Tag: photography

3 Daft Monkeys at The Barge on HoneyStreet

Witnessed amazing fireworks for Confetti Battle in Devizes, and I hopped eastwards to that sacred hippy haven in the Pewsey Vale, The Barge at HoneyStreet; what better place for equinox? For while there’s always a hedonistic happening here, this particular autumn occasion was unmissable; 3 Daft Monkeys were heading from Cornwall for their final night of a summer tour; that’s a perfect recipe for a high octane detonation of scrumpy & western skulduggery…and it went off!

3 Daft Monkeys applauded the crowd and the vibe of the Barge as vital factors to a cracking night, but whilst it’s worthy praise, being the Barge is that little pocket of counterculture resistance in an affluent, often conservative area, a sacred space for UFO enthusiasts, eccentric boaters, campers, and die-hard free party people, it was those 3 Daft Monkeys who really brought the party with them, and these two clash of Titans, the band and the establishment, would ensure it went off.

Four 3 Daft Monkeys there are, actually; bad maths or simply irrelevant I forgot to ask. Hair of a Troll Doll frontman Tim, has matchless honest and loveable stage presence, accompanied by the exceptional gypsy fiddler, metal looking bassist with stamina, and a proficient drummer fusing standard drumkit with bongos, and the gusto of the Muppet Animal. Celebrating their twenty-fifth year, they know what buttons to press to enthuse a crowd to ecstatic proportions, and do with certain ease. 

It might appear as a random raggle-taggle outfit, dressed independently quirky as they are, but boy, are they tight as band, unified by dedication to a unique sound, motivation to an energy-busting fusion of contemporary Westcountry folk rock, punk and ska, breakneck Balkan, Bavarian oomphlah, and anything else they care to lob into the carnival melting pot. If influences vary, the magic is composition, as they merge into a definite uniform.

I fondly reviewed their album Information Camouflage two years ago, and have been aching to see them live since, because through the lively recordings it was obvious from the off, they’re a must-see. I’m so chuffed with myself I made the effort to cross them off that list; it was a sublime evening with the excitement of a toddler on Christmas morning. Naturally, my dad-dancing feet were in their element; we don’t get enough of this stuff around here, in my honest opinion, thus why the Barge on HoneyStreet is as loved as it is.

It hosts the unusual, the quirky, and maintains the zestful zeitgeist of now, a post-free-party era where matured revellers congregate to continue the party they started at the beginning of their adulthood, be it any past decade or culture. The Barge nonchalantly caters for travellers; the complete campsite, pub grub or street food outside, its wharf, children’s activities, but most proudly of all, this overall ongoing comfy, friendly festival vibe.

After a few management issues over the last decade, everyone here now praises Lenny and his team, who has unleashed the full potential of the surroundings and wharfside inn, and has transformed the Barge into the temple they only could have imagined it could become; it’s a fortean empire, a quirky theme park of charming yet unconventional.

Apt then for 3 Daft Monkeys to jump on its bed. Themes of their songs vary, from hope to redemption, and prose of revolutionary social and political uprisings to comically whimsical cases of mistaken identity, such as a mermaid actually being just a fish with the head of a monkey. But whether the matter is fact or fiction, the mood is a frenzy of fiddles and guitar, a beautiful upbeat stomp of boundless shindig. And they do it with bells on.

This highly entertaining showdown was supported by two other apt acts. Secondly Lenny No-Strings, with a bassist and fiddler of his own, apt for more reasons than because he runs the place. It was a psychedelic blues art piece, seemingly improv, but built into the framework.

But most impressive was the South African fairy harpist standing before my eyes upon arrival in the barn, projecting a corona aurora onto the backdrop painting. Julía Faé expressively played acoustic guitar and swapped for a harp, to passionately deliver some lovely spiritual songs of fairies and ufos; it was all very otherworldly, mystical and beautiful. It’s not everyday a harp comes into play, so this was a pleasant surprise alone, aside Julía’s proficiency in using it.

What I loved about 3 Daft Monkeys, aside their deliciously professional outpourings, which gave me pre-thoughts of having to bodaciously knock on a green room door to chat with, was their genuine charisma; that they stayed around to party with the punters and joined in the skullduggery all around us. But then, who wouldn’t?! The Barge is such a wonderful place, brimful of joy and positive vibrations, and long may it be so!

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Flora Fiora Kicking the Tyres

Chedworth, Gloucestershire; proud village soloist, songwriter and model Flora Fiora is kicking the tyres and smashing windows in with a new single, and it’s about…

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What to Do? September in Wiltshire

Nearly September, time to sew those name tags onto school uniforms. Still, loads to entertain you throughout the month. I’ve exhausted our ever-updating event calendar, do please check it out. I promise you, you’ll have never seen so much information on things to do within a reasonable drive from Devizes, all collated and into one place!

Here’s some highlights and recommendations. Not this is conclusive, please refer to the calendar for much more!

Week 1: 1st – 6th

Step into a glittering royal world with Lucy Worsley at the Forum in Bath on Tuesday 1st, or get jazzy with Linley Hamilton & Eddie Gripper Trio at Jazz Knights, Royal Oak, Swindon (every Tuesday that one.)

End of the Road Festival starts on Thursday 3rd. Punk powerhouse Boss Cass are at the Ruze in Chippenham, or try Ribble at The Castle, Swindon, with Tamsin Quin in support.

Friday 3rd: The Strange Days Festival starts over at The Barge on HoneyStreet with Henge and Dom Jolly headlining, preview HERE. GoatFest also kicks off in Goatacre, and the Ley Lines Festival, nr Stonehenge.

Triple header at The Pump in Trowbridge with Lucky Number 7, Intrusive and Battery Acid. Saint Six at The Ruze. Neil Young ‘Harvest’ Celebration Show at Chapel Arts, Bath. Salisbury’s Fayre on the Square has The Tipsy Gypsies. And, The Leveller play Salisbury City Hall; wowzers!!

Saturday 5th: is Devizes Carnival. Midnight Hour at The Three Crowns and the new season at Long Street Blues Club opens with Lightnin’ Willie and the Poorboys: Preview HERE.

Motorbike ride-in at Wiltshire & Bath Air Ambulance Airbase. Car Park Fiesta at Wiltshire Music Centre, Bradford-on-Avon, Ashton Barn Festival near Trowbridge too.

Blue Water Giants at The Old Town Hall, Trowbridge. The Pump has Regal Cheer & Mulch & Pebble Daisy. There’s a Charity Ball in aid of Breast Cancer Live at The Ruze in Chippenham. The Chippenham Record and Art Fair at the King Alfred Hall.

Fundraiser Base Connection at Salisbury Arts Centre with Salisbury Live City Stereo, Tides, Things Behind The Sun, Mossy Depths, Love Is Enough, CharmType, Five Nights At Adyans and Rosie Jay playing for the Thomas Thelk Fund.

Sunday 6th: erm, Kula Shaker at The Cheese & Grain, or The Amazing Bubble Man at PoundArts!

Week 2: 7th- 13th 

Two words: Swindon Shuffle. Running from Monday until Sunday the 13th, the best time you will have in Swindon, ever! And helping Prospect Hospice too, we wish The Shuffle a happy 20th Birthday.

Chippenham Film Festival 2026 runs from Tuesday 8th to Sunday 13th.

Wednesday 9th, and you’ll find Devizes new town crier Capability Charlotte reading & social, Make Way for Lucia at The Churchill, West Lavington. An amateur production of Pink Mist, presented by arrangement with Concord Theatricals at The Mission Theatre Bath, opens and runs until Saturday 12th.

Thursday 10th: Trowbridge Comedy Club has Milton Jones at The Civic. Swindon’s Wyvern brings you an evening with one of the world’s top rugby referees, Nigel Owens MBE, and for a complete contrast the Cheese & Grain in Frome presents Elvana, an Elvis Fronted Nirvana! But hey, I’d recommend the Bob Marley tribute Legend at Salisbury City Hall. It’s the Mucky Weekender near Winchester too.

Friday 11th: Icons of the Sky opens at Longleat, running until 13th. The Jane Austin Festival in Bath. Langford Beer Festival. The Haunting of Hill House opens at Salisbury Playhouse, running until 3rd October.

Gigs; Steve Knightley at St Peter’s Marlborough. Old Baby Mackerel at Pound Arts. Talk In Code at The Ruze, Chippenham. 

Saturday 12th is Devizes Heritage Day, lots of open days across the town; until, the dinosaurs come! Jurassic Park open air cinema at Hillworth Park. Also, Devizes Bike Fest.

Minety Beer & Cider Festival, continues on Sunday. The Hammervilles are at Tuckers in Faulkland.

Sunday 13th, don’t miss Rachel Sinnetta & Jolyon Dixon at The Three Crowns, Devizes, Proms in Hilworth Park from 2pm with Devizes Town Band, and a charity football match at Devizes FC Vs Lacock FC.

Wiltshire & Bath Air Ambulance Paws Charity Dog Show, in Oare: preview HERE. Ramsbury Silver Band at Queens Park, Swindon from 15:00-16:30. 

Week 3: 14th- 20th

Monday 14th, Oexmann Art Award Competition and Exhibition at Wiltshire Museum, Devizes. Tuesday and David Coulthard & Mika Häkkinen talk at The Forum, Bath; vrooom!

125 Years Of Jazz Piano at The Wyvern Theatre, Balls at The Mission Theatre, Bath, and David Essex at The Forum; options!

Thursday 17th and here we go, Pewsey! The Wheel-beero race!

Deadlight Dance & Flowers of Sacrifice at The Tuppenny, Tim Holehouse & B-Sydes at The Castle, and George Montague at The Vic, all in Swindon.

Friday 18th: Rich Hall’s Chin Music at Melksham Assembly Hall. Grassroots Band Night at The Ruze. Sam Grassie at The Old Town Hall in Trowbridge, Pityspeed, Steatopygous, Byford Dolphin Incident and Kride at The Pump. Slagerij at The Vic, Swindon, and Days in the Sun Festival opens in Gloucestershire.

Saturday 19th sees The Devizes Food & Drink Festival begin, with the free Artisan Producer’s Market at the Market Place. The festival runs until the 27th, all events are listed on our calendar. It’s also the legendary Pewsey Carnival.

Ska night with Ya Freshness & the Big Boss Band at The Lamb, Trowbridge, with Luke De-Sciscio & In Silver playing the Pump. The Koolkatz at Melksham Rock n Roll Club, a 

Celestial Night at The Ruze, and The Reflections, Oscars & Golddiggers Reunion at Venom in Westbury; tidy!

Simon Brodkin at the Wyvern, Swindon, Hamlet: The Musical at The Mission Theatre, Bath. 

Sunday 20th and Jazz Deloren is at The Barge, Honeystreet. Highworth Silver Band at Town Gardens, Swindon from 15:00-16:30.

Week 4: 21st- 30th

Howard Barker’s Scenes from an Execution opens on Monday 21st at The Wharf Theatre, Devizes, and runs until September 26th. An exploration of  art clashing with politics and religion set in 16th-century Venice.

Wicked comedian Mike Rice brings his Cruel Little Man tour to Komedia, Bath on Monday and Swindon Arts Centre on Tuesday. While Tuesday’s offering at Jazz Knights, Royal Oak, Swindon is Brass Band Bychan, a Sousaphone. 

Find internationally acclaimed cellist Steven Isserlis CBE at Wiltshire Music Centre, Bradford on Avon on Wednesday 23rd. Joe McCorriston at The Pulpit, Swindon, comedian Josh Pugh at The Wyvern, Swindon, but over in Bath, Eric Idle talks at Komedia, and Alan Davies is at The Forum. 

Thursday 24th and it’s the opening of Marlborough Literature Festival, with lots going on for bookworms and creatives, until Sunday 27th. 

Now You See Me, Now You Don’t! at The Mission Theatre, Bath, and Amélie at The Rondo opens on Thursday, running until Saturday. Join two-time Olivier Award-winning actor Trevor Eve in conversation at Salisbury Arts Centre, Thursday, and Cloudbusting, the Kate Bush tribute is at Salisbury City Hall.

Friday 25th September, Virgil & The Accelerators return to Long Street Blues Club, Devizes after twelve years since they played there. Supported by Devizes-own Burn the Midnight Oil.

Sketchbook Records presents Fightmilk, Hark! A Shark! Spiderhoney and Shutterspeed at The Pump in Trowbridge. The Lost Trades & Ruby Darbyshire are at The Ruze in Chippenham. Martin Kemp’s “Back To The 80s Party” at King George V Playing Fields, and there’s comedy at Melksham Assembly Hall with Marcus Brigstocke, Zoe Lyons and Matt Bragg.

