Oh, for the rolling years since Devizes Sixth Form-Hardenhuish collaborated boy band 98 Reasons, time cannot stand still, we know this, we still see the bassist of which, Finely, on the local circuit with cousin Harvey as the Truzzy Boys, and as frontman of astounding mod-rock covers band The Roughcut Rebels. And occasionally we hear from his partner in the duo spin-off Larkin, Sam Bishop, it’s good to hear from him again with an awesome new EP, Dark Horizons; out now……
While still studying music over in Winchester, his unique brand of pop, while momentously contemporary, didn’t agree with me personally one occasion, a couple of years ago, and he took it on the chin; I have to be honest. If something definably “pop” doesn’t agree with my grumpy aging expectations it doesn’t make it bad, just means I’m too old! He rebuked any past criticism with a sublime last EP homing more auditory on my cabbaged ears, but here’s a young singer and musician who just keeps getting better.
Honestly, cast off any doubts, Dark Horizons is another massive progression, enriched with euphoric soundscapes, some often dark in subject, as the EP title suggests, yet all uplifting. It plods open with digital notes, Same Stars, and I’m nodding approval; love it. There’s contemporary pop on offer here, bleached with William Orbit or Moby style soundscapes.
Yet the second track, Playing in Shadows transcends the previous for retrospective influences, think eighties electronica, especially on the intro, virtually Kraftwerk! Yet again, nothing is passé no matter how far the basslines and synth-pop arch back for recollections, as the vocals roll with repetitive elegance, stirringly upbeat and ultramodern, Years And Years fashion.
Clearly there’s vast experiments washing like waves onto the beachy mind of Sam Bishop, yet by the third tune out of four, Stay Close, we hear the accustomed acoustic croon of Sam, a floating love-song which builds with a subtle aforementioned ambience, but essentially retains the guitar riff over chanting backing vocals. It’s the standout track you might’ve been suspecting when you clicked on the link, if aware of Sam’s past work, but herein lies the point; the EP in general a massive advance forward, looking headlong rather than rearward.
The finale, Backroads has a piano riff, building into current pop with elegance, like a lot of Sam’s themes it relies on life’s directional decisions, yet it delves deeper into trialling and investigation both musically and lyrically, which intertwine in such a way I’ve not felt so connected to Sam’s solo work than this wonderful EP previously. And before you suggest, that’s cos you is, like, getting old, brah, I’ll have you know I get my teenage daughter DJ on car journeys, so I may not have the gen Z patois of a roadman but I know my Cardi B from my Ariana Grande, and this is as a blend akin to what The Weeknd and The Kid Laroi are putting out; sick, apparently!
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