The word “very,” rarely an adjective, as in “it happened in this very house,” or “this is very Terry Edwards,” but commonly worthlessly used as an adverb, as in “it’s very cold today,” or “this is the very best of Terry Edwards.” While the album simplifies it to the ambiguous “Very Terry Edwards,” it’s BandCamp page suggests, “The Very Best of Very Terry Edwards,” which though it’s exactly what it is, it’s also one adverb enough for the most lenient of proof-reader’s red line. Yet, if the usage of very is erm, very worthless, it is the only thing on this album which is.
The multi-instrumentalist, best known for trumpet, flugelhorn, saxophone, guitar and keys, marked his sixtieth birthday last September releasing this three-CD best-of box set, and while I should’ve mentioned it last month, between putting batteries in toys and stuffing myself with pigs in blankets things got tardy. Right now, though, I can think of no better outstanding project to kick off our music reviews for 2021. Reason only partly because it ticks all my personal favourite genre boxes, more so because of the range of said genres is far greater than run-of-the-mill best of compilations.
We need to assess Terry’s biography to understand the reason for this variety. Funky punk and second-gen ska most obvious, as from 1980 he was a founding member of Two-Tone signed band The Higsons, after graduating with a degree in music. But around that time Terry also produced and played on the Yeah Jazz’s debut album, of whom, despite the name, were particularly folk-rock.

From here the vastness of Terry’s repertoire blossoms, as session musician for a huge range of acts, from Madness to Nick Cave, PJ Harvey and The Jesus and Mary Chain to, particularly notable, The Blockheads. As well as his solo material, with his band The Scapegoats and a stint with dark punk-blues outfit Gallon Drunk, it’s understandable collating this in one reminiscent anthology is a mammoth task and a melting pot. Which is just what you’re getting for your money, a very, as the grammatical disorderly title suggests, worthy melting pot.

“When the earliest recording here was made the 18-year-old me couldn’t comprehend being 60,” Terry explained, “yet here I am presenting a triple album containing 60 titles recorded between 1979 and 2020, through thick and thin.” Therefore, it must be more tongue-in-cheek than I’d suspect Roger Daltrey’s notion now of My Generation’s lyrics that for the opening track he opted for The Higsons’ “We Will Never Grow Old.”
“You’d expect an overview of my career to have some odd bedfellows and more than its share of quirks and foibles,” he continued, “but it’s been compiled to flow musically rather than have a chronological narrative.”
That said, the first four tunes from his original band follow, with all their fervent rawness. Terry covered his tracks though, “I immediately break my own rules by starting with The Higsons’ earliest release and debut single, but redeem myself by following up with the most recent recordings; two ballads recorded with Paul Cuddeford (Ian Hunter, Holy Holy) in February 2020. There is more method than madness; groups of songs which follow a theme or genre are found together regardless of when they’re from.” Indeed, we’re then treated to three tunes in a matured, mellowing jazz and blues, the latter of which with the vocally perfected Erika Stucky.

Then we’re into rock with The Wolfhounds, and a guitar-twanging Christmas blues song with Robyn Hitchcock, plodding jazz with Knife & Fork, post-punk Big Joan, avant-garde jazz with Spleen and rockabilly styled New York New York. While mostly jazz-related, this first disc graduates through genres with finesse.
Terry is like Georgie Fame with a Mohican, but whatever avenue is explored, you can guarantee quality. The second CD starts with a bang, upbeat mod-jazz with The Scapegoats. There’re more known covers here, sublimely executed Herbie Hancock’s Watermelon Man, a superb solo rendition of The Cure’s Friday I’m in Love, as if Robert Smith wore a Fred Perry, and a hard-rock electronica version of Johnny Kidd’s Shakin all Over with the haunting vocals of Lisa Ronson. Even find an orchestral film score, and a piano solo of the knees-up capital’s favourite, May It’s Because I’m a Londoner.
Yet if both the quantity and quality on offer here is so vast to make me waffle, it doesn’t waiver for the final disc, rather it’s my favourite. A BBC session outtake of a jazzy Voodoo Chile, with altered title to “Child.” Dunno, can’t be a typo, the dedication to attributing to Hendrix’s masterpiece is no easy feat, lest it be known Terry manages it with awesomeness dexterity, with a saxophone!

If the last CD continues with on a jazz tip for two tunes, we’re transported to ska via John Holt’s Ali Baba by Lee Thompson’s Ska Orchestra and other sundry members of Madness, and Totally Wired by Terry’s “Ska All Stars,” and more ska-jazz with Rhoda Dakar. Post-punk follows, featuring The Nightingales with Vic Goddard, Snuff, Glen Matlock and Gallon Drunk. Perhaps my favourite parts being the shouty cover of The Human Leagues’ “Don’t you Want Me Baby,” by Serious Drinking, and the general dilapidation of seriousness with new wave tunes mirroring the unsubtlety of Ian Dury & The Blockheads.
Here’s a jam-packed box-set brimming with variety which flows suitably and makes a definitive portfolio of a particularly prolific and proficient musician. For many it’ll hold fond memories, for younger, who think Kate Nash created the cockney chat-rap, or jazz wasn’t the same until Jamie Cullum came along, it’s a history lesson they’ll never forget!

