoming Take the Stage winners, alt-rock emo four-piece, Butane Skies have released their second song,โ€ฆ

One Of Us; New Single From Lady Nade

Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโ€™s latest offering of soulful pop. Itโ€™s timelessly cool andโ€ฆ

Large Unlicensed Music Event Alert!

On the first day of advent, a time of peace and joy to the world et al, Devizes Police report on a โ€œlarge unlicenced musicโ€ฆ

Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCAโ€™s Winter Festival, andโ€ฆ

Devizes Winter Festival This Friday and More!

Whoโ€™s ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโ€ฆ

Graham Steel Music Awards Online Tomorrow

Join the GSMC on Friday 22nd January at 8pm for a celebration of grassroots music as they present this yearโ€™s GSMC Music Awards Live Online on YouTube, where they will announce the Winners of all 12 categories and will include live and pre recorded music from some of the nominees as well as a look back at the year and celebrate all those people that helped keep the grassroots music scene alive in 2020.

GSMC Music Awards Night will be streamed live from YouTube on Friday 22nd January at 8pm, the link for this is below:


Chris TT Live at Trowbridge Town Hall 2017

Catching up with more stuff on a quiet(ish) Sunday, this got pushed towards the bottom, Iโ€™ve no valid excuses. Taking you back to April 2017, Brightonโ€™s misfit leftist comic poet-acoustic performer performed at Trowbridgeโ€™s Town Hall for Sheer Music. It would be a gig on his last ever tour. After twenty years Chris announced he was giving up his music career, and finalised it with an autumn farewell concert in London.

The recording was released on Chrisโ€™ Bandcamp page at the beginning of the month. Itโ€™s a pay-what-you-like and he waivers all fees to the Music Venue Trust.

Since 2014 the registered charity MVT, was setup to protect the UK live music network by focussing its support on grassroots venues, but since lockdown itโ€™s understandably become essential. Grassroots venues play a crucial role, nurturing local talent, providing a platform for artists to build their careers and develop their music and their performance skills. We need them back; we need them open. Hearing this album helps you to understand why, makes you remember what youโ€™re missing.

Itโ€™s easy to hear the influence of upcoming artists like Gecko, as Chris weaves unrelated subjects like an observational stand-up comedian, and also, with the same comical timing. His guitar picking is quality and together it makes for a highly entertaining show. Stabs at the establishment come thick and fast, songs randomly seriatim through motorways, anti-hunt rants, gorilla gardening, his own self-worth and musical talent, even a jab at Trowbridgeโ€™s political demographic in Love me, Iโ€™m Liberal. Thereโ€™s a beautifully played out winter portrayal, Tunguska, and more intelligently drafted thoughts to boot.

This is folk upfront, with woven narrative and amusing rudiments, chronicles the now, and highlights the passion of the simplest gig, man with thoughts and guitar.    

On the night he was supported by Phil Cooper, and Kyle D Evans, the show recorded by Bromhamโ€™s Owlโ€™s soundman Gareth Nicholas. Makes me wish I was bobbing about on the scene at the time, but Devizine was a year behind in the making. Still, albums got a picture of Trowbridge on it, any monies you can give helps a charity, but most of all, this is just the enjoyable and proficient performance weโ€™ve come to expect from Sheer.


You Do You, George

A message goes ping from that George Wilding, heโ€™s got a new single out since when we reviewed his band Wildingโ€™s last outing. Are they building up to an EP? I asked, and got the reply, this is a solo one. Then, nought, despite saying if you send it, Iโ€™ll bless it with some words. Thatโ€™s our George, never too hot on a press release, and if I criticise myself for being a technophobe, Iโ€™m Zuckerberg by comparison! So, I gotta go find it on these blasted streaming sites, but you know, and he does too, Iโ€™m going to, even if Dave Franklyn got in before me with a super review. Blinking Loreal; he’s worth it!

