Bristol’s regular Johnny B Goode, Ruzz Guitar Blues Revue goes full on swing with a new single, a take on The Brian Setzer Orchestra’s 1998 album title track The Dirty Boogie.….
Another high-energy bout of rockabilly guitar divinity we love from Ruzz, but this time we’re transported back to 1920s New Orleans dancehalls for that big band swing sound; jazz hands!
The Dirty Boogie, is out today on digital download for a quid, from Bandcamp.
He might be between two worlds but he can also be in your home, in your very own ears, and that’s the best place for Ruzz Guitar to be. With a striking Funk-O-Pop styled cartoon cover, Ruzz Guitar has a new album out and yeah, just yeah!
Shadowing the Shadows with a belter of an opening track, Ruzz slips into Bo Diddley like a glove, then it’s off to those foot-tapping honkytonk ballads for a few tracks; oh yes, Ruzz is back and it’s a Gretsch-grappling beautiful monster.
There’s not a great deal I can say about this which I’ve not said about our Ruzz before; if it’s not broken….
Ruzz Guitar is a tour de force, a sublime blues rocker meshing blues into a unique and prolonged ecstatic ride into the rock n roll formula of yore, it just jumps, jives, and doesn’t come up for air. And if he does, five tunes in with Forever Yours, it’s like standing in a burning sugarcane field; the sweetest air you’ll ever breathe.
Ruzz brings in stellar backing, with some mind-blowingly soulful vocals from Shannon Scott and Julhi Conlinn. Drummer Brian Fahey, both Chris and Steve PelletierSmith on bass, pianist Paul Quinn and special guest appearances from Tyrone Vaughan, Paul Pigat and Mike Eldred.
Recently he’s been two and fro across the Atlantic more times than Concorde, hence the title of this ten track whopper, but I never find myself wondering how he goes down on the other side, you know, delivering something they invented back to them. It worked for The Beatles, you simply know they’ll love him as deep down as Texas, because it’s impossible not to.
Right here though, we’re in Devizes and via the “Mel Bush effect,” the Hoax and now the Long Street Blues Club we’ve equally been conditioned with high expectations when we receive a blues dosage, but no one does it quite proper job like our Bristolian Johnny-be-Goode, Ruzz Guitar. He’s so good they named the guitar after him.
This is class in a tall glass, I was expecting it, it never disappoints. There’s a number of tracks we’ve tasted before, revised and polished for the ultimate road trip soundtrack; it’s got a new version of Sweet as Honey on it, which for some reason always makes me go bananas!
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I was intending to start this along the lines of “you don’t need me to provide another reason why I love The Southgate,” but this is Devizes. Being I overheard a conversation between a person by the ticket machine in the carpark, and their friend at their car three yards away, which went: “gotta put yer registration in, int ya,” to the reply “you can get it off the number plate,” I reconsidered, maybe some do need a reminder!
Thing was, festival after festival, I was supposed to have a weekend off, grandkids visiting, but the temptation of Ruzz Guitar standing in for Jon Amor for his monthly residency was too great to resist, coupled with the fact I needed a break from drawing Paw Patrol characters, litter-picking Harbio off the sofa and being a human climbing wall.
In no time at all I was sighing relief at our dependable Gate, replacing Peppa for a pint of Rosie’s Pig; my guilty pleasure. Oh yes, you wanted yet another reason why I love the Southgate, at least a reminder; because even if you’ve stayed in for the weekend, it’s never too late to have a change of heart, Sunday afternoon sessions from 5pm are equally as satisfying as those of the Saturday night.
You knew this, I’m sure. Jon, with the fantastic drum and bass duo, Tom Gilkes and Jerry Soffe have turned this faithful and friendly tavern into a divine monthly juke-joint for many moons now, with guests the calibre you’d gladly fork out a ticket for. They’re also the kind of gig which appeals to the guests, nearly always returning within their own right to the Southgate.
So with Saturday a guaranteed hoedown with Marlborough’s blues giants, Barrelhouse, for a Sunday with Jon unable to attend, the cavalry was called in. There’s some great guitarists in the south-west, there’s the sublime few, and then there’s Ruzz, so good they named the guitar after him. In America they’re calling our regular Johnny B Goode the “Pistol from Bristol,” and the boot fits.
They got our mojo working for an encore, preceded by the perfect execution of Ruzz’s slide guitar interpretation of Armstrong’s Wonderful World, and my personal favourite original, Sweet as Honey. It was a superb finale to a spellbinding set, the likes you can always rely on with Ruzz, fronting his trio, Blues Revue or, evidently, Tom & Jerry too.
The guitar is what Ruzz is a virtuoso of, Gretsch knows this and endorsed him. If he was a chocolatier he’d be endorsed by Teuscher, if he was a stamp collector it would be a stamp collection worth seeing! What a fantastic afternoon at the Southgate, again!
Ruzz is back in Devizes Friday October 18th with his Trio, in support of legends Wishbone Ash at the Corn Exchange, it’s the first gig with profits going to the Mayoral Appeal; a welcome advantage to having a Mayor who runs a blues club!! Tickets here.
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