A sunny July in 2018 and Iโm in Hillworth Park for a Fantasy Radio live session, finally witnessing a Devizes based band Iโd been adding the gigs of onto our calendar. With an especial distinctiveness People Like Us complimented Coldplay, nailed as Oasis, and breezed through Crowded House, but it was when they covered Every Little Thing She Does is Magic, and gifted us with their timeless rendition of Mr Blue Sky, sparks flew. It is sad to see them announce today that โPeople Like Usโ is now in past tense. โPeople Liked Usโ, because they sure didโฆ.
More appropriately, โPeople Loved Us,โ twas to have observed a typical night in the Three Crowns in Devizes, where, if ecstatic frenzies of table top dancing amidst a crammed beer garden became something of a clichรฉ (which had to be culled for health and safety regulations,) I do declare the originators who evoked such wild party vibes with such an accomplished and respected homegrown sound, was People Like Us; I might be wrong on this, but if so, well, thereโs a first for everything!
Okay, I mayโve compared the then four-piece visually to Scooby-Dooโs gang, at the time, then worried afterwards they might take offense to it as they didnโt tend to wear bell-bottoms and cravats, but it was the first time Iโd seen a band use a cajon drum, and the effect came across with a decidedly Californian sixties pop panache, though with contemporary cover choices. Yet it will go down in the history of the local music circuit, that People Like Us bucked any deliberations folk may have against cover bands by stamping their unique take on classic pop songs, and thrilled every audience.
Only a couple of years after they formed, they seemed to crop everywhere, from pub gig to fete, and wherever they did they brought the party with them, compulsively. All vocalising harmoniously, People Like Us was made up of prolific keyboardist Nicky Davis, Claire Gilchrist on kick drums, who would depart from the band a year later, Andy โPipโ Phillips on cajรณn and guitarist Dean Ellicock. Since leaving the band Claire embarked on a solo career, performed with six-piece function band LiveWired, and has created local music promotional Facebook page Bird is the Word. The remaining three, Nicky, Dean and Pip carried on People Like Us, clocking up nine years of service to the local music scene.
But in a shock Facebook announcement today, they said โweโve decided itโs time to bring People Like Us to a close. Weโve had an incredible time over the last nine years and want to thank each and every one of you who came to a gig, booked us for an event, danced and sang for us and genuinely reminded us how lucky we were to be able to entertain you. Itโs been a pretty awesome run for a project that was just meant to be a bit of fun here and there!โ
While it certainly has, the group gave the cloud a silver lining, reminding fans Pip is still part of Finley Truslerโs The Unpredictables, and Nicky continues the even longer running band, The Reason, and theyโll no doubt join again for the annual The Female of the Species fundraiser.
If this is buttering up a sad situation, itโs a good and acceptable one, still, we will miss you all as People Like Us, wish you all the best for your existing and future projects, and declare your honourable and thoroughly deserved place in our local music hall of fame, with a big gold framed portrait…..if, erm, I was a portrait artist, which I’m not, and if I attempted it you’d really look like Scooby’s gang then, so maybe it’s best I don’t. I’ll just quote Abba instead, (which is not as rare a thing as you might imagine it to be) and say, “thank you for the music!”
Creators of original music who may psychologically build a hierarchy with them atop, tribute acts on the bottom and cover bands hovering somewhere between, tend not to prioritise what’s popular, whereas pub landlords value what will get the punters drinking, viewing it differently. Neither are correct, there is no right nor wrong in this, just opinion. But to witness The Female of the Species is to find the truth worth of a covers setโฆ.
I’d wager a majority at the Community Centre at Seend last night aren’t as fortunate as me to get to grassroots venues and witness the variety within our burgeoning music scene. They’ve been looking forward to this night out, they’re buzzing with anticipation, and to let the band know how much they’re appreciated. Thus the Female of the Species will endeavour to recreate the kind of songs to flush them with nostalgia and gift them with a memorable evening. They do this with so many bells on, they ring out a local annual occasion of monumental importance, and I’ll explain why.
