New single from Swindon’s indie-pop darlings, and, as foreseen, it’s blinking marvellous, Gloria.
“Eighties,” I yell, but my daughter corrects me. It’s a tune from Miley Circus, apparently. Story checks out, searched YouTube for it. Now I’m distracted from reviewing Talk in Code’s new single, Secret, by her suggestive gyrations in a black studded swimsuit and equally studded elbow-length gloves. Only from a health and safety perspective, you understand. Metallic studs are unsuitable for swimwear, gloves would fill with water; I should warn her PR.
When behind the wheel of Dad’s taxi, my daughter plays DJ; curse that built-in Bluetooth function. Least I can pretend I’m hip with the kids by distinguishing my George Ezras from my Sam Fenders. “Ah,” but I clarify, “I didn’t mean that, I meant it sounds like something from the eighties.” She agrees, tells me they’re all inspired from the eighties. “Like, Blondie,” I add, she’d have to Google that, but she watched The Breakfast Club and Uncle Buck, she is aware of the style of sound demarcated by eighties electronica pop.
If a retrospective inclination influenced by the decade of Danny Kendal v Mr Bronson, Rubik’s cubes and skinhead Weetabix characters is good for you, ok, look no further than upcoming local bands like Talk in Code and Daydream Runaways. I’ve often grouped these two on this very notion, and I’m delighted to note via my comparison, the Daydreamers are supporting the Talkers at Level III in Swindon on November 20th, my only annoyance is that it’s a Friday and I can’t make it.
To differentiate, Daydream Runaways take a rock edge, the like of Simple Minds, but Talk in Code seem to strive for the electronica angle of bands like Yazoo and The Human League. They do it far better than well though, and if I branded it, “sophisticated pop with modern sparkle,” their last single, Taste the Sun, back in July, embodied this more than anything previous. So, here we are again with another belter which adds to this uniform style, though the climate may not be so clement, Secret sparkles too.
It snaps straight in, this aforementioned feel-good 80s electronica guitar pop sound, and it’s so beguiling and catchy it’s certain to appeal wide, agelessly. If I was attending a local festival and Talkers took the stage, I’d imagine my daughter and I would dance together, and right now with her tastes directed to my odium, calculatingly sweary modern pop R&B, this would be a miracle! I do not twerk.
Secret is right out of a John Hughes movie then, a stuck record comparison I say to near-on every release by them and Daydream Runaways too, but this undeviating style is consistently cultivating and improving. Lyrically it’s characterised by the same simple but effective theme of optimistic romance, and a bright, catchy chorus, as every classic pop song should.
The band cite pop classics such as King of Wishful Thinking, How Will I Know and Alexander O’Neal’s Criticise as evaluations. I can only but agree, but add, those can be cringingly timeworn, whereas, this is not Dr Beat, no need for an ambulance sound effect, and the Talker guys don’t got no hairspray, this is renewed and exhilarating for a modern generation.
You can pre-save TALK IN CODE’s brand new 80’s infused indie pop belter, on the platform of your choice and listen in full, but it’s not released until November 16th. Yeah, I know right, I’m so lucky to have these things in advance, but with Secret I can guarantee by the time it comes your way, I’ll still be up dancing to it, perhaps my daughter too. Care to join me on the dancefloor? But oi, watch the handbag, Miley, and don’t yank my diddy-boppers, I’m no that kind of guy; saving myself for Gloria Estefan.