Tag: Aldbourne

Weekly Roundup of Events in Wiltshire: 11th – 17th October 2023

Here I am again, like Huey Lewis…..with the news. No national headlines though, no, that’s all too depressing, just the lowdown on things to do this coming week across our gurt lush county of agricultural rolling downs, neolithic monuments, and a seemingly endless succession of Greggs bakeries…..

Okay my little sausage and bean melts, please be aware this is not comprehensive and new events can and might yet still be added to our blossoming, occasionally updating EVENT CALENDAR; they might not be added here, so do check in as regular your digestive system after a vindaloo throughout the week, or you might miss something really up your street. You can also find links to everything mentioned there, and plan ahead.

One other really important thing before we get going, the thing everyone seems to brazenly browse past pretending it didn’t apply to them, we need donations to fund this, so, if you can, please donate a little something to keep us going; awl, thank you. If you love it, don’t lose it, like Bez on a nineties dance floor. For info on how, see HERE.  

Final days to pay a visit to Wiltshire Museum, Devizes, for the Anna Dillon exhibition; reviewed HERE, this ends on October 15th.

Oh, and this above, and this below, clowns, in Chippenham, a must-see!

Wednesday 11th

Regular Acoustic Jam at the Southgate, Devizes.

Calne Music & Arts Festival continues. The Avebury Vocal Ensemble, and a Calne Wordfest Writers’ Group at Marden House during the afternoon, and standup comedy with Graham Coulam introducing Paul Ricketts and Steve Gribbin in the evening.

There’s a lunchtime recital at Pound Arts, Corsham with pianist Simeon Walker.

Opening at The Wyvern Theatre, Swindon and running until the 15th, Salos Presents Elf, The Musical…too early? Too late! 

Thursday 12th

Calne Music & Arts Festival has The Primary School Choirs in concert at Kingsbury Green Academy Hall, and Calne Speech and Drama School present ‘Sea, the Fool, the Devil and the Cats’ by Ted Hughes at Marden House, followed by some jazz with The Nick Sorensen Trio.

Sean Collins’ Smokin Funny arrives at Swindon Arts Centre, Andy Oliveri & Kizzie at The Tuppenny, Swindon.

Kiki Dee & Carmelo Luggeri’s The Long Ride Home Tour comes to Chapel Arts, Bath.

Friday 13th

Join Devizes OpenDoors’s Big Sleep Out and help raise funds to support homeless and vulnerable adults in our community. You can sleep out at St James’ Church in Devizes, organise your own sleep out at work, at school, even in the garden at home, or pay to stay in bed by making a donation. Find out more and register at devizesopendoors.org.uk

Thud and Adam Woodhouse at the Southgate, Devizes, Mike Zito & Albert Castiglia with Band @ Long Street Blues Club.

Calne Music & Arts Festival has Ukrainian Jazz Harpist Alina Bzhezhinska in Concert at Marden House, followed by The Lost Trades.

Wilts & Berks Canal Trust Quiz Night at The Neeld, Chippenham.

My Octopus Mind plays the Pump in Trowbridge, with The Message in support.

Jazz at Wiltshire Music Centre, Bradford-on-Avon, with Dario Napoli Hot Club. Start the Sirens & Ophella Waiting at The Three Horseshoes. 

An Evening Of Mediumship With Nikki Kitt at Swindon Arts Centre, Soulweaver Reigniting The Fire at Underground, formerly Level III, Bedrock at The Queens Tap, Evanescence of Fire at The Vic.

Rusty Shackle, Ninotchka and Concrete Prairie play Komedia, in Bath, Damien O’Kane & the Ron Block Band are at Chapel Arts. 

Saturday 14th

Marlborough Mop Fair. The Magnitones play St Michael’s in Aldbourne. 

It’s the Lions Arts Coaching Day in Devizes, and a first, I believe, for Danny & The Randoms who play at The Three Crowns, and The Unpredictables, Finely Trusler’s new ensemble play the Moonrakers. The Jack Grace Band is at the Southgate.

Pig Race night at Erlestoke Golf Club! Bring your own ketchup!

Dub roots reggae at The Barge on HoneyStreet with Jah Lion Movement.

Be Like Will play Stallards in Trowbridge.

Editor’s Pick of the Week is Amelia Coburn is at the Pump in Trowbridge, with Ruby Darbyshire and MEG in support.

There’s seven acts playing Hullavington Live at The Village Hall, and it’s free entry.

At Calne Music & Arts Festival, “Flowers in art from Botticelli to Hockney,” a talk by Gail Brown followed by ‘Meet the Artists’ with Cathy and Nick Pearce and ‘HMS Pinafore’ – presented by Opera Anywhere. 

Taylor Swift tribute Katy Ellis at The Pewsham, Chippenham.

Back to the eighties party night at Spencer’s Club, Melksham.

I’ve Every Whitney at Kingsdown Golf Club, Corsham.

Brodsky Quartet 50th Anniversary of the Shostakovich Cycle at Wiltshire Music Centre, Bradford-on-Avon. Dreamwave at The Three Horseshoes.

