Forget your pedal board setup for a moment, it was as if The Clones knew precisely what buttons to press to rouse the party crowd at The Three Crowns in Devizes last night, and whilst I’d admit it doesn’t take a lot to get them going, this four-piece certainly put an earnest shift in…
It seems irrefutable, the Three Crowns is the go-to pub to party and let your hair down in Devizes right now, particularly for Millennials and those tipsy enough to think they’re also twentysomething, like, I dunno, me?!! These wheels have been in motion for a few years and show no sign of slowing yet. It’s busy but hospitable, uses card-only payments to speed up service, inside it serves a respectable plate, and if previous generations favoured DJs in club format, the modern method of live cover bands is the epoch The Three Crowns abides by, and delivers in a spacious heated and covered beer garden, with zest ….but you knew this already, right?!

Whilst there’s the obvious popularity of regularly returning local bands such as People Like Us, The Roughcut Rebels and Illingworth, it’s a blessing to see a new band to the pub attract the same colossal positive response. The Clones hail from Corsham, I was unaware of them and my curiosity paid off. As we witnessed in Devizes last night, they sure put the cor in Corsham. Akin to when Pewsey’s Humdinger arrived in a blaze of glory, the punters showed them the Devizes appreciation and the atmosphere was electric.
Through a motley genre-mapped setlist they delivered a range of covers all with gusto, sharp class and attention to detail. Two lead singers generally adopted different stances, one taking the funky, soul numbers, with a sublime medley of Superstition and equally funky classics, the other with a penchant for eighties new wave, mod to Britpop; the Jam’s A Town Called Malice being my fav of the set, if I was forced at gunpoint to provide one.

Yet both duetted on a number of miscellaneous pop and rock classics. There were few tunes you might consider cliché, but they handled this well because often the crowd wants this, and mostly though sing-a-longs, they weren’t the archetypal songs to falter a cover band setlist. Daring attempts too, from Bowie to Jacko’s Billie Jean, there were some your average cover band should only try at home! It was nonstop fun, never attempting to sooth with a love ballad, or experiment with a synth, just the rock n roll four-piece format of drums, bass and lead, brought up-to-date with an exemplary setlist to rouse any diverse demographic audience.
It was loud, proud, and teetering with polished enthusiasm and professionalism. Landlords, if you want a band to make your punters thirsty by jumping for joy, this might be the cover band for you.



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