Saturday 26th, is the Colour Rush and Confetti Battle in Devizes, and a Thrive Sustainability Day at St Andrews. 3 Daft Monkeys are at The Barge, Honeystreet. Award-winning folk band from Quebec, Le Vent Du Nord at Wiltshire Music Centre.

Raving at The Vic in Swindon with  Diversify 26, Swindon’s Multi Genre Dance Event, while rock legends Magnum play Frome’s Cheese & Grain.

Sunday 27th sees the ending of The Devizes Food & Drink Festival with the free World Food Day at the Corn Exchange. But thats also the end of our highlights for September, at least on a full stomach!

But this is just a smidgen of the stuff already listed on our event calendar, so bookmark it and check in, because more is being added all the time, well, nearly all the time!!

XTC’s Colin Moulding Wants AI Slop, Bad

Swindonite and founder member of XTC Colin Moulding released a new single last week, Want It Bad (The Pep Talks and Playing Fields of Old England). It’s previewing a three-track CD single being released via Burning Shed. This is Moulding’s second single in five years, following 2021’s The Hardest Battle, but is it simply a smooth, rose-tinted specs wishful motivation, or is Colin really making plans for Nigel?!

In this single, Moulding continues to explore the distinctly English pop sensibility trademark of XTC, through qualities of melody, rhythm, variety, idiosyncratic subject matter and a bucketload of nostalgia. It began as a song of sport and camaraderie, but soon took on a broader meaning. Colin explained, “although this song started life as a sporting pep talk, it was clear that it could easily be thought of as a mantra for one’s own life ambitions whatever they may be. If you want something in this life you have to really want it. And if you really want it, you’ll get it; that was my mantra.”

And, like Paul McCartney’s Wings, it is a lovely song of motivation from a mature, experienced professional, seemingly themed ambiguously, with meaning that could be interpreted by the listener. It’s the accompanying video which unfortunately feels like a cringeworthy political allegory, and this causes any imagination the listener might have conjured, to collapse within itself.

Colin was born in Swindon in 1955 to a GWR worker and a laundrette wife and lived in Penhill. They were in every essence working class. Through jam sessions he met Andy Partridge around about 1972, introduced him to Terry Chambers and they formed the band Helium Kidz, which changed name to XTC. Through their angular guitar riffs considered pop in an era of punk and new wave, and an abrupt ending due to contractual disagreements with Virgin, they achieved only sporadic commercial success, but attracted a considerable cult following. 

There’s therefore every reason for Colin to write a song about wanting it bad. But what is it he wants so bad? The video begins with Great British sporting achievements and more randomly, the Moon landing. Yet it wanders off onto some kind of patriotic kickback to an England of yore, with Colin handshaking a wealthy dummy, driving through the fields in a psychedelic dressed Morris Minor, is adorned with images of Lord Kitchener and spitfires, housewives marching village streets wearing gasmasks, and toy soldiers on a bandstand. The irony is, the video might feel like an Orphism collage influenced by Aardman’s Sledgehammer, but appears to be prompted rather than created by Thomas Walsh, who is renowned for using AI slop. This is suspiciously AI, and I cannot abide by that.

I’ve no issue with patriotism, and rose tinted spec nostalgia, provided it’s divisive and supports equality, and the content here, while glorifying war, isn’t suggesting anything more. Except, similar cringeworthy AI creations are predominately used for far-right propaganda, causing the video to feel uneasily related to such politically motivated imagery; which is a shame. Particularly due to XTC’s most known hit “Making Plans for Nigel,” recently being used, for and against, the rise of Reform and fascism in England.

You can want something bad, you could strive to reach that goal, but, I quiver, as a professional musician, should you sacrilegiously destroy any further creativity with AI? And if you do, how in the good name of England’s green and pleasant land is that nostalgic in any shape or form?!

Nice song, shame about the video! Want It Bad is available on CD from the 18th September, exclusively via Burning Shed.

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3 Daft Monkeys at The Barge on HoneyStreet

Witnessed amazing fireworks for Confetti Battle in Devizes, and I hopped eastwards to that sacred hippy haven in the Pewsey Vale, The Barge at HoneyStreet; what better place for equinox? For while there’s always a hedonistic happening here, this particular autumn occasion was unmissable; 3 Daft Monkeys were heading from Cornwall for their final night…

Darren Worrow's avatar by Darren Worrow

Booking In Ballyhoo at Wiltshire Recycling Centres

As you’re probably aware, because there’s been lots of people kicking up a scene, Wiltshire Council’s recycling centre booking system being trialled at Devizes, Lower Compton, Melksham, Purton, Salisbury and Stanton St Quintin has been running for a fortnight. I’ve got accumulated stuff, a wife subtly hinting, and not much to do on a Sunday…

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Swindon Advertiser Running With Islamophobic Clickbait, Again

Immediately after the weekend which saw press photographers ejected, so they could savagely beat women at the Birmingham Reform conference, as if someone threw a side of beef into a pride of starved lions while Farage played the part of Scar, encouraging them and laughing it off, and black shirts disrupted holiday-makers returning home, and…

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Henge Frontman Matthew C. Whitaker Solo Tour Comes to Frome

Featured Image: Antony Barkworth-Knight

Despite intentionally making his tricks go wrong, Tommy Cooper was actually a skilled magician and member of The Magic Circle. SpongeBob SquarePants creator Stephen Hillenburg was a marine biologist, and Benny Hill really was a milkman. In order to deride an art effectively you must first master it. It therefore stands to reason Matthew C. Whitaker, frontman of the cosplay prog-rave outfit HENGE, also has some highly acclaimed solo material….

Matthew takes his February album Songs for the Weary on the road solo this October, opening in Belgium and the Netherlands before touring across the UK, including Frome’s Cheese & Grain’s sister venue The Tree House on Wednesday 21st October.

The one and only time I’ve seen Henge was at the Cheese, making haste for the county border after fondly reviewing their album Journey to Voltus B last year, and it was a gig I’d need to be abducted and lobotomised to forget. Matthew’s solo material can be equally as cosmic, as it drifts through gentle pieces for classical guitar, lush string arrangements, and subtle electronics, but it also contrasts vastly, and is a particularly mellower experience than Henge.

There’s cool jazz sax, whistles, fingerpicked guitar and delicate yet quirky observations in these hushed and patient patterns, taking you along with it as it drifts through space. Songs for the Weary has found a home on BBC Radio 6 Music, with singles Lucid Dreamer and Chestnut Tree championed by Mark Radcliffe and Stuart Maconie, Craig Charles, and Deb Grant.

The run follows a widely praised set of UK and European dates earlier this year, when Whitaker was joined on stage by the album’s producer and multi-instrumentalist Alan Keary. This time, he takes to the stage completely solo.

Manchester-based musician and composer Matthew sings about losing a train of thought, which is apt, it twinkles through you like Bowie at his most exquisite or Paul’s later work with The Beatles, backed by Peter, Paul and Mary, for an episode of Button Moon.

And before you say it, milkman is an art; it can take years to master the three-bottle-grip whilst being chased by an enraged Yorkshire terrier up a garden path.

More info on Matthew C. Whitaker

The UK tour dates look like this:

11/10/26 – Lancaster Music Festival, Lancaster

13/10/26 – Nice N Sleazy, Glasgow

14/10/26 – Sneaky Pete’s, Edinburgh

18/10/26 – Storyhouse, Chester

19/10/26 – The Bullingdon, Oxford

20/10/26 – Colchester Arts Centre, Colchester

21/10/26 – The Tree House, Frome

24/10/26 – The Grand, Clitheroe

26/10/26 – The Hare And Hounds, Birmingham

27/10/26 – Signature Brew, London

29/10/26 – Amped, Huddersfield

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Stray Chords of Salisbury; How Jolyon Dixon was Reunited with Childhood Guitar

Turned around in just a day, a team of guitar “heir hunters” from Macclesfield called The Stray Chord have reunited Salisbury’s musician Jolyon Dixon with his childhood guitar, with a truly fascinating story…..

Jordan, Sarah, and Damian are a family team behind Stray Chord, who’ve spent years rescuing lost guitars from auctions, marketplace listings, trades and house clearances, in order to restore and rehome them. This has developed into a project reuniting the guitars with their original owners, and discovering the histories behind them.

They hope to create a music hub built around this unique idea, creating a space for people to connect through music and creativity. “Once we’ve raised enough, we would love to open a community-minded space with rehearsal rooms, a workshop, and a coffee and comics area,” Sarah explained. Sarah does aesthetic restoration, her husband Jordan handles technical restoration, and their son Damian runs their social media and is the “Mini Moshers” ambassador.

Stray Chord team; Sarah, Damian and Jordan

“We only started up six weeks ago, so it’s early days! In that time though, we’ve rehomed over twenty restored stray guitars, and we’re on our second Mini Moshers Promise giveaway, which is where we restore and set up a guitar and equipment bundle that we give to a child that may not otherwise be able to start their musical journey.”

On Thursday the team posted a picture on their Facebook page, of a rescued 1979 Hondo II HDLP-2WI custom-style guitar, dressed in a wine red finish, hereafter called Merlot! “While dismantling Merlot for his rehabilitation,” they revealed, “we discovered a little address label. Then another. Then another. Then a fourth. A label in every cavity!”

With a redundant Salisbury telephone number, their hunt began with just a name, and they requested for information, purely for the love of discovering the story behind the instrument. The following day they received a message from Jolyon, who recognised the guitar. His parents bought him the guitar second-hand in Salisbury in 1985, when he was 11. It was his second guitar, but loved and cherished it, and used it with his first band with school friends. He passed the guitar onto his bandmate, Jamie.

“It has been a really fun few weeks so far,” Sarah said, “and very rewarding. We’re looking forward to seeing what we can do in the next six months, but being able to find Jolyon, and the history of an almost 50 year old guitar has genuinely been a real highlight.”

John and Jolyon as Illingworth

Jolyon is the most modest local music legend I’ve met. You might have seen him backing singer Rachel Sinnetta, as part of the Illingworth duo with John Smith, at the control tower of CrownFest and other Stone Circle festivals, and he produces for the likes of George Wilding. He sent them a photograph of himself, his bandmates, and the same guitar sitting dismantled on the Stray Chord’s workbench. “At this point,” they expressed, “we were already emotional because we’re hugely sentimental people. It’s a large part of why The Stray Chord exists in the first place.”

Jolyon relayed his story to the team, from this school band to his professional career, in which he played in numerous bands and recordings, including The Who’s Endless Wire album. He told us he was quite emotional about the discovery, and explained how Jamie put the address labels in when he passed it to him. “Jamie has had a great music career,” he told us, “partly out in Australia, and is a brilliant guitarist.”

The other guitarist in the photo is John Wakefield, of whom Jolyon is still in touch with, and still owns his guitar! “John and I stayed band mates all the way through secondary school,” Jolyon told us, “and on through playing with Toyah Willcox, and then as backing for girl duo Scarlet in 1995, so we did get to do Top of the Pops together a few times, which was great!”

The story caused the Stray Chord to consider their Mini Moshers project, “because this photograph could almost have been taken to explain why we started it. Someone put a second-hand guitar into the hands of an 11-year-old. That kid formed a band. He kept playing, and more than four decades later, he’s still making music professionally and touring the world. We’re not suggesting that every Mini Mosher we give a guitar to is going to end up playing with The Who, that’s not the point! But, maybe they’ll become a professional musician, maybe they’ll form a clumsy teenage garage band with their best friends.”

Jolyon was “flabbergasted” to see his old guitar, and told the Stray Chord he often thought of the guitar and where it might have gone. Though he plans a trip up to Macclesfield to visit it, and the Stray Chord gang, he feels, “it’d be best for someone new to take the guitar into its next chapter; I’ve got too many now!!”

“I’m really happy to see that the guitar is still alive and well,” Jolyon stated, “and I hope the next owner enjoys it as much as 11 year old me did!”

As for the Stray Chord’s Mini Moshers, the promise is “if there’s a young person in your life who dreams about playing guitar, please go and nominate them. We rescue guitars because we’re sentimental. We restore them because we think their stories are worth continuing. We rehome them because somewhere out there is another pair of hands ready to write their next chapter.”

