Tag: M3G

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes on hold for a moment, because this is a beautiful, epic journeyโ€ฆ.

M3Gโ€™s seventh release, Rooks, poignantly pulls on the heartstrings when presented by the rise and fall of a romance, rooks often being a slang for cheating someone. It runs into six minutes, and reflecting the heartbreak of the subject, the song rises and falls accordingly. It creates a spellbinding ambience of both hope and worry equally, and is of magical vocal and acoustic guitar composition, with a gentle cajon drum subtly placed.

Inspired by the likes of Florence Welch and AURORA, Meg was open about her autism in our interview from 2023, and claimed it as the backbone to her creativity. In this, what she creates is completely original, unique, and unequivocally personal. Meg doesnโ€™t just sing, she projects her innermost thoughts and expresses them, angelically. In Rooks, you can literally feel the characterโ€™s heart breaking, causing yours to inevitably go with it.

The hyphen in the term singer-songwriter has never been so apt with another. Sure, I hear lots of brilliant expressive singers and lots of songwriters who can pen a marvel, but no one merges them so seamlessly and forgoes any fear theyโ€™re exposing too much of their innermost thoughts, dreams or desires. You only need to venture ten seconds into Rooks to observe what I mean, and if Meg constantly strives for improvement, causing me to say this is her best song yet each time, here we go again; this is awe-inspiring, her magnum opus to date.

Recorded and mixed by Phil Cooper, his genius registers on it, yet still, itโ€™s Just M3G; layering her backing chants over her main vocals like choral had a singular tense, and who even designed the cover. She says working with Phil is โ€œa massive step above my other releases. I am so proud of it.โ€ It is on a next level, Iโ€™m uncertain what she could do to top it, but assured she will, and Iโ€™m certain Rooks will appease her fans and make her find new ones.

Rooks streams tomorrow, 19th December 2025.

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Devizes Issues Wants You!

Dubiously biased and ruled with an iron fist, the mighty admin of the once popular Devizes Facebook group, Devizes Issues, is using the iconic Greatโ€ฆ

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Recommendations for when Swindon gets Shuffling

Swindon’s annual colossal fundraising event The Shuffle is a testament to local live music, which raises funds for Prospect Hospice. If you’re ever going to spend a weekend in Swindon, believe me, the 11th-14th September is the oneโ€ฆ..

An entirely free stroller festival centred in Old Town; saunter the eight venues at your leisure and discover a wealth of talent, mostly ฤบocally sourced. Pop some cash in the buckets and help raise some funds as Old Town comes alive with the sound of music!

As usual I’m going to be the judge and jury for this piece, and recommend those who I personally know who will deliver great sets to amaze you. But in no way is it an exhaustive list, for there will be many others and sometimes you have to put your little toe into the waters and find acts unbeknown to you, for the surprise element; an event of exploration! Whatever you do discover you can rest assured, every act is cherrypicked by the Shuffle Team, of Ed Dyer, a promoter who knows his stuff, Jamie Hill of Swindon Link, Kelly Adams, Paul โ€˜Pajโ€™ Jellings, Avril Jellings, Linda Gulliford, and Paul Gemmill, all equally as aware of what makes Wiltshire rock.

Thereโ€™s a printed program, online too; I’m working off that. Given the fantasy scenario of having the whole weekend to attend and choose between the huge lineup, hereโ€™s how I would tackle the mammoth task of maximising my experience…….

Without further ado, then, Thursday 11th of September belongs to The Tuppenny on Devizes Road, and the Hop, literally a hop across the road. A clash already, 7:15 at the Hop, Bathโ€™s spacey indie outfit Aqaba kick off proceedings, while Swindon soul singer Chloe Hepburn is at the Tuppenny at half past; tricky disco to begin, but Chloe has been on my must-see list for a while!

8pm at the Hop, Sebastain and Me is a deffo, but youโ€™ve only a quarter of an hour to drink up and catch the amazing Joli Soul at the Tuppenny. Again, I would be wearing out the traffic lights or flipping a coin. Iโ€™m unaware of all the headliners from there at both fantastic venues, yet the Tuppeny seems more funky soul and jazz while the Hop is indie, so it would be whether I packed my jazz hat or not!

