Am I going to tell you about this new George Wilding tune, or not? Huh? Oh, sorry mate, what was that again?!
Sounds like George is irked with a distracted nomophobe, much less speaks out for everyone ignored when addressing someone permanently glaring at a phone screen and risking causing a hitch in a relationship; I donโt blame him and suspect most of us have been both victim and guilty of violating basic manners while gawking at someone’s lost cat or unappetising supper photo on Facebook.
Maybe this review will make you think twice, maybe it’s hypocritical even reading it, but whatever; it’s the damn good welcoming home song we’ve come to expect from this local legend.
So, pay attention now, because it’s been a while since we’ve been able to say we’ve a new single from the prodigal George Wilding to mention. He’s been enjoying being the human jukebox aboard cruise ships, guaranteeing his bread and butter, and if he’s got some stories to tell, we’re glad to see him back to tell them.
Sign of Life is out across streaming platforms on the 24th October 2024, we’ll drop a link here to it when available, so check back in or follow his socials. Its working title, Canโt Get Through to You, may be more enlightening, but not so punchy.
George Wilding
A medium-paced post-gothic indie rock riff, comparable to those who dared buck the noncommercial ethos of the subgenres of new wave, The Smiths, The Cure both spring to mind, though George’s distinctive and often adventuresome vocal range should be no stranger to anyone locally based and therefore needs no comparables. This is a grower, creeping up on you, and after a few listens youโll be hooked. But besides, itโs George, and doesnโt divert from the style or excellence of his previous outpourings; fans will be pleased to hear, I reckon.
Double-whammy, as itโs produced by the amazing Jolyon Dixon, renowned for bringing the best out of many artists new to us; weโre delighted to hear of this perfect coupling. Jolyon told me, โit was great fun working with him, canโt believe we hadnโt done so before!โ
Look out for it on Thursday, just donโt ignore your better half when they complain youโre supposed to be taking the bins out rather than listening to this amazing new song from George Wilding, as that is what ear-pods were invented for!
Chippenham folk singer-songwriter, M3G (because she likes a backward โEโ) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโฆ
Wiltshire Music Centre Unveils Star-Studded New Season with BBC Big Band, Ute Lemper, Sir Willard White and comedians Chris Addison and Alistair McGowan revealing theirโฆ
Daphneโs Family & Childhood Connection to Devizes Celebrations of Daphne Oram have been building in London since the beginning of December, for those in theโฆ
Part 1: An Introduction March 1936: newlywed French telecommunications engineer Pierre Schaeffer relocates to Paris from Strasbourg and finds work in radio broadcasting. He embarksโฆ
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Proof you donโt know whatโs around the next corner, I put off doing a second birthday bash last year as weโd run a few fundraising events, in favour for doing a mahossive one this year. As it stands any third birthday celebration for Devizine would constitute me, with a cup of tea, sitting at the computer. Two years ago, though, to the day, our birthday bash was monumental, personally, as it made Devizine feel actual, a real โthing,โ so much more than me, with a cup of tea, sitting at the computer!
Still, I can reminisce and remember how so many of us come together at Devizes Conservative Club, made it such a fantastic night, and raised close to four-hundred smackers for the Devizes branch of Cancer Research. But it was down to a Facebook messenger chat with Dean Czerwionka, who now organises Devizes Family Club at The Cavalier. If memory serves me right, unusually, I was unable to draft anything, suffering a hangover. Rapping with da man, I merely suggested the possibility of putting on a charity event, and before I knew what was what, tickets were being sold online.
Such was the nature of the evening, throughout. Dean and Cons Club staff worked hard to make it such a great event. Those fantastic Daybreakers arrived early despite being the grand finale, and set up the system, organised the other acts. My wife prepared a buffet and son helped arrange it on the table. Ben Borrillโs mum Beverly, who had told me about her famous hamsters but neglected to tell me of her musically talented son, made a Black Forest gateau. Local poet Gail Foster entertained intervals between acts. Matthew Hennessy and Nick Padmore snapped the photos and Nickโs wife Joy made an effective bouncer on door duty! Even Resul of the Turkish Barbers gave me a free trim, and Tamsin Quinโs niece Erin rounded up everyoneโs loose change for the bucket collection. All the while I swanned around talking toilet, propping up the bar and taking all the credit!
It should be bought to attention, now time has passed and any argument could be condensed to water under the bridge, that it wasnโt really Devizineโs birthday at all! I started it back in the September the previous year, it just took us a while to sort it out and get news out there. In that, it taught me a hell of a lot about putting an event on, all of which I now haveโฆ. erm, forgotten.