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REVIEW – Devizes Arts Festival– Swing From Paris @ Corn Exchange (Thursday 11th June 2026)

A Little Bit Of French Polish

Andy Fawthrop

As the Devizes Arts Festival rolls majestically towards its final weekend, there’s no chance that the bus is anywhere near running out of fuel.  There was plenty of gas left in the tank last night to bring us into the streets of Paris to hear…. but what’s that? – it’s some lively street music!  Yet another beltingly-good music act had come to town to keep the DAF party going.  Not only that, but there were signs of a bit of a runaway success – not only had Swing From Paris sold out the Merchants’ Suite venue downstairs, but they’d sold a lot more tickets too, so the gig had to be moved upstairs into the main Ceres Hall…..

To be honest the place didn’t look much like a Paris bistro – the high-ceilinged, air-conditioned, space of the hall would never allow that – but at least we were greeted with a more café-style layout, featuring a casual smattering of tables and chairs.  It meant that we had some space to spread out for a change, whilst still feeling crowded together enough to create some atmosphere.

Swing From Paris breezed on to the stage and, after a little tuning, confided (to plenty of laughter and applause) that they weren’t actually from Paris at all!  The shock! – we’d never have guessed! Still, Gloucester and Worcester’s Finest came to give us a good evening’s entertainment, and they sure succeeded in doing that.

Consisting of Tomasz Williams on upright bass, Sam Hughes on acoustic guitar, Andy Bowen on electric guitar, and Fenner Curtis on violin, who acted as the band’s spokesman throughout, we got two highly entertaining sets of jazz, swing, waltz and gypsy rhythms mostly from the 1930s through to the 1950s, but also featuring tunes from as far back in the 1890s and forward into the 1980s.  There was plenty of humour and self-deprecation throughout as Fenner talked us through the provenance of each number.

The instrumental tunes were bright, lively, and often short, occasionally well-known and recognisable, delivered through some really tight arrangements, but giving just enough room for the occasional solo. Many tunes derived from Broadway shows, the movies, musical theatre, and the Great American Songbook, but there were a couple whose roots were more from classical music or folk traditions.  Fenner humorously compared classical works to jazz works, in that nobody knew for sure exactly when to applaud, and then gave Tomasz a bass solo in the middle of the next number, just to prove the point. 

And there were plenty of famous names being bandied around during the evening – Claude Debussey, Fats Waller, Django Reinhardt, Stephane Grappelli, Duke Ellington, Artie Shaw, George Shearing, George & Ira Gershwin to name but a few.

I particularly loved Fenner’s minor tirade against streaming sources when he exhorted folks to purchase an actual physical CD or vinyl copy of their albums. The difference, apart from the revenue stream to the artist, was so much better for the punter too – higher quality sound reproduction, the feeling of ownership of an artefact and its associated artwork, the programme and background notes, and the knowledge that it was much more financially supportive of the artist.  I have to say I agree with him.  Seems like other folks did too, as there was plenty of business going on at the merch desk during the interval and after the show.

Two fine forty-five minute sets breezed by in absolutely no time, capped off by the well-signalled and, ahem, totally unexpected encore.  Job done!  Artists very happy with their first visit to D-Town, DAF very happy with a larger than expected number of bums on seats, and an audience very happy with what they’d just heard.

So another “hats off” moment for DAF – well done for bringing these guys to town.

Anyway, there’s just a few more sessions to go from this Friday through to Sunday, and it’ll be all over for another year.  So, if you haven’t done so yet, get yourself along to something before it’s too late!

The Devizes Arts Festival continues until the night of Sunday 14th June at various venues around the town.  Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

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REVIEW – Devizes Arts Festival– Bob Holman: “Have A Go: Phone Photography” @ Cheese Hall (Monday 8th June 2026)

I Think I Get The Picture Now

by Andy Fawthrop

Monday morning seems an odd time to be going to an “Arts” event, and early heavy showers didn’t do the day any favours either.  It almost felt like getting up to go to school when double maths is scheduled, but that was a very (very) long time ago for me, so I sharpened my pencils and set out in determined fashion for the Cheese Hall……

A doughty class of about twenty folks had turned up to hear professional photographer Bob Holman run a workshop session on “how to elevate your phone photography and WOW your friends”.  Not only had this master-class been the first item on DAF’s Events Calendar to sell out, but had proved so popular that another session had been arranged for the afternoon – and that had sold out too! So I guessed there were a lot of people around the town who were having issues with their competence at phone photography!

This was another one of those little DAF gems which gave our good citizens a chance to actually “have a go”, rather than just sit back passively and be entertained.  And this was definitely not entertainment, much more instructional in nature.  It fell into two basic halves: the first being almost traditional chalk-and-talk from the front, and the second was a much more hands-on practical session.

Bob ran through a lot of basic settings, and how to set the phone’s camera up to suit the types of things you might want to do.  Cue lots of “a-ha” moments as people began to discover some basic things about their phone that they’d not realised before.  Previously unexplored menus, sub-menus and options came blinking into the light. This then morphed into a tips-and-techniques section (including “filling the frame”, never using the flash, using the timer, macro shooting, video including slow-motion etc).  We got plenty of advice on what NOT to do, and features NOT to use, which was equally useful.  We talked about focus, contrast, using the light, burst mode, black-and-white….well you get the picture (see what I did there?.

After the break and a chance to let our spinning heads settle a little, we donned coats and headed into the great outdoors for some much more practical shooting tips, causing alarm and amusement in equal measures to ordinary citizens of the town going about their daily business.  Before you knew it, twenty-odd folks were swarming around the Town Hall, down St Johns and into the churchyard, taking pictures of all sorts, from a variety of strange new angles.  We were taught about “leading lines”, “framing”, composition, perspective and some lovely trickery using a range of reflecting surfaces (windows, mirrors, puddles of water).  Again you could hear the “oohs” and “aahs” as various pennies dropped.  Finally, after this enjoyable bit of play-time, we were trooped back into the classroom for a final round-up before the lunch-time buzzer went.

I’d say that by now we were all starting to feel quite pleased with ourselves, not only because we’d all blossomed into a new regiment of crack photographers, but also because the lesson was almost at an end. It was at this point that Bob told us that taking better pictures was “the easy bit”.  All those great shots would now require editing before they were truly perfect. And that, we learned, was a whole other set of dark arts, and a different discipline altogether!  Something for another time methinks.

Overall this was an informative and helpful session. My only quibble was that, despite being clearly advertised as suitable for both iPhone and Android devices, the latter (of which there were several in the room) were not really catered for. Bob admitted upfront that he was largely unfamiliar with Android settings, so a few of us had to play quite a lot of catch-up and translation during the session. For the iPhone majority, however, this session got a definite thumbs up.

Anyway, we’re into the final week of the Devizes Arts Festival now. However, there’s still plenty of great stuff still to come over the next few days, both ticketed and free.  There are more “have-a-go” sessions, too, so why not get your sleeves rolled up and get stuck in?

The Devizes Arts Festival continues until the night of Sunday 14th June at various venues around the town.  Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

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REVIEW – Devizes Arts Festival– “Behind The Lens – My Life in Wildlife Film-Making & Photography” with Nick Upton @ Assembly Room (Thursday 4th June 2026)

It’s Not As Easy As It Looks

by Andy Fawthrop

The Devizes Arts Festival continued on a very wet Market Day this Thursday, and continues to throw up some real little gems.  Here was another piece of interesting and imaginative programming from the committee…..

If you’ve ever watched a David Attenborough wildlife programme, or read about some of the campaigns of the RSPB, or the National Trust, or marvelled at the wildlife photography in the National Geographic, or even Wiltshire Life, there’s a reasonable chance that at some point Nick Upton was working behind the scenes on one of those projects.  His work, which he showed us many examples of during his talk, and the well-stocked merch desk in the foyer, were great examples of the skill of this man.

Nick let us in on many of the difficulties and challenges in his line of work, and many of them were not related to mere simple technical stuff, such as which lens he might need to use, or about the quality of the light, but more about working in some extremely difficult physical and climactic conditions, extreme weather changes, being attacked by insects such as bees, wasps and hornets (and some bigger stuff too!), having to work with local indigenous people (and I don’t mean folks from TrowVegas or The Sham), but also having to cope with potential diseases, bites, droppings and things that could be considered seriously injurious to health.

We also got an insight into the many tools and techniques required – not just the amazing whizz-bang range of camera goodies, but all the associated non-camera items: drones, hides, tubes, camouflage, hard hats, periscopes, GPS tracking, motion and heat sensors, infra-red equipment and helicopters.  And even that lot was never enough to secure great pictures – you still needed a lot of prior research (migration paths, animal behaviour patterns), a massive amount of patience and ability to soak up personal discomfort, and sometimes just a bit of luck.

On top of all that, some creatures apparently have the temerity to be vanishingly rare, or are very camera-shy, live nocturnally, move extremely fast, or are incredibly tiny.  How very dare they? Clearly, this is not a job for the faint-hearted.

This talk was a great sweep across Nick’s career over 40 years, and covering over 30 countries, but it illustrated not only the man’s undoubted technical and related skills, but also his obvious passion for nature, especially those projects closer to home in the UK.  These included working with hedgehogs, harvest mice, dormice and the re-introduction programmes of cranes, great bustards, otters and beavers.

It’s no wonder he’s won so many photography awards, and had so many pictures published and syndicated in many countries.  Packing all that little lot (including hundreds of great photos) into just 55 minutes was no mean feat, so it was quite a fast canter.  But Nick really came alive once he was off-script and responding to questions at the end of the session from the packed audience.

A really wonderful, and truly fascinating, topic for a Thursday lunchtime. Great stuff. Well done Nick, and well done DAF for booking him!

Meanwhile the rest of The Devizes Arts Festival continues until the night of Sunday 14th June at various venues around the town.  Tickets can be booked at Devizes Books or online at www.devizesartsfestival.org.uk

Devizes Teenage Gardener Banned from Local Facebook Group for Promoting their Business!

Sixteen year-old entrepreneur, Katie West from Devizes, set up her own gardening business, FreshEdge Teen Landscaping a few months ago, but received a ban from the popular local Facebook group Devizes Issues, trying to promote it. In the scheme of things if it sounds petty to you, it’ll probably be what it is…..

The cost of advertising is spiralling, and can cripple a business before it gets its feet on the first run of the ladder. Marketing on local Facebook groups is an essential method to getting your initial message out there, informing people of your services. Katie mistook one administration rule of the group Devizes Issues, which allows other businesses to advertise, by mentioning where her gardening business operates rather than where they are based, and in pleading her case to the admin of the group, was ignored and promptly banned from it. Strewth; two sugars for my storm in a teacup! Would he have done the same to ol’ Alan Titchmarsh, I wonder?! 

I’m not going to put Katie up against the wall here. I believe anyone starting up a small business in this current financial climate needs a leg up, and I’m particularly impressed when such comes from someone so young. Originally I thought I’d freely offer to write this, omitting the unjust circumstance which spurred it, but, sleeping on it I thought, in fear of it simply coming off as an advertorial, the harshness of the decision to ban her from the Facebook group needs to be said.

This is not an advertorial, I would not ask Katie for money for publishing this. I wouldn’t even expect a hedge trim; I actually like tending my garden, it keeps me away from doom scrolling precisely this kind of petty nonsense on social media! The admin of the group in question really needs to grow up, or if we are to use gardening analogies, position a grow bag in line with their pelvis, lie down in it, and grow a pair!

I’m sorry, but I’m sick and tired of hearing about locals being unfairly banned from this same Facebook group for inconsequential reasons. It leaves people frustrated, and if they react, the admin plays their victim card like drama is addictive, every time. Ban those being offensive, abusive, or prejudgemental, I dare say, but Katie finds herself in an ever growing collective of covid support groups, other councillors or candidates of opposing parties, or residents who dared to speak against the opinion of the admin, and found themselves kicked out unjustly of a group which claims to be an impartial community page. Orwell couldn’t make it up!

As it is, and something you should take heed of despite not seeing it on a certain Facebook group, looking at photos of their past work, FreshEdge Teen Landscaping appears to make a top class job of it. “I’m a 16-year-old gardener offering affordable garden tidy-ups and outdoor work,” Katie explained. Her current offers are a full day gardening service for £160, and two days for £220 within the Devizes area, “no matter how overgrown the garden is!”

Her services include lawn mowing, weeding, patio and driveway cleaning, planting flowers, hedge trimming and general gardening tidy-ups. Katie, who tells me she often brings her boyfriend to help too, is friendly, hardworking and “happy to help get your garden looking great again!” And, in return, I firmly believe we should be helping our local young people with such initiatives, not casting them aside for accidentally breaking a hidden rule of a Facebook group! 

One satisfied customer said, “I asked Katie if she could weed my gravel as I find it difficult to bend as I have osteoporosis .. Katie along with the help of her boyfriend did an amazing job that has saved me hours of back breaking work … good to see young people prepared to work hard.”