I take the chance not to read anything Dave has written prior to scribing something myself, if itโ€™s on the same subject. Such an expert with words, my penmanship pales in contrast. Still, I got to say a little something, George being such a popular charismatic and approachable guy, aside his natural flare and virtuosity, musically. ย ย ย ย ย 

Encouragement and reassurance for a falling star, practically rather than spiritually, seems to be the subject for You Do You, a delicate resonance in such a fashion only George could execute. Perhaps the most melancholic yet, opposed to the bouncy country acoustic of some of his earlier classic bombasts, it contains no skilfully-placed vulgarity, itโ€™s mellowed, inspired and stunning. Itโ€™s crying out for an emotional upsurge, yet whispered with sincerity, the key to a great song, and George nails it, unsurprisingly.

The kind if performed live it would suspend the whole venue in awe, as if time suddenly stopped and nothing mattered other than counselling this lone girl. Everything moral spells this character needs help, yet by natural testosterone, perhaps her beauty distracts; a perpetual cycle of bad karma. Like any truly-written masterpiece, thereโ€™s obviously a private connection with the author, yet the listener identifies by conjuring a similarity to a particular own experience, in this case be it a girl, your mind locates the ideal suspect. Yeah, I know that chick, you contemplate, least one too close for comfort!

Every need then, to check it out for yourself. George Wildingโ€™s You Do You is out now, across all streaming platforms.

https://open.spotify.com/embed/album/3PQr8HIQjtQBv6f9WsC7hb


Dirty and Smooth Seed to the Spark

That moment after a message from a local band, when you click on their Facebook page to find eleven friends already โ€œlikeโ€ them, and not one of them told you! Yeah, Iโ€™m talking, but I ainโ€™t saying anything new; does everyone know Malmsburyโ€™s The Dirty Smooth, except me?!

If not, you should. Since their debut single five years ago, The Dirty Smooth are no strangers to the festival circuit, gaining a reputation for playing original, anthemic pop songs. On top of numerous live appearances, they helped organise the Minety Music Festival in 2017. Shortlisted at the UK Festival Awards it has become a well-established festival, hosting acts like Toploader, Republica and Chesney Hawkes. Over the past two years, but setback by lockdown, theyโ€™ve been working towards a forthcoming album, Running From The Radar, due to be released in February. Theyโ€™ve a very worthy teaser from it, a single you should check out, Seed To The Spark; itโ€™s certainly convinced me.

With a sonic booming bass intro, itโ€™s as it suggests on the tin; dirty. Yet itโ€™s got that perfect pop blend in melody, which draws in many influences. Central vocal hooks of eighties rock, punky attitude, but beguiling backing female vocals and funky rhythmic grooves of soul-related pop, ah, the smooth part. Iโ€™m left thinking if Simple Minds met Deacon Blue, or Roxette. Though Iโ€™m contemplating they met today, for nothing is left completely to retrospection with The Dirty Smooth, thereโ€™s vibrant freshness to the sound too. Thing is, itโ€™s aching with confidence and undoubtedly brewing with potential. The ingredients are all there and being unified by some musical Michelin star chefs, who clearly love their cuisine.

Few local bands aim for the stadium sound, knowing a pub circuit is more workable. Here, as with Swindonโ€™s Talk in Code, is something which needs some big stage festival airing, it has that range, it has that wide appeal. As with the apt band name, Dirty and Smooth righty word their single, you get the sensation this is far from their opus-magnum, for if it is just a seed to a spark youโ€™ll want to be there when that bomb drops.