Starter for ten, we’re gathered here to put the “fun” into fundraising. Each year these lovely ladies vote for a charity to donate to, after eight years must’ve raised an incalculable amount for worthy causes; Mind, Young Melksham, Wiltshire Air Ambulance, Carmelaโs Stand Up to Muscular Dystrophy, to name a few, and in doing so received a Civic Award in 2019.
This year’s is Alzheimer’s Support, a countywide accredited charity and one I personally can associate with. My reasoning I won’t pester you with, as I did chewing the ears off the volunteers on the night! Supporting people living with all types of dementia, their services include award-winning day clubs and one-to-one home support, with over forty community activity groups including, Music for the Mind, Movement for the Mind, memory cafes, art groups, discussion groups, nature and gardening groups, all designed to keep minds and bodies active and reduce isolation.
Secondly, the Female of the Species aren’t a regular band per-say, rather a supergroup amalgamated from female-fronted local bands who annually assemble for this unmissable one off. Jules Moreton of Trowbridgeโs Train to Skaville, Nicky Davis from People Like Us and The Reason, Julia Greenland from Soulville Express, Claire Perry from Big Mammaโs Banned, Charmaigne Andrews from Siren, and the unforgettable Train to Skaville saxophonist, Karen Porter. All being amazing performers in their own right, together they’re an unsurpassable force which appears more harmonic with each year that passes, despite having obligations to their individual bands. The result is something to behold, and this year was no exception.
Eighties night, best defined last night. Though I could argue the tagline, The MTV Years is ambiguous and not forgoing American, being few here had access to MTV in said decade, though “Top of the Pops Years” would’ve been equally enigmatic! None of which matters, over the plethora of eighties pop classics sublimely delivered by the unique troupe, opening with Jules leading on Glenn Frey’s The Heat is On, followed by Nicky on Tears For Fears’ Everybody Wants to Rule the World, to an apt finale of Sisters are Doing it for Themselves; of which they certainly were, and blowing the roof into Seend Cleeve and beyond.
Through Sledgehammer, Echo Beach, Addicted to Love, 99 Red Balloons, and every hit gen x cherished on a Now, That’s What I Call Music volume, Julia leading on Easy Lover, Claire’s Yazoo stint though dressed as Boy George, Char on Dude Looks Like a Lady, Nicky’s Cher turning back time, and a wonderful Blondie medley were among the highlights of a cooking first half alone, as the crowds realised why leg warmers at discos was a short lived trend!
Aha, the second half took on us, followed by more eighties classics than you could shake a Rubik’s Cube at, particularly adroit was The Bodysnatchers’ Do Rock Steady, Heart’s Alone, and naturally, Footloose.ย
They gave Erasure respect, Nicky did a Tina Turner homage, but, wow, how Julia nailed Chaka Khan’s Ain’t Nobody. All this sprinkled with the fancy dress and usual stage banter associated with Female of the Species, as is, if I may be so chauvinistic, akin to any group of girls on a night out, a “gaggle” being a possible collective noun I’ll sure be hammered for suggesting! Undoing all my good work now, informing you this annual occasion is unmissable, but equally as important to keeping eyes peeled for next year’s, is to go gig searching on your circuit for the relevant bands these singers perform with.ย
A superb night out in Seend, then, arguably nothing so different from previous years, but if it ain’t brokeโฆ.
Support this year came from Sham-Trowbridge rock covers group Legacy, of which Jules’ sister fronts. With a powerful vocal range, they surprised me, wrongly assuming it would be heavy metal-ish, they opened with Jumpin Jack Flash, and built decades with everything from the Undertones’ Teenage Kicks and Nutbush City Limits, to Pink covers and Sex on Fire, finally wrapping an energetic and enjoyable set up with Summer of 69.ย
If, just as the Female of the Species did too, every tune might be perceived as clichรฉ classic hits, Legacy belted them out amazingly with precision and passion, tipped off, I guess, to what pushes this crowd’s buttons, and making for an engaging support to this utterly brilliant supergroup.
Geographically centroid to the Devizes, Melksham and Trowbridge triangle, Seend Community Centre makes for a great and spacious venue to host this, boasting a grand stage and acoustics, the bar is affordable, the staff are welcoming. Look out for forthcoming events there, including next Saturday’s beer-gulping, thigh-slapping Oktoberfest!