You can message Katie for gardening bookings or questions here. Please support her.

As for the Devizes Issues, silly sausages say “it’s a popular group,” to excuse themselves for staying in it. Hit me with a snooker ball in a sock if it ain’t true, I say bullying is a spectator sport; leave and the powertripping is greatly reduced. 

Why stay in a group disciplined like the admin is the daddy of a borstal, when there’s others with admins who understand the meaning of words such as compromise and compassion, waiting for residents to join them? Oh, and get your garden smartened by Katie while you decide!

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BecFest2 – Stonehenge Campsite, April 25th 2026

by Ian Diddams
images by Sarah Bec

Have you got an empty weekend coming? Fancy a last minute, first field festival of the year? Don’t want to travel far? Then fill your boots with BecFest2, this Saturday, with camping available for those that want to over imbibe or just get into the festival groove around a late-night campfire.

The brainchild of Sarah Bec and following the huge success of her first foray into low key affordable festivals last year, BecFest2 promises all the festival fun to kick the festival season off in style, with great independent bands, great food, great drink, great merch and a chilled vibe without having to deal with tens of thousands of others. Think of it more as a family gathering, of like-minded souls, rather than a field of strangers. And the weather is looking FABULOUS BABY!!!

The line-up features fully independent musicians – no covers bands here folks – and the day headlines with the phenomenal Revelation Roots, the energetic reggae, ska and dub band from the South-West, more than ably aided and abetted by

  • James Harriman, a Bristolian performing a Brit-Pop, folk-rock inspired sound
  • Plot 32, a party ska band from Leeds
  • Tabitha Wild, a mischievous singer-song writer with a sparkle in her eyes and a ukulele in her hands,
  • Mexican Dave, all the way from Swindon with his whacky approach to music, fun and drinking games
  • F.M.I. Clatters, who likes Cornish pasties amongst other hilarious musical offerings
  • Andras Droppa, delivering a hard rock blues style set
  • Dub Catalyst, with a reggae/dub/hip hop feel also from then South-West
  • with Ed Liner as compere and DJ throughout the festival.

The music stage is in a barn, but the weather is looking fine anyway, and camping is available from Friday 2th April through to Sunday 26th. For post music festivities there’s a campfire for a jam session and chat with new found friends including undoubtedly many of the musicians – no “green room” away from the fans here at BecFest2!

Food is provided by the fantastic festival feeders Events Horizon with breakfast and all-day menus with snacks and spuds, chips, burgers, nachos, curry, pies and toasted sandwiches, with carnivore, vegetarian and vegan options amongst those.


Tickets are priced from £40 for Saturday, through to £70 with Saturday camping and Friday camping an additional £22, which in effect is for the campsite itself. And the best bit – kids go free, with just a small fee for camping, and pre-schoolers not even that! There’s even bell tent glamping options fo0r extra – truly a festival catering for everybody.

So, grab a ticket, and your tent or live-in vehicle – or glamp! – and get down to Stonehenge campsite for a wonderful weekend of music, meals and madness 😊

Tickets and further information from https://wegottickets.com/f/13935, and there’s a Facebook group https://www.facebook.com/share/p/1ApfzDaXrW/ for chat and further information.

“Devizes & Beyond” – Poetry & Photography by Gail Foster at St. Mary’s Church, Devizes April 18th – 26th 2026

by Ian Diddams
images by Gail Foster


‘Devizes & Beyond’ is a collection of original poems in traditional forms and digital photography, inspired by life in Devizes and the occasional foray into the world outside. The exhibition covers eight areas of life from shopping to spirituality and is a colourful and poignant snapshot of what it is to be human in this beautiful place and brief moment of time, and the physical and metaphysical journeys we take on different forms of transport and through life itself.
(Gail Foster)

Those are Gail’s own words in her description of her exhibition this week at St. Mary’s; she has become a well known poet and photographic artist in our town, and it is a joy to behold this body of work on public display. There are various sections to peruse and ponder over, smile, weep and reflect upon, from “Shopping” and “Spirituality”, as Gail mentions already, to “Community”, “People”, “Transport”, “Creatures” and “Landscapes”. And the eponymous section “Devizes & Beyond”.

Some areas unsurprisingly cross over … “Community” and “People”, “Devizes & Beyond” and “Landscapes”, but that is no criticism… such is the breadth of Gail’s work and interests this is probably to be expected. What is presented is certainly worthy of at least thirty minutes of anybody’s time, and the calm, serene surroundings of St. Mary’s permits us all to take a while to sit and reflect on what we are witnessing and cerebrally imbibing.

We are treated to some two hundred and eighty two photographs, and eight poems within those eight sections. In the vein of the crossovers mentioned above, some poems lend themselves to being a sisterhood together : The beautiful, heart rendingly poignant “Children of the Avenues” reflecting upon the lives past and future of the offspring of The Avenues, especially the September 2019, immediately pre-Covid, schools’ intakes holds the same gentle and reflective space as “Blink ~ Seven Stanzas for the Seven Ages of Man” harnessing the concepts within Shakespeare’s monologue in “As You Like It”. Similarly “Singing River” and “This Barrow Strewn Land“ share a love for the Wiltshire great outdoors and its magical and wistfully timeless beauty.

Treat yourself to an indulgence with the exhibition of photographs of all sections and you’ll undoubtedly spot someone you know, a beloved place, something or somewhere to make you laugh, smile, weep – or even halt you with a jolt. Gail is not shy to show warts and all either… we live in such a beautiful part of the world and her wonderful photographic eye captures so many shots that are truly stunning, worthy of any great exhibition… but she also grabs the mundane parts of everyday life that are the reality of living in a small town. For every framed shot of a church yard entrance, a shaft of light in the Ginnel, there’s the kebab shop building site, a hearse, a crowded bus.

All of these display Gail’s wonderful eye, and patience, and her lifetime of living in, and love of, Devizes, but if there is one section that truly encapsulates the author and artist that is Gail Foster it is that of spirituality… her inner peace and connections with an ancient land, and organised religion, of ancient chalk-lands, stones and timeless vistas, and pagan and church ceremonies.

This exhibition covers so much, it is impossible to encapsulate it all in mere words. One will still be taking it all in for some while afterwards – I’ve been mulling over this piece for almost two days and I should probably take longer but I am mindful that we need to all experience this display so its imperative I publish this as soon as possible. To paraphrase Peter Quince, a Shakespearean character from “A Midsummer Night’s Dream”….

I entreat you, desire you, and require you to visit Gail’s exhibition this week. Entry is free, open daily 10.00am to 3 p.m. until Sunday 26th April, plus an evening opening opn Friday 24th April from 6pm to 8pm.

And finally… to enjoy Gail’s eight poems from this exhibition in perpetuity, they are included in her next book, “”Singing River – a book of poetry”, which can be bought from Devizes Books from Friday 24th. Get it early on Friday and you may be able to meet the author over the weekend to have it signed!

7 Hills to Trowbridge’s Old Town Hall

To clear up any confusion, Trowbridge’s old town hall is no longer the town hall, but The Old Town Hall. I have no idea, nor care to know if there’s a new town hall; that’s irrelevant. Whilst still owned by the council, it was refurbished and reopened as a charity funded arts centre and cultural hub last October…..

I met a great bloke there called Tom, he used to run Bath’s venue Moles, now he’s steering events at this glorious grade II listed building, originally opened in 1889 to commemorate Queen Victoria’s Golden Jubilee. It is an utterly stunning space of Victorian splendour with acoustics from the heavens; nice to note it’s in good hands.

In equal splendour was the reason I’m here, for the 10 Hills Spring Music Festival. Congrats if you spotted the deliberate mistake, there were only ever seven hills; I’m rounding it up as if it’s a score out of ten, perhaps I should add an extra hill or five onto that for good measure!

If forced to find a nick-picking fault with this event, I could suggest a lack of chairs inside the hall, considering the higher end of the age demographic in attendance. But the concentration was on the music, an elaborate concert-festival, and the quality and quantity of this was absolutely mindblowing, if not particularly diverse.

7 Hills regularly organise music events at The Night Jar in Bath, including an annual festival. Chris Hoar of Courting Ghosts explained he, “reached out to them initially to say I was planning a festival in the newly renovated Old Town Hall, just to check it didn’t clash with them, and Matt said let’s do it together in Trowbridge as a spring festival.” And here we are finally in spring, I’ve been looking forward to this.

Americana, folk-rock was the order of the day, everything uniformed to the influences of Courting Ghosts. So if you wanted to go looking for a dance tent, this wasn’t for you. But the standard of music was sublime throughout the day and into the evening, and that’s what made 7 Hills so spectacular.

Best festival of the year I could jest, because it’s my first, still, I believe I’m going to be hard pressed to find a lineup as good as this, and the craziest element was, while I knew most of the local acts booked for the afternoon, I was in the dark about the later ones, but far from disappointed.

Jess Chivers

Perhaps the only one I saw to deviate from Americana was Jess Chivers, who delivered a great set on an acoustic stage adjacent to the main one, as this had subtle elements of punk. This second stage assured consistent entertainment whilst bands prepped on the main stage. I believe because I needed sustenance I missed Phil Cooper’s set, drafted in due to a cancellation, and a few others before my arrival, but Leander Morales polished off the acoustic stage with an energetic and poignant set.

Thieves

Sadly I missed Fly Yeti Fly, meeting Darren on the stairs as I came in. Love this duo too, they remind me of Christopher Atkins and Brooke Shields in the Blue Lagoon! My arrival, I hoped, would be timed for Concrete Prairie, as it was, lovable bluegrass collective Thieves were doing their wonderful thing on the second stage, while the prairie tuned on the main, under the stained glassed lancet; confirming I’m going to love this event.

Concrete Prairie

Make no mistake, Concrete Prairie was on fire, I expected no less. Undeniably the liveliest set at the festival, they gave us the classics from their 2022 self titled debut album, finishing on their magnum-opus, the incredible crescendo-hugging Devil Dealt The Deck, but between them blessed our ears with some new songs from their forthcoming album. While Joe set no date for its release, the songs came across livelier than the sombre mood of the debut album. They’re perfectionists, providing me with faith there will be no sophomore slump.

The band were incomplete too, Phil Cooper taking bass, and original fiddler in the band, Georgia, filling in for her replacement. Still they rocked it, and I’d have been content if I had to go home straight after them!

Courting Ghosts

Obviously with Chris Hoar at the helm, Courting Ghosts would play, and I could imagine no other following the Prairie, even if their overall mood is more sombre; this is music for the soul. Counting Ghosts surely set the mood for the remaining acts, this smooth Americania with influences from both country folk and jazzy soul. They gifted us a new song, to be the title track of their next EP, Baby, I Bleed for you, and sparks flew.

Orla

Everything chronologically from now on would be new to me, but all of it flying miles above my expectations. A great example came from the acoustic stage immediately after the Ghosts. Orla is a young singer-songwriter from Bath, and clearly one to watch. With crystal vocals she gave us some divine originals, including a particularly poignant one called Mouthwash, and made Crowded House’s principal her own.

Matt Owens & The Delusional Vanity Project

Former Noah and the Whale, Matt Owens & The Delusional Vanity Project followed with a dynamite set. As evening set in a professional precedence, I figured this was going to get continuously better. Multiple AMA UK Award winner Hannah White, the best yet, intertwined devout stage presence with a heartfelt singalong, she captivated, projecting her pure lyricism like dripping honey. I especially liked the tune with the reggae offbeat, but overall, I left wondering if, or how it could possibly get any better.

Hannah White

If I’m now a Hannah White fan, and all presented before us was of a quality so high it would be impossible to fault, it should be no negative reflection in comparison to suggest something here wasn’t entirely my cuppa. No doubt, any Ohio artist signed by Peter Gabriel is going to be of an excellent standard, and soloist and loop pedal god, Joseph Arthur certainly is, it was just the bar was set so high by Hannah it levelled off here somewhat.

 Joseph Arthur

So, despite the highest of qualities, I wondered now if, for my personal tastes, anything could possibly top Hannah, and casted a preconceiving critical eye over Our Man in The Field as they set up. They certainly had an impressive ensemble, seven piece with an upright bassist, organist and everything. The lead guitarist had something of a Bill Wyman debonair, while the frontman presented himself as a funky truckstop dweller. Grasping tight to my newfound adoration of Hannah, this would be interesting, if nothing more.

That’s when the vibe hits you best, when it’s a surprise! Our Man in The Field has the perfect Americana balance, components of country, but with such soulful jazzy swagger, they had me off-guard and now totally hooked, the first to entrance me wholly. Our Man in The Field is sublimely captivating.