Chris Tweedieโ€™s Reflections

With over three decades experience writing music and composing songs, Melksham-based Chris Tweedie acknowledges on his website he can sing, but disparages his ability to limitations, inquiring of other singers for possible collaborations. While timorousness is common when self-assessing the worth of your own output, especially for musicians, thereโ€™s an argument that no one can express your own words better than you. While the many whoโ€™ve taken on songs of Dylan, who letโ€™s face it, isnโ€™t the most accomplished vocalist, may well have manufactured a better sound, but lack the sincerity and emotion of the written word coming from its author. ย ย ย ย ย 

First impressions last, Iโ€™m only a few songs into Reflections, his debut album released yesterday, (6th Nov) and Iโ€™m drifting into its gorgeous portrayals, meditative and knowing his notion is modesty. The vocals are apt for this wandering, sublimely ambient twelve uniformed tunes. And anyway, Tracy Whatleyโ€™s beautifully grafted vocals with a country twinge feature on the one tune, Virtuous Circle, and the title tune is an instrumental finale to make Mike Oldfield blush. The rest are self-penned and executed with vocals, mellowly with acoustic goodness, reminding me of the posthumous Nick Drake.

With poetic thoughtful prose, these are exceptionally well-written songs, performed with passion and produced under the ever-proficient Martin Spencer at the Badger Set Studio. His website and the CD inlay has text of said lyrics, to pick one entirely at random; โ€œYou are the thousand winds that blow, You are the diamond glints on snow, You are sunlight on ripened grain, You are the gentle autumn rain,โ€ taken from You are the Stars, are not the exception, theyโ€™re all this serenely stunning.

Itโ€™s Sunday sunrise music, sitting by a stretch of water, and we all need this once in a while. The album cover of such a scene sums it up in one image.

The relaxed attitude hardly drifts to anything of a negative narrative, perhaps with the exception of Slow Down, which suggests oneโ€™s life is moving too fast. The majority on offer is uplifting, perhaps reaching the apex at the seventh song, aforementioned You are the Stars, which is enriching, period.

โ€œThere are various musical influences that come through in my music,โ€ Chris says, citing rock, pop, country and folk. โ€œThe direction this mix has taken my songs is still fairly mainstream with a leaning towards the West Coast path and an element of Americana in places.โ€ I certainly agree, thereโ€™s hints of the Byrds, of Crosby, Stills and Nash, but majorly its definingly English, think George Harrison, not to hype but to compare the style of. Thereโ€™s experimentation at work here, but the experience shines through, Chris Tweedie could chill out Donald Duck!

Buy Chris Tweedie’s Reflections here


Bionic Rats, Alive in Dublin

A superb new live album from Dublin’s finest ska-reggae outfit, The Bionic Rats….

Thereโ€™s some wonky logic in the character Jimmy Rabbitteโ€™s bemusing outburst in The Commitments film, โ€œThe Irish are the blacks of Europe. And Dubliners are the blacks of Ireland. And the Northside Dubliners are the blacks of Dublin. So, say it once and say it loud, I’m black and I’m proud!โ€ Persecuted before the slave trade, there are some intelligible contrasts between the oppressed races.

Still, the thought of Dublin conjures rock legends to outsiders of every decade, be it from Thin Lizzy to Skid Row and U2 to The Script. Diverse as any city though, if you thought the idea of music of black origin was the stuff of films, think again.

Far from a retrospective regression going through the motions of a bygone Two-Tone era, The Bionic Rats are an exciting, energetic reggae and ska six-piece from Dublin with a building collection of original and stimulating material. Even their band name, I suspect, is taken from a Black Ark tune, Lee Scratch Perryโ€™s renowned studio. Yesterday they released a dynamic album doing their thing where they do it best, on stage, in their home city.

In a conclusively roots reggae inspired track, Red Gold and Green, frontman, Del Bionic lays down a chorus not so far fled from the Commitments quote, โ€œreggae is talking about the things I bear witness to, on and off the Liffey quays. Iโ€™m not Jamaican, Dublin born and bred, I don’t wanna be a natty dread,” Though a bulk of the material here is upbeat ska, if it relates to a modern ska era, it borrows extensively from Two-Tone, particularly for itโ€™s no bullshit attitude and social commentary. A component definingly reggae, or correlated to any plight of poverty and societal righteousness in general. It rings out the enduring message, reggae is universal.

Reggae often takes on board regional folk roots, be it influenced by, or using traditional instruments of that area, the recent surge in Balkan ska for example. Yet, the only local element the Bionic Rats take is said Irish bitter repartee and attitude within their subject matter.