Friday 12th September again is at The Hop, The Vic aptly on Victoria Road, and the Castle on Prospect Hill. Easy picking to begin with, itโ€™s our favourite Marlboroughโ€™s goth duo Deadlight Dance, on at 7:15 at the Castle.

In fact, Iโ€™d feel inclined to stay at the Castle unless Iโ€™m feeling like Dora the Explorer (which is surprisingly common for me!) as after a new one on me, Loophole, the amazing mod/new wave/britop cover band, whoโ€™ve just begun recording originals, Static Moves is on at 8:45, followed by Black Hats, new to me but promising something skanking, and SN Dubstation, who as the name suggest is Swindonโ€™s premier contemporary reggae export. The Hop is mostly folk on Friday, the Vic is indie-punk-rock and the Castle is alternative and reggae. If I was to fancy venturing off to The Vic, it would be at 10pm for Viduals, an emerging indie rock band who play it hard!

Saturday 13th then, when reality checks in, for this is the only day Iโ€™m likely to be able to make it up to Swindon for realz! You can get a bus from Devizes, you know, they run late now!

All guns blazing, The Tuppenny and the Pulpit rule the daytime, from 2pm until dinnertime, and The Hop, The Castle and the Beehive on Prospect Hill take the evening shift.

The great Jim Blair starts at the Pulpit, a new venue to me, but hey, Chippenham singer-songwriter Harmony Asia plays at 3:15 and thatโ€™s simply unmissable in my honest opinion. Oh but oh, Iโ€™ve heard so much good stuff about Swindonโ€™s pop star Kate X, who is on at The Tuppenny at 3:30, and seriously recommend her too!

Shedric and David Corringan at the Pulpit are two Iโ€™d love to see, and Swindonโ€™s answer to Dylan, the incredible Jol Rose is a must-see at 5:30, but dammit, at the Tuppenny has Emma Doupe at 5pm, followed by the freshest indie-pop fellow I simply must touch base with, Weather at 5:45pm. Ed Dyer, what are you putting me through here, or has Swindon got free cloning booths on every street corner now? Weโ€™re a little behind the times in Devizes!!

Saturday evening, and right, and Iโ€™ve made my mind up about how to attack this, though itโ€™s always subject to change. Bit of cheese, sir? At the Castle from 7:15 with Calneโ€™s comedy rock band The Real Cheesemakers is tempting, Gromit, but thereโ€™s a young Melksham band called Between the Lines on at 7pm at The Hop. I cannot lie, these winners of Take the Stage I wanted to play the Music Awards, for while they weren’t nominated, they should have been and I wanted folk to know why. Iโ€™m heading that way and will report on my findings, hopefully bring them to Devizes by hook or by crook!

The Hop continues with lots worth exploring, Iโ€™ve heard particularly good electronica things about The Crystal Wolf Project, there at 9:15, and Iโ€™ve seen headliners Trunk who will ram the place with devoted fans. But look, The Beehive might be my final Saturday resting place. Dulcet Tones at 8pm, then Bristolโ€™s Hannah-Rose Platt; look, just read my album review HERE and youโ€™ll understand this is without doubt a must. And, double-whammy, she is preceded by one of my all time favourite Swindon bands ever, the dark twisted country of Concrete Prairie. Always a must, especially at the Beehive at 9:30pm; save me a quarter of an inch to squeeze into, somewhere near the Tardis.

After that Iโ€™m anyoneโ€™s cheap date! Maybe Iโ€™d check out the Castle, as itโ€™s downhill and looking like hard rock underfoot with Lucky Number Seven coming the most personally recommended, at 9:30pm and followed by Modern Evils.

Then thereโ€™s Sunday 14th September, doesnโ€™t Swindon Shuffle know when to stop?! Wowzers it gets better; The Pulpit, Tuppenny and Beehive are up for your attention. Daytime, 1pm at the Tuppeny for Plummie Racket, stay there for Sienna Wileman and youโ€™ll be glad you did. But pop across to the Pulpit for 2:15 where Devizes is represented by our most excellent blues crooner and kazoo blasting JP Oldfield. I love this guy; Devizes man-hug!

