Familiarity was key for me last night, if last weekend was new, trekking to Swindon for their soul and jazz festival, watching an amazing Gambian musician play a string instrument made from a cow skin covered pumpkin. Cue the theme to Cheers, sometimes I simply want to get down to my local, see a band I’ve seen umpteen times, and love, make no notes, take a few blurry snaps, and naturally, blow off work-day stress by sinking a few ciders too many, and when I do, The Southgate or Three Crowns in Devizes are my go-tos….
Apologies if we’ve covered this ground before, a number of times, but Devizine is a hobby. Therefore, I reserve my right to enjoy doing it! Not forgoing, I enjoy the adventure of finding acts I’ve not seen before and exploring new venues equally to the comfort of familiarity, so when Barrelhouse are in town the temptation is too much to resist; I’m legging it in the April drizzle to catch the bus!
There were two free live music options in D-town last night, both as valid as each other, as usual for a Saturday. The trusty Three Crowns had a new look Roughcut Rebels, those established mod to Britpop local favourites. I’ve had some reservations about recent lineup changes, but I’m aware there’s a new guy fronting the team. I must poke my nose in to investigate. So, too, did former members Finley and Mark, I jested to them that they were on the bench, but substitutions were unnecessary.
Only original lead guitarist, Weller-mod-cut John Burns remains, yet with proficiency cool as a cucumber, the new frontman, Jake Lockhart is unpretentiously smooth, bassist on cue, and a stickman who clearly knows his way around a drum kit. They roll out Kinks and Stones classics delightfully, I’m guessing this is going to go Britpop before long, and while I’d personally favour the setlist works in reverse, I’m not of the millennial majority in the Crowns the Rebels need to appease. I can ascertain they did, from their opening alone.
It only took a few songs to accept these guys had it in the pocket, and it was impendingly obvious the Three Crowns will explode into party mode post-haste, it always does by providing the best tried and tested cover bands. Like I say, familiarity. Time for me to grab my zimmer frame and join my own age demographic down at the Southgate; those Marlborough purveyors of sublime vintage blues must’ve soundchecked by now…
And so it was, The Southgate, as warm and welcoming as ever; found a place in the blossoming crowd of elder gig bunnies, and let Barrelhouse do their thing. If I do local circuit analysis and Marlborough comes up decidedly post-punk new wave and gothic, Barrelhouse better appeal to Devizes, perhaps; the Mel Bush effected blues aficionados. Although Barrelhouse is best served on hometurf, you should see the crowds turn out at Mantonfest; it’s a Marlborough blues phenomenon.
I’ve been telling Devizes this since they first appeared at our trusty Gate, to play to a slight crowd, an attraction which builds with each visit they make. Tonight was no exception. It was medium busy as they presented their wonderful show, squashed into the famous alcove, but with the passion and gusto they possess and input into every gig.
Turning the Southgate into a juke-joint is an easy feat, punters love their blues above all else. Though the Gate strives to bring a wider range, you only need to be there for the monthly Jon Amor Trio residency to confirm this. Barrelhouse is apt here, then, but it remains to be that some regulars still need to take heed of just how much these guys will rock them. Those present know the score now, Barrelhouse came, saw, petted the pub dogs, hung T-shirts over the toilet sign, and entertained superbly, again!
When they come your way, do check them out, I don’t fib, not about this anyway! The band are tight, the blues is vintage, with a fiery modern rock twist, in their calculated, balanced setlist of Muddy Waters, Howlin Wolf and other Americana covers, their own compositions which have become as anthemic as the classics to fans, and the brillant rock adaptations such as Motörhead’s Ace of Spades.
Frontman Martin Hands is hands-free, with no instrument other than his confident and convincing gritty delta blues vocals. The band complimented him, Tim is a guitar enthusiast, and his skills shine through. Stuart equally on bass, who acts as compère too. Nick adds to authenticity with harmonica, but it’s no secret he’s an authority both on, backstage, and in music production.
Even Martin’s fiancé Heidi sporadically guests backing vocals, as do others affectionately dubbed ‘Barrelettes’ when available, giving the band a real family feel.
Encoring Solomon Burke’s Everybody Needs Somebody to Love is standard protocol for Barrelhouse, and they’ve achieved their aim; the pub is pumping, and everybody is dancing. Another memorable evening at the Southgate, you can bet your home most nights are. Check our event calendar for upcoming gigs, but rest assured, thanks to them and the Three Crowns, Devizes remains punching above its weight when it comes to showcasing live local music and while our ticketed events only add to this, there’s gemstones to be found here freely. And we love it!
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