Their sound is beguiling and directed towards the very origins of Jamaican pop music, and skanks to any highest region! The very reason why theyโ€™re a force to be reckoned with, internationally, having shared the stage with their mentors, Madness, Bad Manners, Horace Andy, Israel Vibration, Johnny Clarke and their aforementioned namesake, Lee ‘Scratch’ Perry, also opening for Damien Dempsey and Imelda May. A hit with the crowds at the One Love Festival in Sussex, London International Ska Festival, theyโ€™ve made the frontpage of eminent Do The Dog Skazine, Doc Marten’s used their song Dear John for an online campaign and they continue to skank the crowd at Dublinโ€™s longest running reggae night โ€˜The Sunday Skankโ€™ in the Temple Bar.

Ironically the 2009 debut album was titled Return of The Bionic Rats, and since three more albums have followed. The good news is, wonderful as their studio albums are, we can all now pretend weโ€™re in the crowd of a Sunday Skank with this beauty of a recorded live show, and boy, do they give it some.

The premise is simple, as it is with ska. Lyrics often minor compared to offbeats and horns. Subject matter slight; between girls, lust, dancing, record buying and being rude, the Rats offer sentiments on prejudges, tyranny and oppression, but seldom will romance be on the cards. You may not be enchanted by The Bionic Rats, who describe this release as โ€œperfectly capturing The Bionic Rats in all their sloppy greatness,โ€ but your waistline will get a darn good workout.

While weโ€™re tempted by the simplicity of the upbeat ska sound in danceable tracks like Annie Oakes, the sweary Bad Garda and the particularly well grafted tale of obsessive record buying, Hooked on 45s, thereโ€™s roots, like aforementioned Red, Gold & Green, and rock steady numbers such as prejudice themed Dear John. Thereโ€™s no end of expected banter and comical themes, such as the English Beat sounding Girl with Big Hands. Then thereโ€™s that contemporary third-gen fashioned ska-reggae but wrapped in a no-bars-held cussing, of which titles speak for themselves; Twisted Little Bitter Little Fuckers, for example.

Such is the expected acrimonious nature of an Irish ska band; lap it up, itโ€™s refined rudeness. Done too, with experience, The Bionic Rats rose from the ashes of Dublin-based reggae band, King Sativa, who were active on the scene from 1998 until their breakup in 2005. Their guitarist Graham Birney, and drummer Anthony Kenny moved over to the Bionic Rats. Like them, or not, Iโ€™m convinced they probably donโ€™t give a toss, but going on this superb live album, you certainly canโ€™t ignore them.

Alive in Dublin, out now, here.

Singer, Del Bionic also does a live streaming set every Sunday from Facebook at 9pm (GMT) well worth tuning in to: https://www.facebook.com/thebionicratspage/live/


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Join me every Friday night from 10pm to midnight GMT for a fun two hours of ska, reggae and anything goes!

Atmospheric Country Goodness Fits Kirstyโ€™s Shoes.

Subscribe on YouTube to local independent country, singer-songwriter Kirsty Clinch and youโ€™ll receive a selection of wonderful pop-driven covers with a country feel, lots of chat videos where she explains her thought processes and announces news, provides advise and even beauty tips. Catch Kirsty live and sheโ€™s unplugged, expressing the same dedication to her music but as an acoustic performer. Either way, she is a pleasure to hear, a smooth silky voice and accomplished guitarist.

It is also the very reason Iโ€™ve been in anticipation of this debut single, to hear which way Kirsty will take it, lean more on her matured live acoustic sets, perhaps, or the pop-inspired subtlety of her videos. Iโ€™m pleased to say, Fit the Shoe balances both equally. Though far from bubble-gum, it uses a sublime bassline behind her country guitar-picking to create a wonderful and emotive sound. This is contemporary country, combining popโ€™s ambient-influence of William Orbit and blending it with the vocal range and narrative of classic Dolly Parton, enough to make Madonna blush.

