Tag: Wiltshire Music Events

Wiltshire Music Events’ Grand Music Fundraiser In Salisbury Market Place

Wiltshire Music Events UK has hosted tons of memorable events locally, from CrownFest and The Marley Experience at Devizes Corn Exchange, to more everyday gigs at many pubs and venues across the county. Sunday 27th October sees them on their home-turf for a FREE one-day festival in Salisbury Market Place, fundraising for MNDA…..

Salisbury may be a shady area for Devizine’s coverage, we’re still exploring its many circuits and venues and working on expanding our event guide there, but one thing is for sure, this will be well worth trekking across the Plains for. An unforgettable Sunday of music and community in the Market Square, Salisbury, is promised and Wiltshire Music Events haven’t failed us yet!

This eight-hour charity extravaganza is kicked off by the Little Big Band from 1pm. It’s suitable for all ages, and features the celebrated Bob Marley & The Wailers tribute The Marley Experience, which believe me as a lifelong fan of The Wailers, you must see this for yourself, as they are fantastic.

DJ Mark Anthony is on the wheels of steel between acts. Locally renowned vintage blues ensemble, Junkyard Dogs will be there, with the equally amazing The Leon Daye Band. Accompanying multi-musician and technician Jolyon Dixon, who you may know as one half of Illingworth, with Rachel Sinnetta, a singer with a penchant for delivering the magic of Kate Bush, who I’ve been tipped off more than once to tick off must-see list. The Tipsy Gypsies, a new one on me but I love the name, and Rosie Jay, an amazing young upcoming singer-songwriter we’ve featured but yet to see live too.

The event will host a licensed bar, craft stalls, and food vendors, providing a variety of refreshments and shopping opportunities. Roaming performers will also entertain the crowd throughout the day.

This event is dedicated to supporting the Motor Neurone Disease (MND) Association. MND is a devastating disease that rapidly progresses, affecting the brain and spinal cord. It currently impacts up to 5,000 adults in the UK, with no known cure. The MND Association works tirelessly to improve care, fund research, and campaign for those affected.  100% of all funds raised will be donated to this vital cause.

It starts at 1pm, continuing until 10pm at the Market Square, Salisbury on Sunday, 27 October 2024.

Look out for other gigs from Wiltshire Music Events on our event calendar, and their Facebook Page; I’ll drop some posters below…..

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Assassination in Pewsey…D’Ska Assassination!

There was an assassination in Pewsey last night … a ska assassination; pick it up, pick it up, Pewsey!

Like buses, ska bands are around these backwaters, which put me in a dilemma. Safe in the knowledge those Killertones will skank up the Southgate in Devizes, I sought to head east to the vale of Pewsey where Eddie Prestidge’s Wiltshire Music Events hosted a new one on me, at the Bouverie Hall, south west’s own D’Ska Assassins.

Salisbury based Wiltshire Music Events have fast become renowned for putting on events of the highest quality, here they gave us CrownFest, a Devizes Corn Exchange sellout with The Marley Experience and countless pub gigs. In the spire city their Tunnel Rat studio is bringing the best out of upcoming artists, but they also love gigging out in the sticks!

The sum of these parts equates to a gig with my name all over it. You know, or should do by now, how much I love my ska. You’ve got to have eclectic tastes to do a thang like Devizine, but influenced by the pop of my childhood and discovering my dad’s old Bluebeat and Trojan records, my penchant for the offbeat remains paramount.

House-duo Illingworth kicked off the proceedings of this Motor Neurone Disease Association fundraiser, which though may sound unlikely, being mature skinheads mingled with Pewsey’s curious or retrospective aficionados, their unique brand of pop-rock classics mounted to a massive appreciation from the audience. End of the day, most skinheads are aware musical links between reggae and rock are close-knit, and hey, they just love music, period.

Therefore the warm up was complete and refined, John and Joylon did their thing exquisitely as ever, to encourage skinheads to dance to Dolly Parton is one thing, but they pulled great Bowie and Boomtown Rats covers out of their bag of tricks, and everyone loves a finale of Hey Jude no matter how much hair is on their heads.

