โ€œLarkin with Womenโ€ at the Mission Theatre, Bath, November 25th-29th November.

by Ian Diddams
images by Ian Diddams, Mike Stephens and Next Stage


Ask people what they know about Philip Larkin, and the general best response may well be โ€œa poetโ€. They may even know he was a librarian at the University of Hull. Some may even know he coined a phrase concerning the effect of oneโ€™s parents upon one โ€“ a rather rude quote, far too rude to be spelt out here in Devizine obviously. What they โ€“ or you โ€“ may not know though is that he had thirty plus years polyamorousโ€ฆ arrangementsโ€ฆ with three women none of whom were overjoyed at sharing him but couldnโ€™t let him go. Or at least, that is the wonderful picture painted by playwright Ben Brown in his play โ€œLarkin with Womenโ€ which Next Stage Theatre Company are performing this week at the Mission Theatre, Bath.


This is a sumptuous work,. Deliciously delivered in a simple in the round setting of office, flats and a weekend cottage with an equally delightful sound track to set it all off. The plot runs through Larkinโ€™s life with his amours Monica a long standing girlfriend and English lecturer, Maeve who comes to work at the library he runs, and Betty his secretary. His persona is of a sharp witted, pithy remarked but not uncaring man, his dialogue stuffed full of ironic responses and jokes. Yet he is egocentric at times seemingly oblivious to his devoteesโ€™ desire for monogamy, or at least uncaring, with his rejection of marriage as an institution. This especially causes a barrier with Maeve who as a strict Catholic cannot agree to sex outside marriage and they carry out their unconsummated affair for over a decade until the inevitable happens, Maeve is distraught, and Larkin responds with โ€œYouโ€™re forty-six years old. Its not as if you can hang on to it for everโ€. Monica is the closest of the three to Larkinโ€™s approach to love but is jealous of the othersโ€™ involvements. Betty is last to fall for him and she too wishes him to herself.

The play draws to the obvious conclusion as Larkinโ€™s life ends at the age he prophesied, his three partners in life visiting him for what may be a last time. Monica has the most heart wrenching line in the play as she answers a question posed by Larkin as he approaches death โ€“ as an audience we can see the answer coming, but when it does it is delivered with such great timing, and tenderness that it still brings forth an immediate emotion and reaction.

The cast are sublime, each playing their part superbly to eke out each characterโ€™s nuances and foibles. Tania Lyons as Monica, Antonia White as Maeve and Stephanie Hunt as Betty create three distinctly different womenโ€ฆ Betty caring, Maeve desperate for marriage, Monica devoted. Brian Hudd fulfils the role of Larkin with panache and even brilliance. Mannerisms, delivery, auraโ€ฆ if this is not how Larkin really was, then he should have been Brianโ€™s portrayal.

A simple set, a gorgeous playlist, subtle yet engaging tech and period clothing throughout from Kris Nuttall, Andy Punt, Vanessa Bishop and Ann Ellison โ€“ who also directed this wonderful piece of theatre, more than ably assisted by Andrew Ellison as Stage Manager.

Ben Brown the writer in the program notes is quoted as saying โ€œthere is a fine line sometimes between humour and ironyโ€. He is spot on of course, but Iโ€™d go one further and suggest there is a fine line between irony and pathosโ€ฆ and Ben delivers that second fine line absolutely perfectly, in this absolutely perfect play. Next Stage have dedicated this performance run to the real life Betty Mackereth, who died this week.

โ€œLarkin with Womenโ€ is playing at the Mission Theatre, Bath, until Saturday November 29th November at 1930 each evening, tickets from the theatre itself or from
https://www.missiontheatre.co.uk/whats-on/2025/larkin-with-women

Five Years in the Cotswolds: Lawton & Mackโ€™s Breathtaking Debut Album

When I put together the 4 Juliaโ€™s House compilation albums a few years ago I decided I shouldnโ€™t pick favourites out of the eighty-one songs donated, but if I had to, it wouldโ€™ve indisputably been Atlantic O by Will Lawton and Ludwig Mack. With the ambience of the gods, this track is such a soothing sentimental earworm it makes you go all tingly as it drifts like a lost ship on the sea. Now the duo have released a debut album, matching the sublimity of Atlantic O. The story behind it is of an absorbing coincidence, and its unique marketing is equally as genius as the musicโ€ฆ..ย 

At the time I was aware of the virtuosity and diversity of Malmsbury musical magician, Will Lawton, from solo performances and fronting The Alchemists. At the time he sent the tune for the project he briefly explained Ludwig was an Argentinian musician he had been working with, but their connection is far more complex and is explained in the book to the album, which is in turn, currently the only way to hear it.ย 

A story of serendipity expressed earnestly through a 36-page hardback, which continues to detail the thought processes of the album, each individual song, and the musicians which accompany them along the titled journey Five Years in the Cotswolds. Then, on the back cover thereโ€™s a QR code to scan, leading you to streaming options; I suggest you do, your ears will love you forevermore.

Enticed by the lure of English music, and his European travelling plans cut short by the pandemic, Argentinian musician Ludwig Mack arrived in the UK from Spain a day prior to lockdown. He had already connected with Will via Instagram, not realising when he settled in Hullavington he was coincidently only a few miles away from Willโ€™s home. They jammed together, the song Atlantic O, and within a year produced the EP Heroes.  

Ludwig explored the UK, and found work whether he could, whilst Will continued with family life, his band the Alchemists and his employment as a music psychotherapist. But Ludwig often dropped in to see Will, and it was inevitable this project would blossom like the opening tune, aptly Blossom, a tender springtime daydream contrasting aging with memories. Itโ€™s as majestic as the morning chorus, and includes a naturally sourced one too.

