Tag: SGO

SGO Release Live Album from The Southgate

Late November last year I took the Southgate’s landlady Deborah on her word, and it paid off; a word you should never doubt when it comes to bands booked. She told me Swindon ensemble SGO are “an eclectic folky blues collective. They played a few crazy tunes in a circle in the middle of the pub once. Everyone loved it, we booked them!” On this chancer I dropped in and it was a pleasant surprise, such an apt band for the pub.

At the time I described it thus, “Brimful of sea shanties, hornpipe, parissienne and gypsy jazz, with subtle hints of Americana and country blues, SGO are both charming and accomplished. Melodically harmonising through geetars, fiddle and accordion, they reaffirm folk is the backbone to all modern musical genres, and launch preconceived notions of frumpiness within the modern scene out into the stratosphere.”

But hey, ain’t nobody got time to copy and paste anymore, you can read the full review HERE. All you need to know is, it was a brilliant gig, and now you don’t even need to take my word for it, if anyone ever does, because they’ve released it as a live album, Bandcamp download only. It’s one of those you listen back to and realise it wasn’t just a cider leakage in the brain, it really was as good as I recall. But if you didn’t attend here’s a taster of the Southgate at its best, for the recording contains the typical atmosphere and background noises, including George the pub dog, who seemed to approve.

Live is best for the rowdy pub folk of this kind, and this recording will put you right in the very spot of a most memorable gig, and if you attended or not, will ache you to catch them next time they’re around.

I’ll say no more…. have a listen.

Trending….

Seren’s New Single; Worm

There’s a cold remote ambience of burrowing doubt in the opening of Westbury’s singer-songwriter Seren’s debut song, in which, as the title suggests, she uses…

SGO Folk Up The Southgate

What of the apostrophe, diacritical, a punctuation marking a possessive case of nouns, a contractive omission of letters, or perhaps, in this case, a leftover smudge on a pub chalkboard?! Taking said chalkboard listing S’Go as the omission would read “S” for something, “go,” which could easily be ill-perceived as ultramodern funky electronica, or something loosly along those lines; not the case for this wonderful Swindon-based five-piece folk assemble.

Debroah, landlady of Devizes’ Southgate afirmed to me earlier in the week,“they’re an eclectic folky blues collective. They played a few crazy tunes in a circle in the middle of the pub once. Everyone loved it, we booked them!” and to know the affectionately dubbed “Gate” is to know never to doubt her word on this subject. So, far from potluck, I dropped in, Deborah was already up dancing with the crowd, while George the pub alsatian slept in the makeshift apron.

Cleared up any band name confusion with the bowler hat attired frontman during their halfway break. Seems the apostrophe is old hat for the band, favouring it as an abbreviation, SGO, of which he may’ve broken down for me but I missed it in the alcohol-infused noisy moment. Regardless, he suggested a dislike of the name was unanimous between its members, so subject to change, ergo; none of this really matters anyway.

What matters is ever the music, atmosphere and levels of enjoyability, and while Devizes hosted another Long Street Blues Club night and the Condado Lounge was brimming with fans of Finley Trusler and Mark, only an adequate houseful graced the dependable tavern, I’ll confirm those who did wouldn’t deny for what matters, SGO skyrocketed all said levels.

Pub dog George seems to detect the impending intoxication levels of the human punters, connecting it to their need of dancing, and, after time prefers to slumber under the bar hatch. But one ponders the attraction in kipping directly in front of the performers is likely the natural heat they give off makes it the warmest spot. Though steady to begin with, SGO certainly gave British Gas a run for their money.

Brimful of sea shanties, hornpipe, parissienne and gypsy jazz, with subtle hints of Americana and country blues, SGO are both charming and accomplished. Melodically harmonising through geetars, fiddle and accordian, they reaffirm folk is the backbone to all modern musical genres, and launch preconceived notions of frumpiness within the modern scene out into the stratosphere. Akin to what Dr Zebo’s Wheezy Club are putting down, this is achieved through replicating the timeless sounds of which folk have revelled in for centuries, and validates its worth in modern day.

All tradtions of folk were honoured, SGO covered classics, sporadically upping the tempo, enthused their audience, were amusing with localised ditties and personal prose. Referencing an expedition between their hometown’s landmarks the Richard Jefferies Museum to Coate Water as a sea shanty being a particularly adroit example. Yet they were at best producing some sublime instrumental moments of skillful union. The crowd were swaying in bliss, and perhaps, booze too.

Therefore the demanded encore was aptly Gretchen Wilson’s “You Don’t Have to Go Home, but You Can’t Stay Here.”

My lucky dip came up trumps, and a great night was had, although that’s the standard model at the Southgate. You should note Jon Amor’s monthly residency has been shifted to next Sunday, Rockport rocks up there next Saturday, one third Lost Trader, Phil Cooper follows on 3rd December.

For SGO, I’d recommend S’going to check them out, and can be found at Swindon’s The Gluepot on Thursday 1st December, with support from Shedric, and The Hop Inn with support from Canute’s Plastic Army on Wednesday 7th. Follow their social media HERE for updates.