It was a quick changeover for a seven-piece ska band, which backfired somewhat, as the engineering hadn’t the opportunity to soundcheck. I sighed as adjustments were quickly made, the enthusiasm of the band seemed to wane too, and on the grounds amateurish ska cover bands we get aplenty here, often murdering the sound I love, I feared this could go Pete Tong. They slammed straight into fifth gear with archetypal upbeat Bad Manners and Madness covers and the crowds were aptly enthused. But picky me felt it wasn’t the greatest of its kind I’ve bore witness to, fortunately I was proved wrong rather abruptly.

Seems the name D’Ska Assassins doesn’t include the assassination of the sound at all, and it felt like the band were merely warming up. All my fears were quashed, three or four songs in, like someone stuck a rocket up their butts. D’Ska Assassins suddenly came alive. Rock steadying the pace a smidgen, here’s my surprise; for a ska cover band to come booming out to such an upbeat intro is unusual, normally they build up and Madness and Bad Manners classics are savoured for a finale. Now concerned they’d played their trump cards too soon, despite a renovated faith D’Ska Assassins had something special; they proved me wrong a second time!

There’s always plenty of upbeat classics in a repertoire of Two-Tone, and D’Ska Assassins, after slowing the pace in the middle of the set, laid down those Specials and The Beat covers thick, fast and accomplished; the latter D’Ska Assassins frontman expressed their joy at supporting at the Cheese and Grain. It was a fairytale ending, with moonstomping in boots and braces, as the crowd didn’t really stop dancing throughout the proceedings. Equating to a brilliant and memorable night. D’Ska Assassins came, saw, and shone like proper job Bobby Dazzlers. 

All the typical elements of a decent ska cover band they pulled out of the hat, astutely handling stage banter, especially when the keyboardist nipped out for cigarette halfway through the set, else covered Ranking Roger’s vocal contribution to Stop! But the true magic was their ability to sustain the pace and enjoyment, slipping in a few original pieces, which is rare, and rarer still, sound at best with the slower reggae tunes. Other unusual elements to the D’Ska Assassins show compared to the archetypal Two-Tone cover bands was the strength of the brass with only one, rather sublime female trumpeter, and lead guitar solos akin to Junior Marvin accompanying Bob Marley and the Wailers.

They perfectly balanced all the elements they broke the moulds of, together with those you’d expect from a ska gig, covering those versed classics, encouraging audience participation and wearing Fred Perry shirts, and they produced a frenzied and highly entertaining trouble-free show at the rather welcoming community venue Bouverie Hall.

As for Wiltshire Music Events, you only need to stay tuned here as we’ll blow their trumpets for them, they’re going from strength to strength. Finalise carnival night in Devizes with a trip to the Corn Exchange where they’ll show off their link to Kinisha Morgan-Williams from Manchester, the finest Tina Turner tribute you’re ever likely to see.

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Illingworth & George Wilding Crowned in Bishops Cannings

Must confess, I’m envious of the good folk of Bishops Cannings, perched here on a bench in an idyllic beer garden with spring sunshine setting, and shadowed by the striking spire church, where tasty, generously portioned yet comparatively priced bar food is served to punters awaiting some live music arranged by Wiltshire Music Events….

Jazzy and Gary, landlords of The Crown at Bishops Cannings give me a warm welcome. Considering the contrast to our now bolted village pub, where staff would barely raise an eyebrow from gazing at Eastenders on the big screen to serve you; to debate whether our pub’s closure is a sad sign of the times, opens a Pandora’s box into what landlords did to prevent it.

Here at the Crown they’re catering for all, with smiles throughout. It’s a wonderful village hub; the kettle is on if you favour a cuppa, young children wander over with their dad from the campers in the adjacent field, the atmosphere is chilled, hospitable, and nothing seems problematic. Regulars join only a sprinkling of gig seekers in a modest heated marquee. I’m here primarily for Avebury phenomenon George Wilding, on shore leave from entertaining cruisers. Illingworth as headline is a bounteous bonus ball.