Yet thereโ€™s another side to Kirsty, a fervently astute entrepreneur with clear direction on how to market a vocation through projecting the perfect appeal and disposition. Yet none of these reasons, I suspect are the sole reason why Fit the Shoe, is shooting up the streaming sites after being released only today, rather an amalgamation of them all, but mostly, because itโ€™s gorgeous and immediately lovable.

Our fiery redhead instinctively knows where the goal is, shoots and next thing you know the net is pulsating with the shock. โ€œMy main goal is to touch the hearts of many though my art and spread awareness that a positive attitude leads to better paths,โ€ she explains. โ€œI already achieved my first goal by travelling and performing in Nashville at venues such as the BlueBird.โ€ Nashville is something Kirsty regularly brings into conversation, who wouldnโ€™t. But itโ€™s here, in collaboration with Peter Lamb, providing bass and mastering, in the atmospheric splendour of this single that we see a true star shining.  

โ€œAs an independent artist,โ€ Kirsty Clinch speaks her motivation, โ€œyou must have 100% faith in yourself and your worth, you must work hard to gain all your goals and dreams you desire and I have a lot of energy to still give to the world, so I’m going hard or I’m going home.โ€

Stick this on your playlist and freeze in awe.

Devizine Presents #1; Presented

All Photos used with the permission of Gail Foster, except the one of Gail herself!

 

Gimme a samba band, throw me an avant-garde minimalist techno breakbeat and then chastise me with a euro-pop grunge fusion played by an antelope on a washboard, I couldn’t give a donkey’s kidneys, all music is better than no music; shit, imagine a world without music.

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Perhaps my taste too eclectic. I respect my supervisorโ€™s dedication to one particular band, itโ€™s borderline obsession; but me, see, I couldn’t reduce my tastes to a particular genre or era, let alone group. Bite the bullet, I can hold a conversation once tuned to wavelength, yet cause angered debate if I venture off your playlist. Bollocks, I say, any modern popular musical genre has been wired from the same machine, track the branch you sit on beyond the earth, and you’ll find the same roots.

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For me, last night was a learning curve, as I staged our first โ€œDevizine Presentsโ€ evening at the Cellar Bar. In communication with all these event organisers it helps me to comprehend the issues they face, and itโ€™s not so simple as propping up the bar all smug, though I attempted to! All said, we had a great night I feel, but refrain from giving my own gig a review, treat this as a diary-fashioned blog post, but compulsory to give you the heads up on the guys who did all the real work.

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Diverse the line-up may have been and contradictory to each other in style, I knew that, these acts slung together by an inexperienced promoter, me, under a banner of kindness to freely give their time and effort, for which I and Devizes Opendoors are both extremely grateful for. What the acts did bring was their own inimitable panache, and from Saturday Night at the Palladium to Britainโ€™s Got Talent, variety is the spice.

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Local, the Roughcut Rebels have been on the circuit a while, playing mod-rock and indie classics from sixties to today, however with major changes to the line-up, including Jamie, the new frontman it was a chance for them to showcase their modifications. Regrettably, Iโ€™ve never caught the original group, but confirm now the alteration is a transformation; they rocked with confidence, panache and flair through Animals, Small Faces and Kinks sixties blues-rock classics to benchmark eighties mod, resting particularly on The Jam, and progressing to Britpop anthems including a sublime take on Wonderwall.

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Ha, I ainโ€™t making no money writing this crap, so just cos the gig has our tag doesnโ€™t mean Iโ€™m here to flatter, you know Iโ€™ll tell it as it is. The Roughcut Rebels are highly bookable, would make a great band for a lively pub, scooter club, indie night or even are diverse enough to satisfy the multiplicity a wedding reception would crave.

With the moderate crowd building, (I need YOU at these nights, you know you bring the party, you little party-head, you!) and roused, having a poetry interlude couldโ€™ve been a mistake, as you could hear a penny drop; who was unaware that Gail Foster would charm and entertain with poignant verse and witty interims? Because I had no doubt, having do exactly this at our birthday bash back in November, and she did this time with equal appeal.