Itโ€™s a Chippenham takeover from then at The Pulpit, Mexican Dave Iโ€™d recommend at 3pm, but M3G is a must and one of my personal favourite singer-songwriters on the local scene right now. Just prior to M3G though, be very tempted to nip back to the Tuppenny at 3:15 when Richard Wileman and Amy Fry do their thing, and thatโ€™s worth its weight in gold. 

Across to the Beehive for the finale to what looks like another unforgettable Shuffle, 6pm, Canuteโ€™s Plastic Army is unmissable, and so too is Joe Kelly & the Royal Pharmacy at 7:30pm.

No forgoing the fringe events, a Shuffle quiz night at the Beehive on Wednesday 10th, the Shuffle Community Ceilidh with The Cowshed Ceilidh Collective Saturday night at Eastcott Community Centre from 7pm, and open vinyl DJ sessions at The Prospect Hospice Book & Music Shop on Victoria Road, each day midday till 4pm.

Then, youโ€™ve only got to wait until the end of January for the Shuffleโ€™s winter version Swinterfest! Swindon Shuffle is a whoโ€™s who of local music, a convention and an institution, a fundraiser like no other, and you wonโ€™t even have to navigate the Magic Roundabout, pinky promise!

Info about Swindon Shuffle and full line-up HERE

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Lady Nade; Sober!

Dry January, anyone? Well, Lady Nade just plunged into an outdoor 4ยฐC eucalyptus sauna for a social media reel. But whilst I’d require a stiffโ€ฆ

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El Toro Fundraiser at The Old Road Tavern, Chippenham

Over to Chippenham for my dose of live music this Saturday. I didnโ€™t see any chips nor ham, there were some pasties passed around a lively and hospitable โ€œproperโ€ pub, and whilst meeting some favourites old and new, there were also opportunities to cross some must-sees off my list. It was a fundraiser for El Toro, Chippenhamโ€™s music suppliers faced with a fire which destroyed their premises in July. Henry Ray, the shop owner, completed the eveningโ€™s entertainment with his own band, also conveniently called El Toroโ€ฆ..

But letโ€™s get chronological, for itโ€™s unusual for me to head Chippenhamโ€™s direction for a night out, of which Iโ€™m apologetic to the natives for; unintentional, que sera, sera. Though itโ€™s been widely brought to my attention that if I ever was to tread water in the Ham, The Old Road Tavern, aptly on Old Road, is the best place to bookmark; regulars corrected me that it was, apparently, the โ€œonlyโ€ place.ย ย 

Supportive of grassroots music, home of Chippenham Comedy Club, and Brain Reidโ€™s popular open mic session, itโ€™s akin to Swindonโ€™s Beehive, or Devizesโ€™ Southgate, a tucked away treasure, a promiscuously welcoming and traditional watering hole with a nonchalant ethos; fits me like a glove. That was, after Iโ€™d fussed with parking. Iโ€™m not paying six quid or downloading an app when thereโ€™s free on-street a walk away, though Iโ€™m flustered at the fiasco, hoping to catch Will Lawtonโ€™s set already underway.

Eloquently poised at his keys, without backing from The Alchemists Willโ€™s sound is obviously rawer than usual, yet equally as euphoric and harmonious. It is, undoubtedly, always a pleasure to hear his original outpourings in whatever setup he delivers them with. In contrast to the next act, Chippenhamโ€™s young folk singer-songwriter Meg, whoโ€™s divine and insightful observations are so utterly unique, only she could deliver them the way she does, solo with guitar in hand. Itโ€™s a wholesome listenerโ€™s show, delving deeply and honestly into her psyche, identifying her audience with meditative reflections.

