From The Specials; Neville Staple Band in Lockdown

Photos by John Coles
Artwork by Sugary Staple

If last year’s fortieth anniversary of Two-Tone Records saw an upsurge of interest in this homegrown second-generation ska, it shows no sign of flawing anytime soon. Perhaps you could attribute parallels to the social and political climate of our era, or debate intransigent devotees are reliving their youth, but I’d argue it’s simply an irresistible sound.

One thing our eighties counterparts didn’t have to contend with was the Covid19 pandemic, and musicians of every genre are reflecting on it. Ska is of no exception, we’ve seen many contemporary performers releasing new material on the subject, but here we have a legend doing his thing, topically.

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The Neville Staple Band releases this timely single, Lockdown. A dynamic modern-sounding reggae track, yet encompassing all the goodness of the Two-Tone era of yore. Understandable, original rude boy Neville Staple is conversant with this, a founder member and co-frontman of The Specials, Fun Boy Three and Special Beat. Those influences shine through here. There’s something very Fun Boy Three about this tune, with a slice of poetically-driven Linton Kwesi Johnson to its feel.

As true as the song suggests, in lockdown Dr Neville Staple has teamed up with wife Sugary Staple, to pump out this relevant single, commonly reflecting on the feeling of many concerning the virus and staying safe. “Sugary came up with the idea to write a song about the lockdown,” Neville explains, “which, at first, was a very fast-stomping ska track. We then realised that it was too fun and happy a tune for the theme. Most of us have been quite down about the whole virus thing, so we decided to take it on a more sweet but moody 2Tone reggae route, in a similar vein to ‘Ghost Town’, with some music we had worked on previously with Sledge [Steve Armstrong.]”

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While I detect echoes of Ghost Town, this tune also breathes originality and present-day freshness, confirming progression of the genre rather than a frequently supposed nostalgia. Being a local site, some may recall his visit to Melksham’s ParkFest last year, where an unfortunately damp evening didn’t stop the revelling, and Neville stole the show with an assortment of Two-Tone classics. I was backstage with the wonderful support band Train to Skaville. A chance meeting with Neville, when he popped out of his tent for pizza, humourlessly failed to engage long enough to explain who I was, and ended with him pointing at his pizza-box and saying “yeah, I’m going off to eat this.” I should’ve known better than to harass a legend when their pizza is chilling in drizzle! I nodded my approval, knowing I’d have done the same thing.

Neville was awarded an honorary doctorate from Arden University last year. With a tour, and so many international shows and festivals postponed, the couple decided to do a lot of extra charity work as well as new song writing. DJ recordings for people sick in hospitals or in isolation, personally dedicated to them, was just the start. Sugary and Neville wanted to highlight the work of Zoe’s Place, a charity run for terminally ill babies and toddlers. As ambassadors for this charity, Sugary expressed, “charities like these really do suffer at a time like this, as the focus is on other things. But the work they do at Zoe’s Place is like one of a kind and so very special. They step in when families really do need the support, providing 24-hour high quality, one-to-one palliative, respite and end-of-life care for children aged 0-5 years. A heart-breaking time for anyone involved. We must not lose a charity like this – it is too important and so we will be supporting this, along with other charities we are patrons or ambassadors to, with this single.” And the duo dedicates this song to all those who have been affected by Covid-19.

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Shared to our Boot Boy Radio DJs, you can expect we will be spinning in for the foreseeable future, but you can get it here:

7″ vinyl order https://bit.ly/2NeeoUA

Spotify https://open.spotify.com/album/1s2wuLNQ3q4wsvq7tOUfVh

iTunes https://music.apple.com/gb/album/lockdown-single/1515072018

Amazon https://www.amazon.com/Lockdown/dp/B0894K4G1Q


SPECIAL NOTICE – FROM THE SPECIALS, NEVILLE STAPLE & SUGARY:

A MESSAGE TO YOU..! The Legendary Neville Staple (Dr), Sugary Staple & the Band, need your help please.