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Now the cobblestone stage was set for the dreadlocked guy parading around attired bizarre, for Jordan Whatley is his own, is the wildcard and as noted in our interview (here) will bring something curious, peculiar to the show, but shine with original brilliance. Armed with just electric guitar, the ambience he set was spellbinding as he went through a set from his new works, previous tunes from his EP โ€ฆโ€ฆ such as The Forest, to making Pink Floydโ€™s Another Brick his own.

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The Hound is truly back on the Mountain, appearing alternative but positive, heโ€™s the character you cannot deny his talent and showmanship, as his expressive spectacle sends him to the floor in an intense display of vivid gothic splendour.

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Then itโ€™s all change akin to the circle line at Edgware Road, as after a poignant Brexit verse from our Gail, The Truzzy Boys are raring to stamp their brand of acceptable pop covers on us. Speaking to Finley about his partner in crime under the Larkin banner, Sam Bishop, who unfortunately couldnโ€™t make it, the DIY ethos of being unsigned means theyโ€™re not tied to their namesake. A contract would detail itโ€™s Larkin or nothing, split or together, but Larkin continues albeit while Sam is away studying itโ€™s on the backburner, they still hailed a welcomed night at the Southgate recently.

What Finelyโ€™s grouping with cousin Harvey Trusler brings to the show is contemporary pop-indie covers and floor-filling anthems with wide appeal, which did exactly that in the most practical means possible. Confident and harmonious they performed a set more than adequate for any age-ranging function, like a wedding. To boot, the musical familyโ€™s prodigy would also supply a disco set-up to complete any such function. This is industry, yes, but within the commercialism of it the boys maintain a positive love of performing, and this shines across the audience, sparking them with equally good vibes.

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You can catch the Truzzy Boys this Saturday (18th May) at the Devizes Conservative Club, where for a mere three quid youโ€™ll witness just what I mean; itโ€™s catchy pop fun, with enjoyment throughout and the expertise not to meander into clichรฉ pop mush.

Though I could tell you nothing else is going this coming Saturday, being weโ€™re back at the Cellar Bar, Devizine exists to inform all of local events. It will not and does not favour any category or genre, will treat a church jumble sale and a four-day mud-fest gypsy rave with equal affection. Suitable then is my aforementioned eclectic tastes, or it would be bias, and that wouldnโ€™t do. I aim to cast variety for these charity gigs, using the various venues at hand, if itโ€™s to become a thing now.

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Starting same time, same place this coming Saturday, is my โ€œfor instance;โ€ Knati P, renowned on the international reggae scene with right-hand man, Razah I-Fi will be stacking up a sound system down that Cellar Bar, bringing us a dynamic dub party, something of a rarity here in the Vizes. They say, they might even let me operate the controls as a warm-up, where you can expect a set of original Jamaican ska, as my favoured palate, which will wind into lively ska inspired dub; thatโ€™s the plan at any rate. You will dance, you can be sure of that young fellow-me-jig.

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But again, Iโ€™m asking for donations, preferably a fiver, as Iโ€™m not out to hang myself on the music promoter vocation, not with the wonderful experienced ones we already have locally, from Mr Moore of Sheer, The Blues Club, Scooter Club, and Dean of Dead Kool now at the Cavy, to namedrop a few. I do however, ask for a contribution so we can hand it to our chosen charity, this time the homeless aids, Devizes Opendoors, who work towards making life that tad nicer for our rough sleepers and those in sheltered accommodation. Iโ€™m not here to get political on your ass, but with the way the country is going, this is more in need than ever.

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So, delighted to say, Saturday nightโ€™s musical jaunt has raised ยฃ140 which will be banked along with takings to next weeks and handed to the charity. That in itself is a grand job, and I thank the Cellar Bar for having us, and to Harvey, Finely, Gail, Jordan, and The Roughcut Rebels; Doug, Jamie, Mark and John for giving a diverse and amazing night; cheers guys!

 

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