This is all taking place in โ€œThe Barn,โ€ exterior to the pub, amidst a fitting outside area, the Barn is a modest venue with low stage, one comfy sofa and school chairs, in fitting with the causal attitude of the boozer. Again in contrast to occurrences at the Barn, a bulky chap called DD is entertaining the troops at the bar with banjo-led ditties and drinking singalongs of the scrumpy & western variety. And he does so with bells on. The lively bar will be central to the event hereafter, at least while El Toro set up their full band in the Barn.

Sharpie, aka, Ollie Sharp, was up next in the bar. Pleased to catch up with Sharpie, itโ€™s been years since mentioning him on Devizine, as frontman of the now defunct indie-popsters Longcoats, from Bath. We fondly reviewed their releases at the time, but never actually caught them live, so it was good to finally meet him. Sharpie records and tours the local circuit with a backing band, but tonight, being a volunteering fundraiser, heโ€™s solo, still equally as engaging. Fusion of indie covers and originals, Sharpie delivered them with passion and professionalism, adding essential banter and stage presence amidst a crowd of regulars seemingly accustomed to having original musicians play their splendid pub.

The showstopper for me was Harmony Asia Thomas, Chippenham singer-songwriter key to organising this event. Though said regulars appeared to know what they were letting themselves in for; this is her local too. Much praise Iโ€™ve heard for Harmony, seen a rather aged video of her performing in Trowbridge, and have been looking forward to catching her live. None of these fully prepared me, as while Harmony passed off a few technical guitar hitches with good banter in a familiar environment for her, and in the excitement at how well the event had traversed, coupled possibly by drinks sheโ€™d had for Dutch courage, she absolutely held me spellbound! Her guitar is an accompaniment, the thrill is in her voice.

The subject matter of her self-penned songs are defined and thoughtful prose, if somewhat customary in comparison to Meg. They involve relationship worries, and tales of fatigue working a busy bar, yet they are never without an inspiring twist. Vocally, itโ€™s as if Ella Fitzgerald came after Kate Nash. I humbly and honestly declare, Harmony can hit those powerful and soulful notes of jazz greats like Nina Simone, loudly and proudly, expressively and defined, yet it is not without the contemporary twist, accented in the kind of feminine pseudo-rap akin to Nash or Lilly Allen. Delivered so utterly passionately, it becomes a joy to hear her, as she glides through expressive vocal arrangements like they are childsplay.

Harmony is young, with time on her hands, telling me she has pinned an albumโ€™s worth of songs down, which is due out shortly, yet I cannot help but attain high hopes for her after finally seeing her perform; as, if she was located in London, sheโ€™d reach an Amy Winehosue level, at least front a professional funky band. But here we are, in Chippenham, and right now Harmony is rightfully loving the attention. If our county contains these small local circuits in which one may be central in one but merging into others isnโ€™t so simple, I tumbled into a Chippenham one last night, and it contains boundless potential talent, friendly bonds and devoted fans, talkative and lovable crazy ones, but devoted nonetheless!

Once unbinded from the spell, I made my way back to the Barn, driven by the accomplished blast of a doubleheader of Led Zeppelin covers. Are El Toro a Zepp tribute, I pondered, as they appeared to have nailed Rock and Roll and Immigrant Song sublimely? Crowds gathered inside, seemingly expectant of greatness, and as far as pub circuit rock bands go, El Toro is on a pegging way above average. Matured rockers against the plethora of younger talent earlier, felt theyโ€™re doing it for the love, and have been for many a year.

Ah, teasing me in, I reckon, as they then delivered a great original next, which could have slipped into the eraโ€™s driving electric blues scene unnoticed. It was within the hard-rock homage, El Toro shine, simply and effortlessly. Their matchless ability to rouse a crowd was paramount, with comical timing set against a tight four-piece which set the ball rolling by fusing a medley of Lynyrd Skynyrdโ€™s crowd-pleaser, Sweet Home Alabama with Warren Zevonโ€™s Werewolves of London, though they adapted the location to Wiltshire, and plonked in an amusing and unsuspected nod to Will Smith, with Getting Jiggy With It, and the theme from The Fresh Prince of Bel Air, being a prime example; it had quickly become obvious, El Toro wasnโ€™t a Led Zepp tribute, nor tribute to anyone particular, rather legends on their own circuit, who know precisely what buttons to press to create a great night for tipsy revellers, and such it was.