Our Man in The Field

Shit, I realise now I should’ve put more trust in Chris’s knowledge! He has presented a lineup which, despite me thinking at numerous intervals, he’s not going to top this, he somehow did! I made up my mind then, I had to witness the final act even if an asteroid hit The Shires shopping centre.

The Delines, self-labelled as “retro country soul” from Portland, Oregon headlined. With everything previous so hyped in the hamster wheel of my mind, it mattered not if this suited me, I could leave now, more than content. I couldn’t leave. I imagined myself off the lines, driving one of those poetic American roads, planning to stop off to drink my soul away at a roadside bar, but when you walk in a band playing in a back room is so inspiring you figure life is too short as they blissfully cure your blues. 

The Delines

This was gorgeous. Utterly brilliantly steady, smooth with no need to fire up, just drifting with narratives akin to Guthrie, jazzy and soulful as Springsteen’s early recordings and the Asbury Park scene, on a Gil Scott-Heron level, and topped with the honest banter of a band in their prime; there was no need for them to apologise for Trump, there’s two bridges between us, they can break the political one, but cannot ever do the same to the creative arts one. I wished my friend Chrissy could see this, this is what her band Burn the Midnight Oil should attain to, this was blended bliss, American music without borders.

Impossible for me to compare what Queen Victoria’s Golden Jubilee was like at Trowbridge Town Hall with the events now being run at it, but 7 Hills felt like it could’ve matched it, even without cherries cooked in flaming brandy, and the range of community events at the venue breathes positive new light into Trowbridge town centre. 

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JAZZ – Our Local Guide

Andy Fawthrop All That Jazz – Nice! D-Town certainly punches above its weight when it comes to providing a vibrant and varied music scene.  It…

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Devizes Acting Company to Debut New Show at Edinburgh Fringe 2026

A gameshow unlike any other is set to take local actors to the world stage. The Wharf Theatre is proud to present the debut of a brand-new show, “Whose Play is it Anyway?”

Set to enjoy a week-long run at the Edinburgh Fringe Festival 2026 from August 17th to the 22nd, this innovative original production offers a fresh perspective on contemporary storytelling, using a gameshow format to explore a range of devised, scripted and improvised pieces, many created by the talented cast themselves. As part of the game, each performance order will be left to chance, creating a unique experience every time.

Join your host, Barry Ruffles and his glamorous assistant, Jenny Flannel as they present 18 pieces of theatre in 50 minutes; all you have to do is guess the genre, playwright or year to win a speedboat, cuddly toy or a holiday for two on the Isle of Fernando! 

Prior to the Fringe, the show will preview at the Wharf Theatre, Devizes, running from 29th to the 30th May, Bristol’s Alma Tavern and the Shaftesbury Art Centre; giving West Country audiences an opportunity to experience the production ahead of its official festival run.

Whether you’re a seasoned Fringe attendee or a first-time visitor, Whose Play Is It Anyway promises to entertain. The show will be performed at the SpaceUK, located at the heart of Edinburgh’s bustling festival district. Tickets are available from [Ticket Provider] and can be purchased online or at the venue box office.

Lou Cox, director of The Wharf Acting Company, who perform & devised this show, is also taking her solo show, Having a Baby and The Sh!t They Don’t Tell You in Books, for a week at the Edinburgh Fringe. Inspired by the loss of her baby girl, Lou described the play as a “comedic and brutally honest one-woman show which gifts audiences an emotional, and at times highly entertaining, whirlwind of witty anecdotes and graphic storytelling, with an ending no mother could ever imagine.” And this one too will be performed at The Wharf Theatre, also running from 29th to the 30th May, of which the previous run was reviewed by Helen, HERE.

Whose Play is it Anyway (18+)
Having a Baby and the Sh!t They Don’t Tell You in Books (18+)

Early Bird Tickets go on Sale for Park Farm Music Festival in Devizes

If Devizes Scooter Rally has already established its base at Whistley Road’s Park Farm and Full-Tone are moving to these new pastures, last year the site saw a superb inaugural festival of its own making, Park Farm Music Festival, with the expert knowledge of the good folk who brought us Mantonfest. It’s happening again this year and looks set to be even better than last year; I kid you not! Early bird tickets went on sale today, and the lineup has been revealed; let’s poke our noses in and pretend summer is on its way, shall we?!

Starter for ten, Mantonfest is a longstanding cherished gem on Marlborough’s event calendar, a family friendly festival which has stood the test of time, and folk return annually like it’s a pilgrimage; you can rest assured you’re in good hands. I hailed Mantonfest as “the friendliest festival you’re ever likely to attend.” 

While Park Farm Music Festival may yet have to establish itself to the same level of excellence, last year’s first time was an absolute blinder, bringing a taste of Mantonfest to Devizes and leaving folk hanging on the hope this would become a regular extravaganza.

This year the stage is set again for Mantonfest’s house band, the awesome groovy vintage blues boys, Barrelhouse, but in essence the organisers are keen not to present something completely Marlborough; we’re in Devizes now, mucker, if we’re going to have blues we NEED Jon Amor to come along too! And they’ve answered this call, The Jon Amor Trio need no introduction to Devizes; I’m glad to see their name on the lineup, I’m certain all of the town will be too.

Onto the headliners, yes, it is tribute act top heavy, which works a treat for Mantonfest. In this you should note, the organisers do not skip on quality when it comes to tributes, all are tried and tested. I’ve bore witness to most of them, and will bet my pet budgerigar’s life that you’re in for a wonderful day. Last year there was an emphasis on hard rock, with astounding AC/DC and Nirvana tributes, while this year looks to have more universal appeal. 

If Queen tributes are two to a penny, despite being a tricky act to replicate, and some I’ve seen were great, One Vision played Mantonfest two years ago, and, just, wow, I’ve never seen it done with such quality, attention to detail and finesse as this one. I could definitely call this the best Queen tribute I’ve seen, perhaps in my top five of all the tributes I’ve seen.

Inferno, an Abba tribute I’ve not seen before, but it’s Abba, what could possibly go wrong? As I said, the organisers take no compromise when it comes to booking only the very best tributes, so, dancing queens, have no concern. The next two I have seen, Madness and Bad Manners tribute, Badness, and Slyde, as you might’ve guessed, a tribute to Slade, are both brilliant, for precisely similar reasons.

Slyde played a Christmas do at Marlborough College Memorial Hall, where support Barrelhouse were on fire, and Sylde polished off the evening with a plethora of, not only Slade hits but just about every seventies singalong pop hit I could imagine, with the sprinkling of glam only Noddy Holder could’ve brought to each classic. And it was Christmas, so he aptly called it, and yes, it was something to behold. If One Vision is on my top five, Slyde must also be.

Now, Badness, ironic name, there’s nothing bad about the performance, but only, perhaps in the way they will totally and utterly rule the audience with a spellbinding show of their own. They do not attempt to mimic Madness, like Slyde they offer a repertoire of classic hits from the era their homage was in their prime, only this time it’s obviously Two-Tone ska and new wave, and you will be skanking. Furthermore, you’ll be under no illusion Badness are attempting to precisely mimic Madness, they only pay homage to them, and are uniquely themselves, add their own spin to it, particularly with the most hilarious stage banter you’re ever likely to witness.

Has that tempted you? Because I’m getting excited just typing this recommendation! They’ll have a big outdoor stage, brilliant sound and lighting, plenty of room to dance, lots of trade stalls, a range of food and drink outlets and showers for those camping. They’ll be running a FREE shuttle bus to and from the The Bear Hotel hourly, gazebos and picnics are welcome, so too are campervans, caravans, and tents.

Early bird tickets are up for grabs: Adults – £30. Youth (Age 13-17) – £20. Child (Age 7-12) – £10. Under 7’s – Free. Campervans/Caravans – £30. Camping – £20. It’s on Saturday 18th July. Book HERE.

Swindon’s finest Chicago and Texas blues covers band Last Train Smokin’ are also on the fantastic roster, along with rock covers band Strange Horizons. Is it summer yet?!

Trending….

Jol Rose For Tomorrow

New single from Swindon’s finest Americana singer-songwriter Jol Rose, the kind of artist who’ll finish a song and leave a jammed pub in such…

Keep reading

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A Positive Week After Wiltshire Music Awards

All Images By Helen Polarpix

Best part of a week since Stone Circle Music Events’ Wiltshire Music Awards and I’m still at one thousand feet about what we achieved, and dealing with a cascade of feedback. While some of it has been appreciated constructive criticism, that crazy playground called social media is such that some comments have become unfair, misinformed or even blatantly untrue. I prefer to remain positive, thanks all the same! And here we are, beginning to see positive after effects of the whole grand shebang……

I’ve loved seeing winning and runner-up acts, if not just posting pictures and videos of themselves proudly grasping their trophies, but using their win as an accolade on gig posters and bios. If that’s not a positive outcome in a time when the whole hospitality industry is at its knees, I frankly don’t know what is. Try proving me wrong on this, I double-dare you and might even throw in a Twix for first prize!

There was also the whole “convention” side to the event too, which saw networking between musicians and venues, radio stations and promoters, and the general get-together of folk usually individually dispatched to their respective gigs on a weekend. I have already seen gig posters with added support acts who didn’t know each other before last Saturday, and radio plays for bands featured.

From my good friend Charlotte reuniting with Lifetime Achievement winner Peter Lamb, the producer who took her hopeful nineties girl band under his professional direction, to Fantasy Radio DJ, Mark Lister, who mentioned the awards on Scott Mills Radio 2 morning show, the attention the awards are seeing is phenomenal and the after effects are beginning to flourish.     

If Sunday’s piece was a reflection on the night as a whole and a statement of the issues we unfortunately faced. Let today be about our fantastic acts who performed, for that’s where sparks flew and obviously the nature of what we were celebrating.

Ruby Darbyshire

In order of appearance. Go on, admit it, you didn’t know the sublime Miss Ruby Darbyshire would be present, did you? I managed to not let the cat out of the bag about our opening special guest, despite my excitement!

At eighteen, Ruby is as her name suggests, a gemstone on our circuit. A multi-instrumentalist with bagpipes under her championship belt, a singer-songwriter with an exceptionally soulful voice which puts expression into her diligently crafted writing. Originally the plan was for Ruby to blow a tune of her own choice from her bagpipes and scoot off to another gig in Bradford-on-Avon, returning later in the evening. But we couldn’t let her go without at least another song, her magnum opus to date, Crowded Lightbringer, and then she played a second. It was the best opening ever, even if I was blindly operating the curtains like a bell ringer!

The Britpop Boys

Hey, honestly, I was a raver in the nineties and viewed Britpop as regressive, but I now see its worth and respect the succeeding generation who see them as classics. Being such, we see a lot of cover bands performing Britpop anthems, with varying degrees of skill. The Britpop Boys have been on my must-see list for donkeys but our paths hadn’t crossed before. I’m glad that’s sorted and sound, for they were off the scale brilliant and totally ‘avin’ it are kid.

I was sitting on the stage’s sideline in awe of The Britpop Boys, it could’ve been Madchester in 1996. The sound and appearance held me spellbound, and I felt I should write to The Oxford Dictionary to redefine the word “cool” as “see Britpop Boys!” Yeah, they did Wonderwall, of course they did, but if it’s a cliche cover choice for most, it’s because it’s a beautiful crowdpleaser, and had to be done given only three songs. The ultimate thing about this was, they knocked it out of the Corn Exchange and into the stratosphere; I’ve never heard it done with such attention to detail and precision to honour the original.

Burn The Midnight Oil

If I’ve seen one new band begin wobbly and develop over time I’ve seen a hundred. But Burn the Midnight Oil is one of my most favourite newcomers to the Wiltshire music scene, for the simple reason that it feels like they’ve been here forever, as their ability to deliver crisp blues-rock originals and stamp covers with their own divinity is something to behold. Like mobile phones, you think, how did we ever survive without Burn the Midnight Oil?!

It’s as if they honed their skills over decades and perfected the harmony of a classic rock band in their eighties which toured since their twenties, even if they might have, they did so individually, but that seam never shows. Their perfect performance proved this, it was nothing short of brilliant, fresh and invigorating, showing us what they’ve been working on, a beguiling harder rock sound; they look the part, they sound it too, I have high hopes for them.

Matchbox Mutiny

Ben was great as a soloist, Pat was too, together it’s a magical connection to charm the pants off a donkey. This cover act could easily work anywhere, from crusty cider festival to wedding reception, it’s got universal appeal. Their set was amazing, Ben might have accidentally hit me on the head with his guitar but they were awesome, and I’ve had worse on my rock n roll journey!!