The fabric of this album continues on this theme, indeed Songbird follows suit into the most gentle flow of concentrated bliss. Itโ€™s the first single released this Friday (10/10) of the goodness of nature rather than societyโ€™s machine, unhinged and timeless piano-based folk, and celebratory of the glory wildlife in all its splendour, wrapped in the warmest serenity. By its very composure it defines the sum of all this goodness and shapes a heart in your mind; if an album was a wander through a springtime meadow, this is a stroll to remember.

It comes as no surprise Will is a music psychotherapist, if the vocation is to improve wellbeing, increase happiness and overcome issues. One listen to Five Years in the Cotswolds is the best remedy. Ten solid tunes, all the like to make the little hairs on the back of your neck stand to attention. Thereโ€™s few artists able to accomplish this, I could cite many, from Bill Withers to John Denver and you will contemplate your favourites when this caresses your senses.

The album lifts with euphoric pace at Godโ€™s Plan, and Iโ€™m left thinking of Marvin Gayeโ€™s What’s Going On as its aperture opens the album to a similar width of beauty. From the guitar chimes of November to the quirkiness of the bluegrass-esque Walk Each Other Home, and from the amorous ambience of Clouds to Freya Everestโ€™s haunting vocal range on I Noticed, this album continues flowing on the theme as a paragon, never meandering off course.

Its production is as crisp as autumn leaves, the arrangements are like sunlight. The composition is a Vivaldi, its versification is W. H. Daviesโ€™ Leisure, the musical expression of a Monet, a pilgrimage to a Constable masterpiece, or all of these wonders capturing the beauty of nature equally combined and consumed, it really is this breathtaking. Devizine

Its production is as crisp as autumn leaves, the arrangements are like sunlight. The composition is a Vivaldi, its versification is W. H. Daviesโ€™ Leisure, the musical expression of a Monet, a pilgrimage to a Constable masterpiece, or all of these wonders capturing the beauty of nature equally combined and consumed, it really is this breathtaking.ย 

Bathโ€™s producer and musician, Rob McLeod, aka Mac Lloyd, Spanish multi-instrumentalist Guillem Mitchel, London based jazz singer-songwriter and producer Freya Everest and drummer Tony Partridge who met Will at Schtumm in Box, are the other collaborators behind this enchanting project, alongside composer and arranger Benjamin Lawton, Willโ€™s son.

Streaming platforms are held off until next year on this, the book to Five Years in the Cotswolds is the albumโ€™s only current access point, and is available on their website, and at upcoming gigs, The Castle, Swindon on 16th October, and Pound Arts in Corsham on 6th November, details of which are also on their website.


Trending……

Rooks; New Single From M3G

Chippenham folk singer-songwriter, M3G (because she likes a backward โ€œEโ€) has a new single out tomorrow, Friday 19th December. Put your jingly bell cheesy tunesโ€ฆ

Burning the Midday Oil at The Muck

Highest season of goodwill praises must go to Chrissy Chapman today, who raised over ยฃ500 (at the last count) for His Grace Childrenโ€™s Centre inโ€ฆ

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REVIEW โ€“ The Pump Acoustic Club @ The Lamb, Trowbridge โ€“ Friday 8th August 2025

Pump Acoustic Nights Are Back!ย 

Andy Fawthrop

For those weird enough among us to be of an acoustic bent, particularly on the folkie side, the time since the Covid lockdowns has been a bit of a desert.ย  Several local clubs which once thrived before 2020, never actually opened again โ€“ Devizes Folk Club, Corshamโ€™s Acoustic Oak, Bradford Folk Club and Trowbridgeโ€™s Village Pump being amongst them.ย  Last year the Bradford club finally stuttered into life again, first at the now-closed Swan Hotel, then at other venues, but only as a very low-key weekly sing-around.ย  The proper full fat Open Mic nights and Guest Nights seemed to have disappeared from the local scene completely.ย  Some of this was due to the โ€œretirementโ€ of the previous hosts, and some of it (unfortunately) due to the passing of their once-leading lights.ย 

The venue itself, known as the Village Pump, at the rear of Wadworthโ€™s The Lamb in Trowbridge, and the mothership of the hugely popular Village Pump and Trowbridge Festivals, recently found a new entrepreneur in our good friend and music promoter Kieran J Moore.ย  Kieran has performed wonders in re-opening the venue, in overhauling its sound and lighting infrastructure, and in attracting a whole new range of artists over the past couple of years.ย  Audiences have grown, drawn by the inventive programming, and the support for many local up-and-coming new indie bands.ย 

And now, at last, a light has re-emerged from the gloom for the folkies with the start of The Pump Acoustic Club as a new pop-up venture at the venue.  Running every second Friday of the month, the club promises a welcoming night whether you want to come and play or just rock up and listen.  The format is pretty similar to the old VP folk club:  the first half is dedicated to acoustic-only (unplugged) floor spots, and the second half to a booked guest.  For the Open Mic part, you have to sign up in advance (first come, first served via comments on their Facebook page), and you get time to sing two or three songs each.  The running order allows for about ten or eleven acts.  Then, following the break, and the inevitable raffle, the second half is a 45-60 PA-supported slot dedicated to a booked artist.   

Last month, on the first outing for the Club, we were treated to a great set by local duo Lorna and Darren, playing as Fly Yeti Fly.  Anyone there would agree it was a great night and a fabulous start to this new venture.   

