The Lamb gets Drum n Bass

I reminisced about Devotion at Golddiggers last week on our homage to Keith Flint, don’t intend to go there again. But, (it’s a dirty big fib, you know it is…) I’ve been contemplating once, in the early nineties, inactive in my car in the carpark, when, what can only be described as “a cheesy raver,” completely unbeknown to us, steadied himself on the rolled-down driver’s window and allowed their jaw to run a marathon. He jabberingly informed he had no intentions of going back into the club, in his own words, “it’s all that jungle music, know what I mean?”

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Pop Quiz: Who can tell me what this was, and what it was for? Showing your age now whistle posseeee!

To be honest, I didn’t, it was the first time I’d heard it called by this name. Although, breakbeat had taken over acid house and techno “bleep,” the “hardcore” label was preliminarily splitting. X-L Recordings, albums like The Rebel MC’s Black Meaning Good and Ragga Twins, Reggae Owes me Money, were providing the hardcore scene with reggae-inspired beats which would assist the divide. Generally, many white youths headed for crashing pianos, hi-hat loops and sped up eighties pop samples, defined as “happy hardcore,” while the urban minority bought us a shadier, serious arrangement of sparse beats and deeper basslines, we now know as drum n bass.

 

 
At the time we considered ourselves maturing ravers, (oh, the irony!) The upcoming generation separated the two, we buried into a new wave of plodding house. Yet with one eye on the divide I appreciated the lunacy of happy hardcore, enjoyed its merry ambience, but couldn’t help feeling drum n bass held the future. It was the more creative and experimental; proved right in the space of only a few years; A Guy Called Gerald, Goldie, and LTJ Bukem were pushing its boundaries into concept albums like it was 1975 space-rock. They prepared the stage for Roni Size, and mainstream acceptance of the genre.

 
So, I had to chuckle at the premise of the blurb on the Facebook event page, where Vinyl Realm stages a drum n bass night at The Lamb, Devizes on the 23rd March with DJ’s Retrospekt, Rappo and Harry B. “We at Vinyl Realm feel there is nothing in town for young adults to do. So, to fix that we have a night dedicated to the local producers creating heavy DnB, deep House and banging Jungle music.”

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Hey, what about us middle-aged old skool ravers? I can still shake a leg yer know, still got it mate! And when I say old skool, I don’t mean like on Kiss FM when they blast a club anthem from 2006 and think they’re retrospective; we were there, at the beginning pal, stomping in the mud! We fought an oppressive government so you kids can rave!!

 
But yeah, you’re probably right, I’d only be panting disproportionately and holding onto the wall for dear life, or else chewing some kid’s ear off about how we used to do it, like Uncle Albert on a love dove. Best leave it to the younger crew. All jokes aside, I know Devizes D&B DJ Harry B has posted to Facebook in the past, attempting to gage interest into such a night.

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I fully support the notion, good on the organisers of this, they’ve hit the hammer on the head; there’s nothing of this genre in Devizes, and not a lot for young adults; fair play, I hope it goes well and spurs others to provide entertainment for this age group. Seems like it will, limited to fifty tickets, with forty showing interest on the Facebook event page, this will be an exclusive return of D&B in Devizes which you better get in quick on, if you’re a playa. A snip at a fiver, tickets are on sale now at Vinyl Realm.

 
I just hope the old pub can hold up under the pressure of devastating basslines! I put my concern to Harry. “I’m going to have a test run up there this week with the speakers,” he confirmed; storming!

 

Adverts & All That!

vinylrealm

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