Can you wonderful people please donate just £3 towards this project (which will also get you 2 signed exclusives pics), or any random amount, or check out the mega exclusive vinyl 45 & CD gift set offers (these are going really well, and are extremely rare limited edition items, so grab them while you can). You just click this link and choose your reward, to then register your donation.

https://www.kickstarter.com/projects/fromthespecials/lockdown-ska-2020-from-the-specials-neville-staple-and-sugary/   


If you like a bit of ska and reggae, catch me on www.bootboyradio.co.uk Fridays from 10pm GMT till midnight!

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International Ska! Hugo Lobo teams up with Lynval Golding and Val Douglas

If I penned an all-purpose article a week or so ago, about ska in South America being as prospering now as it once was in England, I follow it up with this grand example….

Argentina’s Dancing Mood trumpeter and producer Hugo Lobo made history this week, releasing “Fire Fire,” a skanking upbeat cover of a Wailers rarity, by calling in international troops. Throughout this prolific career, Hugo endeavours to encourage legendarily collaborations, exalting the international genre and keeping the flame of Ska and Rocksteady alive.

Dancing Mood staggeringly sold over 200,000 albums. Hugo Lobo presented his debut solo album ‘Ska is the Way’ in 2017. This renowned trumpeter not only performed and produced for many of the south American ska and reggae bands I mentioned in my previous piece, but transcends to international acclaim, working with Rico Rodriguez, Janet Kay, The Skatalites, Doreen Shaffer, and Dennis Bovell. With Jerry Dammers, Hugo paid tribute to Rico Rodriguez in 2015 at the London International Ska Festival.

In a transcendental meeting, three generations of ska artists from the corners of the planet combined to recreate this 1968 musical nugget from the Wailers’ homemade label “Wail’n Soul’m,” where Peter Tosh leads. Jamaican-born British rhythm guitarist and vocalist Lynval Golding, of the Specials and who later founded the Fun Boy Three with Terry Hall and Neville Staple, is central to the single, yet he always is central to something ska! Lynval appeared on Glasto’s Pyramid Stage with Terry Hall backing Lily Allen, and the Park Stage where Blur frontman Damon Albarn and beatboxer Shlomo knocked out Dandy Livingstone’s “Message to You Rudy,” a popular cover for the Specials.

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Lynval Golding

With a generation-spanning résumé, Lynval Golding continues with current group, Pama International, undoubtedly the UK’s most celebrated contemporary ska outfit who we were the first new band in thirty years to sign to Trojan Records. Yet through this huge portfolio, Hugo Lobo proudly announces his presentation is Lynval Golding’s first solo material.

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Lynval with Jerry Dammers and Jools Holland

If that’s not enough to whet your appetite, Hugo also called upon the current bassist of The Skatalites, Val Douglas to add to the enthralling sound. Check the bass on Bob Marley’s “Wake Up and Live” if you want a shining example of Val’s talent. Though Val is a multi-instrumentalist, arranger, composer and producer, working with just about any reggae legend you could name; Toots & The Maytals, Lee “Scratch” Perry, Ernest Ranglin, The Abyssinians, Delroy Wilson, Dennis Brown, Ken Boothe, Lloyd Charmers, as well as contemporary ska artists the New York Ska Jazz Ensemble.

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Val Douglas

All this considered, it could go one of two ways, overloaded with ego and fighting for centre stage as would many legends of other genres, or simply a sublime sound. Bear in mind this is SKA, collaborations are more frequent and common than rock and pop, and unlike the often-pugnacious insolence of ska bands, there’s never anything narcissistic about legendary collaborations. Glad to announce it’s the latter of the two ways, this sound leads the way. It holds all the catchiness we expect from ska, it heralds tradition but sounds fresh and innovative; the hallmark of the scene I love.


© 2017-2020 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

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Choo-Choo, Train to Skaville Supported Neville Staple at Parkfest!

Some years back I was told a ska band played the previous night in the village across the dual carriageway. Being an aficionado of the genre, I was disappointed to hear I’d missed it; good enough reason we now have Devizine so you need not be like me and can hear of events before they happen!

Informed the band was called Train to Skaville worsened matters; such a great name, taken from the 1967 single of Jamaica’s harmony group, The Ethiopians. The launchpad for a UK tour when it hit our charts, the song’s riff has been applied to many later songs, including Toots & The Maytal’s 54-46 and heralded the concept of the chugging train sound used in a plethora of later ska and reggae songs.