Last night, for Augustโ€™s booking we had Wings and Whispers, an all-female duo from Bristol. Both classically trained, both admitted to preferring the folkier side of things.  Using harp, guitar, whistle and voices, the pair played some fascinating, ethereal music based in folk legends and myths and in the natural world.  They wove original compositions together with re-arranged folk classics and covers into a mesmerising set. Superb stuff. 

The new Club, set up by Bradford-on-Avonโ€™s Simon Taylor (lately of Water Thieves Trio and Dr. Zeboโ€™s Wheezy Club) and Matt Cook, looks as if itโ€™s hit just the right formula.  Both last monthโ€™s affair and last night were pretty busy, with most seats taken both upstairs and down. Itโ€™s ยฃ4 to get in, and ยฃ1 for a strip of raffle tickets, so youโ€™re all done and dusted for a great night out for a fiver โ€“ what more could you want? Letโ€™s hope that now itโ€™s back, folks will continue to support it and make it into the success it surely deserves to be. 

Future gigs, as stated, will be the second Friday of each month.ย  See their Facebook page for individual events, but hereโ€™s a preview:ย 

Friday 12th September Andy Skellam 

Friday 10th October Lorikeet 

Friday 14th November Brian Stone & The Masters Of None 

Friday 12th December Dr. Zeboโ€™s Wheezy Club 


Help DOCA Win Funding for the Confetti Battle

From carnival to the Winter Festival, DOCA stages so many great events in Devizes, most of them for free, but the most unique is the Confetti Battle. This year itโ€™s coupled again with the Colour Rush, on Saturday 14th September. TicketSource are offering ยฃ1,000 to help fund a winning community event, all you have to do is click on this link, and vote for DOCAโ€ฆ.

Devizes Confetti Battle has been happening since 1955, it is free to attend but not free to put on. People of all ages come and participate in a mock battle, throwing tons of confetti at each other, leading to a firework finale. It’s a lot of fun!

There are a lot of costs that come with this event. The cost of road closures and the big clean up afterwards. DOCA would use the money to help buy confetti supplies. It’s hard to get the event funded as it isn’t a traditional art or heritage event so this award would be a great help.

So, please click on this LINK to vote for them, it will take you seconds and costs nothing, ta!


Trending…..

Carrie Etter’s Poetry Workshop at Devizes Arts Festival

By Helen Edwards

American poet, Carrie Etter has been a resident in England since 2001, and a reader in Creative Writing at Bath Spa University. She published four collections, most recently, The Weather in Normal, and numerous chapbooks. On Saturday Carrie gave a poetry workshop and reading at Devizes Town Hall, as a fringe event of Devizes Arts Festival…..

โ€˜Carrieโ€™s workshop was absolutely fantastic, a distilled overview of prose poetry with many examples to show the variation in style and our own time to create (with no pressure).ย  Carrie was inspiring, impassioned and quick as a whip.

Her students at Bristol University are very lucky to have her as a teacher (as were her many past students from at Bath Spa University). The open mic at the end was inclusive, supportive and fun. Carrieโ€™s final poem saw me wiping away tears; beautiful.

I wish I could write a longer review but I am doing this one-eyed with a poorly optic nerve. Iโ€™m effervescing with words which will have to wait or be dictaphoned, when they come I now have many tips as to how to form them better.ย  Thanks Carrie, your generosity is abundant – Iโ€™ve a feeling youโ€™ll get a roomfulโ€™s worth of follow up messages. Helen.


Trending…..

Winter Festival/Christmas/Whatever!

This is why I love you, my readers, see?! At the beginning of the week I put out an article highlighting DOCAโ€™s Winter Festival, andโ€ฆ

Devizes Winter Festival This Friday and More!

Whoโ€™s ready for walking in the winter wonderland?! Devizes sets to magically transform into a winter wonderland this Friday when The Winter Festival and Lanternโ€ฆ

Snow White Delight: Panto at The Wharf

Treated to a sneaky dress rehearsal of this year’s pantomime at Devizesโ€™ one and only Wharf Theatre last night, if forced to sum it upโ€ฆ

Helenโ€™s Poem on BBC Upload

A quick one from me today, offering our congratulations to our new writer, Helen Edwards from Devizes, who read out her poem โ€œMotherhood,โ€ on BBC Wiltshire this week on James Thomasโ€™s Upload show. โ€œIt was fun,โ€ she told us, โ€œexcept my phone started ringing!โ€

Listen here from the BBC website, or Soundcloud link, here. I love writing, but poems, hum, something about bacon, not to mention Iโ€™m an absolute bag of nerves on radio! The article on the Bournemouth Writing Festival Helen mentioned is here too, and this one worked both ways, also inspiring Helen to write. Well done you, and we look forward to hearing some more soon!ย ย 


Trending….