It might’ve knocked some sense into me, but I know what I liked anyway, and Matchbox Mutiny are high on that list.

George Wilding

George went next, and yeah, this is where we had technical sound issues. Professional till the end, George worked through it, and as a stalwart spirit on our circuit, George is modestly legendary, for his back catalogue of sublime originals and new songs flourishing to his entertaining interactive solo covers show. See our mention of the warm up gig from Friday at the Three Crowns, if you don’t already understand why we love Mr Wilding!

Lucas Hardy

With various issues arising the evening was in need of a reset. I apologise, I announced an interval, thinking Lucas could prepare and we could hold a team talk. Just like George Wilding, Lucas is professional and motivated to the core. He came out like a boxer for a championship belt fight, psyched up for it and couldn’t wait for the bell! Therefore I attempted to recall the interval idea as quickly as possible, because Lucas Hardy was like a greyhound out of the trap! And what an outstanding performance, rinsed with sheer brilliance, Lucas is no stranger to award winning, it’s easy to see why.

Nothing Rhymes With Orange

As it was it was impossible to estimate how much time the award giving and other acts would take, I apologise if we wrongly assumed time was against us and lengthy speeches were deemed something unpredictable enough to encourage people to keep them short if at all. The original plan therefore was that our Devizes homegrown heroes, the teenage band which shook the rafters of this market town and deployed their exceptional talent to Bristol to further the phenomenon of Nothing Rhymes With Orange, were to play out until the end.

We finished earlier than expected, the barriers broke down, and there to help create a needed frenzy of excitement, ready and eager, was this successful Devizes export, for a hometown return like no other. Nothing Rhymes With Orange were mindblowingly fantastic before they left for Uni, now it’s a monster.

I was ecstatic to see the guys again, and they threw everything into their solid performance, as they always do. They return to Devizes for the Arts Festival, something we would’ve been singing from the highest tree about anyway, but after last Saturday, it’s surely unmissable.

I’ve given my thanks already, I’d like to do it again, to all our performing acts, for you made the ceremony, you furnished it with your brilliance, and that was what the night was always supposed to be about; cheers!

Wiltshire Music Awards: Results and Ups and Downs

Well, we did it! I sincerely hope you had a great night at the first Wiltshire Music Awards as we filled the Devizes Corn Exchange with a cross-section of people involved in the music scene of Wiltshire, musicians and fans. Positive feedback already, and a few teething issues, noted, which we must take onboard and learn from….

But for those who unfortunately couldn’t make it, I guess you are eager to hear the results. Let’s do this easy bit first! But before we do, I ask you, please, to take a few issues into consideration. Firstly, there was a monumental process to arrange, coordinate and launch during and also months prior to the ceremony. From the voting process and organisation of a panel of judges, to decorating the tables and corresponding all those trophies to each category.

So many volunteered their time to help with this, and we are extremely grateful to them. Overall, the management of the whole process and ceremony was carried out by Eddie Prestidge of Stone Circle Music Events. Eddie worked arduously on this project, and was dedicated to creating an extravagant event to be remembered. With the help of so many volunteers, myself included, stage tech and the staff of the Corn Exchange, I believe we achieved this to the best of our abilities, and a fantastic evening was had by most.

There should have been one more trophy, it should’ve been big, extra shiny, and presented to Eddie for his dedication and the tireless work he put into this. Exhausted, Eddie fell ill a few days before the ceremony, but strode through it the best that he could. The end result of this was that he was rushed into hospital a few hours prior to the conclusion of the ceremony. I have heard from him this morning, and he’s doing okay.

If you witnessed me on the sideline, rushing up and down the stairs like a headless chicken, it wasn’t my step aerobics workout, it was because I was honouring my part as co-host on stage but attempting to coordinate the floor as well, as best as possible, as Ed seriously needed to take a step back. Whilst the beginning therefore went to plan, as the evening progressed we stumbled on issues, but I ask you to please take this into consideration if you’re intending to criticise the evening on social media. I apologise for any breakdowns in communication, but the condition was out of our control and we strived through best we could.

Results

The results, then. Congratulations to everyone who bagged an award, commiserations to those who did not. To those unable to attend, we have trophies reserved for you and will arrange the best way to get them to you as soon as possible.

Best Venue. Sponsored by Pat Robertson of Trowbridge Motor Supplies ltd.

Runners Up: The Royal Oak, Pewsey. The Vic, Swindon.

Winner: The Three Horseshoes, Bradford-on-Avon.

Best DJ: Sponsored by Mark Anthony Burdge.

Runners Up: Maurice Menghini – DJ Mister M. Mark Lister of Fantasy Radio.

Winner: Paul Alexander of Solstice Sounds, This is How We Do It Entertainment.

Best Drummer.

Runners Up: Tom Gilkes. Callum Rawlings.

Winner: Jamie O’ Sullivan.

Best Bassist. Presented by Alex Morgan of Waldrop Salisbury Sounds.

Runners Up: Nick Gorman. Nick Beere.

Winner: Mark Turner.

Best Guitarist.

Runners Up: Alastair Sneddon. Nick Beere.

Winner: Jolyon Dixon.

Best Duo.

Runners Up: Jolyon Dixon & Rachel Sinnetta. The Sylvertones.

Winner: Matchbox Mutiny.

Best Covers Band. Sponsored by Simon Woolley of The Three Crowns, Devizes.

Runners Up: Pinky & The Slapcats. The Unpredictables.

Winner: The Brit-Pop Boys.

Best Original Band: Sponsored By Peggy-Sue Ford of Don’t Stop the Music on Swindon 105.5 Radio.

Runners Up: Nothing Rhymes With Orange. Burn The Midnight Oil.

Winner: Talk in Code.

Best Tribute Act.

Runners Up: Painted Bird. BC/DC.

Winner: Mick Jogger & The Stones Experience.

Best Female Artist.

Runners Up: Sammi Evans. Rosie Jay.

Winner: Ruby Darbyshire.

Best Male Artist. Presented by Lesley Scholes of Fantasy Radio.

Runners Up: Lucas Hardy. Vince Bell.

Winner: George Wilding.

Best Original Song.

Runners Up: I Don’t Give a Damn by Rosie Jay. Do I Really Have The Blues by JP Oldfield.

Winner: All In by Talk in Code.

Best Instrumentalist.

Runners Up: Ruby Darbyshire. Andrew Hurst.

Winner: Jolyon Dixon.

Rising Star New Comer.

Runners Up: Ruby Darbyshire. Rosie Jay.

Winner: JP Oldfield.

Best Vocalist.

Runners Up: Chris Stevens. Lucas Hardy.

Winner: Rachel Sinnetta.

There were four special awards given out on the evening which didn’t receive runner-up places as according to the information given to the hosts. If there was an oversight about this, we apologise.

Outstanding Contribution to The Wiltshire Music Scene was won by Colin Holton of Salisbury Live.

Outstanding Contribution to Music in the Community was won by Jo Baines Robbins.

A Special Award was given to Wiltshire Hop & Harmony, The Wotton Bassett Dementia Choir. The Second Special Award was presented to Brian Mundy of BMS Stage Tech.

A Lifetime Achievement Award was presented to Peter Lamb.

Ruby Darbyshire opened the evening with a bagpipe song and two others, as a surprise special guest.

We also had live performances from Nothing Rhymes With Orange, Burn The Midnight Oil, Lucas Hardy, Matchbox Mutiny, George Wilding, and The Britpop Boys. Due to technical issues, Jolyon Dixon and Rachel Sinnetta were unable to perform.

I would like to sincerely thank our panel of judges.

And, Ruby and Brian Darbyshire

The Britpop Boys

Burn The Midnight Oil

Matchbox Mutiny

Lucas Hardy

Jolyon Dixon & Rachel Sinnetta

George Wilding

Nothing Rhymes With Orange

Sponsors:

Val Bewley VB Arts Studios

Alex Organ Wardrop Salisbury Sounds

Colin Howton Salisbury Live

Pam Robertson – Trowbridge Motor Supplies

Simon Woolley – Three Crowns, Devizes

Peggy-Sue Ford – Swindon 105.5 Radio

Mark Jones & Lesley Scholes- Fantasy Radio

And a sponsor and our host DJ Mark Anothony and wife Sandra.

Thanks to Anya and Marc of Soupchick.

To Ian and all the staff at the Corn Exchange

To Brian Mundy and BMS Stage Tech.

To everyone who got behind this, I thank you.

Anthony & Jemma Brown for helping us set up.

Charlotte & Moray MacDonald for help on the front desk. 

But massive thanks goes to Eddie Prestidge and Stone Circle Music Events

And finally, thank you for coming, supporting the local live music scene.   

Five Years in the Cotswolds: Lawton & Mack’s Breathtaking Debut Album

When I put together the 4 Julia’s House compilation albums a few years ago I decided I shouldn’t pick favourites out of the eighty-one songs donated, but if I had to, it would’ve indisputably been Atlantic O by Will Lawton and Ludwig Mack. With the ambience of the gods, this track is such a soothing sentimental earworm it makes you go all tingly as it drifts like a lost ship on the sea. Now the duo have released a debut album, matching the sublimity of Atlantic O. The story behind it is of an absorbing coincidence, and its unique marketing is equally as genius as the music….. 

At the time I was aware of the virtuosity and diversity of Malmsbury musical magician, Will Lawton, from solo performances and fronting The Alchemists. At the time he sent the tune for the project he briefly explained Ludwig was an Argentinian musician he had been working with, but their connection is far more complex and is explained in the book to the album, which is in turn, currently the only way to hear it. 

A story of serendipity expressed earnestly through a 36-page hardback, which continues to detail the thought processes of the album, each individual song, and the musicians which accompany them along the titled journey Five Years in the Cotswolds. Then, on the back cover there’s a QR code to scan, leading you to streaming options; I suggest you do, your ears will love you forevermore.

Enticed by the lure of English music, and his European travelling plans cut short by the pandemic, Argentinian musician Ludwig Mack arrived in the UK from Spain a day prior to lockdown. He had already connected with Will via Instagram, not realising when he settled in Hullavington he was coincidently only a few miles away from Will’s home. They jammed together, the song Atlantic O, and within a year produced the EP Heroes.  

Ludwig explored the UK, and found work whether he could, whilst Will continued with family life, his band the Alchemists and his employment as a music psychotherapist. But Ludwig often dropped in to see Will, and it was inevitable this project would blossom like the opening tune, aptly Blossom, a tender springtime daydream contrasting aging with memories. It’s as majestic as the morning chorus, and includes a naturally sourced one too.

The fabric of this album continues on this theme, indeed Songbird follows suit into the most gentle flow of concentrated bliss. It’s the first single released this Friday (10/10) of the goodness of nature rather than society’s machine, unhinged and timeless piano-based folk, and celebratory of the glory wildlife in all its splendour, wrapped in the warmest serenity. By its very composure it defines the sum of all this goodness and shapes a heart in your mind; if an album was a wander through a springtime meadow, this is a stroll to remember.

It comes as no surprise Will is a music psychotherapist, if the vocation is to improve wellbeing, increase happiness and overcome issues. One listen to Five Years in the Cotswolds is the best remedy. Ten solid tunes, all the like to make the little hairs on the back of your neck stand to attention. There’s few artists able to accomplish this, I could cite many, from Bill Withers to John Denver and you will contemplate your favourites when this caresses your senses.

The album lifts with euphoric pace at God’s Plan, and I’m left thinking of Marvin Gaye’s What’s Going On as its aperture opens the album to a similar width of beauty. From the guitar chimes of November to the quirkiness of the bluegrass-esque Walk Each Other Home, and from the amorous ambience of Clouds to Freya Everest’s haunting vocal range on I Noticed, this album continues flowing on the theme as a paragon, never meandering off course.

Its production is as crisp as autumn leaves, the arrangements are like sunlight. The composition is a Vivaldi, its versification is W. H. Davies’ Leisure, the musical expression of a Monet, a pilgrimage to a Constable masterpiece, or all of these wonders capturing the beauty of nature equally combined and consumed, it really is this breathtaking. Devizine

Its production is as crisp as autumn leaves, the arrangements are like sunlight. The composition is a Vivaldi, its versification is W. H. Davies’ Leisure, the musical expression of a Monet, a pilgrimage to a Constable masterpiece, or all of these wonders capturing the beauty of nature equally combined and consumed, it really is this breathtaking. 