Unsure if donations made much of an effect to the campaign, kind of think now, by the culmination it didnโ€™t seem so important as hosting a lively party in a pub, and the Old Road Tavern is the perfect place for it. Open mics here happen on the last Sunday of each month, 7:30-10pm. Devizes-own JP Oldfield supports those banana washtub bassist, kazoo-tooting boaters Devilโ€™s Doorbell next Saturday, 9th November. Comedy Club is monthly, most weekends thereโ€™s something going on here, and even if there wasnโ€™t, it still feels like the place to be for the mild-mannered, open minded alternative in Chippenham; bloody loved it! 

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Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

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Chippenham Musicians Gather For El Toro Fundraising Gig at the Old Tavern

The end of autumn shows no signs of preventing there being lots of events locally. We move into November still with a packed event calendar, do check it out. One good way to kick the month into action is a fundraiser at the Old Road Tavern in Chippenham, the first Saturday of November, (2nd.) Itโ€™s raising funds for the townโ€™s El Toro Music Shop which was destroyed by fire damage in Julyโ€ฆ..

Owner Henry Ray reported his music shop had to be closed until further notice in July when fire from a neighbouring property caused a significant loss of products and damage to the building. El Toro was a much loved music store and was an invaluable asset to local musicians. While Henry continues to provide guitar lessons, from a temporary location, he has also had to take on temporary work to cover himself, due to not having fire insurance.

Henry has been fundraising with a new plan to move forward with rebuilding the shop, albeit it may be smaller, but incorporating other products and services to generate maximum footfall. He looks towards the possibility of a partnership, allowing music instruments and accessories to be aligned with anotherโ€™s existing business.

It makes sense Chippenhamโ€™s music community would get behind the project, and the venue will be split into two stages to accompany all those willing to provide a great day of music. I believe much of the organisation for the fundraiser has been done by Harmony Asia, who headlines the pub stage, whilst at the Barn stage the owner of the shop, makes a guest appearance with his band, also aptly named El Toro.

The fun begins at 6pm, with Ben & The Cowboy in the Barn, half hour later music begins in the pub with Chris Tucker. Then the pub venue has DD, and Sharpie, headed by Harmony. The Barn has a solo set by Will Lawton, Meg, and Mac Lloyd. A few names Iโ€™m aware of and all of which I highly recommend, and some acts Iโ€™ve yet to cross off my must-see list, particularly Harmony herself.

Harmony Asia

Tickets are a tenner, from HERE, all proceeds go towards El Toro and bringing back a vital service of music products to Chippenham. If you cannot make it but would still like to donate, there’s a Go Fund Me page HERE.

Chippenham folk singer-songwriter Meg said, โ€œit’s great to be part of an amazing community,โ€ and itโ€™s a sentiment which illustrates how this event will be played out, with a real sense of community spirit; and those are the best kinda gigs! We wish Henry all the very best with his fundraising efforts.

Meg

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Ashes of Memory; New Single From M3G

The fifth single coming out from Chippenham singer-songwriter M3g on Friday, Ashes of Memory, and if Iโ€™ve said in the past what separates Meg from the average singer-songwriter is her stark individuality, this one stands out as the perfect paragonโ€ฆ.

Thereโ€™s a choric aura in the undertones of this acoustic dream, evocatively expressed as ever, but perhaps more ambient and succinct than any of Megโ€™s previous winsome outpourings. Itโ€™s rich with poignant and lucid definition, hope in turning a metaphorical new page in her life, and the sorrowful trajectory which succeeds fades into tears, literally.

Itโ€™s one of those three-minute marvels that leaves you breathless and in a dilemma of quite what to do now itโ€™s over. Meg played many local festivals, and has supported the likes of Gaz Brookfield and Amelia Coburn; any musician following her better pray she doesnโ€™t finish on this one!ย 

Find her Spotify page below, follow, or at least return here on Friday to hear it and judge for yourself, I think it’s a beauty!