Despite ensuring I’d added all their local gigs to the event guide here since day dot, and befriended singer Jules Morton as part of the all-female fundraising supergroup, The Female of the Species, the must-see box on my perpetually cumulative to-do-list remained unticked, until last night. Unfortunate weather clouded sanguinity early on when I ventured over to Melksham for the opening of Party in the Park. An evening dubbed “Parkfest,” separated from the main event happening today, as what once may have been a welcoming gig, has spawned its own identity; the main event builds on universal pop appeal, Parkfest has a more matured feel.

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It was in chatting with Bruce Burry, event coordinator at the Assembly Rooms, which revealed this forthcoming grand line-up of ska. I was taken aback, Party in the Park is Bruce’s baby, and boy, does he take care of it. Impressive and vast is the setup at King George V park, professional is the stage, sound and effects. I’d heard of it before, but when Bruce uttered the name Neville Staple, my heart whacked into hyperdrive. Some months on, I was kindly invited backstage, as the support, none other than my burning-box-to-be-ticked band, Train to Skaville, prepared and tuned. Attempting optimism, my mutterings that once they took the stage the drizzle would cease met with sullenness, but guys, I was right, wasn’t I?! Call me Michael Fish.

 

Naturally, headline act, the original rude-boy, formerly of The Specials and who later formed Fun Boy Three with Terry Hall and Lynval Golding, Neville Staple excelled with sleekness and anticipated competence. His combo group, The Neville Staple band has become the stuff of legend amidst the ska scene since 2004. Again, akin to our review of Trevor Evan’s Bardbwire at Devizes Arts Festival last month, Neville’s outfit merges two-tone and punky reggae back into its precursor ska, for this explosive melting pot, prevalently fermented the anniversary of Two-Tone Records, the Coventry record label which spurred a scene and both aforementioned artists played a pivotal role in.

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However, this was not before Neville and friends ran through some Specials classics, and if classics are the given thing in this retrospective amalgamation, Train to Skaville knocked it out of King George Park, prior to this fabled performance. For the headline act was grand, this should be taken as red, and despite my pedestal I popped Train to Skaville onto, they surely flew above all expectations.

For blending 007 (Shanty Town) into The Tide is High, as a teaser, the burgeoning crowd began to yearn for their start time, as gratis was handed to DJ setup, Fun Boy Two, Train to Skaville stepped up to an audience clearly familiar with the panache of this local band.

Train to Skaville have been on the circuit for eight years, albeit it a number of roster variations through their time, partly the reason, Jules told me, for not putting down any original material. This if-it-ain’t-broke attitude fitting, for the majority of ska followers just want to hear the anthems. While this is done timelessly by many-a-cover-band, Train to Skaville sit atop this standard, their unique style, singer’s Tim Cross’s witty repartee and entire band’s expertise reeks of good-time ska and explodes with party atmosphere.

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For what seems to be a rare thing, a ska band from the Trowbridge/Melksham area, they set the bar high, and through Israelites, Too Much Pressure, and Rancid’s Timebomb to name but a few, they launched back on stage, slowing for reggae and rock steady classics, Hurt so Good and Is This Love, and detonating the finale by slipping back into ska with Prince Buster’s Madness, followed by Madness, Selector and Bad Manners hits and a sublime versions of Tears of a Clown.

Yet this train doesn’t seem to call at Devizes, and if word of the group of friends from Devizes I was delighted to meet there, Vince Bell, Tamsin Quin and significant other halves, isn’t enough to convince you I don’t know what is! The last train pulled out of our town in 1966 and I can’t wait for the Devizes Parkway project to become a reality, the angle of this piece is simply that someone needs to book this lively band in our town, we can’t let the Sham take all the spotlight! They’ve rammed pubs, gigged The Cheese & Grain, supported Neville a couple of times previous, and become hot favourites westward, we just need to stop them buffering at Seend!

 

As for Party in the Park, the main event kicks off this afternoon, a more pop-feel, they’ve some awesome local legends, including Indecision, Kirsty Clinch, Burbank, Forklift Truck, along with a fire-show, unicorns, fairground and food and drink stalls, topped off with a Take That Tribute. You can get a ticket on the gate, this an affordable event and the pride of the Sham.

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© 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.


 

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