Tag: finley trusler

Roughcut Rebels Hit Trowbridge

If I was ever to be privileged to interview Bruce Springsteen, which I doubt I would be, I’d like to ask him of his thoughts now he’s 71, of penning a song called Growin’ Up at the tender age of 23. Similarly, I’d probe Pete Townshend, only a year young than the Boss, over lyrics of My Generation, which go, “hope I die before I get old!”

Yet, despite its title, I view My Generation to be less about a specific generation, and more about the attitudes of youth, and with this in mind, it could easily be placed into any subsequent generation. The Oasis cover aside, for this opens another Pandora’s Box I’m not willing to go down (I’ve a gig to review here,) it’s fair to say, akin to any song of the “mod” genre, it’s timeless.

To believe the “mod” is wrapped in sixties nostalgia is only partly factual, London’s emerging mod-girl sweetheart, Emily Capell sports a beehive hairstyle, but often sing-raps, like Kate Nash, and collaborates with Dreadzone. Similarly, the age demographic of Devizes-based mod cover band, The Roughcut Rebels spans generations, particularly now young Finley Trusler fronts it; still, he stands, belting out a vigorous and eloquent cover of My Generation.

It’s my reasoning for trekking to Trow-Vegas, keen to finally scrub “must see Finley fronting the Roughcuts” off my to-do-list. He got the job with two gigs before lockdown, thankfully bookings are returning for the band. For through his musical journey, started in the Devizes School boy band 98 Reasons, which branched off to duo Larkin with Sam Bishop, and still works with cousin, Harvey, as the Truzzy Boys, his cool demeanour stage presence and exceptional talent has to been celebrated. Query being, how would this fair with a proficient, yet older mod cover band?

The answer; very well indeed, thanks for asking. I jested with Fin outside the pub, asked him if he had to learn the songs senior to him, and he replied “not really.” This, and their dynamic performance, of course, proved my “mod is timeless” theory. In an explosive manner and highly entertaining show, they rocked Mortimer Street’s The Greyhound, and could do the same for any given venue.

Think of the eras the term encompasses, from The Beatles, Stones, Kinks and Spencer Davis through to The Jam and Purple Hearts, onto Ocean Colour Scene, The Stone Roses, to Britpop, Oasis and Blur, and modern times like Jake Bugg’s Lightning Bolt, The Roughcut Rebels got them all covered, and, loving every minute of it, they took the slight crowd with them.

To blend A Hard Day’s Night into a set with A Town Called Malice, swiftly move onto Park Life, or The Day We Caught The Train, and return with the Kingsmen’s Louie Louie, displays their ability and keenness to incorporate and fuse epochs, and they do it with certain ease. Grant Blackman’s expert drumming and John Burn’s bass played upfront gives it oomph, while Mark Slade adds the succulent and memorable rhythms, topped by Finely’s accomplished vocals, accompanying guitar or else showy tambourine timekeeping like a young Jagger giving it Jumpin’ Jack Flash. Roughcut, huh? Yeah, they are a cut far above the average cover band on the circuit.

As for the venue, The Greyhound, I like it, in the shadow of The Pump, a long-bar town pub unexpectedly clean and tidy, with hospitable staff and drinks cheap as chips. Without so much as a blackboard, it could’ve done with promoting its live music event, as a regular told me he was unaware of it and only popped in because he heard the music. Consequently, the crowd was slight, and all-male (ladies, if you want to bag yourself a drunken Trow-Vegas native in a cheap polo shirt, this place is for you) but through the excellence of the Rebel’s music, all were up dancing.

Here’s a great local covers band which will pull in an age-spanning crowd to your pub, and spur them to spend at your bar; because there’s an anthem or ten for all generations, and it’s lively, accomplished and entertaining.

Trending…..

Book Review: Dave McKenna’s Death Wish

It was back in March last year when I last mentioned Devizes author Dave McKenna, reviewing his debut, The Killer & The Catalyst. He’s returned with…

My Reflection on the Fate of Carnivals

It’s Saturday morning on the 13th July 1985, and there’s a dilemma brewing in my household I’m indifferent with. I’m twelve, aware I should do…

Who Remembers our First Birthday Bash?

Proof you don’t know what’s around the next corner, I put off doing a second birthday bash last year as we’d run a few fundraising events, in favour for doing a mahossive one this year. As it stands any third birthday celebration for Devizine would constitute me, with a cup of tea, sitting at the computer. Two years ago, though, to the day, our birthday bash was monumental, personally, as it made Devizine feel actual, a real “thing,” so much more than me, with a cup of tea, sitting at the computer!