Chippenham folk singer-songwriter, M3G (because she likes a backward โEโ) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโฆ
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Skewered, the adverse replies to my Facebook post a month ago, asking for suggestions on how to kill a few hours in Warminster; it was as if Iโd wandered into the outback! Skewered by banter, neighbouring rivalry, perhaps, but I also have to take into account the townโs proximity to funky freewheeling Frome, and the fact any town name with the word “war” in hardly connotes an approachable kind of place..…but, is it?
But whatโs in a name, military links aside? I set about a little research project to suggest Warminster is not a cultural void, and any accusation it is, is obscured by ignorance, surely? They probably say the same about us; all’s fair in love and war, minster….see what I did there? A little Sunday pun to break the ice! Okay, I’ll get my coat.
Already aware both the Rose & Crown and Prestbury Sports Bar host a regular live music programme, supporting local live music, I also came across a group aptly titled Inspire Warminster. Coincidently, theyโve a free community festival happening Sunday 3rd July from 1-7pm in the town park. I suggest if you suffer from Warminster-phobia you check it out, overcome your negative presumptions!
The brainchild of Pete Bartley and Doug Halls, Inspire Warminster started out in 2013, when their Town Council approached them with their idea to put on an annual live music event in the park to showcase local talent, and more specifically to encourage young people to take up a musical instrument. Doug and Pete wanted to put on a daytime family event where parents could bring their children and enjoy a family day out listening to the music, which is precisely what they did!
Okay, so there’s a guy clearly scratching his butt in their featured Facebook photo, what of it?!
I spoke to Tom of the group, whose job it is to organise the bands. โWeโve nine very diverse bands booked for this year,โ he tells me, โAll of whom local to Warminster, so it really will be a wonderful showcase of the talents in the town.โ This is exactly what I was after, evidence!
Coyote Country starts the music at 1pm, followed by Wade Merritt, Junkyard Dogs, Grumpy Dog, and Brakelight. Then the Warminster Community Choir are on at 4:20, followed by Dr Alibi, The Frontman and our good friends, People Like Us headline at 6. โWith the amount of talent on during the course of this event,โ Last playing Inspire in 2017, People Like Us announced, โwe are stunned, thrilled and humbled to be headlining this brilliant community event.โ
Old stock photo of PLUS, knocks a couple of years off, guys!
โPLUS were instrumental in reuniting our community,โInspire explains, โas we emerged from lockdown, reigniting our spirits and reminding us that good times could exist again. All that remains is to let them do their thing, so come, dance and sing!โ
Having to unfortunately miss Devizesโ blues extravaganza on Friday, I crossed the borderline on Saturday to get my prescribed dosage of Talk in Codeโฆwith aโฆ
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Featured Image by Giulia Spadafora Ooo, a handclap uncomplicated chorus is the hook in Lady Ladeโs latest offering of soulful pop. Itโs timelessly cool andโฆ
Words by Ollie MacKenzie. Featured Image by Barbora Mrazkova.ย The creative process can be a winding, long, and often confusing journey. Seeing a project comeโฆ
Whoโs ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโฆ
One part of Swindon was in perfect harmony last night, and I donโt mean the traffic circumnavigating the Magic Roundabout. Rather The Lost Trades wereโฆ
Red level weather warning, they said, only make essential journeys they said, but fail to define the terms of what is essential. Is helping an elderly relative essential, getting to work, or a doctor’s appointment? What about People Like Us playing the Three Crowns, Devizes?!
To those hunting original live music, perhaps not, for this local trio covers is their game, fully aware what will rouse a standard pub crowd, and they do precisely this with such uniqueness and deliver it with such passion, for everyone else it is, totally essential!
To catch Nicky, back on two legs after an injury which I might add, failed to prevent her performing, and behind that faithful scarlet keyboard, Dean at the strings, switching lead to bass guitars, and now skinheaded Pip, (shaved his head fundraising for our Carmela, but seems to like it,) who, even not best postured for delivering vocals, slouched over a cajon, still somehow manages to professionaly grace the moment, is, in the words of the great Yogi Bear, smarter than the average pub covers group.