Happy Dogs at HMV Bath at 3pm.

Carl Hutchinson – Watch Till The End at Swindon Arts Centre, David Flynn Memorial night at The Vic, Swindon, Concrete Prairie at Rodbourne Cheney Social Club, The BeatRoutes at The Castle, Rockabilly Rumble at The Queens Tap, Homer at the Rolleston, Dimensions at North Swindon Club, Vicky Jackson is PINK at Underground, and Swindon Ska Fest at The Moonrakers.

Sunday 15th

All About The Music Record Fair at Devizes Conservative Club from 10am-4pm.

PSG Choirs are at Marlborough Town Hall for an Autumn Concert. Starts at 6pm, tickets are £8.

Gothic Acoustic Matinee with Deadlight Dance at the Blue Boar, Aldbourne.

Calne Music & Arts Festival has Evensong at St. Mary’s Parish Church, and a Photographic Talk – ‘Arctica’ with Pam and Eddy Lane at Marden House.

Wiltshire Music Centre, Bradford-on-Avon have Groove Baby Grooving With Pirates!

Below the Salt at The Three Horseshoes, Bradford-on-Avon.

Waterlines at Underground, Swindon, an Elvis tribute at The Castle, and Damn at the North Swindon Club, and SGO at The Tuppenny.

Monday 16th

Sounds of the 60s Live with Tony Blackburn at The Wyvern Theatre, Swindon.

Tuesday 17th

Do You Believe In Ghosts at The Wyvern Theatre, while the Eric Mylod Okafo Quartet take the Jazz Knights at The Royal Oak, Swindon.

That’s all we’ve got for you so far, but remember to keep an eye on our event calendar for updates. I’m delighted to rap stats with you, and announce this week Devizine has hit level on the record-breaking annual hits from last year, and there’s still two and half months to go. Devizine is going out to over 100,000 local folk and listing your event will remain free, all you have to do to insure it is here is to tell us about it!

Have a great week!

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Deadlight Dance: Innocent Beginnings

Marlborough’s darkwave-goth duo, Deadlight Dance push their boundaries to new limits with their second single, Innocent Beginnings this week, and it’s a corker of goth perilous poignancy…..

Echoes of Human League synth prowess rain from this sombre tune, with foreboding warning vocals of Joy Division, yet the theme is environmental, something though historically consistent in pop, generally, surprisingly overlooked by the alternative subgenre of post-punk gothic of the eighties. You’d have thought with the stereotypical gloomy disposition of the genre, climate change was a missed opportunity for electronica, and/or post-punk goth subject matter; though maybe you know different, I’m no expert.

While it has been done, eighties misconceptions of the subject often obscure the severity of the topic, and place them subtly irreverent by today’s standards. Best I can conjure from memory is The Pixies’ track Monkey Gone to Heaven, of which the context of pollution and the depleting ozone layer is missed amidst the screeching vocals of Black Francis, A Forest by the Cure, which always felt more Little Red Riding Hood than eco-warrior, Talking Heads’ (Nothing but) The Flowers which is all too satirical art-pop, experimentally awash with soukous, for some bizarre reason, and even to endure ten minutes of Giorio Moroder’s less-inspiring disco synth moment in Cerrone’s Supernature only to discover elements of environmental concerns conclude with humankind obliterated by some kind of “creature from below!” 

It makes this single of an interesting composition, sounding so retrospective; precision with environmental subject matter came much later than this track imitates, therefore musical trends had changed by the time it’s more astutely covered. Ethereal nineties and noughties alternative rock certainly made full use of the topic, from Mors Syphilitica to All About Eve, but Innocent Beginnings, as is Deadlight’s design, it seems, is to recreate the sound of alternative eighties, leaving you pondering if Joy Division were at their peak now, climate change would have been the theme of Atmosphere, and might have come out sounding akin to this. Not forgoing, environmental groups would clasp hold of it, rather than just the creators of Stranger Things!  

Though, having said all of the gloomy irreversible theme of Innocent Beginnings which basically suggests it’s all too late to do something about it now, the video is contradictorily recorded in the setting of the pretty village of Aldbourne; hardly the dystopian landscape of a post-apocalyptic earth wrecked by our own hand! And in turn, makes me come over all Greta Thunberg and contemplate at least if we try, we can say we tried; put that in your pipe and smoke it, Nick Fletcher and Tim Emery of Deadlight Dance! Damn good track though, guys, and produced by Nick Beere at Mooncalf Studios, we look forward to hearing more from these guys.

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Glad I went to Aldbourne, for a freebie trio of must-see bands, including Siouxsie and the Banshees tribute Painted Bird, it was a great night, but…..

In 1987 I was but a 14 year-old Essex suburbian lad, who got his first taste of rural Wiltshire peering out of the back window of his Dad’s car to the Square in Aldbourne, realising places like this really exsist outside of picture books and peroid dramas.

Concerns of fitting into life in my new home never dawned on me, let alone how the natives would feel about my being here. Oblivious to cliqueines and class, snobby village girls turned their noses up while lesser-so ones seemed intrigued. I guess I was somewhat “exotic,” if “chav” before the word was even repopularised!