Love is for Life (Not Only for Christmas Time) Says Hannah Collins

And so it begins, the build-up, the tension; come all ye faithful round yon virgins and three kings of orient are, spreading joy to the world while shepherds wash their socks and Batman smells. In which, in order to spread warm emotions of peace and unity for the one day, itโ€™s obligatory to rush aroundโ€ฆ

Sarah C Ryan Band’s Radio Silence

If you need a reason to understand why I was so excited about The Sarah C Ryan Band coming to RowdeFest back in May, you wasn’t there!! And if you wasn’t, well, I’m not going to pick on you, just leave said example below and let you decide….. My Radio Silence, recorded for a sessionโ€ฆ

Chatting With Burn The Midnight Oil

Itโ€™s nice to hear when our features attract attention. Salisburyโ€™s Radio Odstock ย picked up on our interview with Devizes band Burn the Midnight Oil and they gained air time, but the interview was published short of year ago now, and the band have had significant changes to the lineup and their style. So, I theโ€ฆ

Local Author’s Book Reveals Why Devizine Isn’t Funny Anymore

Devizine can reveal how a new book by a local author might possibly be the reason why Devizine isn’t as funny as it used to beโ€ฆ. Devizine, it used to be funny, but sadly it seems it’s not so much anymore. Who took the banana skin from under its flip-flop? Who failed to give itโ€ฆ

Stone Circle Wiltshire Music Awards Will Continue into 2026

In thanking everyone who supported this year’s Wiltshire Music Awards, Eddie Prestidge of Stone Circle Music Events revealed his intentions of continuing with the awards into next yearโ€ฆย  โ€œFirstly, I want to say a heartfelt thank you to everyone who supported and got involved in our very first Wiltshire Music Awards,โ€ he said. โ€œThe enthusiasm,โ€ฆ

Florence & The Machine Harpist Among Musicians at Frome Festivalโ€™s Fundraising Launch

Featured Image: Lillie Eiger Frome Festival is launching itsย โ€˜25 for 25โ€™ย fundraising campaign with a very special concert featuring three locally based acts:ย Tom Mothย โ€“ best known as the harpist for multi-platinum-selling bandย Florence + The Machineย โ€“ alt-folk duoย mฤsa, and brand-new soul/funk collectiveย The Juice…. The event, taking place at The Tunnels on Saturday 29th November, kicks off Frome Festivalโ€™s ambitious campaign thatโ€ฆ

The Lost Trades Float on New Single

Iโ€™ve got some gorgeous vocal harmonies currently floating into my ears, as The Lost Trades release their first single since the replacement of Tamsin Quin with Jess Vincent way back in February, and its immediate impact clearly says a Lost Trades classicโ€ฆ.. If some previous songs of The Lost Trades had a lead vocal, theyโ€™reโ€ฆ

Barrelhouse are Open for Business with New Album

Rolling out a Barrelhouse of fun, you can have blues on the run, tomorrow (7th November) when Marlborough’s finest groovy vintage blues virtuosos Barrelhouse release Open for Business, their third studio album indicative of their astounding live showโ€ฆ.. Tim and Stuart’s dramatic guitar riff from the off, Dave Growcott’s drums kick in and Open forโ€ฆ

Klass Komedia Kurmudgeon, Bath, November 2nd 2025 โ€“ Mark Harrison

by Ian Diddamsimages by Ben Swann and Ian Diddams Self-appointed โ€œMoroseโ€ Mark Harrison was once again on totally top form at Komedia last Sunday entertaining us with his style of stunning blues music, engaging history lessons and highly amusing cynical views on society. Lest I appear to be painting Mark in a poor light youโ€ฆ

National Treasure: Henry Normal Brings New Tour to Devizes

Featured Photo: Richard Davies

Writer, poet, TV & Film producer, founder of the Manchester Poetry Festival (now the Literature festival) and co-founder of the Nottingham Poetry Festival, Henry Normal brings his new tour, Collected Poems and Other Landfill, to The Assembly Rooms in Devizes on Friday 3rd November.….

In June 2017 he was honoured with a special BAFTA for services to Television, credits roll like the ultimate rรฉsumรฉ. He co-wrote and script edited the multi-award-winning Mrs Merton show and the spin off series Mrs Merton and Malcolm. He also co-created and co-wrote the first series of The Royle Family. With Steve Coogan he co-wrote the BAFTA winning Paul and Pauline Calf Video Diaries, Coogan’s Run, Tony Ferrino, Doctor Terrible and all three of Steve’s live tours and the film The Parole Officer.

Setting up Baby Cow Productions Ltd in 1990, Henry executive produced all and script edited many of the shows of its 17-and-a-half-year output during his tenure as MD. Highlights of the Baby Cow output during his time include the Oscar nominated film Philomena, I believe in Miracles, Gavin and Stacey, Moone Boy, Uncle, Marion and Geof, Nighty Night, The Mighty Boosh, Red Dwarf, Hunderby, Camping and Alan Partridge.

Since retiring in April 2016, Henry has written and performed eight BBC Radio 4 shows combining comedy, poetry, and stories about family. His tenth show A Normal Home will be recorded on the 18th November 2022 for transmission on the 20th December.

In April 2018, Two Roads publishers released his book of memoirs ‘A Normal Family’ which was written with his wife Angela Pell, drawing on his family experience. It immediately became a best seller on Amazon and has already been reprinted.

Henry performs poetry at Literature Festivals around the UK and has eleven poetry books available from Flapjack Press including the latest entitled Collected Poems Vol.2.

He was recently given an honorary doctorate of letters by Nottingham Trent University, another by Nottingham University and has a beer and a bus named after him in Nottingham!

Support for Henry Normalโ€™s show comes from very special guest British actor, comedian, musician, novelist, and playwright Nigel Planer, perhaps best known for his role as Neil in the BBC comedy The Young Ones and Ralph Filthy in Filthy Rich & Catflap. He has appeared in many West End musicals, including original casts of Evita, Chicago, We Will Rock You, Wicked, and Charlie and the Chocolate Factory.

Doors at 7.30pm, on Friday 3rd November. Tickets (ยฃ17.50 + booking fee) are available now HERE.


Trending….