Putting a finger on why opens a Pandora’s Box, aforementioned drive, skill and professionalism evident in many a covers band. Still, People Like Us submits all these qualities as if a sponge cake, then they add icing. Observing the demographic of the crowd at the Three Crowns holds a clue, every landlord desires a cross section of punter and the repertoire of this trio truly caters for them all.
Short notes I make to jog my gradually degrading memory mystify me this morning, as one simply read, “new song” adding my daughter’s name; she knows it! Silly to have thought it useful at the time, but relevant to my point. Expect a few contemporary among their plethora of pop hits, but an also era-spanning setlist to leave you guessing.
Yep, walked in to an Oasis cover, Adele’s Rolling in the Deep, Snow Patrol’s Chasing Cars, and The Stereophonics’ Dakota particularly adroitly enacted modern indie tearjerkers followed, with eighties electronica power pop such as Together in Electric Dreams, or even The Police’s Every Little Thing She Does is Magic, blended with this balanced collection. Yet with similar dedication Metallica’s Nothing Else Matters got the breathtaking PLus makeover.
Yet I believe, for People Like Us, no decade within the crowd’s indivdual most cherished era is as off the cards as genres are. They will take you back to the seventies with ELO, Fleetwood Mac, even a possible Abba(?!) covers, and with similar assertion slip in nineties britpop and indie anthems too. Tonight saw plenty of this, wonderful was Take Your Mama, by the Scissor Sisters, but particularly captivating was their rendition of the Cranberries’ Zombie, with perhaps a little too “lite” on riotous version of the Kaiser Chiefs’ classic, but Nicky wowed with authority upon covering Alanis Morissette’s You Oughta Know.
Bottom line is, it makes zero odds what the tune they’re covering is pigeonholed as, they add their stamp, and with banter between songs often verging on near tiffs, they represent reality, comfortable being what’s written on their tin; people, just like us.
Zero multiplied by anything is zero, and that should be a landlord’s percentage of doubt in considering booking this trio, if they wish their punters to return home satisfied they had a fantastic night, for that’s precisely how I’m certain the crowd at the Three Crowns last night feel this morning, perhaps with a shadowing hangover!
Chippenham folk singer-songwriter, M3G (because she likes a backward โEโ) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunes … Continue reading “Rooks; New Single From M3G”
Featured Image: Barbora Mrazkova My apologies, for Marlboroughโs singer-songwriter Gus Whiteโs debut album For Now, Anyway has been sitting on the backburner, and itโs more … Continue reading “For Now, Anyway; Gus White’s Debut Album”
Entertainment events in the county blossoming out of lockdown came to a pinnacle this weekend. We were spoiled for choice, and without cloning technology the decision wouldโve been a toughy for me, if it hadnโt had been for the no-brainer; the sixth annual outing of local supergroup, The Female of the Species at Melkshamโs brilliant Assembly Hall.
From the moment I was pinged the lowdown on this event my heartstrings spasmed, five bandโs fantastic frontwomen in their own right united for the rare, Community Civic award-winning, fundraising bonanza which has become somewhat equal in legend around these parts as a Spice Girls reunion. And perhaps what is more, the proceeds this year were directed at another personal superheroine, Carmela Chillery-Watson.
Super-heroic is a term I donโt use lightly, and not out of sympathy for Carmelaโs rare strain of muscular dystrophy. Over the past two years Iโve followed the progress of Carmela and her familyโs fight against this muscle-wasting condition, since mum, Lucy sent Devizine a fundraising event poster and I figured I could do more, which consequently saw me take to my milk-round dressed in my Spiderman onesie! For, now at seven years old, Carmelaโs zest for life and amiable charisma is an inspiration to everyone she meets. I found it rubs off on you with immediate effect, something hordes of international celebrities have also now discovered.
Bringing this celebrity herself now back home to Wiltshire for a fundraising event, I was not only delighted to meet her and her family again, but mightily impressed with her handling of fame. Carmela responds accordingly to mounting attention, never excluding or shunning any individual yet finding the time to address them all equally; a skill many a celeb could learn from. ย
With a bombardment of unfortunate planning episodes, Jools of the reggae-ska band Train to Skaville confessed, โit was a nightmare trying to get this event off the ground,โ it truly became a sense of itโll be alright on the night, and the party went off with an explosive boom. The amalgamated wealth of experience, proficiency and professionalism of The Female of the Species shone through; they are deadlier than the male.
