The Turnaround; New Album from The Jon Amor Trio

Devizes is a blues town, fact. I’ve dubbed its origins as “The Mel Bush Effect,” in the past; via Long Street Blues Club and down to The Southgate, the tradition continues and the label sticks. Music promoter Mel Bush would later go onto be a prominent organiser of some of the country’s most memorable concerts, but he cut his teeth here in the early seventies, bringing top acts to the Corn Exchange, at a time the town only had a population of approximately ten thousand…..

Knock on effect, while upcoming nineties bands modelled themselves on Madchester or grunge, from a local village five footballing teenagers formed a band inspired by Dire Straits, Stevie Ray Vaughan and Dr Feelgood, the latter playing a particularly significant gig at the venue, which we need not recount now; if you know, you know! Concentrating on The Hoax, those youngsters, the Davey brothers Jesse and Robin, Hugh Coltman, finalised drummer Dave Raeburn, and of course, Jon Amor, raised the bar on the UK blues scene with the vigour of youth in an otherwise largely considered matured genre.

Pushing new boundaries post-Hoax, Jon has explored many guises, from Amor, with Wayne Proctor and Matt Beable, to the Jon Amor Blues Group and King Street Turnaround, solo, and collaborating projects like Birdmens, with Ian Siegal, Joel Fisk, and Dave Doherty, prolifically producing albums throughout. Here, he’s our lovable living legend, never failing to turn up at the Southgate for a monthly Sunday residency, set in concrete in December 2021, and with renowned guests to boot. Such splendour of the recurring occasion, many of whom return in their own right.

Jon’s backing for said residency and various other venues on the circuit comprises of astounding bassist Jerry Soffe and celestially-sited drummer Tom Gilkes, dubbed aptly as The Jon Amor Trio, and they’ve been into Swindon’s Crescent Records studio. While a Jon Amor album is no new thing, The Turnaround is the first for the trio, and being as it’s such a high pedestal I’m popping them onto, I take a listen to it with a tinsey hint of scepticism they can recreate the magic of their live gigs. Because it’s the improv moments, the atmosphere, warts and all of a pub gig which grasps the magic, see? I found myself wondering if they could’ve released a live album instead, but who am I to kid, I should’ve known better!

Eleven original tracks strong opening with the title track, it wastes no time in recreating said magic. Regardless of any particular setup, this is another Jon Amor gold album, enhancing their live performances and creating a little piece of it you can take home with you. The electric blues held in esteem here is not cut short, there is no wild tangents of experimentation, The Jon Amor Trio never try to be something they’re not; just wild and highly accomplished archetypal blues riffs wavering in tempo, exciting and invigorating.

It’s when I arrived at Rideau Street any doubts melted. With a subtle hint of rockabilly, it rides to the bridge as any good Jon Amor tune does, and you know, you’re in capable hands. Mrs James adopts a firmer delta blues riff, and from there I’m immersed in its gorgeous and thick layers of sublime blues. A downtempo number, I Know What You’re Using sounds direct from the Hoax songbook, and onwards we journey through an album which has definitely got Jon Amor all over it, enveloping the brilliance of this new Trio’s live shows, with bells on. Fans will not be disappointed, and so the shows must go on. Find them at the Beehive in Swindon tomorrow, Thursday 8th Feb, and Sunday sees this month’s residency at The Southgate, Devizes, with Nat Martin as guest, guitar tutor at The Academy Of Contemporary Music in Guildford.

The album is only available at gigs and on Bandcamp; streaming isn’t good enough for this beauty, and rightly so!

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