Ruzz Guitar Swings With The Dirty Boogie

Bristolโ€™s regular Johnny B Goode, Ruzz Guitar Blues Revue goes full on swing with a new single, a take on The Brian Setzer Orchestraโ€™s 1998โ€ฆ

Joyrobber Didn’t Want Your Stupid Job Anyway

A second track from local anonymous songwriter Joyrobber has mysteriously appeared online, and heโ€™s bitter about not getting his dream jobโ€ฆ.. If this mysterious dudeโ€™sโ€ฆ

Devizes Chamber Choir Christmas Concert

Itโ€™s not Christmas until the choir sings, and Devizes Chamber Choir intend to do precisely this by announcing their Christmas Concert, as they have doneโ€ฆ

Steatopygous go Septic

If you believe AI, TikTok and the rest of it all suppress Gen Zโ€™s outlets to convey anger and rage, resulting in a generation ofโ€ฆ

The Wurzels To Play At FullTone 2026!

If Devizesโ€™ celebrated FullTone Festival is to relocate to Whistley Roadโ€™s Park Farm for next summerโ€™s extravaganza, what better way to give it the rusticโ€ฆ

Poetika Open Mic Night The Winchester gate, Salisbury. Tues 21st March 2023

By Helen Edwards

A few weeks ago whilst scrolling through social media an advert for this event came up.  Intrigued and having never been to a poetry night before I popped it into my calendar.  The date soon came round and I nearly bailedโ€ฆ too much to do, too far to drive, too dark, cold, lazy.  But before making the final call I did some research.  My main discovery was that the 21st March is in fact, World Poetry Day.  So that was that, decision made and done.  I was on my way to have poetry fun (yep, I know).

I arrived at the pub adjacent to Salisburyโ€™s ring road, went to the bar, and found myself standing next to a very tall Queen of Hearts. A huge auburn beehive wig added to her intimidating height.  The theme (I remembered) was โ€˜Through the Looking-Glassโ€.  Already feeling out of place with my usual jeans, sweater, and trainers garb, I tentatively walked into the intimate and warm side-room. Twenty or maybe thirty people sat, perched, or stood near tables decorated with playing cards and jam tarts, all facing the low stage embellished with tinsel and a large mirror reflecting their expectant faces.

Watching the final stragglers squeeze in, it became clear that most of theย audience knew each other or of each other. Because of this the atmosphere feltย supportive and inclusive. ย I sipped my wine, relaxed and opened my mind. Thenย BAM. ย The Queen of Hearts, Alice and the Rabbit, โ€˜Iโ€™m late, Iโ€™m late!โ€™ jumped onย stage and performed a semi-rehearsed intro show. Scripts in hand and costumesย adorned, the passion and dedication to Poetika came across to all. ย My initiationย into the poetry night proved louder, brasher and way more fun than anticipated.

With the ice, and not the mirror, broken the poets took to the mic.  The Queen of Hearts, Nikki (I learnt at the interval that Nicki is the chief organiser of Poetika) stepped up to read her fast paced, caustic, funny lines. It wasnโ€™t solely the poems that had me chuckling; Nickiโ€™s striking resemblance in looks and mannerisms to the eclectic and talented Sue Pollard amused me throughout. When I told her in the break that her poems reminded me of John Cooper-Clarke, the famous punk poet and I was informed that she was his support act for part of a past tour. How cool.  Itโ€™s obvious that JCC has been a huge influence on her work. I was offered a slot on stage in the second half to read my own stuff and responded by nodding whilst shaking my head simultaneously unsure as to whether Iโ€™d just enthusiastically agreed or vehemently declined.

Back to the first half. After Nicki came a succession of amateur poets, includingย Poetikaโ€™s Alice (Ria) with her clever plot and sweet but sharp delivery and theย Rabbit (Jamie). ย I sat consumed, listening deeply, trying not to miss the, at times,ย lightning quick word concoctions. It became clear that this was theatre. This wasย not a read-off-the-page poetry recital but a pure and raw exposure of oneโ€™sย writing, wit, and inner workings. Deep and true – as poetry can be โ€ฆ with a big dose of stage presence. ย 

Two of the next performers achieved a stand-up comedic delivery with inspired words and accompanying audience participation. Ripperโ€™s โ€˜Ciderโ€™ poem, a fun crowd pleaser, was read with an air of self-deprecating, drole, deadpan humour. Move over Romesh Ranganathan.  The other, Craig, is a born comedian. He evoked laughter throughout his set but brushed aside each short poem with a โ€˜and thatโ€™s that one!โ€™ remark, his poetry performance tic.

My favourite act of the night allowed all present to dive right through theย looking-glass and into the authors heart. Echo, a beautifully presented humanย with self expression etched on every inch of clothing, jewellery, exposed skin andย hair was outstanding. I cannot compare the writing to any other: FYI my currentย education level in poetry is pretty low so to me it was totally unique. ย A mirror toย the soul was shared and if I hadnโ€™t heard another all night, the poem, โ€˜T1โ€™ aloneย was worth hauling my butt to Salisbury for. Softly delivered, a hard-hittingย exposure to drug use walked us around a squat and Echoโ€™s mind. ย A beautifulย shock of a poem. ย The lines, โ€˜I glance up, I see myself in the mirror malnourished,ย dying. ย I look away quickly to convince myself my reflection is just simply lyingโ€™ย speak for themselves. ย I wouldnโ€™t be surprised if Echoโ€™s words are bouncing offย much bigger venuesโ€™ walls in the future.