Dedication too, to overcome obstacles, apexed by performer and musical director, Nicky Davis of bands People Like Us and the Reason, who took a fall during rehearsals to personify the performance idiom, break a leg. Frustrated by her vocal restrictions slouched at the keyboard, the second half of the show proved too tempting, and Nicky manged to make it onto her feet to sing behind the keys, rather more like Jerry Lee Lewis than Elton John in style!
But we are getting ahead of ourselves now, for full credits have to be awarded to support act, Melksham-based Plan of Action. Unbeknown to me, this male trio with a female bassist took me by surprise. Based on previous FOTS supports, I was expecting soothing acoustics, yet Plan of Action done what it suggested on the tin, and executed said plan in a hard rock fashion akin to the Foo-Fighters covers they blasted with certain precision. They then beseeched their benchmark, rather than redefined their style, to cover Wilson Pickettโs Mustang Sally in hard-edged blues fashion, and finished more retro than they started with rock classics such as Billy Idolโs Rebel Yell.
Not only did they fire up the audience superbly in preparation, but their fanbase also resolved the terror of who would be first to break the dancefloor reservations. Now there was no stopping the crowd, as Female of the Species drummer, Pip Phillips of People Like Us was first to appear, foot-peddling the bass drum to build anticipation while the girls came onstage under an impressive light show.
Second tune in, Nicky Davis led them in an accomplished cover of Hotel California, and solo soul singer Julia Hanratty followed lead on Stevie Wonderโs Superstition, as is the Female of the Species code of conduct; memorable pop covers ranging the spectrums of their individual tastes. That said, we had none of the two-tone of Joolsโ Train to Skaville, although she did an outstanding lead on Deacon Blueโs Real Gone Kid.
With affections towards uncompromising rock, Charmaigne Andrewsโ AC/DC Highway to Hell boosted the crowd, but not before an early highlight for me; Juliaโs absolutely outstanding cover of Aretha Franklinโs Respect, something Iโd not advise any singer to attempt, as with Nicky last time, who gorgeously portrayed Heard it Through the Grapevine, Julia clearly knocked this one clear out of the park.
Claire Perry of Big Mamaโs Banned not only brings range to the repertoire, but witty if saucy repartee to the show, unsurpassed during the break where Carmela joined her to announce raffle prize-winners. Sporting Wonder Woman headgear for the second half, they raised the roof of the Assembly Hall, as much as they raised serious funds for the cause.
Aforementioned, Nicky stood for the second half despite her plastered leg, as they played through memorable covers, dancefloor fillers, and perfected songs youโd be excused from thinking, oh my, theyโre covering that?Bohemian Rhapsody, Grease Lightening, Oh, Sweet Child of Mine, and Jackoโs Beat It for examples. Joolโs cover of Kirsty MacCollโs New England, Claireโs Iโll Put a Spell on You, Charmaigne leading on Republicaโs Ready to Go, the show continued past my bus time, but I could faintly hear Mr Blue Skies while I waited!
Yeah, hereโs a thing I hadnโt thought of before; escaping the Devizes westwards for the evening is surprisingly possible via public transport, and it wasnโt a drunken fallout zone, like the Boot Hill All Starโs hilarious song, Night Bus, which I imagined, rather a mediocre and tranquil bus journey!
The last bus on the 273 route leaves Bath at 11:30, and gets to the Sham at ten-to-midnight; blooming marvellous, for Melksham have a real gem with the Assembly Hall. Drinks are affordable, the service well-staffed, the atmosphere is hospitable and theyโre continuing to bring outstanding shows and events to the Sham.
All in all, this show was professional yet communal, absolutely fantastic and spellbindingly electric; if another comes along, I suggest you donโt miss out. But I must finish in thanking the Female of the Species and all involved for supporting such an amazing cause, and local girl; and to Carmela, you are a superstar.
Raging expressions of angered feminist teenage anguish this month, perfectly delivered by Steatopygous via their mindblowing debut album Songs of Salome, I hail as theโฆ
Itโs nice to hear when our features attract attention. Salisburyโs Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil andโฆ