Bath’s producer and musician, Rob McLeod, aka Mac Lloyd, Spanish multi-instrumentalist Guillem Mitchel, London based jazz singer-songwriter and producer Freya Everest and drummer Tony Partridge who met Will at Schtumm in Box, are the other collaborators behind this enchanting project, alongside composer and arranger Benjamin Lawton, Will’s son.

Streaming platforms are held off until next year on this, the book to Five Years in the Cotswolds is the album’s only current access point, and is available on their website, and at upcoming gigs, The Castle, Swindon on 16th October, and Pound Arts in Corsham on 6th November, details of which are also on their website.

Will Lawton & Ludwig Mack

Trending……

Book Review: Dave McKenna’s Death Wish

It was back in March last year when I last mentioned Devizes author Dave McKenna, reviewing his debut, The Killer & The Catalyst. He’s returned with…

My Reflection on the Fate of Carnivals

It’s Saturday morning on the 13th July 1985, and there’s a dilemma brewing in my household I’m indifferent with. I’m twelve, aware I should do…

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Stranglers Frontman Hugh Cornwell Coming To Cheese & Grain

Image: John Kisch

Legendary songwriter and original Stranglers frontman Hugh Cornwell has announced a run of UK dates this November, accompanied by special guests The Courettes, and it includes Frome’s Cheese & Grain on Saturday 15th…..

Golden Brown, Strange Little Girl, Always The Sun… sound familiar? All big hits, all great songs, all penned and performed by Hugh Cornwell, the songwriter behind the legendary early eighties punk band The Stranglers. 

 When future historians of music draw up a list of the movers and shakers who changed the modern musical landscape, Hugh Cornwell’s name will no doubt be amongst them. As a pioneering musician, songwriter and performer, his pervasive influence persists in the record collections of music aficionados, across this spinning globe’s radio waves, and on stages around the world. Hugh’s presence is unquestionable.

 As the leader of The Stranglers, Hugh was the main songwriter of all of the band’s most memorable songs across ten stellar albums. After their 1977 debut Rattus Norvegicus, follow-up albums such as No More Heroes and The Raven consolidated Cornwell’s stature as a unique songwriter and musician. His multi-layered lyrics to Golden Brown, from La Folie, remain a songwriting masterclass.

Hugh embarks on his Come And Get Some tour in November, appearing at Frome’s Cheese & Grain on Saturday 15th. A full band show with Stranglers choice cuts and solo delicates, plus support from The Courettes, an explosive group from Denmark and Brazil. With Flavia Couri on vocals and guitar and Martin on drums, they provide the perfect blend of Wall of Sound, Girl Group Heartbreaks, Motown and R&B. Imagine the Ronettes meeting the Ramones at a wild party in the Hitsville echo chamber, that’s the Courettes!

“Cornwell’s still doing things his way and often with striking results,” said Mojo, “Thunderously tribal garage rock… the ex-Strangler not yet gone soft,” Uncut provided. 

Kicking off at Epic Studios in Norwich on 6th November, Hugh Cornwell will be playing favourites from his time with The Stranglers as well as a range of solo material, including his 1979 album ‘Nosferatu’ in full. The record saw Cornwell teaming up with Captain Beefheart’s Robert Williams to create a record as gothic as the film it takes its name from.

Throughout November, Cornwell will make stops at beloved venues up and down the country including Hangar 34 in Liverpool, Concorde 2 in Brighton and Islington Assembly in the capital. He’ll be joined on the road by retro-inspired punk rock duo The Courettes, helming from Denmark and Brazil. 

Tickets are on sale HERE

Hugh Cornwell UK 2025 Live Dates

6th Nov – Norwich, Epic Studios

7th Nov – Holmfirth, Picturedome

8th Nov – Liverpool, Hangar 34

13th Nov – London, Islington Assembly

14th Nov – Coventry, Warwick Arts Centre

15th Nov – Frome, Cheese and Grain

16th Nov – Brighton, Concorde 2

20th Nov – Glasgow, St Luke’s 

21th Nov – Dunfermline, Carnegie Hall

22nd Nov – Newcastle, Digital

Ann Liu Cannon’s Clever Rabbits

Ann Liu Cannon is the Marlborough success story I hadn’t heard of until yesterday; thanks to local promoter and frontman of the Vooz, Lee Mathews for the tip off! Her debut album  Clever Rabbits was released today, and it’s a must…….

Brit Award winning Paul McCartney and Tom Jones producer Ethan Jones spotted Ann Liu performing at Camden’s Spiritual Bar, leading her to a publishing deal with BMG. Ann, who now lives in London, represented Whispering Bob Harris at The Great Escape and Black Deer Festivals, featured on Beans on Toast’s stage at Bearded Theory and on his UK tour. She opened for Lewis Ofman in Mexico, played prestigious venues like The Clapham Grand and The Hotel Cafe Hollywood in LA, but delighted to tell me she schooled in Marlborough and grew up in a nearby village; and I thought St John’s girls just sat around the Priory Gardens smoking menthols!

Okay, calm yourself. That was just an eighties joke, and you know this! But remain calm for Clever Rabbits because it’s a breathtaking ride, a tapestry of Anglo-Celtic folklore, sacred texts, sonic binaries of modern digital synthesis and Ann Liu’s classic singer-songwriter roots. “I am the rabbit that knows how to kill the hill, and I have only just begun,” she expressed. 

Experimentally playful, with two piano-based ballads opening Clever Rabbits, there’s an ambience of musical theatre about them, then with an irresistibly simple drum and bass the title track runs akin to a Mardi Gras iko-iko chant. Lost Ways has the shuffle of South America rhythms, and we’re halfway through these ten uplifting masterpieces with a bittersweet psychedelic swirl called Tangle.

No You Don’t is acoustic blues with a hint of lounge jazz, as gorgeous as the ultimate Norah Jones song. Another tune in, and rather I’m now pitching this alongside Joni Mitchell; it’s that strong, naturally raw, and yeah, folk, fundamentally.

The album continues in a similar fashion, uplifting jazzy folk under sublime soundscapes and broken wonderfully with snippets of humorous band banter, which usually are outtakes. It lifts in tempo with False Hope, and chills for the penultimate Movement of Standing Stones, which builds in layers of atmospheric spiritual ambience, and finally a minute and half of bizarre with Gobbleknoll, breaks the concept this isn’t really a book by Richard Adams and Ann Liu is not a rabbit after all!

Exploring limits of prescribed identity in a timeless, brave and sensitive challenge of the zeitgeist, the album is inspired by a Chinese idiom “clever rabbits need three burrows,” and the imagery of three rabbits found in Devon’s churches and China’s caves. Clearly, with profound narrative, you would need to dive deeper into this warren to explore. After one listen, though, you will feel it criminal not to. Everything in this melting pot of influences is subtle, the overall feel is a mellowed thoughtful prose sitting somewhere between the exploratory of Kate Bush and punch of Alanis Morissette, both jamming under the aura of Steeleye Span. 

This isn’t an album for streaming. This is a take my money album. The attention to detail is divine. The unedited recordings’ background goings-on authentically puts you in the room. In promoting it, Ann Lui revealed the backstory. “When I was ten,” she explained, “my father gave me records by Ethan. When I turned 21, I got a call from Ethan after Raf sent my music to him. We began capturing these songs, and my father began dying. Today I turn 26, my father is dead, and the record is born.”

“In the first 25 years I found powerlessness in slow, bad, unwanted death. In limbos and dependency. I found power in wilful endings. In choice. Love ran underneath in a welcome riptide, contextualising the hurt and loss. I nursed wounds, read my stories, read other people’s stories, broke away, reflected, mourned, rejoiced, set free. The first quarter century has been about endings, leavings, dying, and dying well. This album is a good death. The bin men are smiling. I am smiling, too.”

A launch for Clever Rabbits is at London’s Lexington tonight. Ann Lui returns to her roots, as she regularly does, with an Instore at Sound Knowledge, Marlborough on Thursday 17th July at St. Peter’s. Entry is FREE but please do let them know to expect you if you’d like to attend, or pre-order a copy of ‘Clever Rabbits’ from them to guarantee your place.

LinkTree Website

Striking Photographic Portrait Exhibition Celebrates Five Years of Impactful Creative Work with Older People at Wiltshire Music Centre

If you’ve popped into Wiltshire Music Centre recently; for a concert, workshop, screening or even a meeting, you might have noticed changes in the foyer: recorded music, the cafe-bar open at peak times during the day, and currently, a striking photographic exhibition of black and white portraits…..

The ‘Men in Conversation’ exhibition presents portraits of members of the Trowbridge Creative Conversations Men’s Group, a creative arts and heritage group for men aged 65+ held in Trowbridge Library. Facilitated by professional artist practitioners, Creative Conversations sessions bring together isolated older people to share their experiences and creative ideas in a friendly and welcoming environment. So, when Stuart Brook, one of the members of the Trowbridge men’s group shared his interest in photography, it wasn’t surprising that it inspired the participants to take portraits of each other. The results were so impactful, uplifting and moving, that they’re now on display at Wiltshire Music Centre until the end of July, before moving to Trowbridge Library, all made possible by funding from The Trowbridge Town Trust.

The free-to-visit exhibition contributed to a Celebration event, marking the impact of the Celebrating Age Wiltshire partnership from 2020-2025. The event, attended by partners, funders, artists and community champions, showcased some of the many outcomes achieved through this project, funded by the National Lottery Reaching Communities Fund. Artworks, as well as the exhibition included songs, spoken word, and art and heritage pieces, introduced by Creative Producer, Rebecca Seymour.

It was an opportunity for Wiltshire Music Centre to thank everyone that has contributed to this project to this point, including funders, The National Lottery Reaching Communities Fund, Wiltshire Council Area Boards, Town Councils, Wiltshire Community Foundation, Arts Council England and other Trusts and Foundations. Partners, Pound Arts, Wiltshire Creative, Wiltshire & Swindon History Centre, AgeUK, Wiltshire Council and Libraries and Community First, Creative Producer Rebecca Seymour and our staff team, volunteers, community champions and community organisations past and present, and, of course, the sixty-five artists!

In August, Wiltshire Music Centre will hand over the leadership of this award-winning, county wide project to AgeUK Wiltshire, who will continue to reach isolated older people through creative arts and heritage events and workshop groups. We look forward to continuing to partner in this incredible project, as it continues to grow. 

More Information HERE

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Lions, KITT, Moonrakers and a Whiskey River; Sunday Stroll Around Devizes

If it’s good enough for Knight Rider it’s good enough for me. I see the Hoff ditched his Knight Industries Three Thousand on the Green for a stroll around Devizes on Sunday. He probably found a crusade to champion the cause of the innocent in a world of criminals who operate above the law, whereas I ended up at the British for a scrumpy or three….

Image: Simon Folkard Photography

Unlike some guys who act like Spongebob Squarepants on his tenth bag of Haribo at Chessington World of Adventures, I can only get yay excited about a car show. But Devizes Lions do it with cherries on… and debatably false advertising. There were no lions on the Green, but it was Lions on the Green this Sunday past, an annual free fete/car show crossover which never fails to appeal universally; kids nag mums for Rowdey Cow ice cream while dads furiously argue for three hours with a total stranger in sandals that the Mk2 2.8 Injection Granada handles better than the Mk1 with a 3.0 V6 engine.

Image: Simon Folkard Photography

I browse unacquainted with such matters, unfazed by contemporary cock extensions, but in admiration of vintage, retro cars and those with a movie reference attached. Every local from MP Brian Matthews to Pete of Vinyl Realm, and outsiders like Marty McFly have brought their big boy toys along to display, as Fantasy Radio blast Gary Numan. It’s a sunny morning, it’s a lovely occasion, it’s raising funds, and there’s nothing to dislike about it. 

Image: Simon Folkard Photography

Cars ticked off, hot dog and an extended conversation with a detectorist who’d discovered a variety of civil war shots and cannonballs on Roundway, if the Lions on the Green is a great and unbroken walkthrough event it coincided with Crammer Watch Day further along on, at the Little Green.

With long term solutions outstanding for unsafe conditions for wildfowl on the Crammer, there appears to be a far more communal tenet between concerned residents and the council compared to the outcry a few years ago, and this day was intended rather to celebrate the Crammer than address expensive possible solutions. As it stands, the simple fix is to raise public awareness that the only escape route for swans is across the roadside and they should apply caution when driving through….please.

With live painting from the Lawrence Arts Society, stands from the RSPCA, Sustainable Devizes and hosts Friends of The Crammer, conservation was a topic, if overshadowed somewhat by historical tomfoolery, which was something new to the day and personally my highlight.