I’m fully aware, amidst many choicest options being Beltane, back in Devizes tonight is the night electric blues aficionados raise the roof of the Corn Exchange, but our best writers are on the case. Though he messaged me last Sunday, I missed the prodigal son of our live circuit’s unexpected return to the Southgate, so catching up with George was overdue.

A learned, matured version of his former self told me of his travels, the ins, outs, ups and downs of performing on cruise ships; he has flourished in skill without pretension, but with the same heart. In turn I explained my pride in not only featuring upcoming young acts, but youths like our Flo reporting on their own circuit. George smiled his approval, expressing how he was once one. And at the dawn of Devizine, when it would be a regular thing to publish reviews on that generation, musicians like Tamsin Quin, Jordan Whatley, Mike Barham, and many others, all blossomed into amazing acts, and George’s were among the best received.

I first met him at Saddleback’s Battle of the Bands in 2018, which he won, but insisted he’d only accept the prize of playing the festival if the others had a chance to too. It’s this gracious benignancy which he greeted me with, and which, coupled with exceptional talent for singing and guitar, always made George stand out. Unpretentious is his show still, nurtured talent, yet the same simplicity of man and guitar is gold. He needs no setlist, nothing is prearranged. He considers himself no better than his audience, and engages with them as if they are lifelong besties. What songs will he cover? It’s interactive, you decide, but whatever is chosen you know George will pull it off, charm and entertain the audience with equal gusto.

Optimistic of the weather, he kicks off with The Kinks’ in the Summertime, runs it into the Jam’s Town Called Malice, but is already asking for input. I sat closer, to take a snap or two, and he’s tongue-in-cheek pulled Madness’s Baggy Trousers out of nowhere! George will tackle anything, yes, he cooked a fine American Pie, awakened me to the greatness of The Fratellis’ Whistle For The Choir, and we were back onto the Kinks with a backstory of Lola. Yet, I’d not recommend anyone taking on Otis Redding, or Freddie, but he does, spins it with convincing originality, making it his own, and delivers with such proficient expression, its joy to absorb, and memorable of so many great occasions to see him perform again.

The clues were all there, but I’m not Poirot; now that I see them for the first time on the same bill it’s obvious, John, frontman of the Illingworth duo is George’s uncle. Though I cannot recall the first time I saw Illingworth play, through seeing them umpteen times since, it was much later than discovering George, and wasn’t until later on John told me who his nephew was. Family connection clicked into place, seemingly, because equal to George’s talent, I never tire of watching Illingworth perform.

John and the curiously talented Jolyn Dixon’s repertoire is more structured than George’s, all sing-along, taking in country rock classics and floating from prog-rock to new wave covers. Still they raise any roof with Pink Floyd, Beatles, to The Cure adaptations, nestle some fine originals, and come up for air with John Denver’s Country Roads. Their show is one to suddenly arise from your seat and dance, without consideration as to how they obtain such a sound with just the two of them, a few guitars and cajon; they do what would take a full band, and what every pub landlord hosting live music really wants, a highly entertained and satisfied crowd.

The memorable night settles in Bishops Cannings; I’m sorry if I promised to freewheel between gigs, but the rare combination of George and Illingworth, the wonderful pub and great atmosphere had me grounded there. It doesn’t matter if Wiltshire Music Events are presenting  large scale events, such as last month’s Marley Experience tribute in Devizes, or simply a free pub gig, there’s a professionalism, in sound and talent-spotting, which will guarantee a good gig. The fact the big chief Eddie is keen to trek up to stage events here we should consider ourselves very lucky; maybe it’s the spire church of BC which makes this Salisbury bunch feel at home?!

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Simply The Best; Tina Turner Tribute Coming to Devizes

Ah, the Tina Turner tribute, which turned my criticism of Tina Turner tribute acts on its head, is coming to Devizes in August. In the light of Wiltshire Music Events’ recent successful Corn Exchange takeover with the Marley Experience, it’s set its own pedestal pretty high….