The eventโ€™s special guest came next, the professional poet, Claire H from Bournemouth. Claire began with a capsule lesson on poetry agreeing with another writer (sorry, source unknown) that poetry โ€˜isnโ€™t a hiding place itโ€™s a finding placeโ€™.  Claire H, a self-branded witch poet, told her transfixed guests that โ€˜poetry saved her lifeโ€™. โ€˜That old chestnutโ€™ I hear you smirk but I believed every word. And judging by the reflective silence that followed it seemed many were concluding similar, that words had performed a transformative magic on them too.

Claireโ€™s stage presence, from her downright natural, cool-as demeanour to her dance-like arm movements marked her out as โ€˜the professionalโ€™ on the night. Even her poems had their own stand to be read from. I immediately connected both with Claireโ€™s honest, clear and charged poems and her generous and kind personality. She told me at the interval that she reads tarot cards but apart from this and her signature black fingerless gloves I wasnโ€™t really feeling the broomstick vibes. Maybe the reference to โ€˜burning effigies of all those women I wasnโ€™tโ€™ was the giveaway.

Claireโ€™s โ€˜Englandโ€™ poem was excellent: political, clever, personal and relatable. But my preferred piece was โ€˜Fortyโ€™ describing what it can be like to be a woman in the fourth decade of life right now. Spot on.  The snippet that has stayed with me however came from her โ€˜Love and Other Natural Disastersโ€™ poem: โ€˜Fractured affections and dislocated devotionsโ€™.  Claire left us with the insightful advice โ€˜to look to the poetry of your intuitionโ€™.  

The interval was like a cold-water immersion into a truly creative bunch of people.  It was powerfully revitalising and eye-opening to see glimpses of lives lived so differently to my own. I wanted more.  

Act two came with more solid performances from Poetika trio, Nicky (readingย John Cooper-Clarke), Jamie with his โ€˜Toryโ€™ poem, and Ria with her superb โ€˜Blackย Dogโ€™ piece. Riaโ€™s quirky, sweet radiance could fool one into mis-labelling butย listen to this poem, and you will hear a voice full of strength and intelligence.ย Respect to you, Ria, for picking a fight with Sir Winston Churchill. ย You educatedย and made us see that his labelling of black dogs as synonymous with depressionย was wrong. I love how Riaโ€™s quiet passion permeated the room and how herย words weaved anger and the virtues of black dogs into a great poem.

We had a Gary Stringer (lead singer of 90โ€™s band, Reef) look-alike sing a lovely song about his mumโ€™s death, Lois a relative newbie reading her second poem of the night and more from the comedy poets Ripper and his mate โ€˜and thatโ€™s that one!โ€™ Craig.  We had Hopper, confidently read his second poem and then we had me.  Confidence slipped away as I heard my name called. Tummy swirling, I floated above the scene and listened as I read out a personal piece of me.  I received a warm clap and vocal praise.  Thank you Poetika, my ego enjoyed the moment.  I write for me but sharing on the night was good.  And inspiring. The following day I wrote two poems.

If you want to sit back and take in the theatre, the warmth, the tough emotions and the laughter then I would highly recommend going along to Poetika in Salisbury. You will be welcomed and hopefully, as I was, surprised and inspired by the talent in the room.  If you have an inkling that youโ€™d like to get up on stage to read then please do. I may have had an out of body experience but itโ€™s charged me up like a supernova. You could always do what I did and go on your own.  If you die on stage you never have to go backโ€ฆ if no one you know hears it, it never really happened, right?

Thanks Team Poetika. See you in the future.

Next Poetika night: 18th April 2023, 7.30pm The Winchester Gate, Salisbury. Theme: tbc.


Horses of the Gods; We Wish You Health

I once reviewed a cassette with a photocopied punk-paste zine style picture of Mr Blobby as the cover, where a distraught male voice screeched, โ€œtake an overdose, ginseng!โ€ continuously over some white noise. Thank heavens thatโ€™s in a long-lost past!

Fortunately, Iโ€™ve never had anything quite so bizarre to review since, not even this week when, Erin Bardwell messaged; โ€œone of the drummers I do things with, Matty Bane, has a side duo project and wanted to let you know about their latest album.โ€

Sure, Iโ€™ve heard of Matty, seen him listed as one of Erinโ€™s collective, trekking with them to Jamaica in 2003 to record with Recoldo Fleming at Dynamic Sounds. Further research shows heโ€™s drummed in Bad Manners for over ten years, and is now part of Neville Stapleโ€™s From the Specials setup, headhunted from days as part of the Special Beat tour with the original rude boy.

Given this, I was naturally expecting said side-project to be reggae, stands to reason. What mightโ€™ve eased the surprise was to have pre-known of Mattyโ€™s own band The Transpersonals, a minimalistic, psych-rock outfit lounging somewhere between Pink Floyd and Spaceman 3. Still, nothing was going to prep me for what I got; We Wish you Health by Horses of the Gods.

Thereโ€™s only one reason for facetiously mentioning the eccentric Mr Blobby cassette, because this is unusual too. The likeness ends there, though. โ€œBizarreโ€ can connote excruciating, as with the cassette, but, as with We Wish you Health, can also imply uniquely stimulating and inimitably disparate. So much so, itโ€™s astonishingly good. For those seeking the peculiar, those at their happiest dancing barefoot in Aveburyโ€™s morning dew, or for whom reaching the summit of Glastonbury Tor before sunrise is priority, will adore this, with jesterโ€™s bells on.