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Devizes Winter Festival This Friday and More!

Whoโ€™s ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโ€ฆ

Snow White Delight: Panto at The Wharf

Treated to a sneaky dress rehearsal of this year’s pantomime at Devizesโ€™ one and only Wharf Theatre last night, if forced to sum it upโ€ฆ

Chatting With Burn The Midnight Oil

Itโ€™s nice to hear when our features attract attention. Salisburyโ€™s Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil andโ€ฆ

Waiting for M3Gโ€™s new Single…..

So yeah, I thought Iโ€™d be funny by commenting โ€œcanโ€™t waitโ€ on Chippenhamโ€™s upcoming folk singer-songwriter Megโ€™s Facebook post announcing her latest single, because, you see, itโ€™s called Waitingโ€ฆ. okay, Iโ€™ll get my coatโ€ฆ.

Released tomorrow, Friday 8th December, thereโ€™s nonsense in my comment because, perks of Devizine, Iโ€™ve already heard it, and promise, youโ€™re in for a pleasant surprise. Reason I say this is, it showcases everything I love about what Meg, sorry, M3g is producing. Itโ€™s solemn, solitary, and distantly unique.

Infatuation, admiration from a distance, fearing a possible negative outcome should the object of your desires find out, but the aching of knowing, are emotions present in Waiting, not only in subject but in the innocent and irreproachable way Meg expresses them. The conclusion is poignantly beautiful, personal, and touching. Meritoriously uncommon, Megโ€™s discography is building into something she should be proud of, and Waiting is a great example.ย 

If I drop her Spotify link below, do listen to the past songs, and return to it tomorrow, when the Waiting for this new one is over โ€ฆ.dammit, I did it again, my life is one big pun! Follow M3G on Insta, Facebook.

Clapping Out of Time at The Pump, with Amelia Coburn, Ruby Darbyshire and M3G in support!

Escaping the Vizes for a second week on the trot, I found myself back down Trowbridgeโ€™s lovable Pump, but if last week it was all comedy hip hop, kazumpet and washtub bass, tonight was going to be a smidgen more seriousโ€ฆ.

Understandably concerned Iโ€™m going to be part of the furniture at Wiltshireโ€™s finest alternative music venue, they welcomed this silly old chap anyway, a silly chap with a local event calendar who still managed to get their dates mixed up! Thankfully it was Ruby, the girl who today would set proceedings off by making a grand entrance with bagpipes, who corrected my senior moment and told me last week that this gig was next week, being this week, when I thought it was next week this week, and now Iโ€™m confused again; pass me my meds!

Whatever date it fell on I had enthusiastically bookmarked this gig, on the strength of the support acts alone. Anything else would be a bonus ball, and indeed was, a boulder-sized bonus ball the like to make Indiana Jones peg it. But to start at the beginning, upon meeting Ruby Darbyshire and dad, Brian, at Soup Chick, I fondly reviewed her EP, making it impossible not to want to hear her perform live. Though, yes, she came in all bagpipes blazing, something you may have recently caught her playing in Devizes Brittox supporting Wayne Cherry on his 100 Hours of Remembrance, she swapped to guitar on the stage, promising something completely different, and proving sheโ€™s no one trick pony.ย 

And it was a fantastic all-female acoustic showdown. To have a blasting six-piece cover band behind you is one thing, but stripped back to you alone, offloading your woes and ponderings, on a stage with just a string instrument, takes paramount talent and a whole sack of courage. In this, young Ruby seemed understandably nervy, apologised for a cold, then pulled out the most expressive and wonderful set of originals, the like of which could warm up emperor penguins during their incubation chore!ย 

Starting off with her own song, a personification of the Pandoraโ€™s Box idiom, which I summarised thus in the ep review, โ€œnails the process of a labyrinthine of issues once pursued generates greater problems, and itโ€™s conveyed sublimely,โ€ Ruby talked passionately about her thought process and journey, including her winning recording time at the Cheese & Grain via the Kendal Calling festival and paid homage to Justin Hayward. A few more fabulous originals followed, with a spell-binding tribute to Sinรฉad O’Connor, a Hozier cover and encore of The Cranberriesโ€™ Zombie. If you consider the latter to be a cliche choice, reconsider upon me explaining, Ruby played it on Scottish smallpipes while her dad   accompanied her on guitar.    