Maybe it was the latter which caused my male peers to view me as a threat, maybe it was because I was different, but for whatever insular reasoning some bestowed an abhorrence of me which came to an apex when I attempted a night at the social club, and a gang chased me all the way home. I never returned, until now.

Thirty-five years later I confess a slight feeling of apprehension, sitting in my car in the Square planning to enter the club. Moreso to see it in exactly the same location, up exactly the same stairs. Surely they’ve matured too, I’m as Wiltshire as lardy cake now, and they’ve ditched their pitchforks?!

A nostalgic side to me felt pleased to be here, after so long. Here for two reasons, firstly to see old school associate Tim, who I was reunited with at Mantonfest as bassist for Richard Davies & the Dissidents, in the newly formed duo Deadlight Dance, with his former sixform buddy, Nick. The pair have worked together in various groups since their sixform band, and Tim confided he liked it this way, just a simple friendly formula.

But this evening’s entertainment is a trio of bands, all with an Aldbourne connection. The second reason was to tick headline act, Painted Bird off my must-see list, a local Siouxsie and the Banshees tribute I’ve heard all good things about. I find the backstories of tribute acts fascinating, and why they chose the artist they did to attribute, particularly when it’s such a unique choice as Siouxsie Sioux.

Real name Nancy Jean, I set out firstly to discover her connection to the village by asking her if she was a Dabchick. For those unaware, it’s the name for those born in the village based on a folklore rare appearance of one on the village pond. But Nancy’s response in a rich Californian accent answered the question; she was married to her drummer, a born and bred dabchick, and they live in the village.

Nancy explained she had fronted a Siouxsie and the Banshees tribute in LA, applied for a similar role here, and created her own band around it. And I’m happy to report, they’re a highly skilled four-piece, able to recreate the magic of the punk era legends in an entertaining and accurate way. Nancy was also keen to point out the music took presidence over the look, still she looked and acted the part with meticulous precison too.

It was a superb show, as lively as retro-punk should be, and perfected, as they trekked through the discography of the Banshees and polished it off with two remaining tunes from a new project using the same band for original sounds under the banner KGB, which though twisted the style to metal, the punk imprint of the tribute remained subtly evident, which was fine by me and the enthused and tipsy crowd.

And it was a bloody good gig, with hospitable locals and staff. Leaving my preconceptions outside, this was quite the opposite of the shithole akin to someone’s garage with a few scattered pub tables in it it once was, but a modest contemporary function room, comfy and affordable; something every village needs but few seem to have aquired. Aldbourne should be proud. But all should note, I don’t hold a grudge against an entire village for the aforementioned incident, it’s water under the bridge, and besides, I’m fully aware a similar occurence would’ve happened in whatever village we landed in; just bored teenagers with nought else to do.

For the record both young and old were in attendance, age demographics know no boundaries at village venues, as Deadlight Dance kicked off proceedings.

Eighties new wave electronica is their game, angled toward the gothic alternative, which they executed with finesse and emotion. From a few originals Nick explained they were taking into the studio, to expected covers of Bauhaus and Joy Divison, it was the sort of serious music venue appreciation society type stuff, rather than universal village hall. Though what was particularly adriot in their set was a rendition of Heartbreak Hotel in their house style.

That said, if Devizes has an affectionate for electric blues, go east to discover a similar penchant for post punk, so this worked, and I stood beside goths and locals, equally appeased. It was almost like being back at St Johns in the eighties, save for lack of trippy science teacher, Dr Dodd!

Next up were also residents and bought their fanclub with them as they bounced on stage and wasted no time in blasting traditional punk covers from the dawn of the shortlived detonation direct into our faces. The Racket, they called themselves, and they were, though an accomplished racket, and it’s a guaranteed win-win to rouse a middle-aged audience with Ramones, Dammed, Elvis Costello and Blondie covers. Most diverse with a punky version of Kids From America, the Racket make for an ideal function band, for the aging punk aficionado. The girl upfront passionate about reproducing the genre, appeared as a cross between Debbie Harry and Katherine Tate, as though it bore hit parade pastiche of the lost era, they did it with bells on, and were as lively as the need be.

Then it was time for Nancy and her band, the bassist of which we’d seen guest in Deadlight Dance, to steal the show. Proir she asked me if I liked Siouxsie, and though I confirmed I did, made excuses for not being totally clued up. “You’ll know more than you think,” she responded, “we play all the hits.” And she was blooming right too, as their perfect renditions paid homage to Siouxsie and the Banshees, track recognition fell neatly out of my brain’s archive like a slot machine.

Locally touring with Mark Colton’s Blockheads tribute, Dury Duty, if tributes reside with no middle-ground, either being absolute shit, or absolutely brilliant, I’m pleased to report it’s the latter with Painted Bird. Local circuits tend not to clash, but any one of these featured acts should be made to feel more than welcome to pass border control and play the Vizes. Book em, Dano, and put their name in cutout newspaper letters for a poster!

Punk, alive and well and living in Aldbourne; who’d have thought it?!