Matty teams up Mike Ballard, a media and games lecturer with a penchant for folk. And essentially this is what we ought to pigeonhole Horses of the Gods as; Somerset folk, is as near in modern terminology youโ€™re going to get. But for comparisons Iโ€™m going to have to max my flux capacitor way beyond my usual backtracking.

If I relish in music history without the technical knowledge, I understand one has to either accept four-time pop, or untrain their ear to acknowledge other musical metres, in order to appreciate folk, classical, even jazz, but particularly the kind of sounds We Wish you Health is embracing. Thereโ€™s something medieval, least pagan mysticism about the influences here, of shawms and hand-cranked hurdy-gurdies, miracle plays, and Gallican chants of plainsong. And itโ€™s swathed with chants and poetry as if in variant West Country Brittonic tongue.

We have to trek beyond futurist Francesco Balilla Pratellaโ€™s Art of Noises theory, to an olden ambience of nature, of birdsong, storms and waterfalls. The opening track starts as a spoken-word toast and ends akin to medieval court jester entertainment, over a haunting chant. Equally passe but equally amicable is a sea shanty called Down in the Bay. Then a clocktower chime follows; left wondering if this was Dark Side of the Moon recorded in 1648. Sow In uses mellowed hurdy-gurdy to mimic what the untrained ear might deem an Eastern ambience. With a solstice theme, itโ€™s so earthy it makes the Afro-Celt Sound System sound like Ace of Base! (Joke; I love the Afro-Celt Sound System!)

In many ways the next tune Ostara follows suit, more eastern promise yet slightly more upbeat. Consider George Harrisonโ€™s collaborations with Ravi Shanker. As the album continues, experimentation with traditional abound, obscure instruments are thrown into the melting pot; the Victorian circus sound of The Thing and I, the rural west country ditty of Diggerโ€™s Songs, in which you can almost smell spilt scrumpy as folk rise from haystacks to jig.

Throughout youโ€™re chopping randomly at influences, this medieval court running theme, blended with an oompah band styled sound on The Whole World Goes Around, will make you want bells on your shins like a drunken Morris dancer at the village fete. Else youโ€™re haunted by the chill of evocative soundscapes, unable to pinpoint an era this falls into. Iโ€™ll tell you now, it was aptly released at Samhain last year.

We Wish you Health may be bespoke, and some wouldnโ€™t give themselves adjustment time, yet Sgt Pepper and Pet Sounds were famed for pushing the boundaries of what is acceptable in contemporary pop. This is a fissure to the norm, a testimony of yore, for while thereโ€™s a demonstration of newfound passion within ancient realms, it is fundamentally timeless. Though I suspect thereโ€™s myth and history behind each track, which extends the album from a set of songs to a research project for the listener.

The finale, for example, has a reference in Wikipedia; John Barleycorn, a personification of the importance of sowing barley and of the alcoholic beverages made from it, beer and whisky. Though in the House of Gods, cider gets a mention. John Barleycorn is represented as suffering indignities, attacks and death that correspond to the various stages of barley cultivation. It goes onto reprint a Robert Burns version from 1782, though stating countless variations exist; Matty and Mike use an earlier version:

There was three men come out o’ the west their fortunes for to try, And these three men made a solemn vow, John Barleycorn must die, They ploughed, they sowed, they harrowed him in, throwed clods upon his head, Til these three men were satisfied John Barleycorn was dead.

Iโ€™ve rushed out this review to make you aware of it, and because Iโ€™m so utterly astounded by its uniqueness, but fear Iโ€™m only teetering on the edge of its fascinating historical references myself. Thus, is the general nature of folk music, to dig out lost fables which once wouldโ€™ve entertained young and old, and bring them to new audiences, and The Horses of the Gods does this in such a way, the negative confines and stereotypes commonly associated with folk music just melt away.

Link Tree to album


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Blossom with Gail (from Devizes)

Phone memory bursting with text messages from Gail Foster the day I did my fundraising milk round in my Spiderman onesie. A keen photographer as well as accomplished local poet, Gail had cycled to the summit of Monument Hill and sat awaiting to capture the moment I returned triumphant.

I confess, I underestimated my ETA massively due to the media attention, Carmela and family arriving, and passers by stopping me to donate. I was also irritable and smelly by that point, but those are occupational hazards at the best of times, doubly so in a onesie in the sweltering August climate. Gail, though, was as dedicated as paparazzi to getting the snap she wanted, got me smiling just to see her there, and itโ€™s the same commitment she shows through her expressions in poetry. Her shiny new book, Blossom is a prime example.

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Images by Gail Foster herself!

Perhaps its very title coveys Gailโ€™s grouping of photography and poetry, natural elements crucial to her snaps, but her books bestow only the written word. Weโ€™ve reviewed Gailโ€™s books in the past, never an easy task. Poetry not my bag, usually, so I cannot liken to similar creative outpourings. Thereโ€™s also the fear that my own penmanship doesnโ€™t compare and will not do justice to her creative writing. Poems are hard, something about bacon. Yet it is down to befriending Gail which has re-sparked an interest in poetry in me, and deflected my juvenile fear of a Ted Hughes book facing me on a school desk. Thatโ€™s how universally appealing her words are.

While subjects chronologically stream from one poem to another, expect also, sudden changes in Gailโ€™s train of thought. Blossom kicks off with a memorial forward and dark subjects follow, of wintery funerals and melancholic seasons. One may expect this, the platitude of poems often reveals a shadowy side of the poet. But, just a few poems in and though weโ€™re still on the seasonal theme, winter cries a warning to Gail, to keep her knickers on.