Still, I can reminisce and remember how so many of us come together at Devizes Conservative Club, made it such a fantastic night, and raised close to four-hundred smackers for the Devizes branch of Cancer Research. But it was down to a Facebook messenger chat with Dean Czerwionka, who now organises Devizes Family Club at The Cavalier. If memory serves me right, unusually, I was unable to draft anything, suffering a hangover. Rapping with da man, I merely suggested the possibility of putting on a charity event, and before I knew what was what, tickets were being sold online.

Such was the nature of the evening, throughout. Dean and Cons Club staff worked hard to make it such a great event. Those fantastic Daybreakers arrived early despite being the grand finale, and set up the system, organised the other acts. My wife prepared a buffet and son helped arrange it on the table. Ben Borrill’s mum Beverly, who had told me about her famous hamsters but neglected to tell me of her musically talented son, made a Black Forest gateau. Local poet Gail Foster entertained intervals between acts. Matthew Hennessy and Nick Padmore snapped the photos and Nick’s wife Joy made an effective bouncer on door duty! Even Resul of the Turkish Barbers gave me a free trim, and Tamsin Quin’s niece Erin rounded up everyone’s loose change for the bucket collection. All the while I swanned around talking toilet, propping up the bar and taking all the credit!

It should be bought to attention, now time has passed and any argument could be condensed to water under the bridge, that it wasn’t really Devizine’s birthday at all! I started it back in the September the previous year, it just took us a while to sort it out and get news out there. In that, it taught me a hell of a lot about putting an event on, all of which I now have…. erm, forgotten.

But it makes me proud to look back at our acts. Lottie J was only fifteen at the time, is now a star, off to music school, and producing some amazing pop. She jammed with the next act, the sadly disbanded Larkin, despite never having met. Sam Bishop of Larkin is studying music in Winchester, and has produced some great singles, solo, and with a new band. Martin of The Badger Set tipped me off he has something new up his sleeve. Then musical partner, Finely Trusler has since worked on solo projects, with his cousin as the duo The Truzzy Boys and now donned a Fred Perry and fronts the ever-awesome Roughcut Rebels.

We had, of course, our darlings, The Lost Trades, collaborating with each other, long before they were the Lost Trades. Jamie joined after an eleventh-hour cancelation, which I was overjoyed to have fit him in. Tamsin wasn’t feeling so good, but still performed to her usual higher than high standard anyway. Cutting her slot short, as things became quite a squeeze, Phil Cooper followed and really shook the place up. Still performing solo, but ever helping each other out, as The Lost Trades they’ve set a precedence on a national scale despite debuting just a week prior to lockdown.

Everyone’s favourite, George followed, with added Bryony Cox for a few numbers. After a move to Bristol, Mr Wilding set up a highly accomplished namesake band, Wilding, of which talents are boundless. Bryony continues working as a fine artist, with a penchant for landscapes.

Aching to get on and get everyone dancing, The Daybreakers did their lively covers thing. A change in line-up, they continue to do so today, composing their first original song recently. Yet really, they’re no strangers to writing and composing, Gouldy and Cath as an original duo are Sound Affects, and they sneaked in a slot at our Birthday Bash too.

It really was a great night in the end, if there was an end, I cannot recall, and I’m eternally grateful to everyone for their help, particularly proud to hear how much they’ve progressed and how far we’ve all come. It’s a crying shame we cannot yet replicate it, but I sure would like to when we reach that better day. So, look at for our fourth birthday bash, all things well by that time. Here’s some photos to get me teary-eyed.

We see Same Days

Extensively featuring Devizine’s friend, Finely Trusler, half of Larkin and The Truzzy Boys, a new single from Same Days, a twenty-year-old London born Swindon performer is out for streaming today. Real name, David Whelpdale is cousins with Fin. He’s built an audience since a debut single in April, trying his hand at producing too. With Funked Up Dad, Martin, and Fin’s other cousin, Harvey, making up the other half of The Truzzy Boys, I had to ask Fin if he has any non-musical relations.

“Not many, mate!” was his answer, simple but to the point. Though this is something altogether different, as Same Days adopts that prevalent merger of singing with rap, popularised by the likes of R. Kelly. Yeah, alright, I’d need to speak to my daughter for more present comparisons! Still, old fart or not, I like it; “You See Me” offers a smooth and confident rap which oozes in and out of adroit boyband vocals. With natural ease this slick contemporary composition lustres authenticity with Fin’s acoustic component, harmoniously breathing air away from any unethical stereotype of rap fuddy-duddies may wrongfully spurt!

The accompanying video also assists with this acoustic measure, taking to the woods and other natural landscapes for locations rather than the banal urban scene. See for yourself, and all the best with it guys!

© 2017-2019 Devizine (Darren Worrow)
Please seek permission from the Devizine site and any individual author, artist or photographer before using any content on this website. Unauthorised usage of any images or text is forbidden.

 

Adverts & All That Malarkey!

spidermilkmanknatiwildingcellaefemale2019vinylrealmnewadvertad