Image: Simon Folkard Photography

A random team of amateur thespians, some from the Wharf Writers Group and others along for the giggle and wearing of knitted beards, staged a short promenade satirical play “reenacting” the fable of the moonrakers, aptly at The Crammer. The premise didn’t sound so inspiring to me, and I thought I might have to hold my tongue. The actuality surprised me, it was absolutely brilliant!

Image: Simon Folkard Photography

Pythonesque humour delivered with skill on a local legend, deliberately naff props such as a paddling pool for the pond, and astutely scripted silliness, it was indigenous and hilariously original.

Image: Simon Folkard Photography

Authenticity deliberately skewed for amusement; they couldn’t have done this anywhere else but here, the setting of the beloved fable, which is amusing enough without the added gags. Francis Grose was a witty Victorian chubster and nothing more needs to upset the applecart about the origin of the moonrakers, as this wasn’t intending to proclaim historic fact checking rather to amuse, which a country gent in Harris Tweed with a carrot in his mouth pretending to be a donkey will inevitably achieve.

Image: Simon Folkard Photography

I don’t know where the Hoff got to, but he missed a rarer treat than reuniting with Pamela Anderson for a titillating slow-motion beach jog. Oh, and a whistle stop to Morrisons was a let down culturally compared to what was outside. Along the road I shrug at a classic bus, for its appearance would’ve been more expected trekking the Sahara than parked outside the faithfully traditional British Lion, and there was no explanation for it being there.

Nevertheless I’m one step away from the bar, pondering if there’s one thing expected in Devizes: it’s that The British Lion doesn’t change, because it doesn’t need to. With Devizes Arts Festival is full swing, they’ve arranged a Cwmbran roots trio called Whiskey River to play us some of their sublime classic rock covers, Celtically, with a deep southern Americana twist, as a free fringe event; I cannot argue with this.

Devizes live music aficionados amassed and were thankful, as if they needed an excuse for a pint and fundraising burger from the barbecue. The British Lion is a fond institution, Whiskey River was a great break from our usual circuit, The Lions put on a brilliant and well organised family event, Crammer Watch added to an already great day and those awesome actors with rakes did make us laugh as promised.

It was all too much for me, the White Bear and Southgate continued the music, but I needed a little lie down, while our roving reporter Andy outdone me, partying like Prince in 1999, so I’m also putting up his account of weekend adventures for it’s fuller, far more informative and factually accurate than mine, even if it doesn’t mention Pamela Anderson, because really, she didn’t show. Devizes though, doesn’t need Pam, the fun never stops here, Sunday proved it.

Image: Simon Folkard Photography

Hannah Rose Platt’s Fragile Creatures

If Whitney Houston set a benchmark for female vocalists many did before her too, but while others were influenced by them, they never felt obliged to attain a sound precisely mimicking them, as, it seems to me, many modern female singers striving for pop success do with Whitney’s. And when they do, it sounds, well, manufactured and impassive. A Liverpudlian now residing in Bristol, Hannah Rose Platt releases a concept album tomorrow, Fragile Creatures, of which I’d compare more to like of Kate Bush, whereby Hannah can weave beautiful tapestries, adapting her voice to reflect the sentiment of her narrative, mood and style of the track; and there’s a lot going on in Fragile Creatures….

It is undoubtedly a concept album, anatomising the complex relationship between women and medicine throughout history. It explores how antiquated myths and misconceptions in the pursuit of science have impacted female health, while creating countless injustices and inequalities. If this comes across sounding more akin to a poignant lecture, Hannah Rose Platt shifts between a collection of musical influences to imprint her wisdom, causing Fragile Creatures to be an altering and compelling journey of prowess and refinement.

It opens introductorily with a spoken word sample of Helen Andelin’s Fascinating Womanhood, a controversial sixties manual encouraging women to uphold their conventional marital role. Ataraxia is as calming as the meaning of its Greek philosophical title, ambiently floating over an acoustic guitar riff and drumbeat, musically reflecting on Diazepam-flavoured tranquillity, as if conformity to the sample will land us all in a world to make Aldous Huxley quiver. In this, Hannah’s voice is bitter, eerie, to convey the point.

But by the second tune, Curious Mixture, a drifting acoustic vibe, Hannah’s voice is as silky and smooth as Kylie, which shifts to a sharper more indie-punk feel as the songs progress. There’s a definite Bristol trip hop scene there too, causing me to consider Portishead as an influence. By the fourth tune we’re blessed with the most gorgeous ballad to Mary Magdalene, reminding me of Daisy Chapman’s folk angle. It’s at this conjunction I realise Hannah is reciting her deepest thoughts and observations on the theme, historically, and they’re gender ecumenical rather than bitter stabs of feminist vendetta. I didn’t feel under attack as a guy listening to this, provided I ponder the meanings Hannah so poignantly expresses.

This is eleven tracks strong, melding myths of pseudoscience, superstition and patriarchy with medicine and chronicles of the resilient and defiant women who unyieldingly fought for equality and autonomy. At times it’s Kate Bush vocalising for Massive Attack, as is the tune The Yellow Wallpaper, at others, such as La Grande Hysterie, it’s a contemporary Alanis Morissette’s Jagged Little Pill covered by Siouxsie and the Banshees. It ends playfully like musical theatre, but penultimately is horrific and beautiful in equal measure.

The album is a themed anthology. Each song has its own narrative, weaving into each other. From the tale of Anne Greene, accused of infanticide under the Concealment of Birth of Bastards Act, and pardoned after being revived from hanging to reflections on the health gap that lingers to this day. There’s so much more I still need to discover exploring its sheer brilliance as a concept and how the music compliments it.

Hannah explains the concept, “This record is both an offering and a tribute to female pioneers in medicine; and an endeavour to honour, and give voice to, the unsung heroines in the history of our health. What struck me most during the research and creation of this album was the deeply ingrained, sinister nature of myth and misconception surrounding women’s health, and the harmful, cyclical dismissal of experiences; decade after decade, century after century, often reinforced by outdated and dangerous practices. My hope is that listeners will not only be intrigued by these stories but also inspired to dig deeper and empowered to challenge the systems that have long ignored or misrepresented women’s voices, as this dismissal remains so prevalent today.”

At this I could agreeably sigh, like any poignant art which usually preaches to the converted those who really need to take heed of its message will likely overlook it. Nevertheless, if others cite Fragile Creatures as the work of an upcoming artist, I’d favour to compare the depth and production of this fantastic album to Dark Side of the Moon. And with that the right audience might spare its lesson a thought. A high but deserved accolade, in considering it took Pink Floyd seven albums to accomplish this magnum opus, when this is Hannah Rose Platt’s second; what comes next will be astounding because Fragile Creatures is a sublime keeper.

The advance single Curious Mixture is out now. Full album is released tomorrow (April 25th) via Xtra Mile Recordings and mastered at Abbey Road, with production and playing from Ed Harcourt. Launch party is Friday 25th at Rough Trade, Bristol.

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Weekly Roundup of Events in Wiltshire: 24th-30th July 2024

Jam-packed July! If there’s always lots to do throughout the year, July especially so!  Here’s what we’ve found in the wilds of Wiltshire this coming week….

Everything listed here is on our event calendar; go there for links and more info, as it takes too much time to link them all in. It may also be updated as more events come to our attention, so check in later in the week too!

Ongoing: A Wiltshire Thatcher: A Photographic Journey Through Victorian Wessex runs at Wiltshire Museum, Devizes, until the end of August; review here.

Marlborough Open Studios is running until 28th July. 

Wednesday 24th

Acoustic Jam at the Southgate, Devizes.

James Morton’s Groove Den at the Bell, Bath. Edinburgh Previews at The Rondo Theatre, Sophie Duker & Garrett Millerick.

Thursday 25th

Womad opens its gates, for some very lucky people!

Open Mic at the Crown, Aldbourne.

Free Music in the Foyer of the Neeld, Chippenham from 7:30pm with Meg, and Kane Pollastrone

Mark Thomas’s Gaffa Tapes at Pound Arts, Corsham.

Loonaloop at The Beehive, Swindon.

Edinburgh Previews at The Rondo Theatre, Bath, Chloe Petts & Katie Norris. The Peter Gill Live Rock ‘n’ Roll Big Band at Chapel Arts.

Children’s author Michael Rosen is at the Cheese & Grain, Frome.

Friday 26th

The Unpredictables at The Raven, Poulshot.

Kenavon Venture Music Night at Devizes Wharf. Guided Tour of the Lost Pubs of Devizes with John Griven. Devizes Scooter Rally opens for the weekend. Full Tone Festival: Six on the Green with NRWO & Ruby Darbyshire, Fulltone opens officially on Saturday.

Glamarama at The Crown, Aldbourne.

Trowbridge Festival opens. Be Like Will at The Red Admiral, Trowbridge.

The Bookshop Band at Pound Arts, Corsham.

Nin UK, Korn Again and the Spouky Kids at The Vic, Swindon. Prime Youth Theatre’s Grimm Tales at Swindon Arts Centre opens and runs until 27th July. The Ultimate Classic Rock Show at the Wyvern Theatre. KillerTones at The Moonrakers, Swindon.

Death is a Girl at the Three Horseshoes, Bradford-on-Avon.

Little(ish) Women at The Rondo Theatre, Bath. Dan Whitehouse – A Night Of Glass at Chapel Arts.

Heathen Apostles at the Tree House, Frome.

Flocksteady Live at The Baa, Salisbury, with Captain Accident & the Disasters headlining. 

Saturday 27th

FullTone Festival continues in Devizes. Devizes Scooter Rally continues in Devizes. The Roughcut Rebels at The Three Crowns.

Trowbridge Festival continues.

Calne Bike Meet.

The Hardcore Troubadours at The Crown, Aldbourne.

The Red Bstrds, Hometown Devilry & Dee Dee at The Old Road Tavern, Chippenham.

Kiri Pritchard-McLean: Peacock at Pound Arts, Corsham.

Modern Evils at The Vic, Swindon.

41 Fords at The Seven Stars, Winsley. The Fortunate Sons at the Three Horseshoes, Bradford-on-Avon.

Edinburgh Previews at The Rondo Theatre, Bath: Sara Barron & Jonny Pelham. Mark Thomas: Gaffa Tapes at The Rondo Theatre. Matt Joe Gow at Chapel Arts.

Heathen Apostles at the Tree House, Frome.

Bristol Comic & Gaming Con

Sunday 28th

Guided Tour: Heritage Walk of Devizes with John Griven. Red Sun at The Southgate, Devizes.

Potterne Festival

Owl Fest: Wiltshire Blues & Soul Club, Lacock.

Chippenham Morris Dancers at The Barge, HoneyStreet.

Summer Festival Brunch at Civic, Trowbridge.

Barton Street Regulators at the Three Horseshoes, Bradford-on-Avon.

Simon Kempston & Jake Puntis at Schtuum in the Queen’s Head, Box.

The Dom Dilemma at the Bell, Bath.

4 of Hearts at Richard Jefferies Museum, Swindon 1pm. Marlborough Academy of Dance and Drama at the Wyvern Theatre, Swindon.

The Mayor of Salisbury’s Birthday Bash at Salisbury Market Place.

Monday 29th

Family Workshop: Victorian Portrait Photography brought to life! at Wiltshire Museum, Devizes.

Tuesday 30th

Summer African Jazz Session at Jazz Knights, Royal Oak, Swindon.

Chris Murphy & Barney Kenny at the Bell, Bath.

Important note: events which come to our attention from now on, will be updated on the Event Calendar and NOT HERE. So, be sure to check in from time to time, use the Event Calendar to find more info on everything listed on here, and for ticket links, etc. Use the Event Calendar to check for updates and planning ahead.

Did we miss you out? Did you tell us about your event? It’s not that we don’t like you, it’s because Devizine uses many sources to collate these listings, and sometimes we miss a few things. Listing your event here is free, but please make it easier for me by messaging or emailing the info, and then, and this is the really important part, make sure I’ve added it and let me know if not!

Have a good week!

What’s Occurring…..

Deadlight Dance New Single & Video

New single from our gothic duo Deadlight Dance, taken from March’s album Vox Populi…. Second tune on the album, a ballad to the poisonous evergreen shrub…

Brian on FullTone Festival

Our regular historian and Visiting Research Fellow of The Regional History Centre, UWE Bristol, Brian Edwards takes some time to sketch the FullTone Orchestra ahead of…

The Grand Return of CrownFest

The first week into July, and two local festivals of five ticked off! CrownFest went down a hit with those who attended this fantastic reputation repair…

An Update on our Postcard Criticism

Earlier today I published an opinion piece on the postcard sent by someone at Devizes Town Council to the Department for Culture, Media and Sport, for…

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