Tag: Indie network

Nothing Good, Longcoats; I disagree!

Have no worries, Ollie, you’re a spring chicken, mate! Out this Friday, another dynamite single from Bath’s indie-pop trio, Longcoats, and this time it considers age. Subjective, isn’t it? I mean my boss calls me “young Darren,” but my daughter constantly reminds me I’m as ancient as ye gods. I have to wonder what Bruce Springsteen thinks of his nostalgia-related single Glory Days, written at the tender age of thirty-five comparably to his age now, seventy-two. Worse for the Who, they hoped to die before they got old, Daltrey still rocking at seventy-seven.

Similarly, this track, available across streaming sites from Friday 28th May, Nothing Good, reminisces of the golden teenage years, under the pretence “there’s nothing good about getting old.” What about a free bus pass, eh?! It’s as long-a-road as your coats, lads, enjoy it while it lasts, it doesn’t get any better than this. Think of a time when you’ve got more hair in your ears than on your head.

But if you should wish to look me up in my nursing home decades from now, and then let me know how you feel about the connotation of this track, it would be interesting to hear!

I thought I should clear that up, as the song title is ironic against the melody; everything is good about that, better than good, it’s pretty much fantastic. Filled with nostalgia though is the mainstay of this beguiling sound. The shift towards the classic eighties pop-rock sound complimented the previous single, Pretty in Pink, and continues here with this one.

Yet retaining that fresh, current vibe, I’m relishing in this trend, produced by the Longcoats, and other local bands such as Talk in Code, Daydream Runaways and Atari Pilot, I’m virtually contemplating getting my Now albums out to compare, volumes one to ten. As if you’d have heard this in that day of Rubix’s Cubes and Sinclair C5s, it would be astounding. Today, it’s just as great, as if time bypassed the comparatively melancholy indie vibe of the nineties.

It’s how to capture that uplifting, danceable sense within the gloomy theme that we’re not getting any younger, which somehow Longcoats just nail here. A highly enjoyable, layered track with a killer riff. Check it out on Friday. Me? I’m off to get some of those slippers with zips on the side….

Trending…..

Jamsters Festival at The Southgate

January last year, The Southgate Inn Devizes announced Jamsters, a monthly Friday night platform for loose groupings and associations created at their regular jam sessions…

Deadlight Dance New Single & Video

New single from our gothic duo Deadlight Dance, taken from March’s album Vox Populi…. Second tune on the album, a ballad to the poisonous evergreen…

Brian on FullTone Festival

Our regular historian and Visiting Research Fellow of The Regional History Centre, UWE Bristol, Brian Edwards takes some time to sketch the FullTone Orchestra ahead…

Pretty in Pink Longcoats!

Bath’s young indie-pop favourites, Longcoats has a forthcoming belter of a single, with a generous slice of retrospection; you may admire them again today.

As one who usually supports the underdog, I favoured the originally intended ending of the John Hughes cult, Pretty in Pink. Although it’s all in the past, Duckie deserved his promqueen for the overtime he put in. I mean, don’t get me wrong, boyishly I wouldn’t have chucked Kirsty Swanson out of bed, but by the final cut, the Duckster failed at the goal he set. And I liked him, rooted for him against the dweeby snob Blane. Though it was never about the guys fighting, Molly got what she wanted, I suppose, and Duckie learned not to cross the friends barrier; c’est la vie.

But I’m not here to rap eighties coming-of-age romcoms, less you’ll never hear the end of it. Windows down driving music we are here for. Out this Friday (16th April) I’m backing this will be an instant indie-pop anthem, with the same name as that movie.

Frontman Ollie Sharp confesses, “John Huges is a big inspo for us, always loved Breakfast Club and Pretty in Pink.”

Bath’s Longcoats rocking the summertime vibe with a beguiling riff, and feel good factor. Pretty in Pink has to be the best we’ve heard of this promising indie three-piece, to date.

Akin to recent tunes we’ve reviewed from the likes of Talk in Code, Daydream Runaways and Atari Pilot, here’s a fresh indie track, retaining the contemporary yet with that sublime nod to eighties pop-rock, which, as precisely as the title suggests, wouldn’t look out of place on a John Hughes soundtrack any more than the Psychedelic Furs’ title theme.

It’s an upbeat wah-wah scorcher, fading to emotively driven verses, powerful as anything you might hear on such a film score, with a popping an earing in and punching the sky ending.

Since last October’s awesome EP, named conveniently after the month, things have progressed in a direction I’m liking for the Longcoats, being a Thatcher’s child and all!

This is a grand job, find it on Spotify on Friday. Pre-sale link here.

Longcoats in October EP

Further to their couple of singles since forming last year, Longcoats, Bath’s self -proclaimed indie pop “for nerds,” four-piece, released a four-track EP last week, pertinently titled The October EP. As launched at Moles last week. Not that there’s an EP in any other month, named after that month, and uncertain if there will be. Let’s move on and give it a listen, shall we? As I fondly plugged the singles within a piece centred around their frontman, Ollie Sharp’s social networking group, The Indie Network.

As said group’s name suggests, Longcoats are the youthful embodiment of gratifyingly saccharine indie, if indie is a genre rather than a favoured shortening of the word independent. Darn, too vague, sweetie? Okay, by saccharine I didn’t mean cloy, there’s nothing bubble-gum pop on offer here. I meant sentimental in themes, and the title track, October is the perfect example, with its hopeful romantic chronicle. The chiming backing vocals also arm it with amiability and all-round nice vibes.

But while there’s no fear of Longcoats going all Rage Against the Machine on us, it’s not drippy either, and I’d argue their own “nerd” label diminishes it’s worth, even if tongue-in-cheek. It comes over agreeable and congenial, and that’s coming from an indie window-shopper. That’s good though, isn’t it? Good it will satisfy non-devotees of the genre too.

The majority of indie jilted the rougher elements of its underground origins long ago, leaving any bitterness behind in hope to impress a mainstream, ergo I stand by my Longcoats are the embodiment of gratifyingly saccharine indie statement, just don’t take it as a negative in any hardy hooligan fantasy your ego might invoke. Find your yang rather than yin.

Last year guitarist Arthur Foulstone and drummer Kane Pollastrone added to frontman Sharp’s lone act, which bridged the gap between band and solo artist. The final piece of the puzzle came upon recruiting permanent bassist Norton Robey. With the assistance of producer Jack Daffin, Longcoats have created a beguiling and entertaining, instantly recognisable sound to wide appeal.

Prior to the title track the two singles start the EP off, there’s a trudging guitar riffin Used to Being Used, a blueprint of indie-pop with its theme of dejected ardour, yet it’s done with skill, catchiness and promising aptitude. The latter single, Drag, which came out in March takes a similar tempo, and cool attitude. But I think they left the best to last.

Plasticine is a beautiful song, taking an arbitrary metaphor like a heart of plasticine, it’s a tune of hope. In a nutshell it wraps up the direction of the EP, flowing and uniformed, subtle but uncommercial. Yeah, it’s a nice debut from we young band we look forward to hearing more of.