Avid readers of Devizine should know I try, as much as one can in the media, to be honest! They also know and likely produce a deep sigh, I tell a long-winded story! I’m going to manage both today, for your reading pleasure; it’s an age thing, you don’t need to thank me!

Okay, so, once upon a time at the very dawn of Devizine, I was asked to preview another Tina Turner tribute act; it was a lesson learned in the delicate and often problematic balance between honesty for the sake of the readers, and the cajolery towards event promoters. The reason; because, by dammit, there’s no way to butter this up, they were simply the worst!

Accepted, Tina Turner is a popular choice to tribute, likely there’s hundreds out there, but akin to a bomb disposal expert, Tina Turner had such impeccable style, such a unique and powerful voice, it would blow up in their face should they fail.

And, I’m sorry, mentioning no names, but the failure was epic. A second opinion from the better half, I showed her the YouTube clip with a question, “it’s not just me, is it?” The reply confirmed, it was terrible. But then came the dilemma, the dirty bit behind the scenes you don’t get to see; deciding what to do about it. Executive and rightful, I declined, politely. I would not lead readers up a garden path, I couldn’t bring myself to say this particular tribute was anything more than it was.

Backstory complete, I only needed to explain this as it led to my apprehension to the quality of Tina Turner tributes in general; is it even possible to replicate an artist of such calibre with such conviction?

It was also to emphasise my promise not to pull wool over your eyes. You don’t need to be stuck on my heart, baby, but please, hang on every word I say!

I was concerned history would repeat at last summer’s CrownFest when Simply the Best, were due on … how wrong I was. Kinisha Morgan-Williams answered my question through her superb performance; maybe it is possible. She is Tina in this instance; the heels, the strut, the divine attention to detail, and most importantly, the voice of this legend are all defined to perfection with this tribute, and is so astute it’s impossible not to assume you’ve slipped through a time hole to 1984, watching the real thing.

Kinisha, her band, the whole shebang, is a sublime experience for your retrospective entertainment. From Tina’s soulful roots with Ike and the Kings of Rhythm, to her unmatched Queen of Rock n Roll comeback, all the beloved hits are played out, the imitation is impeccable, the show is majestic, and Tina fan or not, you will not leave disappointed. I wouldn’t say it if it wasn’t so!

In this point, I believe, lies the secret to a great tribute act, for it’s not the preconceptions you take in with you, rather it’s the joy and entertainment value whilst there, obviously, but equally, what you leave with. This is governed by personal reflection, how much of a fan of the original act you are. With an artist or band you adored, like me with Bob Marley and the Wailers, the groundwork is laid for them, but for the impartial, one with passing interest, to make an impact on them is the true test. I’m indifferent to Tina Turner, I loved her with no more or less affection than a host of eighties pop legends, but after being wowed by Simply the Best, I came away contemplating just how brilliant Tina Turner was. That’s the benchmark, that’s paying a convincing homage, right there, and Kinisha did this wholeheartedly.

Simply The Best comes to Devizes Corn Exchange on Saturday 31st August. Tickets are a purple one, from HERE. Treat yourself, you’ll love it, if that’s anything to do with it; it’s physical, only logical, and you must try to ignore that it means more than that!

Talk in Code

Wha-oh, Wiltshire Music Events is no secondhand emotion! They’re going from strength to strength! The Kings Arms in Amesbury is a fond venue for them, and they’ve our favourite indie pop originals, Talk in Code there on May 18th. But they’re no stranger to Devizes, hosting CrownFest in Bishops Cannings last year, and a plethora of in-house duo, Illingworth gigs in our pubs; in fact, you can catch Illingworth at the Crown in Bishops Cannings on the bank holiday, 4th May, with a rare appearance from the incredible George Wilding, on leave from his cruise ship work and back to entertain us landlubbers! 

Illingworth

And if you need a fascinating fact to finish on, note John Illingworth and George are uncle and nephew, and 4th May at the Crown will be a rare opportunity to see them on the same bill….Thunderdome!!

George Wilding