With every right to repeat myself, when I said last week, โ€œwhere the common venue prioritises profit and aims to attract and appease with a renowned name, The Pump will be the one introducing you to the next name, supporting the local circuit, ensuring your entertainment is affordable, and to pay it a visit is to be a human participant to the experience, rather than herded cattle,โ€ is not only an age thing, but perhaps a statement more apt this week than last. For if Ruby is an upcoming must-see local musician, M3G followed her and again the same rule applies.

My daughter proved the apple doesn’t fall far from the tree when she interviewed Meg, and I caught her once before performing at The Neeld. Though Chippenham based, she appeared more at home at the Pump; Kieran and his team ensure the supportive ethos to rising stars, as do the crowd. It is perfect for this kind of occasion, a trio of wonderful acoustic folk performers. Meg delivered with passion, in her unique way, her set of original songs, and it is ever something engaging. She introduced her newest song, Reader, and you couldโ€™ve heard a pin drop during breaks as she held the audience in awe. Her songs are often dejected in prose, the contemplation of coming of age, dealing with autism or relationships, yet her commanding, confident vocals are idiosyncratically beautiful, solitary and distinctive.

If both Ruby and Meg were a pleasure to listen to and the reasons I was here at The Pump, knowing this was enough for me, the headline, Amelia Coburn, I had deliberately refrained from researching. I used to do this at record fairs, randomly buy an album, and go in blind. Kieranโ€™s recommendation is plentiful, and has never failed me yet. Pleasantly unsurpised, solo with just an arrangement of ukuleles, Amelia was knockout entertainment.

A prolific Middlesbrough artist, Amelia had visited The Pump before and understandably gained a returning audience, some of whom wished to drop the bombshell to me, confirming how wonderful she was. But through songs of exceptionally crafted and imaginative sunny-side-of-the-street narrative, her ability for stage banter and audience participation was second to none. For example, upon requesting secrecy for her unreleased song, Seesaw, that no one filmed it, over the stage lights she spotted a phone waving and called them up on it mid-song, only to realise it was her own manager!ย ย 

But perhaps the funniest moment was her recollection of her last performance at the Pump, when she encouraged the audience to clap along, and had to kindly ask one out of time and distracting chap to stop! You cannot write a coincidental punchline like the notion the same chap was sitting in front this time too, and despite her light-hearted warning, again clapped out of time, to again futilely attempt to continue without giggling. But herein was the delight of this performance, her carefree and optimistic mannerisms within her improv stage presence and nature of her songs are a blessing, comparable to a stereotypically folk singerโ€™s sombre tenet. Encouraging the audience to sing along to a song about her being nacho cheese should the doctor tell her you are what you eat, is one of many zany examples!

But Amelia is creatively inventive when serious too, wonderful originals, Nodding Dog, Perfect Storm on a stick dulcimer, and a whimsical tribute to Harry Nilsson, was polished off with an outstanding encore of Bowieโ€™s Life on Mars. With dashes of Americana, bluegrass, and particularly Irish folk, it’s predominantly lovable English folk, spiced with Midland banter, but it’s confidently delivered and highly entertaining.

Another satisfying experience at The Pump, Trowbridge has never had it so good.

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The Lost Trades Float on New Single

Iโ€™ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quinโ€ฆ

Barrelhouse are Open for Business with New Album

Rolling out a Barrelhouse of fun, you can have blues on the run, tomorrow (7th November) when Marlborough’s finest groovy vintage blues virtuosos Barrelhouse releaseโ€ฆ

Ruzz Guitar Swings With The Dirty Boogie

Bristolโ€™s regular Johnny B Goode, Ruzz Guitar Blues Revue goes full on swing with a new single, a take on The Brian Setzer Orchestraโ€™s 1998โ€ฆ