But it makes me proud to look back at our acts. Lottie J was only fifteen at the time, is now a star, off to music school, and producing some amazing pop. She jammed with the next act, the sadly disbanded Larkin, despite never having met. Sam Bishop of Larkin is studying music in Winchester, and has produced some great singles, solo, and with a new band. Martin of The Badger Set tipped me off he has something new up his sleeve. Then musical partner, Finely Trusler has since worked on solo projects, with his cousin as the duo The Truzzy Boys and now donned a Fred Perry and fronts the ever-awesome Roughcut Rebels.
We had, of course, our darlings, The Lost Trades, collaborating with each other, long before they were the Lost Trades. Jamie joined after an eleventh-hour cancelation, which I was overjoyed to have fit him in. Tamsin wasnโt feeling so good, but still performed to her usual higher than high standard anyway. Cutting her slot short, as things became quite a squeeze, Phil Cooper followed and really shook the place up. Still performing solo, but ever helping each other out, as The Lost Trades theyโve set a precedence on a national scale despite debuting just a week prior to lockdown.
Everyoneโs favourite, George followed, with added Bryony Cox for a few numbers. After a move to Bristol, Mr Wilding set up a highly accomplished namesake band, Wilding, of which talents are boundless. Bryony continues working as a fine artist, with a penchant for landscapes.
Aching to get on and get everyone dancing, The Daybreakers did their lively covers thing. A change in line-up, they continue to do so today, composing their first original song recently. Yet really, theyโre no strangers to writing and composing, Gouldy and Cath as an original duo are Sound Affects, and they sneaked in a slot at our Birthday Bash too.
It really was a great night in the end, if there was an end, I cannot recall, and Iโm eternally grateful to everyone for their help, particularly proud to hear how much theyโve progressed and how far weโve all come. Itโs a crying shame we cannot yet replicate it, but I sure would like to when we reach that better day. So, look at for our fourth birthday bash, all things well by that time. Hereโs some photos to get me teary-eyed.
It doesnโt hang about, it doesnโt drift dreamily as some previous tracks on the Soul Sucker debut EP, unbelievably near-on a couple of years ago, but it is unmistakably Wilding, this beguiling new tune from George Wilding, back with his band after lockdown. As a frustrating era for all creative groups, it feels as if with โFalling Dreamsโ they concentrated all their het-up energy, impetus and vigour, directed it into a trunk, padlocked it for a few months, then smashed the deadbolt and channelled it direct into an adroit three-and-half minute explosion.
Excellence is a watermark of Bristolโs Wilding, what initially began as a backing band for our homemade favourite lead singer, George Wildingโs prodigious young solo career, I expected no less. Though, while itโs not excessively upbeat it rocks steady, but Falling Down is a grower, appeal increases with every listen. It fits their self-penned label, psychedelic Britpop, but what is more, unlike Hendrix and Joplin itโs not psychedelia lost in time, similarly with Britpop darlings Oasis or Blur, which are somehow suspended in nineties nostalgia, a more apt comparison would be the Doors, a band with jazz and classically trained elements, and wild frontman poet, their sound is timeless.
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If Soul Sucker received regular rotation on BBC Radio 2 from Graham Norton and burgeoning interest from major labels, here is a natural progression and a multi-layered detonation, compacted into one song. Writer and frontman George, multi-instrumentalist Perry Sangha, bassist James Barlow and drummer Dan Roe have shattered expectations and produced something here to refine their style. If this is a glimmer of what is to come, you had better watch out.
Why? Because, as I said to George, thereโs so much good music being released during this troubled time for musicians, if they can get some writing and production out to help fill the shortfall, itโs all good. โI suppose thatโs been the upside,โ he replied, โeverybody has so much time on their hands to create.โ
The theme of Falling Dreams is ambiguously defined, as any strong songwriter should allow audience interpretation. To me it feels bitterly like a broken romance theme, but George jests, โthey’re usually about girls, but ‘Falling Dreams’ is just about being fucking cool,โ adding, โit’s about me…โ Herein requires some prior knowledge to his character to fully appreciate, as far from egotistical, Georgeโs charisma lies with tongue-in-cheek witticisms shadowing a selfless good egg. But yeah, he is fucking cool too! They all are, this song verifies it.
To see what I mean, hold out for its release this Friday, 23rd October. If youโre used to George providing entertaining covers on our pub circuit and his sublimely succulent solo EPโs of dreamy indie, this will be a wonderful surprise, but as I said, its skill and catchiness is neither unexpected or unmistakable.
This one was billed as Long Street Blues Clubโs Christmas Bash, and it turned into a rare old party.
Support act for the night was the irrepressible George Wilding. As usual, he was witty and engaging, a bit sweary, but always charming and completely entertaining, finishing his set with the inevitable singalong crowd-pleaser of โAlways Look On The Bright Side Of Lifeโ.
Then two sharp sets from Status Quoโs original drummerโs John Coughlanโs Quo. This four-piece featured the set-up of John on drums, Rick Chase on vocals/ bass, Mick Hughes on vocals/ guitar and Pete Mace on guitar/ vocals. John was a member of Quo from 1962 until 1981, and the set-list mostly featured material from that early โclassicโ period.