This 60th birthday, 60 track-strong celebration spans over four decades. A triple CD clamshell boxset with 24-page booklet, but more importantly they say, “Very Terry Edwards is a birthday present to himself as much as anything else,” giving it the impression you’re on a personal journey, like a child sitting on their grandpa’s lap while he recites memoirs, blinking exciting ones!
Buy from Rough Trade: £15.99 or BandCamp: £15 or £8 digital.


Hooch on Streaming
Once a cover band, east Wiltshire’s rootsy four-piece Hooch have moved to writing and recording original material. Their discography goes onto music streaming sites today (Sunday 3rd July,) and if you like your country-rock breezy and uplifting, with a subtle touch of psychedelia and surf, then it’s worthy of your attention….. The instrumental Eagle Ray … Continue reading “Hooch on Streaming”

Full-Tone Stands Alone
Full Tone Festival August Bank Holiday then, penny for your thoughts on that one…… Five irritating wannabes handpicked for their conflicting personalities vote on each other’s dinner parties while a poor man’s Harry Hill narrator insults them in a heavily edited sham of a television show. Yet, despite this perpetual cycle of formulated garbage, Come … Continue reading “Full-Tone Stands Alone”

REVIEW – Devizes Arts Festival 2022
A Great Festival – Now What About The Future? Andy Fawthrop Well, the 2022 Devizes Arts Festival has now drawn to its successful close. Thanks to a very determined and hard-working committee, this jewel in the D-Town crown was finally shining again. Along with DOCA-led events like the International Street Festival, Carnival, Colour Rush, Lantern … Continue reading “REVIEW – Devizes Arts Festival 2022”

Timid Deer; back with more Melodies for the Nocturnal
Salisbury may be a grey area for us, we don’t get to hear a great deal about the music scene there. I guess they have their own media, magazines and blogs covering it, but it is something I realise I must work on. For all I know, Timid Deer could be huge there, but they … Continue reading “Timid Deer; back with more Melodies for the Nocturnal”

Weekend Roundup: 30th June – 3rd July 2022
Full throttle into July, then; here’s what the weekend looks like around these parts. These parts of cultural void, so it’s claimed, we say otherwise…. You want proof? As usual no links here, the only link you need is here, our event calendar. Have a great weekend whatever you do! Ongoing from Wednesday until Sunday … Continue reading “Weekend Roundup: 30th June – 3rd July 2022”

REVIEW – Tamsin Quin & Vince Bell @ The Southgate, Devizes – Sunday 26th June 2022
300 and still counting! Andy Fawthrop Is it really (not that) long? Debs suddenly realised over the weekend that this was the 300th gig that she and Dave had put on in The Southgate since taking over in 2018. That’s only four years, and we had a pandemic in the middle when all the pubs … Continue reading “REVIEW – Tamsin Quin & Vince Bell @ The Southgate, Devizes – Sunday 26th June 2022”

REVIEW – Fulltone Strings @ Town Hall, Devizes – Sunday 26th June 2022
Four Seasons In One Day Andy Fawthrop There’s no respite if you’re into your culture in D-Town these days. Fresh off the back of the wonderful Devizes Arts Festival, I headed on a beautiful sunny Sunday evening to a sold-out Town Hall to hear The Fulltone Orchestra in full musical flight. This was FTO’s “taster” … Continue reading “REVIEW – Fulltone Strings @ Town Hall, Devizes – Sunday 26th June 2022”

Miracle at MantonFest!
Ah yeah, Paul McCartney whisked Bruce Springsteen and Dave Grohl out of his hat at Glasto, and no one can top that, no one dare try, but on the other side of the west country The Fab Four were rejuvenated on stage, and miraculously commanded the weather! Okay, allow some exaggeration for artistic licence, but … Continue reading “Miracle at MantonFest!”

REVIEW – Sarah C Ryan Band @ The Southgate, Devizes – Saturday 25th June 2022
Another Great Find Andy Fawthrop Ah – you never know what life is going to throw up at you till it smacks you right in the face. Coming off the back of two weeks’ worth of fare from Devizes Arts Festival, I poked my head in to The Corn Exchange to catch their very last … Continue reading “REVIEW – Sarah C Ryan Band @ The Southgate, Devizes – Saturday 25th June 2022”

Inspire Warminster; Free Live Music on Sunday
Skewered, the adverse replies to my Facebook post a month ago, asking for suggestions on how to kill a few hours in Warminster; it was as if I’d wandered into the outback! Skewered by banter, neighbouring rivalry, perhaps, but I also have to take into account the town’s proximity to funky freewheeling Frome, and the … Continue reading “Inspire Warminster; Free Live Music on Sunday”