Here is precisely why Gail got me into in poetry, a feat I never cared to assume would happen. The wittiness of the absurd, surreal, Pythoneske can crop up, without warning and provide actual laugh-out-loud observations. Thereโ€™s a feeling of daring in Gailโ€™s words, while acute and proficiently executed, nothing is off limits. Gail projects drollness, jocularity and just about every other emotion of the human psyche, in manner which though reflects poets of yore, breathes a fresh and unique approach to boot.

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In this, her new book Blossom doesnโ€™t necessarily take us anywhere new in comparison to her previous collections, thereโ€™s even a pigeon reference, a running subject in Gailโ€™s words, yet an improvement in skill and wordplay is clearly evident. Gail strives to advance and progress in her wordsmanship, dealing words like a croupier deals cards, snappy and expertly.

The introduction enlightens us to Gailโ€™s motivation and reason for writing, โ€œI write poems for all sorts of reasons. Sometimes an occasion demands it, in which case I stare at a sonnet on a screen for three days; at other times a poem might tickle me in my sleep, wake me up laughing.โ€ Blossom then conveniently divides into sections, poems covering Seasons, poetry itself, โ€œBinky Liked to Bitch a Bit,โ€ Politics, Characters, Sorrow, Love and Prose, even local thoughts in a section titled, โ€œa bit of old Devizes.โ€

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There are verses dedicated to friends, themes of celebrities, naughty royals and both Greta and Trump, odes to patronising old men, nosey neighbours, political sway, Brexit, current affairs and Nigel Farage depicted as a meerkat. As we pass through an era Gail documents them uniquely. There are unapologetic words of the sweary kind, bitterness at times, jollity in others; bugger, itโ€™s tricky to nail this poet down; what does she want from me, trying to review a book so vastly sweeping with subject matter and prose?! Iโ€™m giving up, you have to read it yourself. You can bless your Kindle with one, or Gail favours that you nip to Devizes Books for a paperback, and I tend to agree. Devizes Books brilliantly supports local authors.

In this time of lockdown, you might need a good read, so too does the artists need some revenue. The advantage of holding Gailโ€™s poems in your hand is that you can freely pursue them at your own leisure. We did once review a spoken word CD which Gail recorded, I like this approach and unsure if she will do it again.

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Proof it’s in Devizes Books, here’s owner Jo holding a copy!

I could, but donโ€™t, motivate myself to attend local poetry slams and readings, in fear those poets I know, Gail, our own writer Andy, and Ian too, might encourage me to get up. Yeah right, โ€œhereโ€™s one I wrote called ermm, ermm, and ermm!โ€ Yet, I do love to hear Gail actually reading her poems herself, itโ€™s a Jackanory thing, to hear the creator express their words is far more effective for a slow reader like me. But you, clever lot, will love Blossom.


ยฉ 2017-2020 Devizine (Darren Worrow)
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REVIEW โ€“Devizes Arts Festival Fringe โ€“ Josephine Corcoran โ€“ 16th June @ The Vaults, Devizes

Penultimate Parade of Poetry

 

ย Written by Andy Fawthrop

Images by Gail Foster (except the one of Gail Foster)

 

Another gig on the final day of Devizes Arts Festival, and something a bit different for the penultimate performance of the Free Fringe โ€“ a nice portion of poetry.

Down into the dungeons of The Vaults for this one โ€“ a perfect venue for a spoken-word event (The Vaults doesnโ€™t have a music licence). After availing myself of an appropriate libation from the wide range of craft keg and cask beers/ lagers/ ciders in the upstairs bar (where the staff were still recovering from the shock of actually getting to see and serve our esteemed leader Darren the day before [They were delighted Andy, didn’t even take my cash- Ed],) I descended into the cellar to meet the very charming Josephine Corcoran. Josephine is not only a poet, but also a playwright (having had two plays performed on BBC Radio). She also runs a regular poetry group in nearby Trowbridge.

A goodly-sized audience (including a few poetry virgins) had assembled and enjoyed two sets of poetry. In each set Josephine read both from her latest publication (โ€œWhat Are You After?โ€) as well as some newer unpublished poems, followed by half a dozen or so local contributors in an โ€œopen micโ€ slot. Josephineโ€™s contributions were thoughtful, personal and close to home, as we learned from her careful introductions to each piece. The efforts from the floor varied in style and tone (including Gail Fosterโ€™s fine villanelle regarding the passage of time and of people), comic reflections on luxury toilets and on sex, together with more personal and reflective pieces on topics such as loss of loved ones, memory, separation and even anger. Standard stuff for a Sunday afternoon down the Vaults really. But, seriously, a hugely enjoyable and well-attended event. Hopefully we can do something similar next year too.

Josephineโ€™s latest book is called โ€œWhat Are You After?โ€ (published 2018 by Nine Arches Press) and you can find out more about her, and her poetry, at www.josephinecorcoran.org

The Vaultsโ€™ Poetry Group meets monthly at 7pm on various dates TBA. Next meeting is on Wednesday 26th June. Each month a theme is set as a prompt to inspire new work. You can come with your own work, bring poetry by someone you admire, or just come for a listen. This month, a topic suggested by the latest guest at our table is โ€œAddictionโ€. Who knows where that one will go? Itโ€™s sure to be deep, with a smattering of the light-hearted and supportive conversation that is the hallmark of this poetry group. Work, screens, exercise, love – the scope for addiction is as diverse as the waves on the sea, but is there a thread that links them all? Bring along your work and letโ€™s explore together.

And well done (yet again) to Devizes Arts Festival for putting this on as a Free Fringe event.

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