Theyโre not a โtributeโ band in the normal sense of the word, more interested in keeping alive the spirit of the classic early line-up. But they certainly looked the part โ long hair, head-bands, Marshall stacks, and satisfyingly loud, complete with demon drumming and catchy guitar breaks. They kicked off with โSomething About You Baby I Likeโ, and the dance-floor was immediately full. Thereafter we were taken through the early back catalogue from 1972โs โPiledriverโ, 1975โs โOn The Levelโ and 1976โs โBlue For Youโ, including the song they first appeared on BBCโs Top Of The Pops with โ โPictures Of Matchstick Menโ โ a period when the band were still toying with psychedelia, before settling into their now more familiar rock groove.
The sound is not complicated, nor sophisticated, but simple and effective and emotive. It does exactly what it says on the tin โ good, down-to-earth rocking โ and you canโt help dancing and singing along. We had all the early hits โ โPaper Planeโ, โCarolineโ, โRoll Over, Lay Downโ, โWithout The Rainโ, and a rollicking version of The Doorsโ โRoadhouse Bluesโ.
It was going well, and the crowd were having a party. Then John decided to come out from behind the drums to talk to the crowd and to reminisce. Personally I think this was a bit of a mistake, because the band lost impetus quite late in the set. Whilst it was interesting and amusing, it might have fitted better much earlier in the set.
Fortunately the band quickly got back into gear again to finish with John Fogertyโs โRockinโ All Over The Worldโ, followed by a well-deserved encore of โDown, Downโ, nicely seguing into โJohnny Be Goodeโ. The dance-floor was full and the crowd were happy.
โข Saturday 28th December Pink Torpedoes
โข Saturday 25th January Kirk Fletcher (Fabulous Thunderbirds)
โข Sunday 26th January Billy Bremnerโs Rockpiles
โข Saturday 7th March Ian Parker Band
โข Saturday 4th April Mike Zito Band
โข Saturday 18th April Mark Flanagan Band
โข Saturday 30th May Antonio Forcione Quartet
ยฉ 2017-2019 Devizine (Andy Fawthrop/Nick Padmore)
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I am a bit, yeah, but Iโm talking more about the debut EP from Georgeโs band, Wildingโฆ
Images by Nick Padmore
It was all going swimmingly in the wee hours of this morning, until I backed the milk float into a ditch. Wedged firmly in the bracken which now resembled a milk bottle tree, wheel-spinning, I sat slanted at the helm like a scene from the sixties Batman series with my head in my hands, soul in the dark; what a sucker.
Prior I was bobbing along, minding my own and all was fine and dandy. To add to my general satisfaction Iโd Soul Sucker, the debut EP from George Wildingโs band Wilding ringing proficient vibes through my headphones and blessing my ears with its unique and curious composition.
Out today, I confirm itโs a foursome of awesome youโd expect from Mr Wilding, yet perhaps too fresh in my mind to make an exhaustive analysis; but hereโs my best attempt; better, one hopes, then my reversing skills today.
Everything about it detonates with George Wilding; his exclusive angle and unusual enchanting bearing, yet rings competent backing and expertise meticulousness the like weโve been building to with Lunatic and Being Ragdolian. With a rearward melody at the introduction, Mouth Wide Open instigated pondering of post-punk, Siouxsie and the Banshees, but with a smoothed contemporary Velvet Underground developing and moving into a riff distinctly Stereophonics in fashion, with its everyday references to smoking at the bus stop, yet always, unquestionably, George Wilding.
The Other Side of Fence, dramatically and wittily lounges through like that Lazy, Lazy River with drunken swagger. Like Jim Morrison sliding over to the next Whiskey Bar, or finger-snappy, easy listening curve of Paulโs When Iโm Sixty-Four while surrounded in Sgt Pepperโs psychedelic twirls and soundscapes, itโs equally refreshing and boldly different; blinkinโ marvellous.
Though maybe less experimental and free flowing then itโs previous neighbouring tracks, Slip Away is archetypical Wilding on form, current but nodding at nostalgia with the potential to plod into becoming a sozzled man-bonding, swaying-in-the-pub type anthem.
A delicate acoustic guitar riff, under ambient soundscape introduces the mellowed finale, Dirty Dream Balloon polishes this EP with a dreamy porcelain-doll-ballad, and, as is the rest, an experience beyond confines of โlocal music,โ and into its own autonomous realm; in a word; itโs gorgeous.
Itโs if Lou Reed could hold a note, its if psychedelia met Britpop, itโs a crumbly Flake chocolate bar spreading across your beatnik mumโs Meerabai sofa throw, no matter how much you try brush it off with unsteady hand, you cannot escape that its visible; this timeless EP will stain your music collection forevermore with a benchmark of creative genius.